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Vodič za studentska umetnička dela

Bite Fly

Ime Razred Datum

Matilda Tumim, Bite Fly (2007), Papdale Primary School. Reprodukovano u informativne svrhe; sva prava zadržava vlasnik autorskih prava. Pogledajte ovo platno pod promenljivim svetlom: crtež, pravu boju ispod vernica, čisti pigment

Činjenice

Umetnik
Matilda Tumim artsdot.com/sr/artists/matilda-tumim/
Datumi umetnika
1963 –
Slikano
2007
Prvobitne dimenzije
70 x 250 cm
Održano na
Papdale Primary School artsdot.com/sr/museums/papdale-primary-school-kirkwall/

U kontekstu

Bite Fly — Matilda Tumim

Koje su dimenzije?

Originalne dimenzije su 70 × 250 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.

Kada je ovo naslikano?

  1. 1960
  2. 1970
  3. 1980
  4. 1990
  5. 2000

Gornji red: godine. Donji red: starost umetnika na početku i na kraju svakog perioda, pri čemu se rođenje računa kao nula.

Naslikano kada je umetnik imao 44 godina. 9 od ukupno 14 datiranih dela ovog umetnika u našem katalogu nastalo je ranije.

▲ ovo delo, 2007 svaka datirana slika, deceniju po deceniju

Uporedi sa

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: artsdot.com/sr/art/similar/matilda-tumim-bite-fly-AQUL22-en/

Boje

Izmereno na osnovu slike

    Glavna boja

    Putty #c3cbc8

    Katalogizovana paleta

    • #C3CBC8
    • #5F6761
    • #5FA7CD
    • #BAA445

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Paleta
    Neutrals Dominantna grupa boja na slici.
    Naziv primarne boje
    Putty
    Intenzitet
    Vivid Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Gentle Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Discordant Palette Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Brilliant Koliko je slika u celini svetla ili tamna, od dubokih senki do najsvetlijih tonova.
    Zasićenost
    Balanced Soft Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • manje od 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao Matilda Tumim tokom poslednjih dvanaest meseci — ukupno u 2 zemalja. Izvor ovih podataka

    Deset vodećih zemalja

    1. 1 Кина 87,5%
    2. 2 Сједињене Америчке Државе 12,5%

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    8 najposećenijih dela umetnika Matilda Tumim

    1. 1 Passiflora (triptych, right wing), 2001 12,5%
    2. 2 Passiflora (triptych, centre panel), 2001 12,5%
    3. 3 Bite Fly, 2007 ova slika 12,5%
    4. 4 Ballad, 2001 12,5%
    5. 5 Passiflora (triptych, left wing), 2001 12,5%
    6. 6 Consequence Joke, 2006 12,5%
    7. 7 Hearts and Minds, 2001 12,5%
    8. 8 Consequence Circle Monster, 2007 12,5%

    Zajedno, ova dela zauzimaju 100,0% ukupne pažnje koju su slike ovog umetnika privukle tokom poslednjih dvanaest meseci. Katalog sadrži 14 dela ovog umetnika, od kojih je 8 pregledano barem jednom. Ova slika zauzima 3 mesto među njima, sa 12,5% te pažnje. Isto važi i za pojedinačne mesece

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    Umetnik i muzej

    Umetnik

    Matilda Tumim

    Matilda Tumim: Weaver of Memory and Dream

    Born in 1963, Matilda Tumim’s artistic journey is one deeply intertwined with the landscapes and communities of northern Scotland – Orkney, particularly – a region that profoundly shaped her vision and continues to resonate within her evocative paintings. Her work isn't merely representation; it’s an exploration of memory, identity, and the quiet power of human connection, rendered through a distinctive style characterized by dreamlike atmospheres, subtle color palettes, and a captivating blend of figurative and landscape elements. Tumim’s art invites viewers into intimate spaces, both internal and external, prompting reflection on the complexities of experience.

    Early influences were diverse, beginning with a Fine Art degree at Falmouth School of Art in 1985, followed by postgraduate studies at the Royal College of Art in London. This foundation provided her with technical skills alongside exposure to various artistic movements. However, it was her relocation to Orkney in the late 1980s that proved transformative. The stark beauty of the islands – their windswept coastlines, dramatic skies, and rich cultural heritage – became the bedrock of her creative practice. The isolation and unique character of Orkney fostered a contemplative approach to artmaking, encouraging introspection and a deep engagement with the natural world.

    A Palette of Memory: Style and Technique

    Tumim’s artistic style is immediately recognizable for its atmospheric quality and delicate execution. She frequently employs muted color palettes – often dominated by blues, greens, and greys – to create a sense of melancholy and introspection. Her brushwork is loose and expressive, layering colors and textures to build depth and suggest movement within the landscapes. Figures are typically rendered with a gentle softness, appearing almost as if emerging from the surrounding environment. This technique seamlessly blends the human form with the natural world, blurring the boundaries between interior and exterior space.

    A key element of her work is the incorporation of symbolic imagery – recurring motifs such as ‘consequence’ (as seen in “Consequence Monster Girls” and “Consequence Jellyfish”), often representing the weight of past experiences and their lingering effects. These symbols, combined with her masterful use of light and shadow, create a powerful sense of narrative within each painting. Her work is frequently described as surrealist, yet grounded in a deeply rooted realism, capturing not just what is but also what feels.

    Key Works and Recognition

    Throughout her career, Tumim has produced a significant body of work that has garnered critical acclaim and recognition. Notable pieces include “Consequence Monster Girls” (2007), a hauntingly beautiful depiction of fantastical creatures grappling with their own burdens; "Consequence Jellyfish" (2006), a collage evoking childhood memories and the fluidity of time; and “Small Volumes” (2011), an installation exploring themes of community and connection. Her work has been exhibited in numerous galleries across the UK, including The Loft Gallery, St. Margaret’s Hope, Orkney, and Piccadilly Gallery, London.

    Her commitment to public art is also noteworthy. She created a permanent installation at the Royal Aberdeen Children's Hospital (RACH) in 2008, reflecting her dedication to using art as a means of healing and connection. Furthermore, she was selected as a Public Partner for Healthcare Improvement Scotland from 2014 to present, demonstrating her ongoing engagement with social issues through artistic expression.

    Legacy and Continuing Influence

    Matilda Tumim’s work transcends simple categorization; it occupies a unique space within contemporary art. Her deeply personal connection to the landscapes of Orkney, combined with her distinctive visual language, has established her as a significant voice in British painting. She continues to create compelling works that explore universal themes of memory, identity, and the human condition, ensuring her legacy will endure for years to come. Her work is featured on Axisweb here, and can be found at WahooArt here.

    Her dedication to community engagement and her willingness to use art as a tool for social change further solidify her position as an artist deeply rooted in her surroundings and committed to making a positive impact on the world.

    Muzej

    Papdale Primary School

    Izložbeno mesto Kirkwall, United Kingdom

    A Sanctuary of Creativity Amidst the Orkney Winds

    Nestled within the windswept beauty of Kirkwall, where the rugged coastline of the Orkney Islands meets the enduring spirit of Scotland, lies a museum that defies traditional boundaries. The Papdale Primary School Museum is not merely a repository for artifacts but a living, breathing window into the region's artistic soul. Housed within a beautifully preserved exemplar of traditional Scottish school architecture, the museum offers a sanctuary of light and contemplation. Its spacious interiors, bathed in the soft, natural radiance characteristic of the northern Isles, invite visitors to wander through a space where history and contemporary vision coalesce seamlessly.

    A Tapestry of Local Vision and Artistic Mastery

    The collection within these walls is a remarkable assemblage that celebrates both the burgeoning talent of local students and the seasoned hands of accomplished regional artists. To walk through the galleries is to experience a profound dialogue between different stages of artistic development. One might find themselves captivated by delicate

    watercolor landscapes

    that mirror the dramatic, shifting moods of Orkney’s coastline, or perhaps drawn to the intricate pencil sketches where primary school pupils have meticulously documented the botanical wonders of their surroundings. This collection reaches beyond the youthful to include striking portraits, such as Stanley Cursiter’s evocative oil on canvas depicting John McEwen, the Rector of Kirkwall Grammar School. Through these diverse mediums—from the raw honesty of a child's sketch to the sophisticated realism of professional portraiture—the museum captures the very essence of the Orcadian character.

    Where Education Meets Cultural Preservation

    What truly distinguishes this institution is its profound fusion of educational mission and cultural stewardship. It serves as a vital bridge between generations, where recurring exhibitions delve into themes of rural life and the deep-seated artistic traditions of the North. The museum’s curators meticulously select works that resonate with themes of observation and imaginative interpretation, ensuring that every piece acts as a conduit for Orkney's heritage. Even through the lens of pioneering photography, such as Frances Benjamin Johnston’s documentation of young students studying plants, the museum highlights a continuous cycle of learning and creation. For the art lover or the designer seeking authentic regional inspiration, Papdale Primary School Museum offers an unparalleled glimpse into a landscape where

    art breathes life into the very process of learning

    , fostering an appreciation for the enduring values of the Kirkwall community.

    Gde možete pročitati više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje Bite Fly

    artsdot.com/sr/art/download/matilda-tumim-bite-fly-AQUL22-en/

    Citiranje ovog umetničkog dela

    MLA
    Tumim, Matilda. Bite Fly. 2007, Papdale Primary School. https://artsdot.com/sr/art/matilda-tumim-bite-fly-AQUL22-en/
    APA
    Tumim, Matilda (2007). Bite Fly [Painting]. Papdale Primary School. https://artsdot.com/sr/art/matilda-tumim-bite-fly-AQUL22-en/
    Chicago
    Matilda Tumim. Bite Fly. 2007. Papdale Primary School. https://artsdot.com/sr/art/matilda-tumim-bite-fly-AQUL22-en/
    Harvard
    Tumim, Matilda (2007) Bite Fly. Papdale Primary School. Available at: https://artsdot.com/sr/art/matilda-tumim-bite-fly-AQUL22-en/

    Pogledajte pažljivije

    Bite Fly — Matilda Tumim

    Pogledajte pažljivije

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Vratite se na Passiflora (triptych, right wing) (2001), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.
    4. Matilda Tumim je imao oko 44 godina kada je ovo delo nastalo. Šta u njemu podseća na rad umetnika u toj životnoj fazi?
    5. Šta je umetnik možda želeo da osetite?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.

    Pitanja i odgovori

    Koliko su intenzivne boje dela "Bite Fly"?

    „Bite Fly”, autor Matilda Tumim je zabeležen sa Balanced Soft zasićenosti i Vivid intenzitetom.

    Mogu li detaljnije da pregledam "Bite Fly"?

    Stranica Rentgensko posmatranje za delo „Bite Fly”, autor Matilda Tumim predstavlja interaktivni preglednik koji vam omogućava da istražite jedanaest optičkih slojeva slike dela, uključujući i prikaz u stilu rendgenskog snimka.

    Mogu li da naručim uljanu reprodukciju dela "Bite Fly"?

    Ručno oslikane kopije dela „Bite Fly”, autor Matilda Tumim mogu se kupiti na stranici ovaj sajt: ručno oslikana uljana reprodukcija na lanenom platnu, putem njihove stranice za naručivanje reprodukcija Ručno oslikana reprodukcija ulja na platnu.