Ažurirano: октобар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 233 dela Džordž Dev u našem katalogu
Ukratko
Najpoznatije delo umetnika Džordž Dev je Portrait of Emperor Alexander I (1824). Možete ga pronaći u muzeju Ermitaž u gradu Sankt Peterburg. Sledeći na listi su Portrait of Admiral Alexander S. Shishkov (1754-1841) (1826) i Portrait of Nikolai Sipyagin (1785-1828) (1827). U našem katalogu se nalazi 233 dela umetnika Džordž Dev; ovaj vodič izdvaja 100 najpoznatijih, uz godinu nastanka, muzej i priču o svakom delu.
The Portrait of Emperor Alexander I is a significant work by the English portraitist George Dawe. Created about 1824, this full-length portrait captures the Russian Emperor, Alexander I, in a moment of formal repose. The painting offers a direct encounter with the sovereign, presented in his capacity as a military leader.
A heavy silence settles in the room where the Admiral sits. He is an old man now, his face a map of weathered authority, etched with the fine lines of a life spent navigating both salt spray and political currents. His gaze is direct, meeting the observer with a steady, unblinking clarity that demands respect. The navy blue of his uniform is deep and somber, a stark contrast to the…
Nikolai Sipyagin sits in a moment of quiet dignity, his body angled in a three-quarter view that suggests a man caught between duty and contemplation. He looks upward and toward the left, his eyes fixed on a point beyond the frame, as if scanning a distant battlefield or a future yet to unfold. The light catches the pale contours of his face, carving out the structure of his features against…
A single, steady gaze meets the viewer from a three-quarter view. The Grand Duke Nikolai Pavlovich is rendered in a dark military uniform, the fabric a deep navy or black that absorbs the light. Against this somberness, gold epaulettes and a crimson sash cut through the darkness. He holds a helmet in his left hand, the metal catching a glint of light. The silhouette is sharp, defined by the precision…
A single man occupies the center of this oil on canvas, his presence defined by a quiet, aristocratic composure. He sits in a bust-length pose, turned slightly toward the left, yet his eyes remain fixed upon the observer. The light enters from the upper left, carving the contours of his face with a soft, directional glow. This illumination casts gentle shadows across his features, lending a three-dimensional depth to his…
A single figure dominates the canvas, anchored by the rigid geometry of a military tunic. Count Alexey Arakcheyev meets the viewer's gaze with a steady, unyielding presence. The navy blue fabric of his uniform absorbs the light, while the gold of his epaulettes catches it, casting a sharp, metallic glint against the muted landscape. He is a man of structure. His posture is a vertical line of discipline, cutting through…
A single figure occupies the space, leaning with a heavy, practiced grace against the cold cylinder of a bronze cannon. Edward, Duke of Kent, is rendered in the sharp clarity of the Neoclassical tradition, his silhouette defined by the stark contrast of a scarlet military jacket against the dim, atmospheric air. The light falls from the upper left, carving the planes of his face and catching the fine, white feathers…
The gaze of history settles upon the Portrait of Grand Duchess Alexandra Fiodorovna with Children, a work by the English portraitist George Dawe. Within this frame, the Empress Alexandra Feodorovna of Russia, born Princess Charlotte of Prussia, sits in a moment of quiet, regal presence. She is not alone in this assembly; her two eldest children, Alexander and Maria Nikolaevna, are gathered by her side, anchoring the scene in a…
George Dawe painted Portrait of Empress Maria Feodorovna in Mourning about 1825. The subject is Empress Maria Feodorovna, originally born Duchess Sophie Dorothea of Württemberg. She held the position of Empress of Russia as the second wife of Emperor Paul I, following his assassination in 1801.
In this 1821 oil on canvas, we encounter Piotr Konovnitsyn, a man whose presence fills the space with a quiet, heavy authority. He is depicted in a three-quarter view, his body angled slightly away while his gaze maintains a direct, steady connection with us. There is a profound sense of stillness in his expression, a calm that suggests a life spent navigating the complexities of high-stakes military leadership. The lighting…
Portrait of Fabian Gottlieb von der Osten-Sacken (1752-1837)1822 · Ermitaž
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Achilles frantic for the loss of Patroclus, rejecting the consolation of Thetis1803 · Museum of New Zealand Te Papa Tongarewa
Neka bude vaša od $475 →
Portrait of Princess Charlotte of Wales1817 · Museum of New Zealand Te Papa Tongarewa
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Charlotte (Alexandra Feodorovna), Empress of Russia, with her eldest children, Alexander and Maria1821 · Royal Collection
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Leopold, Prince of Saxe-Coburg-Saalfeld, later Leopold I, King of the Belgians (1790-1865)1816 · Royal Collection
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Ernst I (1784-1844), Duke of Saxe-Coburg-Gotah1818 · Buckingham Palace
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Alexander I, Emperor of Russia (1777-1825)1821 · Royal Collection
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Portrait of Ivan F. Paskevich (1782-1856) (replica of the 1823 portrait)1824 · Ermitaž
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Portrait of Fyodor V. (Dietrich Jacob) Tijl van Seraskerken (1771-1826)1824 · Ermitaž
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Portrait of Fyodor F. (Friedrich Otto) Rosen (1767-1851) (3rd)1822 · Ermitaž
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Portrait of Matvey I. Platov (1753-1818) (copy after the 1814 original made in Britain ?)1822 · Ermitaž
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Portrait of Konstantin Kh. von Benckendorf (1785-1828) (2nd)1823 · Ermitaž
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Četiri teme koje se najčešće pojavljuju u ovim delima, svaka sa svojim najpoznatijim primerom.
4 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Džordž Dev | Slike iz ovog spiska |
|---|---|---|---|
 Ermitaž |
Sankt Peterburg | 212 | Portrait of Emperor Alexander I, Portrait of Admiral Alexander S. Shishkov (1754-1841), Portrait of Nikolai Sipyagin (1785-1828) |
 Royal Collection |
London | 9 | Charlotte (Alexandra Feodorovna), Empress of Russia, with her eldest children, Alexander and Maria, Leopold, Prince of Saxe-Coburg-Saalfeld, later Leopold I, King of the Belgians (1790-1865), Alexander I, Emperor of Russia (1777-1825) |
 Buckingham Palace |
London | 2 | Edward, Duke of Kent (1767-1820), Ernst I (1784-1844), Duke of Saxe-Coburg-Gotah |
 Museum of New Zealand Te Papa Tongarewa |
Velinton | 2 | Achilles frantic for the loss of Patroclus, rejecting the consolation of Thetis, Portrait of Princess Charlotte of Wales |
Izaberite deceniju da biste videli njeno najistaknutije delo.
A single figure occupies the space, leaning with a heavy, practiced grace against the cold cylinder of a bronze cannon. Edward, Duke of Kent, is rendered in the sharp clarity of the Neoclassical tradition, his silhouette defined by the stark contrast of a scarlet military jacket against the dim, atmospheric air. The light falls from the upper left, carving the planes of his face and catching the fine, white feathers…
The Portrait of Emperor Alexander I is a significant work by the English portraitist George Dawe. Created about 1824, this full-length portrait captures the Russian Emperor, Alexander I, in a moment of formal repose. The painting offers a direct encounter with the sovereign, presented in his capacity as a military leader.
Na vrhu liste je Portrait of Emperor Alexander I (1824), Ermitaž, Sankt Peterburg. Odmah za njim su: Portrait of Admiral Alexander S. Shishkov (1754-1841) (1826) i Portrait of Nikolai Sipyagin (1785-1828) (1827).
43 godina. Džordž Dev je rođen/a 1781, a delo Portrait of Emperor Alexander I datira iz 1824.
Portrait of Emperor Alexander I, Portrait of Admiral Alexander S. Shishkov (1754-1841), Portrait of Nikolai Sipyagin (1785-1828), Portrait of Grand Duke Nikolai Pavlovich, Portrait of Kirill A. Naryshkin (1786-1838), Portrait of Count Alexey Arakcheyev, Edward, Duke of Kent (1767-1820), Portrait of Grand Duchess Alexandra Fiodorovna with Children, Portrait of Empress Maria Feodorovna in Mourning i Portrait of Piotr Konovnitsyn (1764-1822). Godinu i muzej za svako od njih možete pronaći u gornjem spisku.
U našem katalogu imamo 233 dela umetnika Džordž Dev, datiranih od 1803 do 1829.
Većinu njih možete pronaći u Ermitaž (Sankt Peterburg), Royal Collection (London) i Buckingham Palace (London). Na spisku muzeja iznad nalazi se detaljan pregled.
U 1820s, više nego ikada ranije: 81 od 100 dela na ovoj stranici potiče iz tog vremena, od čega je Portrait of Emperor Alexander I među njima.
Najstarije delo ovde je Achilles frantic for the loss of Patroclus, rejecting the consolation of Thetis (1803); najnovije je Portrait of Anton S. Chalikov (1754-1821) (1829).
Man (78), Military uniform (78) i Medals (58) od ukupno 100 dela na ovoj stranici.
Oil On Canvas, korišćeno u 78 od 100 dela na ovoj stranici.
Neoclassicism, kao što možete videti u delima na ovoj stranici.
Na ovoj stranici možete videti 83 dela u muzeju Ermitaž, Sankt Peterburg, uključujući Portrait of Emperor Alexander I, Portrait of Admiral Alexander S. Shishkov (1754-1841) i Portrait of Nikolai Sipyagin (1785-1828).
Da. Svaka slika na ovoj stranici dostupna je kao ručno slikano ulje na platnu ili kao štampa, u veličini koja vam odgovara. Samo otvorite stranicu slike da biste izvršili porudžbinu.
Džordž Dev stoji kao jedan od najznačajnijih engleskih portretista devetnaestog veka, čovek čija je četkica uhvatila samu suštinu ere definisane Napoleonovim sukobima i imperijalnim veličanstvom. Rođen u St Džejmsu, u Ujedinjenom Kraljevstvu, Dev je od najranijih godina bio uronjen u svet umetnosti. Bio je sin Filipa Deva, slavnog mezzotint gravira, i odrastao je u porodici u kojoj je umetnički talenat bio zajedničko nasleđe. Njegovo rano obezbeđivanje veština počelo je pod pažljivim okom oca, usavršavajući zanat gravira pre nego što su njegove ambicije prerasle u mnogo širu i svetliju medijum uljanog slikarstva. Temelj postavljen u preciznom radu linijom i tonalnoj dubini kasnije je oblikovao pedantne detalje koji se mogu pronaći na njegovim najslavnijim platnima.
Njegovo putovanje kroz akademski svet obeleženo je izdistinčenjem. Nakon studija na Kraljevskoj akademiji umetnosti, gde je osvojio prestižnu zlatnu medalju Akademije, Devova reputacija počela je da raste. Vremenom je postao pridruženi član Kraljevske akademije, a kasnije i punopravni akademik, što je označilo njegov dolazak među elitu britanske umetničke ustanove. Ipak, nije u Londonu Dawe će ostvariti svoj najtrajniji istorijski uticaj, već u samom srcu Rusije.
Godine 1819, Dev se preselio u Sankt Peterburg, što je bio potez koji će suštinski promeniti tok njegove karijere i istorije umetnosti. U ovom živopisnom imperijalnom glavnom gradu, našao se u centru monumentalnog poduhvata: stvaranja Vojne galerije Zimskog palata. Ovaj ambiciozni projekat obuhvatio je Devovo slikanje izvanredne serije od 3acije portreta ruskih generala koji su bili aktivni tokom Napoleonove invazije na Rusiju. Kroz ova dela, Dev je uradio mnogo više od običnog beleženja lica; on je dokumentovao heroizam i psihološki teret odbrane jedne nacije.
Njegovo vreme provedeno u Rusiji dočekano je sa dubokim priznanjem. Postao je slavna figura unutar ruskog umetničkog okruženja, stičući pohvale koje su doprele čak i do legendarnog pesnika Puškina. Njegova sposobnost da spoji formalne zahteve portretizma sa dubokim, emotivnim rezonancijom omogućila mu je da uhvati složene karaktere vojne elite. Bilo da je prikazivao komandujuće prisustvo Dmitrija V. Golicina ili introspektivan, gotovo jeziv pogled Mihaila Kutuzova, Devov rad služio je kao vitalni istorijski zapis najuticajnijih figura tog doba.
Umetnički stil Džordža Deva bio je sofisticirana tapiserija utkana od različitih uticaja. Njegovo rano majstorstvo u graviranju pružilo mu je neprevaziđeno razumećanje svetlosti, senke i forme, što je sa izvanrednom veštinom preneo na svoja uljana slika. U mnogim aspektima, njegov rad se može posmatrati kroz prizmu i neoklasicizma i romantizma:
U konačnici, značaj Džordža Deva leži u njegovoj sposobnosti da prevaziđe puko sličavanje. Bio je umetnik koji je mogao da uhvati težinu odgovornosti na ramenima generala i prolaznu prirodu slave kroz jedan, pedantno izveden pogled. Njegov život i rad ostaju most između disciplinovanih tradicija engleske akademije i epske, turbulentne istorije Imperijalne Rusije.
