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Mackerel Fleet, First Light

Ime Razred Datum

Robert Jones, Mackerel Fleet, First Light (2008), Penlee House Gallery - Museum. Reprodukovano u informativne svrhe; sva prava zadržava vlasnik autorskih prava. Pogledajte ovo platno pod promenljivim svetlom: crtež, pravu boju ispod vernica, čisti pigment

Činjenice

Umetnik
Robert Jones artsdot.com/sr/artists/robert-jones/
Slikano
2008
Prvobitne dimenzije
68 x 61 cm
Održano na
Penlee House Gallery - Museum artsdot.com/sr/museums/penlee-house-gallery-museum-penzance/

U kontekstu

Mackerel Fleet, First Light — Robert Jones

Koje su dimenzije?

Originalne dimenzije su 68 × 61 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.

Kada je ovo naslikano?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000

▲ ovo delo, 2008 svaka datirana slika, deceniju po deceniju

Uporedi sa

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: artsdot.com/sr/art/similar/robert-jones-mackerel-fleet-first-light-AQU6C4-en/

Boje

Izmereno na osnovu slike

    Glavna boja

    Teal #135676

    Katalogizovana paleta

    • #135676
    • #AEC7C4
    • #69ACC2
    • #032941

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Paleta
    Neutrals Dominantna grupa boja na slici.
    Naziv primarne boje
    Teal
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Statement Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Balanced Harmony Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Brilliant Koliko je slika u celini svetla ili tamna, od dubokih senki do najsvetlijih tonova.
    Zasićenost
    Subtle Color Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • manje od 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao Robert Jones tokom poslednjih dvanaest meseci — ukupno u 1 zemalja. Izvor ovih podataka

    Deset vodećih zemalja

    1. 1 Кина 100,0%

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    4 najposećenijih dela umetnika Robert Jones

    1. 1 Sand Hills, Conwy 50,0%
    2. 2 Atlantic Breakers, Nantucket, 2000 25,0%
    3. 3 A Welsh Landscape 25,0%
    4. — Mackerel Fleet, First Light, 2008 ova slika 0,0%

    Zajedno, ova dela zauzimaju 100,0% ukupne pažnje koju su slike ovog umetnika privukle tokom poslednjih dvanaest meseci. Katalog sadrži 11 dela ovog umetnika, od kojih je 3 pregledano barem jednom. Ova slika još uvek nije pregledana u tom periodu — ona zatvara listu bez rangiranja. Isto važi i za pojedinačne mesece

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    Umetnik i muzej

    Umetnik

    Robert Jones

    Robert Jones: A Master of Cornish Light and Memory

    Born in the rugged coastal region of Cornwall, England, Robert Jones’s artistic journey was inextricably linked to the dramatic landscapes and timeless traditions of his homeland. From a young age, he found himself captivated by the ceaseless dance of the sea, the weathered faces of fishermen, and the ever-shifting moods of the Cornish sky – elements that would profoundly shape his distinctive style and subject matter. His early years were spent immersed in this environment, absorbing its essence through observation and experience, laying the foundation for a career dedicated to capturing its spirit on canvas.

    Jones’s formal artistic training began at Falmouth College of Art, where he honed his skills under the guidance of established artists Francis Hewlett and Robert Organ. This period proved crucial in developing his technical proficiency and understanding of composition. However, Jones's artistic development wasn't solely confined to structured instruction; he also drew inspiration from a diverse range of sources, including the works of Alfred Wallis, whose simplified forms and evocative use of color resonated deeply with Jones’s own aesthetic sensibilities. His exposure to Wallis, coupled with his childhood fascination with airplanes and the dynamism of wartime cartoons – as evidenced by his admiration for Bill Mauldin – instilled in him a unique ability to distill complex subjects into their most essential elements.

    A Life Woven with Sea and Canvas

    Jones’s life was a fascinating blend of artistic pursuits, maritime work, and teaching. He spent several years as a skipper of fishing boats along the Cornish coast, an experience that provided him with unparalleled insight into the rhythms of the sea and the lives of those who depended on it. This intimate connection to the ocean informed his paintings with a palpable sense of authenticity and immediacy. He wasn’t simply depicting scenes; he was conveying the very soul of the coastline – its power, its beauty, and its inherent mystery.

    Beyond his artistic endeavors, Jones dedicated himself to educating future generations of artists. He taught at various institutions, including Penzance Art School and Falmouth College of Art, sharing his knowledge and passion with countless students. His commitment to fostering creativity extended beyond the classroom, as evidenced by his extensive research into the life and work of Alfred Wallis, culminating in the publication of “Alfred Wallis Artist and Mariner” – a critically acclaimed study that offered new perspectives on the enigmatic painter’s oeuvre. This book cemented his reputation as a leading authority on Wallis and contributed significantly to the wider appreciation of his art.

    The Language of Light and Color

    Jones's artistic style is characterized by its atmospheric depth, masterful use of color, and evocative portrayal of light. He possessed an exceptional ability to capture the subtle shifts in mood and atmosphere that define the Cornish coastline – from the misty dawns over Godrevy Lighthouse to the dramatic storms rolling in off the Atlantic. His paintings are not merely representations of landscapes; they are imbued with a sense of feeling, inviting viewers to lose themselves in their immersive beauty.

    His technique involved layering thin washes of color to create luminous effects and building up surfaces through scraping and brushing – techniques that added texture and dynamism to his compositions. He was particularly adept at capturing the interplay of light on water and rock, creating a sense of movement and depth that is both captivating and profoundly moving. His work reflects a deep understanding of how light transforms the appearance of a scene, imbuing it with mood and emotion.

    Legacy and Recognition

    Robert Jones’s paintings have been exhibited extensively throughout the United Kingdom and internationally, earning him recognition as one of Cornwall's most celebrated artists. His work is held in numerous public collections, including the National Library of Wales and the Tate Gallery, St Ives. His legacy extends beyond his artistic achievements; he was a dedicated educator and a passionate advocate for the arts, leaving an enduring impact on the Cornish art community.

    In 2025, Jones assumed the role of president at the University of Washington, continuing his lifelong commitment to fostering creativity and intellectual curiosity. His journey from the rugged shores of Cornwall to the hallowed halls of academia is a testament to the power of artistic vision and the enduring appeal of capturing the beauty and spirit of the natural world.

    Muzej

    Penlee House Gallery - Museum

    Izložbeno mesto Penzance, United Kingdom

    A Sanctuary of Cornish Light and Victorian Artistry

    Nestled within the tranquil, verdant embrace of Penlee Park in Penzance,

    Penlee House Gallery & Museum

    stands as a luminous beacon of West Cornwall’s cultural soul. Originally conceived in 1865 as a lavish Victorian residence for the wealthy Branwell family, the estate’s stately façade reflects an era defined by profound artistic ambition and refined taste. To walk through its doors is to step into a narrative interwoven with remembrance; the building itself serves as a poignant memorial to those lost during World and II, lending an atmosphere of quiet contemplation to its halls. The architecture, a harmonious blend of Victorian grandeur and understated elegance, provides a sophisticated backdrop that invites both the casual visitor and the discerning collector to lose themselves in the beauty of the past.

    The heart of the museum beats most vibrantly through its incomparable collection of the

    Newlyn School

    . This collective of artists, drawn to the dramatic coastline and the unparalleled, mercurial quality of Cornish light, revolutionized British landscape painting during the late Victorian period. Their work is not merely a representation of scenery but an emotional immersion into the essence of the region. One cannot help but be moved by the atmospheric perspective found in

    The Rain It Raineth Every Day

    by Norman Garstin, which captures the very breath of a Cornish storm, or the sun-drenched vitality found in Elizabeth Forbes’

    School is Out

    . These masterpieces, characterized by their sensitivity to rural life and immediacy of technique, offer interior designers and art lovers alike a window into a world where light and tradition are eternally entwined.

    A Tapestry of Maritime Heritage and Local Craft

    Beyond the evocative canvases of the Newlyn and Lamorna colonies, Penlee House offers a rich tapestry of maritime and local history that deepens the visitor's connection to the landscape. The museum’s scope extends into the tactile realms of sculpture and the intricate beauty of Cornish ceramics, showcasing the exceptional skill of regional craftspeople. For those fascinated by the sea, the exhibits dedicated to the Royal Marines of Lyonesse provide a gripping glimpse into Cornwall’s seafaring prowess and naval heritage. This intersection of fine art and historical artifact creates a unique museum experience where the maritime identity of the coast meets the delicate artistry of the studio.

    The collection is further enriched by works that capture the very spirit of the Penwith peninsula, including:

    Victorian Masterpieces:

    Evocative paintings by members of the Newlyn School, such as

    Among the Missing

    by Walter Langley and

    On Paul Hill

    by Stanhope Forbes.

    Regional Craftsmanship:

    An extensive array of Cornish ceramics that showcase centuries of local tradition.

    Historical Narratives:

    Social exhibits revealing the lives and traditions of local communities, alongside archaeological treasures from the Land's End area.

    It is a destination where history is not just studied, but felt through every weathered artifact and every brushstroke of light, making it an essential pilgrimage for anyone seeking to understand the profound artistic and historical legacy of West Cornwall.

    Gde možete pročitati više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje Mackerel Fleet, First Light

    artsdot.com/sr/art/download/robert-jones-mackerel-fleet-first-light-AQU6C4-en/

    Citiranje ovog umetničkog dela

    MLA
    Jones, Robert. Mackerel Fleet, First Light. 2008, Penlee House Gallery - Museum. https://artsdot.com/sr/art/robert-jones-mackerel-fleet-first-light-AQU6C4-en/
    APA
    Jones, Robert (2008). Mackerel Fleet, First Light [Painting]. Penlee House Gallery - Museum. https://artsdot.com/sr/art/robert-jones-mackerel-fleet-first-light-AQU6C4-en/
    Chicago
    Robert Jones. Mackerel Fleet, First Light. 2008. Penlee House Gallery - Museum. https://artsdot.com/sr/art/robert-jones-mackerel-fleet-first-light-AQU6C4-en/
    Harvard
    Jones, Robert (2008) Mackerel Fleet, First Light. Penlee House Gallery - Museum. Available at: https://artsdot.com/sr/art/robert-jones-mackerel-fleet-first-light-AQU6C4-en/

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    Mackerel Fleet, First Light — Robert Jones

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    Pitanja i odgovori

    Mogu li detaljnije da pregledam "Mackerel Fleet, First Light"?

    Delo "Mackerel Fleet, First Light" možete istraživati sloj po sloj na stranici Rentgensko posmatranje, koja predstavlja interaktivni pregledač inspirisan konzervatorskim svetlosnim stolom, sa jedanaest optičkih prikaza slike.

    Da li su boje dela "Mackerel Fleet, First Light" intenzivne ili nežne?

    Boje u delu „Mackerel Fleet, First Light”, autor Robert Jones imaju Balanced intenzitet.

    Koliko je "Mackerel Fleet, First Light" ukupno svetla?

    U pogledu percepcije osvetljenosti, „Mackerel Fleet, First Light”, autor Robert Jones je brilliant.