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Self-Portrait

Ime Razred Datum

pio semeghini, Self-Portrait (1905), Galleria d'Arte Moderna Achille Forti. Reprodukovano u informativne svrhe; sva prava zadržava vlasnik autorskih prava.

Osnovne informacije

Umetnik
pio semeghini artsdot.com/sr/artists/pio-semeghini/
Podaci o umetniku
1878 – 1964
Slikano
1905
Medijum
Oil On Canvas
Pokret
Post-Impressionism Artists who kept the bright colour of Impressionism but pushed shape and feeling further than the eye really sees.
Epoha
Modern
Mesto održavanja
Galleria d'Arte Moderna Achille Forti artsdot.com/sr/museums/galleria-d-arte-moderna-achille-forti-verona/
Artistic style
Post-Impressionism
Influences
Medardo Rosso, Pablo Picasso, Henri Matisse, Amedeo Modigliani, Paul Cézanne
Notable elements or techniques
Direct gaze, visible beard and mustache
Subject or theme
Self-portrait of the artist

U kontekstu

Self-Portrait — pio semeghini

Godina nastanka

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940
  9. 1950
  10. 1960

Osenčeno: životni vek umetnika pio semeghini (1878–1964) ▲ ovo delo, 1905

Slična dela

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

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Paleta boja

Izmereno na osnovu slike

    Glavna boja

    Gray #897760

    Katalogizovana paleta

    • #897760
    • #5B4E41
    • #9D8E75
    • #776350
    Paleta
    Monochrome Dominantna grupa boja na slici.
    Naziv glavne boje
    Gray
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Serene Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Unified Palette Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Balanced Koliko je slika u celini svetla ili tamna, od duboke senke do najsvetlijih tonova.
    Zasićenost
    Subtle Color Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    O ovom umetničkom delu

    Self-Portrait — pio semeghini

    Pio Semeghini (1878-1964) attended the academies of Florence and Modena, devoting himself to painting and occasionally to sculpture. His artistic turning point came in Paris in 1904, where he attended the Julian Academy, exhibited at the Clovis Sagot Gallery, and came into contact with Medardo Rosso and the artists of the Avant-Gardes, inlcuding the young Pablo Picasso, the Fauves (especially Henri Matisse) and Amedeo Modigliani. He also came close to the last figures of the Impressionist season, such as Paul Cézanne, Paul Gauguin, and Pierre-Auguste Renoir. Many drawings, pastels, tempera, and etchings executed in those years, as well as oil paintings such as

    Umetnik i muzej

    Umetnik

    pio semeghini

    Rođen/a u Bondanello di Quistello, Italy

    early life and training

    pio semeghini was born in bondanello di quistello, italy in 1878. he began his artistic journey at the liceo artistico and later studied at the institute of fine arts of naples under pietro barillà, alberto chiancone, and eugenio viti. this foundation in traditional italian art education would later influence his unique style.

    artistic style and influences

    semeghini's work is characterized by its focus on genre subjects, often depicted in oil and acquaforte. his style, while rooted in traditional italian painting, was also influenced by the post-impressionists, as seen in his use of vibrant colors and emotive brushwork. this blend of classic techniques with modern sensibilities sets his work apart.

    notable works and exhibitions

    * a tribute to piero della francesca (58 x 72 cm, galleria d'arte moderna achille forti, verona, italy, oil on panel) showcases semeghini's ability to pay homage to the masters while maintaining his unique voice. * neve a venezia (1921, oil on plywood, 60 x 90 cm), part of the collection at museo “mario rimoldi” in cortina d’ampezzo, demonstrates his skill in capturing the essence of italian landscapes.

    awards and recognition

    * semeghini won the premio bergamo in 1939 for il ponte di chioggia (oil on plywood, 64 x 74 cm), a testament to his growing recognition within the italian art community.

    legacy and later life

    semeghini's later years saw him return to aversa, where he taught design at the local school. he became director of the liceo artistico statale in 1970, solidifying his impact on future generations of artists. he passed away in 1964, leaving behind a body of work that continues to inspire.

    view more works by pio semeghini at https://AllPaintingsStore.com/@/pio-semeghini

    explore the galleria d'arte moderna achille forti, verona, italy, for more insights into italian modern art.

    read about semeghini's life and works on wikipedia

    discover the beauty of italian genre painting through pio semeghini's captivating works.

    Muzej

    Galleria d'Arte Moderna Achille Forti

    Izloženo u Verona, Italy

    A Dialogue of Eras: The Soul of Verona’s Modernity

    In the beating heart of Verona, where the echoes of medieval justice once resonated through the stone corridors of the

    Palazzo della Ragione

    , lies a sanctuary of avant-garde expression. The

    Galleria d'Arte Moderna Achille Forti (GAM)

    is not merely a repository for canvases; it is a profound architectural and temporal dialogue. To step into this museum is to witness a breathtaking juxtaposition where the thirteenth-century grandeur of Verona’s judicial seat meets the radical, boundary-pushing spirit of the twentieth century. The soaring arches and intricate stonework of the palazzo provide a heavy, historical anchor for the light, experimental textures of modern Italian art, creating an immersive atmosphere that invites both the casual visitor and the discerning collector to contemplate the evolution of human creativity.

    The collection itself is a meticulously curated journey through the transformative movements that redefined the Italian aesthetic. Visitors are transported from the quiet, introspective landscapes of

    Giorgio Morandi

    —whose works possess an almost spiritual emotional resonance—to the frenetic, machine-age energy of

    Futurism

    . The museum serves as a vital chronicle of innovation, showcasing how artists navigated the shifts from the delicate nuances of late 19th-century realism to the fractured perspectives of

    Cubism

    and the dreamlike enigmas of

    Surrealism

    . For the interior designer or art enthusiast, the collection offers a masterclass in how color, form, and movement can interact with historical surroundings to evoke deep psychological responses.

    Among the most poignant treasures within these walls are the works of

    Alfredo Savini

    , an artist whose mastery of the

    verismo

    style brings the natural beauty of the Italian landscape to life. His canvases, such as the serene

    Lake Garda

    and the evocative

    Peace. Tomb among the Cypresses

    , exemplify a profound harmony of color and a dedication to painting

    en plein air

    . These works, held within the permanent collection, act as a bridge between the classical tradition and modern sensibility. The museum’s commitment to this legacy is furthered by its dynamic exhibition program, which frequently brings together established masters with emerging talents, ensuring that the dialogue between the past and the present remains vibrant and perpetually renewed.

    What truly distinguishes the Galleria d'Arte Moderna Achille Forti is its refusal to view art in isolation. By situating groundbreaking works within the historic fabric of the Palazzo della Ragione, the museum forces a confrontation between tradition and rebellion. It is a place where the architectural weight of Verona’s history provides the necessary tension for modernism to truly shine. Whether one is drawn by the scholarly depth of its historical context or the aesthetic allure of its avant-garde sculptures, such as those by the visionary

    Antonio Sant’Elia

    , the GAM stands as an essential destination for anyone seeking to understand the enduring pulse of Italian artistic innovation.

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    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje Self-Portrait

    artsdot.com/sr/art/download/pio-semeghini-self-portrait-D5G9L3-en/

    Citiranje ovog umetničkog dela

    MLA
    semeghini, pio. Self-Portrait. 1905, Galleria d'Arte Moderna Achille Forti. https://artsdot.com/sr/art/pio-semeghini-self-portrait-D5G9L3-en/
    APA
    semeghini, pio (1905). Self-Portrait [Painting]. Galleria d'Arte Moderna Achille Forti. https://artsdot.com/sr/art/pio-semeghini-self-portrait-D5G9L3-en/
    Chicago
    pio semeghini. Self-Portrait. 1905. Galleria d'Arte Moderna Achille Forti. https://artsdot.com/sr/art/pio-semeghini-self-portrait-D5G9L3-en/
    Harvard
    semeghini, pio (1905) Self-Portrait. Galleria d'Arte Moderna Achille Forti. Available at: https://artsdot.com/sr/art/pio-semeghini-self-portrait-D5G9L3-en/

    Pogledajte pažljivije

    Self-Portrait — pio semeghini

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    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Naš katalog klasifikuje ovo delo pod: self-portrait, man, beard. Da li se slažete? Šta biste dodali ili uklonili?
    4. Pogledajte ponovo A Tribute to Piero Della Francesca (1920), ranije u ovom vodiču. Navedite dve stvari koje to delo deli sa ovim radom, i jednu koja je drugačija.
    5. Post-Impressionism: Artists who kept the bright colour of Impressionism but pushed shape and feeling further than the eye really sees. Gde se to može uočiti u ovom delu?

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