Portret Daswanth

Najpoznatija dela umetnika Daswanth: svih 4, rangirano

Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 4 dela Daswanth u našem katalogu

Ukratko

Najpoznatija slika koju je Daswanth stvorio je The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot) (1560), a možete je videti u muzeju Cleveland Museum of Art, Klivlend. Odmah nakon toga slede The wounded monkey bites the hand of the prince, his chessmate, in the presence of guests, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) i The parrot mother cautions her young on the danger of playing with foxes, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560). Od 4 dela umetnika Daswanth u našem katalogu, ovih 4 su najpoznatija. Svako od njih sadrži godinu nastanka, muzej u kojem se nalazi i kratak opis onoga što ga izdvaja.

1500 – 1584 Najviše dela: Cleveland Museum of Art

Top 10 dela Daswanth: remek-dela koja svi znaju

Gde možete pogledati slike umetnika Daswanth

2 muzeja u kojima se nalazi najviše slika sa ove stranice.

Muzeji Grad Radovi umetnika Daswanth Slike iz ovog spiska
Cleveland Museum of Art, KlivlendCleveland Museum of Art Klivlend 3 The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot), The wounded monkey bites the hand of the prince, his chessmate, in the presence of guests, from a Tuti-nama (Tales of a Parrot): Fifth Night, The parrot mother cautions her young on the danger of playing with foxes, from a Tuti-nama (Tales of a Parrot): Fifth Night
MAK – Muzej primenjenih umetnosti, BečMAK – Muzej primenjenih umetnosti Beč 1 Umar Defeats a Dragon

Čuvena dela umetnika Daswanth za svaku godinu

Od 1560 do 1577, radovi umetnika Daswanth obuhvataju period od 18 godina. Pregledajte tu dugu karijeru godinu po godinu.

Slike autora Daswanth: šta ljudi žele da znaju

Po čemu je Daswanth najpoznatiji/a?Pogledajte odgovor

Na vrhu liste je The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot) (1560), Cleveland Museum of Art, Klivlend. Odmah za njim su: The wounded monkey bites the hand of the prince, his chessmate, in the presence of guests, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) i The parrot mother cautions her young on the danger of playing with foxes, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560).

Koliko je godina imao/la Daswanth u vreme nastanka dela The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot)?Pogledajte odgovor

60 godina. Daswanth je rođen/a 1500, a delo The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot) datira iz 1560.

Koliko ima dela umetnika Daswanth?Pogledajte odgovor

U našem katalogu imamo 4 dela umetnika Daswanth, datiranih od 1560 do 1577.

U kojim muzejima se nalaze najpoznatija dela Daswanth?Pogledajte odgovor

Većinu njih možete pronaći u Cleveland Museum of Art (Klivlend) i MAK – Muzej primenjenih umetnosti (Beč). Na spisku muzeja iznad nalazi se detaljan pregled.

Kada su nastala najpoznatija dela umetnika Daswanth?Pogledajte odgovor

U 1560, više nego ikada ranije: 3 od 4 dela na ovoj stranici potiče iz tog vremena, od čega je The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot) među njima.

Koja su najstarija i najnovija poznata dela Daswanth?Pogledajte odgovor

Najstarije delo ovde je The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot) (1560); najnovije je Umar Defeats a Dragon (1577).

Šta možete videti od dela Daswanth u muzeju Cleveland Museum of Art?Pogledajte odgovor

Na ovoj stranici možete videti 3 dela u muzeju Cleveland Museum of Art, Klivlend, uključujući The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot), The wounded monkey bites the hand of the prince, his chessmate, in the presence of guests, from a Tuti-nama (Tales of a Parrot): Fifth Night i The parrot mother cautions her young on the danger of playing with foxes, from a Tuti-nama (Tales of a Parrot): Fifth Night.

Mogu li da naručim reprodukciju Daswanth za svoj dom?Pogledajte odgovor

Da. Svaka slika na ovoj stranici dostupna je kao ručno slikano ulje na platnu ili kao štampa, u veličini koja vam odgovara. Samo otvorite stranicu slike da biste izvršili porudžbinu.

Upoznajte Daswanth

The Creative Spirit of the Mughal Era

Daswanth was a Mughal-era painter serving under the emperor Akbar. Born the son of a palanquin-bearer, he was a Hindu who demonstrated a natural talent for painting and drawing on walls. This talent led him to be taught by the Persian master painter Khwāja 'Abd al-Samad. While 'Abd al-Samad's work was traditional and conservative, Daswanth's own works were noted for being imaginative and original. He was recognized in the Ain-i-Akbari as one of the three most important artists of his period, and the Akbarnama also credited him with great artistic talent.

His artistic style was characterized by a chaotic and creative energy that distinguished him from his contemporaries. His illustrations often appeared otherworldly, sometimes described as scary, with figures that were proportionally inconsistent and weightless. He possessed a unique technique involving the free application of wet pigment and a beautiful understanding of perspective through the use of character size, architectural details, and backgrounds. His work often focused on storytelling, depicting gods, demigods, courtly figures, and warriors, frequently portraying scenes of battle and gory violence.

Masterpieces and Contributions

Daswanth contributed significantly to several major works, including the Hamzanama and the Tarikh e Khandan e Timuriyah. He is also associated with the Razmnama, a Persian translation of the Hindu epic the Mahabharata, where he drew as many as 31 full-page miniatures. His work in this collection included diverse compositions, such as:

  • Arjun hitting the target: A scene depicting a crowd of kings and the protagonist Arjuna near a cauldron of hot oil.
  • Abhimanyu's Chakravyuha: A unique double-page composition featuring thousands of figures arranged in a maze formation.

His repertoire also included illustrations for the Tūtīnāma, such as The Wounded Monkey Bites the Hand of the Prince. His style occasionally incorporated elements from other traditions, such as Chinese-style clouds or Western techniques and idioms. His life ended in 1584 after he wounded himself with a dagger.