Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 1 dela Benjamin Raborg u našem katalogu
Ukratko
Najpoznatije delo umetnika Benjamin Raborg je Night Scene of Indian Tipi (1895). Možete ga pronaći u muzeju Smithsonian American Art Museum u gradu Vašington, D.C.. U našem katalogu se nalazi 1 dela umetnika Benjamin Raborg; ovaj vodič izdvaja 1 najpoznatijih, uz godinu nastanka, muzej i priču o svakom delu.
1 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Benjamin Raborg | Slike iz ovog spiska |
|---|---|---|---|
 Smithsonian American Art Museum |
Vašington, D.C. | 1 | Night Scene of Indian Tipi |
Radovi umetnika Benjamin Raborg na ovoj stranici datiraju iz 1895 godine. Evo ih, poređanih prema popularnosti.
Izaberite godinu da biste videli njena dela.
Na vrhu liste je Night Scene of Indian Tipi (1895).
24 godina. Benjamin Raborg je rođen/a 1871, a delo Night Scene of Indian Tipi datira iz 1895.
U našem katalogu se nalazi 1 dela umetnika Benjamin Raborg.
Većinu njih možete pronaći u Smithsonian American Art Museum (Vašington, D.C.). Na spisku muzeja iznad nalazi se detaljan pregled.
Da. Svaka slika na ovoj stranici dostupna je kao ručno slikano ulje na platnu ili kao štampa, u veličini koja vam odgovara. Samo otvorite stranicu slike da biste izvršili porudžbinu.
Benjamin O'Fallan Raborg lived a life shaped by the landscapes of the American West. Born in Sulphur Springs, Missouri, he carried the influence of his family into his work, including his uncle, the artist Astley David Middleton Cooper. His brush found its way to the textures of the frontier, focusing on the quiet dignity of landscapes and the presence of portraits. He often turned his attention to American Indians, capturing them within the scenes he composed on canvas.
His work was not about grand gestures, but about the specific details of a place. In pieces like Night Scene of Indian Tipi, there is a focus on how light and shadow settle over a camp. This particular work resides in the Smithsonian American Art Museum, a quiet piece of his legacy that remains after his passing.
The path of his life took him from the plains of Missouri to the coast of California. He spent his final years in San Francisco, where his life came to an abrupt end in 1918. A cable car accident took his life, leaving behind a body of work that reflects the era of his existence. He is buried in Oak Hill Memorial Park in San Jose, California.
His paintings remain as physical traces of his time. They are objects that hold the light of a different century, specifically through his use of oil on canvas. His subjects—the landscapes and the people of the West—remain fixed in the way he chose to see them.
