Portret Charles de Steuben

Najpoznatija dela umetnika Charles de Steuben: svih 19, rangirano

Ažurirano: октобар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 19 dela Charles de Steuben u našem katalogu

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Najpoznatija slika koju je Charles de Steuben stvorio je Portrait of Anna Benardaki (1844), a možete je videti u muzeju Ermitaž, Sankt Peterburg. Odmah nakon toga slede Portrait of Baron Alexander Stieglitz (1844) i Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850). Od 19 dela umetnika Charles de Steuben u našem katalogu, ovih 19 su najpoznatija. Svako od njih sadrži godinu nastanka, muzej u kojem se nalazi i kratak opis onoga što ga izdvaja.

1788 – 1856, Bauerbach Romanticism Najviše dela: Ermitaž

Top 10 dela Charles de Steuben: remek-dela koja svi znaju

1
Portrait of Anna Benardaki (1844) čiji je Charles de Steuben

Portrait of Anna Benardaki

1844 · Oil · Ermitaž, Sankt Peterburg

The Portrait of Anna Benardaki is a formal mid-19th-century oil portrait that captures a woman seated upon a luxurious red velvet sofa. The composition is centered on the subject, presenting a medium shot that establishes an intimate yet formal connection with the viewer. Her attire consists of a luminous white and silver gown, detailed with intricate lace sleeves and flowing satin folds. This bright palette stands in sharp contrast to…

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2
Portrait of Baron Alexander Stieglitz (1844) čiji je Charles de Steuben

Portrait of Baron Alexander Stieglitz

1844 · Oil On Canvas · Ermitaž, Sankt Peterburg

The Portrait of Baron Alexander Stieglitz is a significant oil painting by the artist Charles Auguste Guillaume Steuben. Created in Russia around 1844, this work captures the likeness of Baron Alexander von Stieglitz, a man known for his influence as a Russian banker and philanthropist. The portrait offers a quiet study of a figure central to the social and economic fabric of the era.

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3
Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850) čiji je Charles de Steuben

Portrait of Alexander P. von Benckendorff (1819 – 1851)

1850 · Oil On Canvas · Ermitaž, Sankt Peterburg

The subject, Alexander P. von Benckendorff, is rendered in a three-quarter length pose, his gaze directed toward the viewer's left. He is dressed in a formal military uniform, a garment defined by sharp lines and heavy textures. The dark blues and blacks of his attire recede into a somber, atmospheric background, while the metallic sheen of buttons and braided cords catches the light. A draped cloak adds a sense of…

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4
Portrait of a Young Woman (1843) čiji je Charles de Steuben

Portrait of a Young Woman

1843 · Oil On Canvas · Ermitaž, Sankt Peterburg

A young woman leans against a cool stone balustrade, her presence filling the space with a quiet, luminous grace. She is caught in a moment of stillness, her body angled slightly away as she gazes out toward a horizon we cannot quite reach. A bright orange-red shawl drapes over her shoulders, providing a sharp, warm contrast to the crisp white lace of her gown. The light catches the delicate textures…

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5
Portrait of D.E. Benardaki (1844) čiji je Charles de Steuben

Portrait of D.E. Benardaki

1844 · Oil On Canvas · Ermitaž, Sankt Peterburg

In this 1844 oil portrait, we find ourselves in the presence of D.E. Benardaki, a man whose seated posture suggests a life of intellect and quiet authority. The composition is a formal, three-quarter length view, placing the subject slightly off-center to create a sense of balanced movement. He is positioned within a scholarly environment, seated beside a desk where writing implements rest, hinting at a mind preoccupied with thought or…

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6
Portrait of Countess Yulia Stroganova (1848) čiji je Charles de Steuben

Portrait of Countess Yulia Stroganova

1848 · Oil On Canvas · Ermitaž, Sankt Peterburg

The Portrait of Countess Yulia Stroganova is an oil on canvas painted by Charles de Steuben in 1848. The subject, also identified as Julia Stroganova, is presented in a three-quarter length pose. She sits slightly off-center, her presence defined by the quiet weight of her station. She is a lady and a bride, captured in a moment of poised stillness.

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Nastavite sa istraživanjem Charles de Steuben: 11 do 19

Šta je Charles de Steuben najčešće slikao

Četiri teme koje se najčešće pojavljuju u ovim delima, svaka sa svojim najpoznatijim primerom.

Gde možete pogledati slike umetnika Charles de Steuben

8 muzeja u kojima se nalazi najviše slika sa ove stranice.

Muzej Grad Radovi umetnika Charles de Steuben Slike iz ovog spiska
Ermitaž, Sankt PeterburgErmitaž Sankt Peterburg 7 Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz, Portrait of Alexander P. von Benckendorff (1819 – 1851)
Palais des Beaux-Arts de Lille, LillePalais des Beaux-Arts de Lille Lille 2 Joan the Mad Waiting for the Resurrection of Philip the Handsome Her Husband, Marquise de Béthisy as an Orientalist
Muzej Carnavalet, ParizMuzej Carnavalet Pariz 1 Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist
Musée Victor Hugo, ParisMusée Victor Hugo Paris 1 Sketch for the painting "La Esmeralda and her goat"
Opera House, VersaillesOpera House Versailles 1 Anne d'Autriche, reine de France
Château de Versailles, VersajChâteau de Versailles Versaj 1 Louis IV, King of France
Napoleon museum ArenenbergNapoleon museum Arenenberg 1 The Death of Napoleon
Cleveland Museum of Art, KlivlendCleveland Museum of Art Klivlend 1 Battle of Poitiers, 25 October 732

Jedno poznato delo umetnika Charles de Steuben za svaku deceniju

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Slike autora Charles de Steuben: šta ljudi žele da znaju

Po čemu je Charles de Steuben najpoznatiji/a?Pogledajte odgovor

Na vrhu liste je Portrait of Anna Benardaki (1844), Ermitaž, Sankt Peterburg. Odmah za njim su: Portrait of Baron Alexander Stieglitz (1844) i Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850).

Koliko je godina imao/la Charles de Steuben u vreme nastanka dela Portrait of Anna Benardaki?Pogledajte odgovor

56 godina. Charles de Steuben je rođen/a 1788, a delo Portrait of Anna Benardaki datira iz 1844.

Koji je 10 najpoznatijih dela umetnika Charles de Steuben?Pogledajte odgovor

Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz, Portrait of Alexander P. von Benckendorff (1819 – 1851), Portrait of a Young Woman, Portrait of D.E. Benardaki, Portrait of Countess Yulia Stroganova, Mercury Putting Argus to Sleep, Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist, Sketch for the painting "La Esmeralda and her goat" i Joan the Mad Waiting for the Resurrection of Philip the Handsome Her Husband. Godinu i muzej za svako od njih možete pronaći u gornjem spisku.

Koliko ima dela umetnika Charles de Steuben?Pogledajte odgovor

U našem katalogu imamo 19 dela umetnika Charles de Steuben, datiranih od 1800 do 1850.

U kojim muzejima se nalaze najpoznatija dela Charles de Steuben?Pogledajte odgovor

Većinu njih možete pronaći u Ermitaž (Sankt Peterburg), Palais des Beaux-Arts de Lille (Lille) i Muzej Carnavalet (Pariz). Na spisku muzeja iznad nalazi se detaljan pregled.

Kada su nastala najpoznatija dela umetnika Charles de Steuben?Pogledajte odgovor

U 1830s, više nego ikada ranije: 9 od 19 dela na ovoj stranici potiče iz tog vremena, od čega je Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist među njima.

Koja su najstarija i najnovija poznata dela Charles de Steuben?Pogledajte odgovor

Najstarije delo ovde je The Death of Napoleon (1800); najnovije je Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850).

Šta je Charles de Steuben najčešće slikao?Pogledajte odgovor

Woman (3), Man (3) i Lace (2) od ukupno 19 dela na ovoj stranici.

Čime je Charles de Steuben obično slikao?Pogledajte odgovor

Oil On Canvas, korišćeno u 5 od 19 dela na ovoj stranici.

Sa kojim umetničkim pravcem je Charles de Steuben povezan/a?Pogledajte odgovor

Romanticism, kao što možete videti u delima na ovoj stranici.

Šta možete videti od dela Charles de Steuben u muzeju Ermitaž?Pogledajte odgovor

Na ovoj stranici možete videti 7 dela u muzeju Ermitaž, Sankt Peterburg, uključujući Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz i Portrait of Alexander P. von Benckendorff (1819 – 1851).

Mogu li da naručim reprodukciju Charles de Steuben za svoj dom?Pogledajte odgovor

Da. Svaka slika na ovoj stranici dostupna je kao ručno slikano ulje na platnu ili kao štampa, u veličini koja vam odgovara. Samo otvorite stranicu slike da biste izvršili porudžbinu.

Upoznajte Charles de Steuben

A Life Forged in the Shadows of Empires

Born into the nobility of the German Duchy of Württemberg, the life of Charles Auguste Guillaume Steuben was never destined for a quiet existence. His early years were defined by movement and the grandeur of shifting borders, moving from his birthplace to the imperial splendor of Saint Petersburg at the tender age of twelve. It was within the hallowed halls of the Imperial Academy of Arts that the young student first began to grasp the language of light and shadow, studying drawing under the watchful eyes of Russian masters. This formative period in Russia, shaped by the social connections of his father—a captain in Russian service—provided a unique cosmopolitan foundation. As he transitioned from the Russian court to the artistic epicenter of Paris, Steuben carried with him a perspective that was both deeply European and profoundly observant, preparing him for a career that would bridge the gap between the Napoleonic era and the Second Empire.

The Echo of Schiller and the Romantic Flame

Steuben’s artistic identity was not merely a product of formal training at the École des Beaux-Arts under luminaries like Jacques-Louis David and Pierre-Paul Prud'hon; it was ignited by the literary fire of Friedrich Schiller. The poet's ideals of individual liberty and free self-determination became the heartbeat of Steuben’s Romantic sensibility, instilling in him a belief that art should reflect the internal struggle for freedom. His style emerged as a dramatic interplay of expressive brushstrokes and a vivid, emotive palette, designed to capture the turbulent spirit of an age defined by revolution and restoration. He mastered the ability to blend meticulous observation with an imaginative, almost theatrical interpretation of history.

  • Philosophical Roots: The profound influence of Friedrich Schiller’s political ideals on his Romantic vision.
  • Academic Pedigree: Refined training under the masters of French Neoclassicism and lithography.
  • Thematic Depth: A focus on historical narratives that emphasized psychological insight and emotional fervor.

Chronicles in Color and Chiaroscuro

The true mastery of Steuben lay in his ability to weave meticulous historical detail with a cinematic sense of drama. He was a storyteller who utilized the technique of chiaroscuro to pull figures from the darkness, lending them a monumental presence that commanded the viewer's attention. In his celebrated work, The Death of Napoleon, one finds a hauntingly intimate glimpse into the twilight of a legend, where the grandeur of empire meets the stark reality of mortality on Saint Helena. Similarly, his Battle of Poitiers serves as a powerful testament to historical resilience, utilizing vibrant color and dynamic composition to depict the decisive clash between Charles Martel and Abd al-Rahman III. Through both painting and lithography, Steuben left behind a legacy that remains a vital window into the soul of nineteenth-century Europe, capturing the very essence of the Romantic era.