Ažurirano: октобар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 18 dela Lo Spagna u našem katalogu
Ukratko
Ako znate bilo koju sliku koju je stvorio Lo Spagna, to je verovatno Saint Catherine of Siena (1512), koja se nalazi u muzeju Art Institute of Chicago, Čikago. The Agony in the Garden (1502) i The Dead Christ Supported by Two Angels (1487) dopunjuju tri dela koja ljudi odmah prepoznaju. Naš katalog sadrži 18 dela umetnika Lo Spagna. Ispod su 18 najpoznatijih dela, sa informacijama o godini nastanka, mestu gde se mogu pronaći i onome što ih čini posebnim.
In this portrait, Lo Spagna presents us with Saint Catherine of Siena. The figure before us is Catherine Benincasa of Siena, a woman whose spiritual life was defined by her affiliation with the Dominican order. She moves through the scene as a mystic, a person whose existence was marked by profound visions. History remembers her as one of only two female Doctors of the Church, a distinction that lends her…
The Agony in the Garden is a painting by Lo Spagna. This work is an oil on wood, measuring 60.3 × 67.3 cm. The subject matter of the piece is based on the Gospel of Mark (14: 32–43). The composition depicts a specific biblical scene through the medium of oil on a wooden support.
In this quiet religious art piece, titled Christ Crowned with Thorns, we encounter a profound depiction of Jesus Christ. The work is attributed to the hand of Lo Spagna, an artist who moved through the landscapes of Umbria and the Marches. His presence in Perugia and his subsequent connection to the workshop of Perugino helped shape the subtle, sculptural quality seen in this portrait. It is a work that demands…
Altarpiece of the Virgin with Saints Agatha, Stephen, Francis and a Martyr SaintMuseu Nacional d'Art de Catalunya
Nabavite ručno oslikano od $500 →
The Virgin and Child with Saints Nicholas of Tolentino and Catherine of SienaNational Gallery of Ireland
Naručite ovo delo od $250 →
Sienese Government Officials Receiving an EmbassyBarnes Foundation
Nabavite ručno oslikano od $500 →
Četiri teme koje se najčešće pojavljuju u ovim delima, svaka sa svojim najpoznatijim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Lo Spagna | Slike iz ovog spiska |
|---|---|---|---|
 National Gallery |
London | 3 | The Agony in the Garden, Christ at Gethsemane, Christ Crowned with Thorns |
 Art Institute of Chicago |
Čikago | 1 | Saint Catherine of Siena |
 Wallace Collection |
London | 1 | The Ecstasy of Saint Mary Magdalene |
 Museu Nacional d'Art de Catalunya |
Barselona | 1 | Altarpiece of the Virgin with Saints Agatha, Stephen, Francis and a Martyr Saint |
 National Gallery of Ireland |
Dublin | 1 | The Virgin and Child with Saints Nicholas of Tolentino and Catherine of Siena |
 Barnes Foundation |
Filadelfija | 1 | Sienese Government Officials Receiving an Embassy |
 Indianapolis Museum of Art |
Indijanapolis | 1 | The Agony in the Garden |
 Metropoliten музеј у Њујорку |
Њујорк | 1 | Saint Francis Receiving the Stigmata |
Izaberite deceniju da biste videli njeno najistaknutije delo.
The Agony in the Garden is a painting by Lo Spagna. This work is an oil on wood, measuring 60.3 × 67.3 cm. The subject matter of the piece is based on the Gospel of Mark (14: 32–43). The composition depicts a specific biblical scene through the medium of oil on a wooden support.
In this portrait, Lo Spagna presents us with Saint Catherine of Siena. The figure before us is Catherine Benincasa of Siena, a woman whose spiritual life was defined by her affiliation with the Dominican order. She moves through the scene as a mystic, a person whose existence was marked by profound visions. History remembers her as one of only two female Doctors of the Church, a distinction that lends her…
Na vrhu liste je Saint Catherine of Siena (1512), Art Institute of Chicago, Čikago. Odmah za njim su: The Agony in the Garden (1502) i The Dead Christ Supported by Two Angels (1487).
62 godina. Lo Spagna je rođen/a 1450, a delo Saint Catherine of Siena datira iz 1512.
Saint Catherine of Siena, The Agony in the Garden, The Dead Christ Supported by Two Angels, The Virgin and Child, The Nativity, Saint Francis Receiving the Stigmata, The Dead Christ Supported by the Virgin and Saint John, Saint Jerome dans le desert, Christ at Gethsemane i Christ Crowned with Thorns. Godinu i muzej za svako od njih možete pronaći u gornjem spisku.
U našem katalogu imamo 18 dela umetnika Lo Spagna, datiranih od 1487 do 1520.
Većinu njih možete pronaći u National Gallery (London), Art Institute of Chicago (Čikago) i Wallace Collection (London). Na spisku muzeja iznad nalazi se detaljan pregled.
U 1510s, više nego ikada ranije: 6 od 18 dela na ovoj stranici potiče iz tog vremena, od čega je Saint Catherine of Siena među njima.
Najstarije delo ovde je The Dead Christ Supported by Two Angels (1487); najnovije je The Ecstasy of Saint Mary Magdalene (1520).
Sky (3), Woman (2) i Landscape (2) od ukupno 18 dela na ovoj stranici.
Tempera On Panel, korišćeno u 2 od 18 dela na ovoj stranici.
High renaissance, kao što možete videti u delima na ovoj stranici.
Na ovoj stranici možete videti 3 dela u muzeju National Gallery, London, uključujući The Agony in the Garden, Christ at Gethsemane i Christ Crowned with Thorns.
Da. Svaka slika na ovoj stranici dostupna je kao ručno slikano ulje na platnu ili kao štampa, u veličini koja vam odgovara. Samo otvorite stranicu slike da biste izvršili porudžbinu.
The name Lo Spagna carries the weight of a traveler's identity, a nod to Spanish origins etched into his Italian life. Born Giovanni di Pietro, he moved through the landscapes of Umbria and the Marches, leaving traces of his brush in places like Perugia, Todi, Trevi, and Spoleto. His presence in Perugia is noted as early as 1470, though by 1492, he was a recognized member of Perugino's workshop. This connection shaped much of what he produced. He worked with the same quiet precision found in the studios of his contemporaries, absorbing the soft lines and balanced compositions that defined the era.
His life followed the rhythms of the local guilds and civic duties. In 1516, he was granted citizenship in Spoleto, a city where he would eventually settle and find professional standing. He even rose to the position of Capitano delle Arti dei Pittori e degli Orefici in 1517. His personal life was tied to the local fabric through his marriage into the Martorelli family. The end of his work came abruptly; while working on a fresco cycle for San Giacomo di Spoleto, the plague took him in 1528, leaving his assistants, Dono Doni and Cecco di Bernardino d'Assisi, to finish the task he had begun.
To look closely at his panels is to see a specific way of handling cloth and flesh. While the influence of Perugino is visible in his early works, certain habits belong only to him. He used a calligraphic flare in his drapery, creating folds that sometimes seem to follow their own logic rather than the shape of the body beneath. There is a sculptural quality to the faces he painted, particularly the way he modeled an oval face or rendered bee-stung lips and slender, arched eyebrows. Even the small articulations of fingers and toes carry a distinct, careful touch.
His compositions often placed figures against quiet, mountainous landscapes. In these settings, the trees and horizons bear his specific hand, differing from the more standard approaches of his mentors. He also drew subtle inspiration from Raphael, though he remained rooted in the traditions of the Perugino workshop. His work remains a study in these fine, deliberate marks:
