Format papira

Vodič za studentske radove

That

Ime Razred Datum

milton viola fernandes, That, Instituto Moreira Salles. Reprodukovano u informativne svrhe; sva prava zadržava vlasnik autorskih prava.

Osnovne informacije

Umetnik
milton viola fernandes artsdot.com/sr/artists/milton-viola-fernandes/
Podaci o umetniku
1923 – 2012
Medijum
Oil On Canvas
Pokret
Surrealism Dream logic painted with waking precision: impossible things shown as if they were ordinary.
Epoha
Modern
Mesto održavanja
Instituto Moreira Salles artsdot.com/sr/museums/instituto-moreira-salles-rio-de-janeiro_sr/
Artistic style
Surrealist and Expressionist
Notable elements or techniques
Impasto-like texture, visible brushstrokes
Subject or theme
The True History of Paradise

U kontekstu

That — milton viola fernandes

Kada je ovo možda naslikano?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000
  10. 2010

Osenčeno: životni vek umetnika milton viola fernandes (1923–2012)

Za ovaj zapis nema tačno navedene godine — na osnovu životnog veka umetnika i stila dela, na koju deceniju biste pretpostavili?

Slična dela

  • Barter, 1979 artsdot.com/sr/art/milton-viola-fernandes-barter-D4K82M-en/
  • Stone coin, 1979 artsdot.com/sr/art/milton-viola-fernandes-stone-coin-D4K8L6-en/
  • Commodity money, 1979 artsdot.com/sr/art/milton-viola-fernandes-commodity-money-D4K8LH-en/

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: artsdot.com/sr/art/similar/milton-viola-fernandes-that-D72GGV-en/

Paleta boja

Izmereno na osnovu slike

    Glavna boja

    Rosy Brown #aba196

    Katalogizovana paleta

    • #ABA196
    • #EBE5C6
    • #342C30
    • #7E5554
    Paleta
    Neutrals Dominantna grupa boja na slici.
    Naziv glavne boje
    Rosy Brown
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Statement Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Discordant Palette Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Brilliant Koliko je slika u celini svetla ili tamna, od duboke senke do najsvetlijih tonova.
    Zasićenost
    Subtle Color Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    O ovom umetničkom delu

    That — milton viola fernandes

    A Visionary Descent into Paradise

    In the evocative and swirling depths of "That," we encounter a masterpiece of surrealist storytelling that transcends the boundaries of traditional illustration. The artwork, inspired by Milton Viola Fernandes’s profound narrative “A Verdadeira História do Paraíso” (The True History of Paradise), presents a dreamlike tableau that is as much a psychological landscape as it is a visual one. At its heart lies a poignant central figure—a man with a magnificent, bushy beard cradling a small child—an image that immediately evokes themes of protection, lineage, and the tender weight of responsibility. This intimate moment is set against a backdrop of organized chaos, where stylized flora and vibrant, organic shapes surge around the protagonists, creating a sense of a world both blooming and overwhelming.

    The composition is a masterclass in dynamic layering, eschewing strict linear perspective in favor of an emotional depth achieved through overlapping forms. The palette is dominated by rich, earthy browns and deep, brooding reds, which lend the piece a primal, grounded quality. However, these somber tones are punctuated by sudden, brilliant flashes of bright red and stark white, acting like rhythmic heartbeats within the visual narrative. This interplay of light and shadow creates an uneven, flickering luminosity that mimics the unpredictable nature of memory or a fever dream, drawing the viewer into a state of heightened sensory awareness.

    The Language of Expressionism and Symbolism

    Technically, the piece leans heavily into the traditions of Expressionism and Surrealism. The artist utilizes loose, gestural lines that imbue every element with a sense of kinetic energy; nothing in this paradise is static. The application of paint appears thick and impasto-like, suggesting a tactile, rugged surface where the physical struggle of the medium mirrors the complex narrative being told. This textured approach gives the artwork a sculptural presence, making the stylized plants and distorted figures feel as though they are emerging directly from the canvas itself.

    Beyond its visual splendor, "That" is steeped in symbolic complexity. The surrounding vegetation, while beautiful, possesses an exaggerated, almost predatory quality, perhaps representing the temptations or the untamed nature of paradise itself. The integration of text into the very fabric of the composition further blurs the line between literature and fine art, turning the canvas into a living book cover. For the collector or interior designer, this piece offers more than mere decoration; it provides a profound focal point that invites contemplation on the duality of existence—the coexistence of peace and chaos, of innocence and the overwhelming complexity of the natural world.

    For those seeking to elevate a curated space, a high-quality reproduction of this work brings with it an atmosphere of intellectual depth and artistic mystery. It is a piece designed for environments that value storytelling, where the art serves as a window into a beautifully distorted reality, sparking conversation and emotional resonance in any room it inhabits.

    Umetnik i muzej

    Umetnik

    milton viola fernandes

    Mesto rođenja Rio de Janeiro, Brazil

    early life and career

    milton viola fernandes, known by his adopted name millôr, was a renowned brazilian writer, journalist, cartoonist, humorist, and playwright. born on august 16, 1923, in rio de janeiro, brazil, his birth certificate rendered the name 'millôr', which he later adopted as his official name.

    artistic contributions

    millôr fernandes began his journalistic career in 1938, publishing in several prominent brazilian magazines, such as o cruzeiro and a cigarra.

    he was celebrated for his ironic humor and authored thousands of satirical aphorisms.

    in 1956, millôr shared the first prize at the buenos aires international caricature exhibition with saul steinberg.

    in 1957, he had a one-man exhibition in rio de janeiro's museum of modern art.

    he co-founded the satirical newspaper o pasquim in 1969 alongside jaguar, ziraldo, and others.

    notable works and legacy

    successful plays: millôr wrote several successful plays, showcasing his versatility as a playwright.

    translations: he translated classics, including the works of shakespeare, further cementing his legacy in brazilian literature.

    exhibition at museu antonio parreiras: though not exclusively an artist featured at the museu antonio parreiris, his work is reflective of the satirical and humorous essence found in some of the museum's collections, such as those by antônio diogo da silva parreiras. /en/art/show/art-d3arwx-en/ antonio parreiras (niterói, brazil))

    international recognition: his participation in the buenos aires international caricature exhibition is a testament to his global recognition. [https://AllPaintingsStore.com/@/milton-viola-fernandes](millôr fernandes | 5 artworks)

    later life and passing

    millôr fernandes passed away on march 27, 2012, in rio de janeiro, at the age of 88, due to complications after a stroke. key links: - [https://AllPaintingsStore.com/@/milton-viola-fernandes](millôr fernandes | 5 artworks) - [https://en.wikipedia.org/wiki/millôr_fernandes](wikipedia: millôr fernandes)

    Muzej

    Instituto Moreira Salles

    Prikazano u Rio de Janeiro, Brazil

    Svadilište brazilske kreativnosti: Duša IMS Rija

    Smješten u zelenom zagrljaju Rija de Janeiro,

    Instituto Moreira Salles

    (IMS) stoji kao sjajno svedočanstvo neprevaziđenog duha brazilske kulture. To nije samo muzej, već živo, dišuće svetište u kojem se istorija i modernost spajaju u besprekornom plesu svetlosti i senke. Osnovan 199ente godine od strane vizionarskog bankara i diplomate Waltera Moreira Salles-a, ovaj institut je proizašao iz dubokog impulsa da se očuvaju višestruki slojevi brazilske identiteta. Ono što je počelo kao fokusiran kulturni poduhvat, procvetalo je u višestrani stub umetnosti, pri čemu njegova grana u Riju de Janeiro služi kao zadivljujuće presjek intelektualne radoznalosti i prirodnog sjaja. Za ljubitelje umetnosti ili izbirljive kolekcionare, IMS nudi mnogo više od same izložbe; on nudi duboki susret sa samom suštinom brazilske duše.

    Arhitektonsko iskustvo IMS Rija samo po sebi predstavlja remek-delo modernističke elegancije. Projektovan od strane Olava Rediga de Calasa pedesetih godina prošlog veka, ovaj objekat otelotvoruje ideal sredine veka o harmoniji između ljudske inovacije i organskog sveta. Dizajn zgrade koristi prostrane staklene zidove i otvorene koridore kako bi se izbrisale granice između unutrašnjih galerija i bujne okoline. Ovaj dijalog sa prirodom dodatno je uzdignut legendarnim pejzažnim dizajnom

    Roberta Burle Marxa

    . Njegove pedantno osmišljene bašte, koje krase autohtone brazilske biljke raspoređene u ritmičnim, geometrijskim šarama, deluju kao žive skulpture koje uokviruju modernističke linije muzeja. Za dizajnera enterijera ili ljubitelja prostorne estetike, način na koji sunčeva svetlost prolazi kroz krošnje šume Tijuca kako bi osvetlila muzejske hale pruža neprevaziđenu lekciju o atmosferskoj kompoziciji i spokojnom kontempliranju.

    Kaleidoskop vizuelnog i auditivnog nasleđa

    U srcu IMS iskustva leži njegova izvanredna kolekcija, kaleidoskop kulturnih izraza koji obuhvata fotografiju, muziku, književnost i film. Fotografski arhiv je možda najdragocenije dragulj ove institucije, čuvajući nevjerojatnih dve milione slika koje hronološki prate vizuelnu evoluciju Brazila od 19. veka do savremene ere. Posetioci mogu pratiti narativ nacije kroz pionirske objektive majstora kao što su

    Augusto Malta

    i

    Marc Ferrez

    , krećući se ka modernim radovima koji se bave složenim društvenim i političkim pejzažima. Ovo vizuelno putovanje upotpunjeno je dubokom posvećenošću onome što je auditivno i pisano; institut slavi ritmičko nasleđe sambe i bossa nove, dok istovremeno neguje živopisnu književnu zajednicu kroz pažljivo odabrane diskusije i promocije knjiga.

    Upravo je ovaj multidisciplinarni pristup — tretiranje slike, zvuka i reči kao jednakih niti u jednom tapiseriji — ono što IMS čini jedinstvenom destinacijom za one koji žele da razumeju istinsku širinu brazilskog nasleđa. Iako se lokacija u Riju de Janeiro trenutno nalazi u ambicioznoj periodu renoviranja kako bi se proširio prostor za čuvanje i unapredilo iskustvo posetilaca, duh Instituta Moreira Salles ostaje živopisno aktivan. Kroz kolaborativne izložbe i digitalne resurse, institucija nastavlja da premošćuje jaz između istorijskog očuvanja i savremene inovacije. Dok se muzej priprema da otkrije svoj revitalizovani fizički prostor 2025. godine, on stoji spremno da potvrdi svoju ulogu svetionika kreativnosti, osiguravajući da nasleđe Waltera Moreira Salles-a nastavi da osvetljava put ka budućnosti definisanoj kulturnom bogatstvom i umetničkim otkrićima.

    Saznajte više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje That

    artsdot.com/sr/art/download/milton-viola-fernandes-that-D72GGV-en/

    Citiranje ovog umetničkog dela

    MLA
    fernandes, milton viola. That. n.d., Instituto Moreira Salles. https://artsdot.com/sr/art/milton-viola-fernandes-that-D72GGV-en/
    APA
    fernandes, milton viola (n.d.). That [Painting]. Instituto Moreira Salles. https://artsdot.com/sr/art/milton-viola-fernandes-that-D72GGV-en/
    Chicago
    milton viola fernandes. That. n.d. Instituto Moreira Salles. https://artsdot.com/sr/art/milton-viola-fernandes-that-D72GGV-en/
    Harvard
    fernandes, milton viola (n.d.) That. Instituto Moreira Salles. Available at: https://artsdot.com/sr/art/milton-viola-fernandes-that-D72GGV-en/

    Pogledajte pažljivije

    That — milton viola fernandes

    Pažljiviji pogled

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Koliko lica možete pronaći? ____ (u našem katalogu ih je izbrojano 2 — slažete li se?)
    4. U našem katalogu ovo delo je klasifikovano pod: surrealism, paradise, symbolism. Da li se slažete? Šta biste dodali ili uklonili?
    5. Vratite se na Barter (1979), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.

    Kviz o umetnosti

    That — milton viola fernandes

    Koliko dobro poznajete ovo umetničko delo?

    Označi jedan tačan odgovor za svako od poniženih 5 pitanja. Svako pitanje ima samo jedan tačan odgovor.

    1. 1. What is the primary artistic style suggested by the composition and technique of this artwork?

      • A Realism and Impressionism
      • B Expressionism and Surrealism
      • C Renaissance and Neoclassicism
    2. 2. Which central figure is described in the artwork's composition?

      • A A woman wielding a spear
      • B A man with a large, bushy beard holding a child
      • C A man bartering fish with a woman
    3. 3. What is the dominant color palette used in this piece?

      • A Blues and greens
      • B Dark browns and reds
      • C Pastel pinks and yellows
    4. 4. The texture of the artwork is described as appearing like which technique?

      • A Smooth watercolor washes
      • B Fine, delicate pencil sketching
      • C Rough and impasto-like
    5. 5. Based on the description, what is the likely subject matter or inspiration for this work?

      • A A landscape of the Brazilian mountains
      • B The True History of Paradise (A Verdadeira História do Paraíso)
      • C A satirical depiction of a marketplace

    Moj rezultat: ____ od ukupno 5

    Ključ odgovora — za nastavnike

    Ovo započinje novu štampanu stranicu, pa se prilikom kopiranja može jednostavno izostaviti.

    1A · 2A · 3A · 4B · 5A