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Najpoznatije delo umetnika Adam Pendleton je History (Lab 1964 Grey) (2005). Možete ga pronaći u muzeju Carnegie Museum of Art u gradu Pitsburg. U našem katalogu se nalazi 1 dela umetnika Adam Pendleton; ovaj vodič izdvaja 1 najpoznatijih, uz godinu nastanka, muzej i priču o svakom delu.
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| Muzej | Grad | Radovi umetnika Adam Pendleton | Slike iz ovog spiska |
|---|---|---|---|
| Pitsburg | 1 | History (Lab 1964 Grey) |
Godina za godinom: najpoznatija dela umetnika Adam Pendleton
Radovi umetnika Adam Pendleton na ovoj stranici datiraju iz 2005 godine. Evo ih, poređanih prema popularnosti.
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Na vrhu liste je History (Lab 1964 Grey) (2005).
Koliko je godina imao/la Adam Pendleton kada je stvarala History (Lab 1964 Grey)?Pogledajte odgovor
21 godina. Adam Pendleton je rođen/a 1984, a delo History (Lab 1964 Grey) datira iz 2005.
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U našem katalogu se nalazi 1 dela umetnika Adam Pendleton.
U kojim muzejima možete videti čuvena dela umetnika Adam Pendleton?Pogledajte odgovor
Većinu njih možete pronaći u Carnegie Museum of Art (Pitsburg). Na spisku muzeja iznad nalazi se detaljan pregled.
Priča umetnika Adam Pendleton
The Multidisciplinary Practice of Adam Pendleton
Adam Pendleton is an American conceptual artist whose diverse practice encompasses painting, silkscreen, collage, video, performance, and word art. Born in Richmond, United States, he began writing poetry at an early age and later transitioned into painting. His academic journey included studying at the Artspace Independent Study Program in Peitrasanta, Italy, before moving to New York in 2002. Currently, he divides his time between New York City and Germantown, New York.
His work often involves the investigation of language and the recontextualization of history through appropriated imagery. Pendleton's artistic output has been featured in various international exhibitions, including shows at the Museum of Modern Art, the Whitney, the New Museum, and La Triennale at the Palais de Tokyo in Paris. In 2024, he was honored with the Rosenthal Family Foundation Award for Painting from the American Academy of Arts and Letters.
Themes and Conceptual Frameworks
A central concept in Pendleton's work is "Black Dada," a term he uses to discuss the present moment by addressing both the future and the past. This concept is exemplified in his Black Dada series of paintings, which feature partial views of Sol LeWitt's cube sculptures alongside letters derived from the phrase "Black Dada." This phrase itself originates from the 1964 poem "Black Dada Nihilismus" by Amiri Baraka.
His various series and installations explore different visual and linguistic systems: