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Vodič za studentske radove

Cloud Shadows

Ime Razred Datum

Philip Connard, Cloud Shadows (1918). Reprodukovano u informativne svrhe; sva prava zadržava vlasnik autorskih prava. Pogledajte ovo platno pod pokretnim svetlom: crtež, pravu boju ispod vernisa, čisti pigment

Osnovne informacije

Umetnik
Philip Connard artsdot.com/sr/artists/philip-connard/
Podaci o umetniku
1875 – 1958
Slikano
1918
Originalne dimenzije
33 x 41 cm
Pokret
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.

U kontekstu

Cloud Shadows — Philip Connard

Dimenzije

Originalne dimenzije su 33 × 41 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.

Godina nastanka

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940
  9. 1950

Red iznad: godine. Red ispod: koliko je umetnik imao godina na početku i na kraju svakog perioda — 0 u rođenju, 83 u smrti.

Naslikano kada je umetnik imao 43 godina. Umetnik je doživeo 83. 6 od 69 datiranih dela ovog umetnika u našem katalogu nastalo je ranije.

Osenčeno: životni vek umetnika Philip Connard (1875–1958) ▲ ovo delo, 1918 svaka datirana slika, deceniju po deceniju

Prva dela: do 1918 Glavne radne godine: 1918–1919 Kasna dela: od 1919

Ova tri segmenta dele dela koja u ovom katalogu imaju naveden datum na prvi kvartal, srednju polovinu i poslednji kvartal. Ona ne predstavljaju kompletan umetnikov opus: tanji niz može biti praznina u arhivu pre nego period mirovanja. Iste godine kroz koje se proteže život umetnika

Slična dela

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: artsdot.com/sr/art/similar/philip-connard-cloud-shadows-AQUJ6R-en/

Paleta boja

Izmereno na osnovu slike

    Glavna boja

    Rosy Brown #96a2ae

    Katalogizovana paleta

    • #96A2AE
    • #BCC5D1
    • #6EADD2
    • #687171

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Paleta
    Neutrals Dominantna grupa boja na slici.
    Naziv glavne boje
    Rosy Brown
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Serene Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Strong Color Unity Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Brilliant Koliko je slika u celini svetla ili tamna, od duboke senke do najsvetlijih tonova.
    Zasićenost
    Muted Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • ispod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao Philip Connard tokom poslednjih dvanaest meseci — ukupno u 5 zemalja. Odakle ovi podaci potiču

    Deset vodećih zemalja

    1. 1 Кина 64,7%
    2. 2 Канада 20,6%
    3. 3 Сједињене Америчке Државе 8,8%
    4. 4 Шпанија 2,9%
    5. 5 Ujedinjeno Kraljevstvo 2,9%

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    20 najposećenijih dela umetnika Philip Connard

    1. 1 From HMS 'Caesar' HMS 'Superb' at Constantinople, HMS 'Lord Nelson' and the French 'Diderot' in the Distance with Seaforth Highlanders Marching along the Quay, 1919 16,2%
    2. 2 The Bandstand, 1918 5,4%
    3. 3 The Bathers 5,4%
    4. 4 British Warships at Constantinople, 1920 5,4%
    5. 5 A Talk on the Ramparts 5,4%
    6. 6 Sunset 5,4%
    7. 7 St George's Day Bridge of HMS 'Canterbury', on Patrol Work when the Great Naval Raid on Zeebrugge and Ostend Took Place, 1918 2,7%
    8. 8 The Guns of HMS 'Caesar' Off Constantinople, Looking towards the Golden Horn, 1919 2,7%
    9. 9 A Destroyer in a Heavy Sea From HMS 'Melampus', 1918 2,7%
    10. 10 The Harwich Force at Sea, 1918 2,7%
    11. 11 The Destruction of an Airship off the Frisian Coast, 11 August 1918, 1918 2,7%
    12. 12 Lowering the Whaler HMS 'Coventry', 1918 2,7%
    13. 13 Sailor on the Bridge, 1918 2,7%
    14. 14 Trout Stream, 1942 2,7%
    15. 15 Cloud Shadows, 1918 ova slika 2,7%
    16. 16 HMS 'Danaë', 1918 2,7%
    17. 17 Philip Connard, 1920 2,7%
    18. 18 HMS 'Curlew', 1918 2,7%
    19. 19 Still Life with Crockery, 1920 2,7%
    20. 20 The Nosegay, 1913 2,7%

    Zajedno, ova dela privlače 81,0% pažnje koju su slike ovog umetnika dobile tokom poslednjih dvanaest meseci. Katalog sadrži 97 dela ovog umetnika, od kojih je 27 pregledano barem jednom. Ova slika zauzima 15 mesto među njima, sa 2,7% te pažnje. Isto važi i za mesec po mesec

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    Umetnik i muzej

    Umetnik

    Philip Connard

    A Life Painted in Light: The Story of Philip Connard

    Philip Connard (1875-1958) emerged from humble beginnings to become a celebrated British painter, his canvases imbued with a romantic sensibility and a remarkable versatility that spanned decorative landscapes, poignant war art, and grand mural commissions. Born in Southport, Lancashire, Connard’s early life offered little indication of the artistic path he would forge. He initially entered the building trade as a house painter, a practical occupation that nonetheless fostered an appreciation for form, color, and meticulous detail—qualities that would later define his work. However, a burgeoning passion for art led him to evening classes, culminating in a scholarship to the Royal College of Art in London, where he specialized in textile design. A small prize of £100 allowed a brief sojourn to Paris, though financial constraints curtailed his time there, it nonetheless provided an initial taste of the European artistic milieu.

    Upon returning to London, Connard established himself as an illustrator before securing a teaching position at Lambeth School of Art. This period proved pivotal, not only for his professional development but also for nurturing a new generation of artists, including Edmund Blampied. It was during these years that Connard’s distinctive style began to coalesce—romantic landscapes populated with graceful figures, often pierettes or birds, rendered in oils with an airy lightness and individual conception. He submitted works to the New English Art Club, gaining recognition for his evocative compositions.

    From Battlefield Sketches to Royal Commissions

    The outbreak of World War I dramatically altered Connard’s trajectory. Despite being nearly forty years old, he volunteered for service, joining the Royal Field Artillery as a private and rising to the rank of Captain before being invalided out due to severe shell shock. This experience profoundly impacted his artistic vision. Appointed an official war artist to the Royal Navy, Connard documented scenes of naval conflict with a newfound intensity and emotional depth. His sketches and paintings captured the drama of battles, most notably the surrender of the German ship SMS Goeben and the daring Zeebrugge raid—works that now reside in the Imperial War Museum, London, serving as powerful visual records of a tumultuous era. This period marked a shift from idyllic landscapes to scenes imbued with patriotism and sacrifice.

    Connard’s wartime service propelled him into a realm of prestigious commissions. He secured contracts for murals at Windsor Castle, large panels for a ballroom in New Delhi, and perhaps his most significant undertaking: a substantial panel depicting England for the opulent RMS Queen Mary liner. These projects showcased his mastery of decorative painting and his ability to translate grand narratives onto monumental surfaces. His work during this time was characterized by a refined elegance and a meticulous attention to detail, reflecting both classical influences and a distinctly British aesthetic sensibility.

    Recognition and Legacy

    The accolades followed in quick succession. Connard was elected an associate of the Royal Academy in 1918 and became a full Academician in 1925. He further served as Keeper of the Royal Academy school from 1945 to 1949, guiding aspiring artists and shaping the future direction of British art. In 1950, he was appointed a Commander of the Royal Victorian Order, acknowledging his significant contributions to the artistic landscape. Throughout his career, Connard’s work found its way into esteemed collections including the Tate Gallery in London, the Musée d’Orsay in Paris, and the National Museum of Wales.

    Influences: While not explicitly aligned with a single movement, Connard's work demonstrates an affinity for Impressionism, particularly in his use of light and color. He also drew inspiration from classical traditions and the decorative arts.

    Key Characteristics: Romantic landscapes, graceful figures, meticulous detail, atmospheric perspective, patriotic themes (particularly during wartime), and a refined elegance.

    Major Achievements: Official War Artist to the Royal Navy, murals at Windsor Castle, panel for RMS Queen Mary, election to the Royal Academy, Keeper of the Royal Academy school.

    Philip Connard’s story is one of resilience, artistic evolution, and unwavering dedication. He rose from modest origins to achieve prominence through talent, hard work, and a willingness to embrace new challenges. His paintings continue to captivate audiences with their beauty, emotional resonance, and enduring testament to the power of art to reflect both the triumphs and tragedies of human experience. He remains a significant figure in British Impressionism, celebrated for his evocative landscapes and his poignant contributions to wartime artistry.

    Saznajte više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje Cloud Shadows

    artsdot.com/sr/art/download/philip-connard-cloud-shadows-AQUJ6R-en/

    Citiranje ovog umetničkog dela

    MLA
    Connard, Philip. Cloud Shadows. 1918, https://artsdot.com/sr/art/philip-connard-cloud-shadows-AQUJ6R-en/
    APA
    Connard, Philip (1918). Cloud Shadows [Painting]. https://artsdot.com/sr/art/philip-connard-cloud-shadows-AQUJ6R-en/
    Chicago
    Philip Connard. Cloud Shadows. 1918. https://artsdot.com/sr/art/philip-connard-cloud-shadows-AQUJ6R-en/
    Harvard
    Connard, Philip (1918) Cloud Shadows. Available at: https://artsdot.com/sr/art/philip-connard-cloud-shadows-AQUJ6R-en/

    Pogledajte pažljivije

    Cloud Shadows — Philip Connard

    Pažljiviji pogled

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. U našem katalogu ovo delo je klasifikovano pod: seascape, warships, clouds. Da li se slažete? Šta biste dodali ili uklonili?
    4. Vratite se na Albert Emil Davies (1875–1950) (1940), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Gde se to može uočiti u ovom delu?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.

    Pitanja i odgovori

    Koliko je izražen kontrast u delu „Cloud Shadows”, Philip Connard?

    Nivo kontrasta dela „Cloud Shadows”, Philip Connard je Serene.

    Koji stil pripada delu "Cloud Shadows"?

    „Cloud Shadows“ je delo Impressionism pokreta. Ovaj pokret označava umetničku tradiciju kojoj je delo pripada.

    Kako mogu da preuzmem sliku dela „Cloud Shadows”, Philip Connard?

    Slika dela „Cloud Shadows”, Philip Connard može se preuzeti na stranici za preuzimanje ovog umetničkog dela: Preuzimanje: preuzimanje digitalne slike visoke rezolucije.