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Najpoznatije delo umetnika Bernhard Strigel je The Announcement to Anne and Joachim (1510). Možete ga pronaći u muzeju Музеј Тисен-Борнемиза u gradu Madrid. Sledeći na listi su Portrait of Maximiliaan I van Habsburg (1459-1519) (1500) i St. Anthony Abbot and St. Paul the Hermit (1507). U našem katalogu se nalazi 108 dela umetnika Bernhard Strigel; ovaj vodič izdvaja 100 najpoznatijih, uz godinu nastanka, muzej i priču o svakom delu.
The painting depicts a domestic interior where a seated woman, Mary, occupies the left side of the frame. She holds a piece of cloth in her hands, her posture settled within a chair. Opposite her, a standing figure, the angel Gabriel, appears in the space of the room. The scene is grounded by a dining table positioned toward the upper right, upon which a single bowl rests. In the lower…
The air in the portrait feels heavy with the scent of polished metal and expensive dyes. Maximilian I sits in a profile view, a choice that demands respect and distances the viewer from the intimate space of the ruler. His gaze does not meet ours; instead, it looks toward a horizon only he can see. The light catches the sharp edge of his crown and the fine, meticulous embroidery of…
The oil on panel painting titled St. Anthony Abbot and St. Paul the Hermit was executed by the German artist Bernhard Strigel in 1507. This work depicts two religious figures, St. Anthony Abbot and St. Paul the Hermit, positioned in close proximity. The two subjects are shown engaged in conversation, their forms set against a gold-toned surface.
A man stares directly from the panel, his presence heavy and immediate. He wears a black hat adorned with a delicate gold trim, a piece of finery that catches the light against the dark fabric. A red cape drapes over his shoulders, providing a sudden, sharp splash of color against the more somber tones of his attire. His hand is raised, a ring glinting on his finger, as if he…
A single figure occupies the center of the frame, stripped of his garments. The skin of Christ appears pale against the heavy, textured folds of the drapery being pulled away. Around him, several figures press inward, their hands grasping at cloth and limb. The scene is set outdoors, where the dark silhouette of a tree rises in the background, grounding the divine drama in a tangible, earthly space. There is…
Mindelheim Altarpiece: Saint Servatius by Bernhard Strigel is a vertically oriented religious portrait executed about 1505. The composition centers on a seated figure shown in profile, facing toward the left of the frame. The subject is Saint Servatius, depicted in clerical attire and wearing spectacles while reading a book. This figure is positioned near a wooden bookcase, creating a focused, intimate setting. The perspective remains shallow, concentrating the viewer's attention…
In this intimate work, titled Funk Diptych: Donor Portrait of Hans Funk, we encounter a quiet moment of devotion captured by the hand of Bernhard Strigel. The portrait focuses on the individual known as Hans Funk, presented with the solemnity typical of a late Gothic donor image. It is a work that seeks to preserve the identity and piety of its subject through a formal, dignified gaze.
The air feels thick with anticipation as a procession moves through the narrow, structured gates of a city. Jesus Christ rides a donkey, his presence marked by a golden halo that glows softly against the surrounding figures. Around him, a sea of followers and onlookers surges forward, their faces etched with intense expressions. The composition is vertical and tightly packed, creating a sense of movement that pushes against the edges…
In this work, titled betrothal of Maria with the founder, Bernhard Strigel presents a solemn depiction of the Betrothal of the Virgin Mary. The scene unfolds within an indoor or semi-enclosed space, where the atmosphere is defined by a dense arrangement of figures. At the heart of the composition, a high priest or officiating figure stands centrally, mediating the ritual between the primary subjects. To the left, a woman kneels…
This painting depicts Saint Barbara and was executed by the artist Bernhard Strigel. The work is dated to 1500. Strigel was a painter associated with the Swabian school, a group of artists active in the southern German regions. He was born in Memmingen.
Buxheim Altar: Prophet Isaiah1500 · Bavarske državne slikopisne kolekcije
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Mindelheim Altarpiece: Anna and Joachim with Mary1500 · Bavarske državne slikopisne kolekcije
Neka bude vaša od $225 →
The returning of David with the head Goliath1500 · Bavarske državne slikopisne kolekcije
Neka bude vaša od $375 →
Mindelheim Altarpiece: Mary Salome and Zebedee with their Childs1500 · Bavarske državne slikopisne kolekcije
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Pilate Washing His Hands of Guilt for Christ's Death1500 · Walters Art Museum
Neka bude vaša od $450 →
Death of Mary (Reverse: St. Dorothea and Margaretha)1510 · Bavarske državne slikopisne kolekcije
Nabavite ručno oslikano od $400 →
Sliding Lid for the Portrait of Hieronymus II. Haller zu Kalchreuth1503 · Bavarske državne slikopisne kolekcije
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Finding and Exaltation of the True Cross1507 · Veste Coburg Art Collections
Nabavite ručno oslikano od $575 →
Epitaph of the Familie Funk von Memmingen, 15131513 · Museum of All Saints
Neka bude vaša od $475 →
Mindelheim Altarpiece: Cleophas and Maria Cleophae and Childs1505 · Bavarske državne slikopisne kolekcije
Neka bude vaša od $225 →
Mindelheim Altarpiece: Mary of Clopas and Alphaeus with their Childs1505 · Bavarske državne slikopisne kolekcije
Nabavite ručno oslikano od $275 →
Mindelheim Altarpiece: Issachar and Susanna and their Childs1505 · Bavarske državne slikopisne kolekcije
Neka bude vaša od $250 →
Mindelheim Altarpiece: Esmeria and Ephrem with their Childs1505 · Bavarske državne slikopisne kolekcije
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Mindelheim Altarpiece: Eliud and Memelia with Saint Servatius1505 · Bavarske državne slikopisne kolekcije
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Prayer of Christ in the Garden of Olives1525 · Staatliche Kunsthalle Karlsruhe
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Sleeping guard of a grave with a crossbow1520 · Bavarske državne slikopisne kolekcije
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Calvary (verso): Chris as Man of Sorrows1520 · Bavarske državne slikopisne kolekcije
Neka bude vaša od $550 →
Portrait of Count Johann II, Count of Montfort and Rothenfels1523 · National Gallery of Ireland
Naručite ovo delo od $175 →
Buxheim Altar: Prophet Zacharias Reverse: Part of an Annunciation(?)1500 · Bavarske državne slikopisne kolekcije
Naručite ovo delo od $175 →
Portrait of Hieronymus II. Haller zu Kalchreuth1503 · Bavarske državne slikopisne kolekcije
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Christ Washing the Disciples' Feet1520 · Staatliche Kunsthalle Karlsruhe
Nabavite ručno oslikano od $500 →
![Margarethe Vöhlin, Wife of Hans Roth [reverse] (1527) čiji je autor Bernhard Strigel](/media/artworks/images-thumb/ca/b1/cab156fa5e0148a2e9b0560926d3d422.jpg)
Margarethe Vöhlin, Wife of Hans Roth [reverse]1527 · National Gallery of Art
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Sacrifice of Isaac, and Transfiguration1510
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The eight children Konrad Rehlinger1517 · Bavarske državne slikopisne kolekcije
Portrait of Martha Thannstetter (née Werusin)1515 · Liechtenstein Museum
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Sleeping guardian of a grave with sword and halberd1520 · Bavarske državne slikopisne kolekcije
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Saint Mary Cleophas and Her Family1528 · National Gallery of Art
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Portrait of Conrad Rehlinger and his Children1517 · Alte Pinakothek
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Mary and Joseph with Jesus1506 · Bavarske državne slikopisne kolekcije
Nabavite ručno oslikano od $225 →
St Ladislas Predaje Vladislava II i njegovih Sinova Bogorodici (detalj)1511 · Szépművészeti Múzeum
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Sleeping Grave Guards with Mace and SwordBavarske državne slikopisne kolekcije
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Četiri teme koje se najčešće pojavljuju u ovim delima, svaka sa svojim najpoznatijim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzeji | Grad | Radovi umetnika Bernhard Strigel | Slike iz ovog spiska |
|---|---|---|---|
 Bavarske državne slikopisne kolekcije |
Minhen | 25 | Portrait of Maximiliaan I van Habsburg (1459-1519), Mindelheim Altarpiece: Saint Servatius, Funk Diptych: Donor Portrait of Hans Funk |
 Gemäldegalerie |
Berlin | 7 | Portrait of a Man, Prophets with Scroll, Prophets with Scroll |
 Staatliche Kunsthalle Karlsruhe |
Karlsrue | 6 | Prayer of Christ in the Garden of Olives, Christ Washing the Disciples' Feet, Lamentation of Christ |
 Kunsthistorisches Museum |
Beč | 6 | Holy Family with Angels, Holy Tribe, John the Evangelist is taught to write |
 National Gallery of Art |
Washington | 6 | Hans Roth [obverse], Margarethe Vöhlin, Wife of Hans Roth [reverse], Hans Roth [reverse] |
 Walters Art Museum |
Baltimore | 4 | The Entry Into Jerusalem, The Arrest of Christ, Pilate Washing His Hands of Guilt for Christ's Death |
 Szépművészeti Múzeum |
Budimpešta | 3 | St Ladislas Predaje Vladislava II i njegovih Sinova Bogorodici (detalj), Portrait of Hieronymus Haller |
 Музеј Тисен-Борнемиза |
Madrid | 2 | The Announcement to Anne and Joachim, Portrait of a Man |
Izaberite deceniju da biste videli njeno najistaknutije delo.
In this work, titled betrothal of Maria with the founder, Bernhard Strigel presents a solemn depiction of the Betrothal of the Virgin Mary. The scene unfolds within an indoor or semi-enclosed space, where the atmosphere is defined by a dense arrangement of figures. At the heart of the composition, a high priest or officiating figure stands centrally, mediating the ritual between the primary subjects. To the left, a woman kneels…
In this intimate work, titled Funk Diptych: Donor Portrait of Hans Funk, we encounter a quiet moment of devotion captured by the hand of Bernhard Strigel. The portrait focuses on the individual known as Hans Funk, presented with the solemnity typical of a late Gothic donor image. It is a work that seeks to preserve the identity and piety of its subject through a formal, dignified gaze.
The air in the portrait feels heavy with the scent of polished metal and expensive dyes. Maximilian I sits in a profile view, a choice that demands respect and distances the viewer from the intimate space of the ruler. His gaze does not meet ours; instead, it looks toward a horizon only he can see. The light catches the sharp edge of his crown and the fine, meticulous embroidery of…
The painting depicts a domestic interior where a seated woman, Mary, occupies the left side of the frame. She holds a piece of cloth in her hands, her posture settled within a chair. Opposite her, a standing figure, the angel Gabriel, appears in the space of the room. The scene is grounded by a dining table positioned toward the upper right, upon which a single bowl rests. In the lower…
A man stares directly from the panel, his presence heavy and immediate. He wears a black hat adorned with a delicate gold trim, a piece of finery that catches the light against the dark fabric. A red cape drapes over his shoulders, providing a sudden, sharp splash of color against the more somber tones of his attire. His hand is raised, a ring glinting on his finger, as if he…
Na vrhu liste je The Announcement to Anne and Joachim (1510), Музеј Тисен-Борнемиза, Madrid. Odmah za njim su: Portrait of Maximiliaan I van Habsburg (1459-1519) (1500) i St. Anthony Abbot and St. Paul the Hermit (1507).
50 godina. Bernhard Strigel je rođen/a 1460, a delo The Announcement to Anne and Joachim datira iz 1510.
The Announcement to Anne and Joachim, Portrait of Maximiliaan I van Habsburg (1459-1519), St. Anthony Abbot and St. Paul the Hermit, Portrait of a Gentleman, Disrobing of Christ, Mindelheim Altarpiece: Saint Servatius, Funk Diptych: Donor Portrait of Hans Funk, The Entry Into Jerusalem, betrothal of Maria with the founder i Saint Barbara. Godinu i muzej za svako od njih možete pronaći u gornjem spisku.
U našem katalogu imamo 108 dela umetnika Bernhard Strigel, datiranih od 1485 do 1528.
Većinu njih možete pronaći u Bavarske državne slikopisne kolekcije (Minhen), Gemäldegalerie (Berlin) i Staatliche Kunsthalle Karlsruhe (Karlsrue). Na spisku muzeja iznad nalazi se detaljan pregled.
U 1500s, više nego ikada ranije: 28 od 100 dela na ovoj stranici potiče iz tog vremena, od čega je Portrait of Maximiliaan I van Habsburg (1459-1519) među njima.
Najstarije delo ovde je betrothal of Maria with the founder (1485); najnovije je Portrait of a Man (1528).
Man (41), Woman (22) i People (22) od ukupno 100 dela na ovoj stranici.
Oil On Panel, korišćeno u 53 od 100 dela na ovoj stranici.
Northern renaissance, kao što možete videti u delima na ovoj stranici.
Na ovoj stranici možete videti 25 dela u muzeju Bavarske državne slikopisne kolekcije, Minhen, uključujući Portrait of Maximiliaan I van Habsburg (1459-1519), Mindelheim Altarpiece: Saint Servatius i Funk Diptych: Donor Portrait of Hans Funk.
Da. Svaka slika na ovoj stranici dostupna je kao ručno slikano ulje na platnu ili kao štampa, u veličini koja vam odgovara. Samo otvorite stranicu slike da biste izvršili porudžbinu.
U srcu švabskog pejzaža, u periodu kada je srednjovekovni svet počeo da ustupa mesto svitanju renesanse, Bernhard Strigel se pojavio kao majstor svetlosti i ljudskog prisustva. Rođen u Memmingenu oko 1461. godine, Strigel nije samo slikao figure; on im je oduvao život kroz pedantno vladanje bojom i formom. Njegov put bio je put duboke umetničke evolucije, krećući se od strukturiranih tradicija gotičke ere ka nijansiranijem, opservacionom stilu koji će definisati nemačku renesansu. Kao ključna figura švabske škole, njegovo delo služi kao vitalni most između duhovnog intenziteta srednjeg veka i humanističke jasnoće šesnaestog veka.
Temelji Strigelovog genija postavljeni su unutar intimnih okvira porodične radionice. Pod vođstvom svog oca, Hansa Strigela, i pod uticajem cenjenog majstora Zeitbloma iz Ulma, mladi umetnik je razvio oko za sitne detalje koji karakteriški definišu umetnost severne renesanse. Ovo rano obrazovanje u njemu je usadilo poštovanje prema teksturama stvarnosti — teškom naboru baršunastog ogrtača, suptilnom sjaju bisera i mekom sjaju kože pod svetlošću sveće. U njegovim ranim kompozicijama mogu se pratiti odjeci majstora kao što su Rogier van der Weyden i Dieric Bouts, gde osećaj duboke pobožnosti susreće gotovo naučnu preciznost u detalju.
Strigelov uspon od regionalnog talenta do slavne figure evropskog značaja pokrenula je najmoćnija patronska podrška njegovog doba: ona cara Maksimilijana I. Car, čovek nezasitne žeđi za slikama i istorijskim dokumentacijom, prepoznao je u Strigelu jedinstvenu sposobnost da uhvati ne samo sličnost, već samu suštinu autoriteta i plemenitosti. Ova veza transformisala je Strigelovu karijeru, vodeći ga na velike umetničke ekspedicije kroz kulturna središta Augsburga, Inzbruka i Beča. Njegovo prisustvo na carskim dvorovima omogućilo mu je da učestvuje u najznačajnijim političkim i društvenim narativima svog vremena.
Možda njegov najtrajniji doprinos istoriji portretizma leži u ulozi koju je imao tokom presudnih pregovora o brakovima između dinastija Hapsburg i Jagelonić. Godine 1515, pozvan specifično u Beč, Strigel je dobio zadatak da zabeleži lica Evrope koja se menjala. Njegovi portreti iz ovog doba odlikuju se izuzetnom jasnoćom i psihološkom dubinom koja prevazilazi puki dokumentacioni karakter. Kroz njegovu četkicu, subjekti poseduju dostojanstven mir i luminanciju koja sugeriše dušu kako viri iza pigmenata. Ova dela ne služe samo za beleženje istorije; ona je humanizuju, nudeći nam intiman prozor u lica renesansne elite.
Tehnička briljantnost Bernharda Strigela najočiglednija je u njegovom majstorstvu luminancije. Posedovao je retku sposobnost manipulacije svetlošću tako da se činilo da ona izbija iz same slike, umesto da se samo reflektuje sa njene površine. Ova tehnika, u kombinaciji sa sofisticiranom upotrebom palete boja, omogućila mu je stvaranje dela koja deluju istovremeno fizički opipljivo i duhovno uzvišeno. Bilo da je radio na velikim istorijskim kompozicijama ili intimnim individualnim portretima, njegova posvećenost preciznosti ostala je nepokolebljiva.
Njegova umetnička dostignuća mogu se sažeti kroz nekoliko ključnih stubova njegove karijere:
Danas dela Bernharda Strigela ostaju svedočanstvo ere dubokih transformacija. Njegova sposobnost da uhvati prolaznu svetlost trenutka i očuva je unutar trajnosti ulja i tempera osigurava da njegovo nasleđe nastavi da odjekuje. Pogledati Strigelov portret znači susresti se sa samim duhom švabske renesanse — svetom u kojem je svaki potez četkice čin posvećenosti lepoti vidljivog sveta.
![Hans Roth [obverse] (1527) čiji je autor Bernhard Strigel](/media/artworks/images-thumb/c0/53/c0536f9d39bebacea67dcfd17e7277dd.jpg)
![Hans Roth [reverse] (1527) čiji je autor Bernhard Strigel](/media/artworks/images-thumb/e3/a3/e3a3614e1ef6310758806a32d0c9299c.jpg)
