Papir

Vodič za studentska umetnička dela

While We Wait 4

Ime Razred Datum

Tonia Nneji, While We Wait 4 (2019), Rele Arts Foundation. Reprodukovano u informativne svrhe; sva prava zadržava vlasnik autorskih prava. Pogledajte ovo platno pod promenljivim svetlom: crtež, pravu boju ispod vernica, čisti pigment

Činjenice

Umetnik
Tonia Nneji artsdot.com/sr/artists/tonia-nneji/
Datumi umetnika
1991 –
Slikano
2019
Period
Contemporary
Održano na
Rele Arts Foundation artsdot.com/sr/museums/rele-arts-foundation-lagos/
Artistic style
Pop Art influence, stylized abstraction
Influences
Textiles, Nigerian carving traditions
Notable elements or techniques
Geometric color blocking, textured patterns
Subject or theme
Intimacy, desire, and vulnerability

U kontekstu

While We Wait 4 — Tonia Nneji

Kada je ovo naslikano?

  1. 1990
  2. 2000
  3. 2010

Gornji red: godine. Donji red: starost umetnika na početku i na kraju svakog perioda, pri čemu se rođenje računa kao nula.

Naslikano kada je umetnik imao 28 godina. 0 od ukupno 9 datiranih dela ovog umetnika u našem katalogu nastalo je ranije.

▲ ovo delo, 2019 svaka datirana slika, deceniju po deceniju

Uporedi sa

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: artsdot.com/sr/art/similar/tonia-nneji-while-we-wait-4-DD2EDY-en/

Boje

Izmereno na osnovu slike

    Glavna boja

    Prussian Blue #1b1d49

    Katalogizovana paleta

    • #1B1D49
    • #BBCAD6
    • #1587DD
    • #A45617

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Naziv primarne boje
    Prussian Blue
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Statement Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Discordant Palette Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Bright Koliko je slika u celini svetla ili tamna, od dubokih senki do najsvetlijih tonova.
    Zasićenost
    Clear Color Presence Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • manje od 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao Tonia Nneji tokom poslednjih dvanaest meseci — ukupno u 1 zemalja. Izvor ovih podataka

    Deset vodećih zemalja

    1. 1 Кина 100,0%200 poseta

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    1 najposećenijih dela umetnika Tonia Nneji

    1. 1 While We Wait 4, 2019 ova slika 100,0%200 poseta

    Zajedno, ova dela zauzimaju 100,0% ukupne pažnje koju su slike ovog umetnika privukle tokom poslednjih dvanaest meseci. Katalog sadrži 9 dela ovog umetnika, od kojih je 1 pregledano barem jednom. Ova slika zauzima 1 mesto na listi, sa 100,0% te pažnje (200 poseta). Isto važi i za pojedinačne mesece

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    O ovom umetničkom delu

    While We Wait 4 — Tonia Nneji

    The Intersection of Form and Fabric

    In 2019, Tonia Nneji produced While We Wait 4, an acrylic on canvas work that utilizes bold color blocking and a flattened perspective to explore the human silhouette. The composition features two stylized figures engaged in an intimate interaction, their forms rendered with a geometric precision that borders on the sculptural. Through overlapping shapes and a deliberate distortion of spatial relationships, the piece creates a sense of depth that remains ambiguous. The application of paint is tactile, with visible brushstrokes and heavy layering that emphasize the texture of the background and the patterned surfaces of the figures.

    The visual language of the work draws heavily from the aesthetics of Pop Art and contemporary abstract expressionism. By simplifying the human form into shapes reminiscent of mannequins, the artist strips away individual identity to focus on the tension between the two bodies. The lighting is directional, casting strong shadows that define the contours of the figures and heighten the dramatic weight of their proximity.

    Narrative of the Body

    The piece is deeply informed by the artist's personal navigation of health challenges, specifically her experience living with Polycystic Ovarian Syndrome (PCOS). This medical reality informs the work's preoccupation with bodily autonomy and the physical experience of women. The patterns used throughout the canvas reference commemorative fabrics, which function as symbols of belonging and identity. These textiles do more than decorate; they act as a visual language for the complexities of the female experience.

    There is a tension between the protective nature of the patterns and the vulnerability implied by the figures' postures. By using bold colors to address themes of trauma and medical silence, the work transforms a private struggle into a public dialogue. The interaction between the two figures suggests a state of waiting or transition, addressing the psychological weight of managing long-term health conditions. It is a study of resilience expressed through the intersection of organic form and rigid geometry.

    Umetnik i muzej

    Umetnik

    Tonia Nneji

    Rođen/a u Lagos State, Nigeria

    The Vibrant Tapestry of Tonia Nneji

    Born in the bustling energy of Lagos State, Nigeria, in 1991, Tonia Nneji carries within her a visual language deeply rooted in the ancestral rhythms of her homeland. Her artistic lineage is inextricably linked to the traditions of carvers and the powerful presence of masquerade carriers, a heritage that breathes life into her contemporary practice. After graduating with honors from the University of Lagos in 2016, Nneji emerged not merely as a skilled painter, but as a profound storyteller capable of weaving complex societal dialogues into the very fabric of her canvases. Her work serves as a bridge between the historical weight of Nigerian craftsmanship and the urgent, pressing conversations of the modern era.

    Nneji’s creative process is an intimate exploration of resilience, often drawing from her personal navigation through significant health challenges. She utilizes the canvas to confront the heavy silences surrounding trauma and women’s health, transforming vulnerability into a site of strength and advocacy. Through her art, she champions bodily autonomy and protection against harassment, creating a visual sanctuary for dialogue. This mission is mirrored in her fascination with textile materials; she investigates commemorative fabrics as symbols of place and belonging, exploring how these woven narratives transcend geographical borders to communicate universal truths about identity and the human condition.

    A Masterful Blend of Pattern and Purpose

    The aesthetic power of Nneji’s work lies in its breathtaking fusion of abstraction and figurative elements. Her canvases are characterized by a meticulous attention to detail, where bold colors and intricate patterns pulsate with an almost rhythmic energy. This technique is deeply informed by ancestral craftsmanship, yet it remains resolutely contemporary. By interweaving geometric precision with organic, flowing forms, she creates a sense of movement that mimics the protective and enveloping nature of textiles. Each layer of color and every patterned line serves as a deliberate stroke in her larger effort to document the complexities of the female experience and the enduring spirit of cultural heritage.

    Her artistic development has been propelled by significant recognition within the international art community. Through prestigious residencies, such as those at Art Dubai, and accolades like the Ronke Ekensi Prize, Nneji has been afforded the space to expand her technical repertoire and deepen her thematic inquiries. Her presence in the global art landscape is further solidified by notable exhibitions, including:

    Solo presentations at rele gallery in both Lagos and Los Angeles, which showcased her ability to command international attention.

    Participation in the evocative group exhibition ‘Dancing in Dark Times’ at the Pippy Houldsworth Gallery in London.

    The inclusion of her work in the ‘Orita Meta’ exhibition at rele gallery, highlighting her connection to cultural crossroads.

    As a significant contributor to the evolving landscape of contemporary African art, Tonia Nneji continues to push the boundaries of what painting can achieve. Her work does not simply decorate; it defends, commemorates, and illuminates. By transforming the personal into the political and the ancestral into the avant-garde, she ensures that the narratives of identity, health, and belonging are etched permanently into the collective consciousness of the art world.

    Muzej

    Rele Arts Foundation

    Izložbeno mesto Lagos, Nigeria

    Rele Arts Foundation: A Pulse of Contemporary African Art

    Nestled in the vibrant heart of Lagos, Nigeria, the Rele Arts Foundation stands as a beacon illuminating the dynamic landscape of contemporary and traditional African art. More than just a gallery, it’s a carefully cultivated space—a cultural hub where established masters converse with emerging voices, and where the echoes of ancient traditions resonate within the framework of modern expression. Founded by Adenrele Sonariwo in 2010, Rele has rapidly become a pivotal force, not only within Nigeria but increasingly on the global stage, bridging continents and fostering a deeper appreciation for the rich artistic heritage of the continent.

    The foundation’s ethos is rooted in a commitment to providing opportunities for Nigerian artists – particularly those often overlooked by mainstream institutions. This dedication manifests powerfully through its Young Contemporaries program, a prestigious initiative offering mentorship, residencies, and exhibition platforms to a select group of rising talents. But Rele's impact extends far beyond this single program; it’s woven into the very fabric of the gallery itself, a carefully curated environment designed to showcase the breadth and depth of African creativity. The architecture reflects this philosophy – clean lines and minimalist design create a neutral backdrop that allows the artwork to command center stage, while strategic use of natural light enhances the colors and textures, inviting viewers to fully immerse themselves in each piece.

    A Tapestry of Tradition and Innovation

    Rele’s collection is a compelling dialogue between the past and present. Alongside a significant selection of traditional masks and sculptures – powerful embodiments of Nigerian cultural history and spiritual beliefs – you'll discover a diverse array of sculptural works, ranging from abstract explorations of form to evocative figurative representations. These pieces often grapple with themes of identity, social commentary, and environmental concerns, reflecting the complexities of contemporary African life. The gallery’s commitment to showcasing cutting-edge work from emerging Nigerian artists is particularly noteworthy; they are actively shaping the future of art in Africa, pushing boundaries and challenging conventions.

    Notable exhibitions have cemented Rele's reputation as a vital platform for artistic discourse. “The Atlantic Triangle,” curated by Alfons Hug in 2017, offered a powerful exploration of interconnectedness across continents, while "Her Story" provided a poignant lens through which to examine the experiences of women within African society. Perhaps most strikingly, Rele has partnered with Samsung on an ongoing initiative, “Tech Meets Art,” demonstrating a willingness to embrace innovation and explore the intersection of art and technology – a testament to its forward-thinking approach.

    Expanding Horizons: Los Angeles and Beyond

    In 2021, Rele Arts Foundation took a bold step, establishing a location in Los Angeles, California—a landmark achievement as it marked the first African gallery to call the city home. This expansion represents more than just geographical growth; it signifies a deliberate effort to connect African art with a global audience and foster cross-cultural exchange. The Los Angeles space mirrors the ethos of the Lagos gallery – prioritizing emerging talent and creating a welcoming environment for both local collectors and international visitors.

    A Unique Cultural Hub

    What truly distinguishes Rele Arts Foundation is its role as a vibrant cultural hub. It’s a place where artists, curators, critics, and enthusiasts converge to exchange ideas, celebrate creativity, and build connections. The foundation actively promotes dialogue and appreciation for the diverse artistic expressions of Africa, fostering a sense of community and belonging. Rele's influence extends beyond its physical spaces; it has become synonymous with contemporary African art, inspiring artists and collectors alike to embrace the continent’s rich creative legacy.

    Notable Artists at Rele

    Olumide Onadipe:

    A Nigerian artist blending traditional and contemporary techniques to tackle environmental themes and social commentary. His work offers a powerful reflection on the challenges facing Africa today.

    Gde možete pročitati više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje While We Wait 4

    artsdot.com/sr/art/download/tonia-nneji-while-we-wait-4-DD2EDY-en/

    Citiranje ovog umetničkog dela

    MLA
    Nneji, Tonia. While We Wait 4. 2019, Rele Arts Foundation. https://artsdot.com/sr/art/tonia-nneji-while-we-wait-4-DD2EDY-en/
    APA
    Nneji, Tonia (2019). While We Wait 4 [Painting]. Rele Arts Foundation. https://artsdot.com/sr/art/tonia-nneji-while-we-wait-4-DD2EDY-en/
    Chicago
    Tonia Nneji. While We Wait 4. 2019. Rele Arts Foundation. https://artsdot.com/sr/art/tonia-nneji-while-we-wait-4-DD2EDY-en/
    Harvard
    Nneji, Tonia (2019) While We Wait 4. Rele Arts Foundation. Available at: https://artsdot.com/sr/art/tonia-nneji-while-we-wait-4-DD2EDY-en/

    Pogledajte pažljivije

    While We Wait 4 — Tonia Nneji

    Pogledajte pažljivije

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Koliko lica možete pronaći? ____ (u našem katalogu ih je izbrojano 2 — slažete li se?)
    4. U našem katalogu ovo delo je klasifikovano pod: abstract, human figures, intimacy. Da li se slažete? Šta biste dodali ili uklonili?
    5. Vratite se na Night 3 (2019), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.

    Kviz o umetnosti

    While We Wait 4 — Tonia Nneji

    Koliko dobro poznajete ovo umetničko delo?

    Označi jedan tačan odgovor za svako od poniženih 5 pitanja. Svako pitanje ima samo jedan tačan odgovor.

    1. 1. What medium was used to create 'While We Wait 4'?

      • A Oil paint on canvas
      • B Acrylic paint on canvas
      • C Mixed media on wood
    2. 2. In which year was 'While We Wait 4' created?

      • A 2016
      • B 2017
      • C 2019
    3. 3. What is the primary subject matter of the artwork?

      • A Landscapes of Nigeria
      • B Human forms
      • C Still life with textiles
    4. 4. Which artistic style is the artwork's style described as leaning towards?

      • A Contemporary abstract expressionism
      • B Classical realism
      • C Impressionism
    5. 5. What visual element is noted as being prominent in the artwork?

      • A Fine, delicate lines
      • B Texture
      • C Soft, blended edges

    Moj rezultat: ____ od ukupno 5

    Rešenja kviza — za nastavnike

    Ovo započinje novu štampanu stranicu, pa se prilikom kopiranja može jednostavno izostaviti.

    1A · 2C · 3B · 4A · 5B

    Proverite tačnost odgovora upoređujući ga sa katalogom za ovu sliku

    Pitanja i odgovori

    Koja boja najviše dolazi do izražaja u delu "While We Wait 4"?

    Boja koja najviše izdvaja se u delu "While We Wait 4" je Prussian Blue (#1b1d49). Dominantna boja je korisna pri uklapanju umetničkog dela u enterijer.

    Gde i kako se preporučuje postaviti „While We Wait 4”, autor Tonia Nneji?

    „While We Wait 4“ je predloženo za Focal, a preporučeni prostor je Living Room.

    Gde mogu da kupim print dela „While We Wait 4”, autor Tonia Nneji?

    Da biste naručili print dela „While We Wait 4”, autor Tonia Nneji, jednostavno ga poručite na njegovoj stranici Umetnički print: umetnička štampa na pamučnom platnu ili arhivskom kanvas papiru.