Ukratko
Najpoznatija slika koju je Dejvid Džager stvorio je The Bolshevik (1918), a možete je videti u muzeju Canadian War Museum, Ottawa. Odmah nakon toga slede Thomas Newbould (1845–1933) (1921) i Henry Alexander, LLD, Lord Provost of Aberdeen (1932–1935) (1936). Od 23 dela umetnika Dejvid Džager u našem katalogu, ovih 23 su najpoznatija. Svako od njih sadrži godinu nastanka, muzej u kojem se nalazi i kratak opis onoga što ga izdvaja.
Top 10 dela Dejvid Džager: remek-dela koja svi znaju
Nastavite sa istraživanjem Dejvid Džager: 11 do 23
Šta je Dejvid Džager najčešće slikao
Četiri teme koje se najčešće pojavljuju u ovim delima, svaka sa svojim najpoznatijim primerom.
Portraits 2 dela
Men 2 dela
Gde možete pogledati slike umetnika Dejvid Džager
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Dejvid Džager | Slike iz ovog spiska |
|---|---|---|---|
| Eastbourne | 2 | Alderman Miss Alice Hudson, JP, Mayor of Eastbourne (1925–1928 1943–1945), Alderman Lieutenant Colonel Roland Vaughan Gwynne, DSO, DL, JP, Mayor of Eastbourne (1928–1931) | |
| Ottawa | 1 | The Bolshevik | |
| Liverpud | 1 | Sewing | |
| Sheffield | 1 | Henry Hall Bedford, JP, Chairman of the Board (1913–1924) | |
| London | 1 | Lord Baden Powell (1857–1941), as World Chief Scout | |
| Nottingham | 1 | Jewish Refugee, Vienna | |
| Egham | 1 | Miss Janet Ruth Bacon | |
| Birmingham | 1 | Sir Horace Clarke |
Jedno poznato delo umetnika Dejvid Džager za svaku deceniju
Radovi po decenijama
Izaberite deceniju da biste videli njeno najistaknutije delo.
Henry Alexander, LLD, Lord Provost of Aberdeen (1932–1935)
Slike autora Dejvid Džager: šta ljudi žele da znaju
Po čemu je Dejvid Džager najpoznatiji/a?Pogledajte odgovor
Na vrhu liste je The Bolshevik (1918), Canadian War Museum, Ottawa. Odmah za njim su: Thomas Newbould (1845–1933) (1921) i Henry Alexander, LLD, Lord Provost of Aberdeen (1932–1935) (1936).
Koliko je godina imao/la Dejvid Džager u vreme nastanka dela The Bolshevik?Pogledajte odgovor
27 godina. Dejvid Džager je rođen/a 1891, a delo The Bolshevik datira iz 1918.
Koji je 10 najpoznatijih dela umetnika Dejvid Džager?Pogledajte odgovor
The Bolshevik, Thomas Newbould (1845–1933), Henry Alexander, LLD, Lord Provost of Aberdeen (1932–1935), Dr John George Graves (1866–1945), Portrait of a Man, The Late Cyrus Jones, Kathleen, Portrait of a Lady, Charles Jagger (1885–1934) i Charles Sargeant Jagger. Godinu i muzej za svako od njih možete pronaći u gornjem spisku.
Koliko ima dela umetnika Dejvid Džager?Pogledajte odgovor
U našem katalogu imamo 23 dela umetnika Dejvid Džager, datiranih od 1917 do 1950.
U kojim muzejima se nalaze najpoznatija dela Dejvid Džager?Pogledajte odgovor
Većinu njih možete pronaći u Towner (Eastbourne), Canadian War Museum (Ottawa) i Walker Art Gallery (Liverpud). Na spisku muzeja iznad nalazi se detaljan pregled.
Kada su nastala najpoznatija dela umetnika Dejvid Džager?Pogledajte odgovor
U 1920s, više nego ikada ranije: 6 od 23 dela na ovoj stranici potiče iz tog vremena, od čega je Thomas Newbould (1845–1933) među njima.
Koja su najstarija i najnovija poznata dela Dejvid Džager?Pogledajte odgovor
Najstarije delo ovde je Charles Jagger (1885–1934) (1917); najnovije je Michael Theodore Waterhouse (1888–1968), CBE, PRIBA (1950).
Šta je Dejvid Džager najčešće slikao?Pogledajte odgovor
Portraits (2) i Men (2) od ukupno 23 dela na ovoj stranici.
Šta možete videti od dela Dejvid Džager u muzeju Towner?Pogledajte odgovor
Na ovoj stranici možete videti 2 dela u muzeju Towner, Eastbourne, uključujući Alderman Miss Alice Hudson, JP, Mayor of Eastbourne (1925–1928 1943–1945) i Alderman Lieutenant Colonel Roland Vaughan Gwynne, DSO, DL, JP, Mayor of Eastbourne (1928–1931).
Upoznajte Dejvid Džager
A Legacy of Elegance: The Life of David Jagger
Born in Kilnhurst, near Rotherham, David Jagger emerged as one of the most accomplished English portrait painters of his era. His journey into the world of fine art was deeply rooted in a family of immense creative talent; he was the son of colliery manager Enoch Jagger and Mary Sargeant, and grew up alongside siblings who would also leave their mark on the British art scene. His sister, Edith, became a noted landscape artist and textile designer, while his brother, Charles Sargeant Jagger, rose to prominence as a celebrated sculptor. This environment of artistic rigor shaped David’s early development, leading him to the Sheffield School of Art, where he honed the technical precision that would later define his professional career.
As an accomplished draughtsman and skilled illustrator, Jagger’s talent was recognized early through accolades in mural design and painting. Following his formal education, he moved to London, a transition that marked the beginning of his ascent within the prestigious circles of British society. Initially balancing commercial art studio work with evening portrait commissions, he eventually established his own professional portrait studio in Chelsea, south of London. This period of his life was not only marked by professional growth but also by profound personal inspiration; his marriage to Catherine Gardiner brought a muse into his life whose features would grace many of his most accomplished works, often appearing under a pseudonym.
Mastery of the Portrait
Jagger’s work is characterized by a remarkable realism that, while highly detailed, maintained a soft, painterly quality that avoided the harshness of hard-edge styles. He possessed a rare ability to capture the essence of his subjects, whether they were members of the British aristocracy or figures of significant historical importance. His technical mastery allowed him to navigate the delicate balance between formal, official-looking commissions and more intimate, thoughtfully posed compositions. This skill earned him a place among the leading exhibitors of his time, with regular appearances at the Royal Academy, the Royal Society of British Artists, and the Royal Institute of Oil Painters.
The breadth of his subject matter reflects the high society and civic authority of early 20th-century Britain. His portfolio includes a breathtaking array of notable figures, such as:
- Robert Baden-Powell, whose 1929 portrait remains one of Jagger's most enduring legacies, with numerous copies displayed in Scouting premises worldwide.
- Queen Mary, captured in significant works during 1930 and 1932.
- Winston Churchill, a monumental subject for any portraitist of the era.
- King George VI, documented in 1937.
- Vivien Leigh, representing the glamour of the cinematic age in 1941.
- Prince Philip, Duke of Edinburgh, one of his final notable subjects.
Historical Significance and Artistic Standing
Beyond the individual brilliance of his brushwork, David Jagger holds a significant place in the history of British portraiture due to his role in documenting the faces of an era. His ability to secure commissions from the highest echelons of power—ranging from royalty to political leaders—cemented his reputation as a premier chronicler of his time. His work serves as a visual record of the dignity, tradition, and shifting social landscape of mid-century England.
His contribution to the art community was further solidified through his active membership in prestigious societies like the Royal Society of Portrait Painters. Through these institutions, Jagger helped maintain the high standards of oil painting and portraiture during a period of significant artistic transition. Today, his portraits remain cherished not only for their technical excellence but as windows into the character and prestige of the individuals who shaped the twentieth century.






