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Katalog i dosije

Katalog i dosije: Selfportrait

Naručite Selfportrait kao ručno oslikano ulje na platnu

Ime Razred Datum

Oscar Björck, Selfportrait (1920), Национален музеј. Javno dobro. Pogledajte ovo platno pod promenljivim svetlom: crtež, pravu boju ispod vernica, čisti pigment

Činjenice

Umetnik
Oscar Björck artsdot.com/sr/artists/oscar-bjorck/
Datumi umetnika
1860 – 1929
Slikano
1920
Prvobitne dimenzije
41.0 x 33.0cm
Održano na
Национален музеј artsdot.com/sr/museums/natsionalen-muzej-stokkholm_sr/

U kontekstu

Selfportrait — Oscar Björck

Koje su dimenzije?

Originalne dimenzije su 41 × 33 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.

Kada je ovo naslikano?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920

Gornji red: godine. Donji red: starost umetnika na početku i na kraju svakog perioda — 0 u rođenju, 69 u smrti.

Naslikano kada je umetnik imao 60 godina. Umetnik je doživeo 69. 21 od ukupno 23 datiranih dela ovog umetnika u našem katalogu nastalo je ranije.

Osenčeno: životni vek umetnika Oscar Björck (1860–1929) ▲ ovo delo, 1920 svaka datirana slika, deceniju po deceniju

Prva dela: do 1884 Glavne radne godine: 1884–1903 Kasna dela: od 1903

Ova tri segmenta dele dela koja u ovom katalogu imaju navedenu datum na prvi kvartal, srednju polovinu i poslednji kvartal. Ona ne predstavljaju kompletan umetnikov opus: tanji niz može biti praznina u arhivu pre nego period mirovanja. Iste godine kroz koje se proteže život umetnika

Uporedi sa

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: artsdot.com/sr/art/similar/selfportrait-by-oscar-bjorck/

Boje

Izmereno na osnovu slike

    Glavna boja

    White #f5f4f2

    Katalogizovana paleta

    • #F5F4F2
    • #2A2219
    • #997F54
    • #685133

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Paleta
    Earthy Dominantna grupa boja na slici.
    Naziv primarne boje
    White
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Bold Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Unified Palette Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Shadow Koliko je slika u celini svetla ili tamna, od dubokih senki do najsvetlijih tonova.
    Zasićenost
    Subtle Color Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Umetnik i muzej

    Umetnik

    Oscar Björck

    Rođen/a u Stockholm City, Sweden

    The Life and Academic Career of Oscar Björck

    Born in Stockholm City, Sweden, Oscar Björck was a painter who studied under Edvard Perséus at the Academy from 1877 to 1882. During his time as a student, he produced works such as Loke fängslas af asarne (Loki imprisoned by Æsir) (1880), Gustaf Vasa inför kung Hans (Gustaf Vasa before King Hans) (1881), and Den förlorade sonens återkomst (Return of the prodigal son) (1882), the latter of which was awarded the Royal Medal. Following a travel scholarship in 1883, he spent time in Paris and Munich, where he painted portraits including a full-length painting of his wife. His travels continued to Venice and Rome, resulting in works like Susanna and Romerska smeder (Roman blacksmiths).

    Björck eventually settled in Stockholm in 1888, where he focused on portraiture. His notable subjects included King Oscar, Prince Eugen, and Crown Prince Gustaf. Beyond his studio work, he held significant academic roles, becoming a member of the Academy and its teaching staff in 1889, and later serving as a professor in 1898. He also served as Commissar for Art for several major exhibitions, including the Stockholm Exposition in 1897 and the Swedish exhibition in London in 1924.

    Artistic Works and Skagen Summers

    Björck's artistic output included a variety of genres, from landscapes and genre scenes to decorative paintings. His time spent in Skagen, Denmark, during the summers of 1882, 1883, and 1884, was particularly significant. During these stays, he became part of the local artists' community and produced some of his best paintings. He is also famously depicted in P.S. Krøyer's painting Hip, Hip, Hurrah! (1888), shown drinking champagne in the Anchers' garden.

    His portfolio includes several notable pieces such as:

    Muzej

    Национален музеј

    Izložbeno mesto Стокхольм, Шведска

    A Chronicle of Swedish Identity: Unveiling the Nationalmuseum

    Nestled on the serene Blasieholmen peninsula in Stockholm’s heart, the Nationalmuseum is more than simply a repository for art; it's a vibrant chronicle of Sweden’s cultural evolution. Founded in 1792 as Kungliga Museet – the Royal Museum – its story is inextricably linked to the nation’s journey, from medieval artistry and aristocratic patronage to a bold embrace of contemporary expression. Stepping through its doors is akin to embarking on an immersive exploration of Swedish identity, interwoven with the rich tapestry of European artistic traditions. The building itself, a magnificent testament to Northern Italian Renaissance architecture conceived by German architect Friedrich August Stüler, stands as a powerful symbol – a deliberate restraint in façade design concealing a breathtakingly spacious interior, while the dramatic flight of stairs ascending towards the uppermost galleries serves not just as functional access but as an ascent into the realm of artistic contemplation. This architectural choice, reflecting the museum’s origins rooted in royal collections, speaks to a fascinating transformation: from a space initially conceived for showcasing regal treasures acquired through patronage to a democratized public institution dedicated to all Swedes.

    The Nationalmuseum's collection is an astonishing panorama of artistic voices spanning centuries. The painting galleries offer a sweeping journey, beginning with the delicate religious scenes of the Renaissance – masterpieces that evoke a profound sense of faith and devotion – and culminating in the masterful chiaroscuro of Rembrandt and the emotionally charged canvases of Goya. These works, juxtaposed against Swedish national treasures, highlight the museum’s commitment to showcasing both international luminaries and pivotal works defining Swedish artistic heritage. Beyond these European giants, the museum champions Swedish artists, presenting their contributions across various periods and movements – from the dramatic landscapes of Albert Rydberg to the poignant portraits of Carl Larsson. The sculpture section is equally impressive, featuring classical pieces alongside more experimental forms reflecting evolving artistic sensibilities; a testament to Sweden’s engagement with both established traditions and innovative approaches.

    Architectural Heartbeat

    The building’s significance extends far beyond its artistic holdings. Inaugurated in 1866, the Nationalmuseum's structure draws inspiration from Northern Italian Renaissance architecture, a deliberate choice reflecting the museum’s origins and its connection to the Swedish monarchy. The façade, deliberately restrained, conceals within it a breathtakingly spacious interior – a testament to the ambition of its architects and builders. The dramatic flight of stairs ascending towards the uppermost galleries is not merely a means of access; it's a powerful symbol, representing an ascent into the realm of artistic contemplation. This architectural choice speaks volumes about the museum’s evolution from a royal repository to a public institution dedicated to all Swedes. The building’s construction was a monumental undertaking, involving skilled artisans and craftsmen from across Europe, and its completion marked a pivotal moment in Stockholm's cultural landscape.

    Collection Highlights: A Journey Through Time

    From the ethereal beauty of Botticelli’s Primavera to the turbulent grandeur of Caspar David Friedrich’s Wanderer Above the Sea of Fog, the Nationalmuseum’s collection embodies Sweden’s artistic heritage across eras. Visitors can marvel at Swedish landscapes rendered with unparalleled sensitivity – capturing the sublime majesty of nature—and contemplate portraits that reveal glimpses into the lives and personalities of influential figures.

    Engaging With Contemporary Expression

    Recent exhibitions have underscored the museum's role as a catalyst for dialogue and reflection. “Hanna Hirsch Pauli – The Art of Being Free,” explored how artistic endeavors serve as instruments for confronting societal challenges, demonstrating a commitment to fostering intellectual curiosity and promoting critical engagement with pressing issues.

    A Legacy Preserved, A Future Embraced

    The Nationalmuseum’s ongoing renovation project reaffirms its dedication to serving future generations of art lovers. With its rich collection, stunning architecture, and dynamic programming, the museum stands as a beacon of Swedish culture – a place where history comes alive and artistic expression continues to inspire.

    Gde možete pročitati više

    Pogledajte kako izgleda na vašem zidu: Selfportrait by Oscar Björck kao ručno oslikano ulje na platnu, izrađeno prema vašim dimenzijama

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje Selfportrait

    artsdot.com/sr/art/download/selfportrait-by-oscar-bjorck/

    Citiranje ovog umetničkog dela

    MLA
    Björck, Oscar. Selfportrait. 1920, Национален музеј. https://artsdot.com/sr/art/selfportrait-by-oscar-bjorck/
    APA
    Björck, Oscar (1920). Selfportrait [Painting]. Национален музеј. https://artsdot.com/sr/art/selfportrait-by-oscar-bjorck/
    Chicago
    Oscar Björck. Selfportrait. 1920. Национален музеј. https://artsdot.com/sr/art/selfportrait-by-oscar-bjorck/
    Harvard
    Björck, Oscar (1920) Selfportrait. Национален музеј. Available at: https://artsdot.com/sr/art/selfportrait-by-oscar-bjorck/

    Pogledajte pažljivije

    Selfportrait — Oscar Björck

    Pogledajte pažljivije

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Koliko lica možete pronaći? ____ (u našem katalogu ih je izbrojano 1 — slažete li se?)
    4. Vratite se na Baroness Anna Trolle (1903), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.
    5. Oscar Björck je imao oko 60 godina kada je ovo delo nastalo. Šta u njemu podseća na rad umetnika u toj životnoj fazi?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.

    Pitanja i odgovori

    Da li je delo "Selfportrait" autora Oscar Björck u javnom vlasništvu i zašto?

    "Selfportrait" autora Oscar Björck je u u javnom vlasništvu – autorska prava su istekla. Autorska prava se računaju od godine smrti umetnika, a Oscar Björck je preminuo/la 1929.

    Gde mogu videti originalno delo „Selfportrait”, autor Oscar Björck?

    Originalno delo "Selfportrait" možete videti u muzeju Национален музеј, Стокхольм, Шведска.

    Da li je dostupno preuzimanje za "Selfportrait"?

    Digitalnu sliku dela „Selfportrait”, autor Oscar Björck možete preuzeti na stranici za preuzimanje ovog umetničkog dela: Preuzimanje digitalnog prikaza: preuzimanje digitalne slike visoke rezolucije.