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Najpoznatije delo umetnika Емил Бернар je Iron Bridges at Asnières (1887). Možete ga pronaći u muzeju MoMA - Muzej moderne umetnosti u gradu New York City. Sledeći na listi su Portrait of Marie Lemasson (1892) i Self-Portrait 1918 (1919). U našem katalogu se nalazi 201 dela umetnika Емил Бернар; ovaj vodič izdvaja 100 najpoznatijih, uz godinu nastanka, muzej i priču o svakom delu.
The scene unfolds within the frame of Iron Bridges at Asnières, a work that captures a specific moment in the evolution of modern painting. Created in 1887, this piece emerges from the creative energy of the late nineteenth century. The artist, Émile Bernard, moves away from the fleeting light of earlier movements to find a new way of seeing the world. This Post-Impressionist work marks a departure from simple observation,…
Marie Lemasson sits before the viewer, a quiet presence anchored in a sea of teal and seafoam green. Her gaze is direct, meeting the eye with a stoic, unblinking calm. She wears a pale lavender-white blouse that catches the diffused light, a soft contrast to the deep burgundy of her skirt. The background is a rhythmic arrangement of vertical stripes, creating a shallow space that pushes her figure forward. There…
An intimate study of an aging artist, this oil on paper portrait captures a moment of profound introspection. The subject is positioned in a close-up view, his head and upper torso emerging from a deep, shadowed background. He holds a palette and brush, tools of his trade that anchor the composition in the act of creation. The lighting is highly directional, striking the face from the upper left and casting…
Buckwheat Harvesters at Pont Aven is an oil on canvas work by Émile Bernard, executed in 1888. The piece captures a scene of buckwheat harvesting within a rural landscape, focusing on the labor of women in the Brittany region. It is currently held at the Musée de Pont-Aven in Hastenparck.
In Après le bain (les nymphes), the artist Émile Bernard invites us into a quiet, secluded moment of repose. Three nude female figures occupy the scene, their bodies arranged in a way that suggests a lingering sense of intimacy. Based on the title, these women appear to be nymphs, mythical beings caught in a state of languid rest within a natural setting. The air feels still around them, as if…
The gaze of the subject meets the viewer in Portrait of a Black Woman, a work that captures a quiet, heavy stillness. Painted by Émile Bernard, this piece emerges from a period of intense creative exploration. It exists under the title Portrait of a Black Woman, though some records identify the work as Study Of A Mulatto Woman, 1895. This distinction offers a glimpse into how the subject is perceived…
The evening air feels heavy and alive in Night Festival, an oil painting by Émile Bernard. Created about 1888, this work captures a moment of communal celebration suspended in the dark. The scene pulls the viewer into a nocturnal gathering where the glow of light meets the deep shadows of the night. It is a piece that belongs firmly to the Post-Impressionist movement, marking a departure from the fleeting light…
Portrait of Madeline, the Artist's Sister1889 · Art Museum at The University of Kentucky
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Breton Girl with a Red Umbrella1888 · Muzej fine umetnosti u Hjustonu
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Self-Portrait as a Troubadour1892 · Национални музеј западне уметности
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Portrait of Andries Bonger (1861-1936), his wife Annie van der Linden and Emile Bernard (1868-1941)1908 · Музеј Ван Гога
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Woman Walking on the Banks of the Aven1890 · Muzej fine umetnosti u Hjustonu
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Catalogue for the Van Gogh Exhibition at Le Barc de Boutteville and Lottery Ticket1891
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Četiri teme koje se najčešće pojavljuju u ovim delima, svaka sa svojim najpoznatijim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Емил Бернар | Slike iz ovog spiska |
|---|---|---|---|
 Музеј Ван Гога |
Амстердам | 11 | Self-Portrait 1918, Woman Sitting in a Field: Brittany, Portrait of Andries Bonger (1861-1936), his wife Annie van der Linden and Emile Bernard (1868-1941) |
 Musée de Pont-Aven |
Hastenparck | 7 | Landscape at Pont-Aven with Poplars, The Adoration of the Shepherds, Study for The Buckwheat Harvesters |
 Музеј Тисен-Борнемиза |
Madrid | 4 | The Annunciation, Inside a Shop in Pont-Aven, The Cliffs at Le Pouldu |
 Musée des Beaux-Arts de Quimper |
Quimper | 4 | Funeral palls 1, Funeral palls 2, Orchard at Pont Aven |
 Wallraf-Richartz-Museum |
Keln | 3 | Loving Couple, Houses in Pont-Aven |
 Dallas Museum of Art |
Dallas | 3 | The Salon, Bridge at Pont-Aven |
 Musée des Beaux-Arts |
Rem | 3 | Fellah Women at the Bath, Toilet of Venus |
 Ackland Art Museum |
Chapel Hill | 2 | Victorine Lelopin, The Wave |
Izaberite deceniju da biste videli njeno najistaknutije delo.
The scene unfolds within the frame of Iron Bridges at Asnières, a work that captures a specific moment in the evolution of modern painting. Created in 1887, this piece emerges from the creative energy of the late nineteenth century. The artist, Émile Bernard, moves away from the fleeting light of earlier movements to find a new way of seeing the world. This Post-Impressionist work marks a departure from simple observation,…
Marie Lemasson sits before the viewer, a quiet presence anchored in a sea of teal and seafoam green. Her gaze is direct, meeting the eye with a stoic, unblinking calm. She wears a pale lavender-white blouse that catches the diffused light, a soft contrast to the deep burgundy of her skirt. The background is a rhythmic arrangement of vertical stripes, creating a shallow space that pushes her figure forward. There…
An intimate study of an aging artist, this oil on paper portrait captures a moment of profound introspection. The subject is positioned in a close-up view, his head and upper torso emerging from a deep, shadowed background. He holds a palette and brush, tools of his trade that anchor the composition in the act of creation. The lighting is highly directional, striking the face from the upper left and casting…
Na vrhu liste je Iron Bridges at Asnières (1887), MoMA - Muzej moderne umetnosti, New York City. Odmah za njim su: Portrait of Marie Lemasson (1892) i Self-Portrait 1918 (1919).
19 godina. Емил Бернар je rođen/a 1868, a delo Iron Bridges at Asnières datira iz 1887.
Iron Bridges at Asnières, Portrait of Marie Lemasson, Self-Portrait 1918, Buckwheat Harvesters at Pont Aven, Après le bain (les nymphes), Portrait of a Black Woman, Night Festival, The Harvest, Loving Couple i The Harvest at Saint-Briac. Godinu i muzej za svako od njih možete pronaći u gornjem spisku.
U našem katalogu imamo 201 dela umetnika Емил Бернар, datiranih od 1885 do 1940.
Većinu njih možete pronaći u Музеј Ван Гога (Амстердам), Musée de Pont-Aven (Hastenparck) i Музеј Тисен-Борнемиза (Madrid). Na spisku muzeja iznad nalazi se detaljan pregled.
U 1880s, više nego ikada ranije: 29 od 100 dela na ovoj stranici potiče iz tog vremena, od čega je Iron Bridges at Asnières među njima.
Najstarije delo ovde je Funeral palls 1 (1885); najnovije je Breton Women (1940).
Women (12), People (6) i Woman (4) od ukupno 100 dela na ovoj stranici.
Oil On Canvas, korišćeno u 8 od 100 dela na ovoj stranici.
Post-impressionist synthetism, kao što možete videti u delima na ovoj stranici.
Na ovoj stranici možete videti 10 dela u muzeju Музеј Ван Гога, Амстердам, uključujući Self-Portrait 1918, Woman Sitting in a Field: Brittany i Portrait of Andries Bonger (1861-1936), his wife Annie van der Linden and Emile Bernard (1868-1941).
Da. Svaka slika na ovoj stranici dostupna je kao ručno slikano ulje na platnu ili kao štampa, u veličini koja vam odgovara. Samo otvorite stranicu slike da biste izvršili porudžbinu.
