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Work

5 parts 1 The artwork2 In context3 About this artwork4 Artist and museum5 Look closely

Ime Razred Datum
Ju Jung-Kuk, Work (1957). Reprodukovano u informativne svrhe; sva prava zadržava vlasnik autorskih prava.

Osnovne informacije

Umetnik
Ju Jung-Kuk artsdot.com/sr/artists/ju-jung-kuk_sr/
Podaci o umetniku
1916 – 2002
Slikano
1957
Medijum
Oil On Canvas
Originalne dimenzije
100 x 100 cm
Pokret
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Epoha
Modern

In context

Work — Ju Jung-Kuk

How big is it?

The original measures 100 × 100 cm (height × width), drawn here beside an adult of average height.

Godina nastanka

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990
  10. 2000

Osenčeno: životni vek umetnika Ju Jung-Kuk (1916–2002) ▲ ovo delo, 1957

Slična dela

  • Work artsdot.com/sr/art/yoo-youngkuk-work-D49Q6W-en/
  • Work, 1957 artsdot.com/sr/art/yoo-youngkuk-work-D9439R-en/
  • Work, 1967 artsdot.com/sr/art/yoo-youngkuk-work-D49Q8X-en/

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: artsdot.com/sr/art/similar/yoo-youngkuk-work-D49SJG-en/

Paleta boja

Izmereno na osnovu slike

    Glavna boja

    Espresso #545b56

    Katalogizovana paleta

    • #545B56
    • #353639
    • #E96250
    • #6C3A3B
    Naziv glavne boje
    Espresso
    Intenzitet
    Monochromatic Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Serene Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Discordant Palette Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Deep_shadow Koliko je slika u celini svetla ili tamna, od duboke senke do najsvetlijih tonova.
    Zasićenost
    Muted Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    O ovom umetničkom delu

    Work — Ju Jung-Kuk

    Notes on this work

    Written for this guide from published sources. The catalogue record itself is on the first part of this guide.

    Artistic style
    Abstract Expressionism
    Influences
    Kazimir Malevich, Piet Mondrian
    Notable elements or techniques
    Geometric shapes, layered textures
    Subject or theme
    Non-representational geometric forms

    A Symphony of Geometry and Tension

    In this masterful 1957 composition, Yoo Youngkuk invites the viewer into a realm where the boundaries between form and emotion dissolve into a striking abstract landscape. The artwork presents a captivating dance of geometric shapes, dominated by a powerful interplay of black, red, and green. At first glance, the eye is met with a sense of profound mystery; the canvas feels like a fragmented window into a structured yet enigmatic dimension. There is no singular focal point to anchor the gaze, but rather a dynamic arrangement of overlapping rectangles and angular planes that encourage the eye to wander across the surface. This lack of a traditional center creates a rhythmic tension, as if the shapes are caught in a moment of perpetual motion, intersecting and layering to create an illusion of depth within a seemingly flat, modern plane.

    The artist’s use of color is both disciplined and evocative, employing a restricted palette that maximizes emotional impact. A deep, commanding black serves as the foundation, providing a somber backdrop that allows the bold, angular bursts of red to vibrate with intensity. Interspersed throughout are organic, textured patches of green that offer a subtle, earthy counterpoint to the sharper geometric elements, while a delicate touch of blue provides a fleeting moment of cool contrast. This deliberate color theory does more than just decorate the canvas; it builds an atmosphere of austerity and restraint, where every hue carries the weight of intentionality.

    The Essence of Korean Abstraction

    To understand this piece is to understand the pioneering spirit of Yoo Youngkuk, a titan of Korean abstraction. Created during a period of significant historical transition, the work reflects the artist's lifelong quest to distill the essence of the natural world—specifically the majestic mountains of his youth—into pure, non-representational language. While the subject matter avoids literal depiction, the sharp lines and intersecting planes evoke the ruggedness and structural strength of a landscape stripped down to its skeletal beauty. The technique, an expressive application of oil on canvas, reveals a sophisticated mastery of texture; while much of the surface appears smooth, a closer inspection unveils the subtle, tactile presence of brushstrokes that breathe life into the green segments.

    For the discerning collector or interior designer, this artwork offers more than mere visual interest; it provides a profound emotional resonance. The fragmented composition and stark contrasts can evoke feelings ranging from contemplative isolation to a heightened sense of modern anxiety, making it a powerful statement piece for any sophisticated space. Whether placed in a minimalist gallery setting or as a focal point in a contemporary living room, the painting’s ability to command attention through its structural complexity and historical significance makes it an invaluable acquisition. It stands as a testament to the power of abstraction to communicate the complex, unspoken tensions of the human experience through nothing more than shape, color, and line.

    Umetnik i muzej

    Work — Ju Jung-Kuk

    Umetnik

    Ju Jung-Kuk

    Born in Uljin, Južna Koreja

    Pionir korejske apstrakcije: Život i umetnost Ju Jung-kuka

    Ju Jung-kuk, ime koje je postalo sinonim za rađanje apstraktne umetnosti u Koreji, pojavio se kao ključna figura tokom perioda ogromnih društvenih i političkih previranja. Rođen 1916. godine u obalskom gradu Ulžinu, u Južnoj Koreji, njegov umetnički put bio je proces neprestane eksploracije i nepokolebljive posvećenosti stvaranju novog vizuelnog jezika za naciju koja se borila sa pitanjima identiteta i modernizma. Njegovo ranije detinjstvo, prožeto prirodnim lepotama korejskog pejzaža – naročito veličanstvenim planinama koje će postati njegov prepoznatljiv motiv tokom čitave karijere – u njemu je usadilo duboku povezanost sa prirodom, osećanje koje je suptilno prožimalo čak i njegove najgeometrijski najrigoroznije kompozicije. Ovo formativno iskustvo postavilo je temelje za umetničku viziju koja nije težila samo ka predstavljanju spoljašnjeg sveta, već ka destilaciji njegove suštine u čistu formu i boju. Juov put ka apstrakciji počeo je formalnim obrazovanjem na Univerzitetu Bunka Gakuin u Tokiju, gde je 1938. godine diplomirao na odseku za slikarstvo na ulju.

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    QR kod koji vodi na stranicu za preuzimanje Work

    artsdot.com/sr/art/download/yoo-youngkuk-work-D49SJG-en/

    Citiranje ovog umetničkog dela

    MLA
    Jung-Kuk, Ju. Work. 1957, https://artsdot.com/sr/art/yoo-youngkuk-work-D49SJG-en/
    APA
    Jung-Kuk, Ju (1957). Work [Painting]. https://artsdot.com/sr/art/yoo-youngkuk-work-D49SJG-en/
    Chicago
    Ju Jung-Kuk. Work. 1957. https://artsdot.com/sr/art/yoo-youngkuk-work-D49SJG-en/
    Harvard
    Jung-Kuk, Ju (1957) Work. Available at: https://artsdot.com/sr/art/yoo-youngkuk-work-D49SJG-en/

    Look closely

    Work — Ju Jung-Kuk

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: abstract, geometric abstraction, geometric shapes. Do you agree? What would you add, or take away?
    4. Look back at Work, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.