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Autorska prava Ovo delo je u javnom vlasništvu. Mariotto Albertinelli je preminuo/la 1515. godine; autorska prava traju 70 godina nakon smrti umetnika, pa su prestala 1585.
U kontekstu
Triptych — Mariotto Albertinelli
Red iznad: godine. Red ispod: koliko je umetnik imao godina na početku i na kraju svakog perioda — 0 u rođenju, 41 u smrti.
Osenčeno: životni vek umetnika Mariotto Albertinelli (1474–1515) svaka datirana slika, deceniju po deceniju
Prva dela: do 1503 Glavne radne godine: 1503–1506 Kasna dela: od 1506
Ova tri segmenta dele dela koja u ovom katalogu imaju naveden datum na prvi kvartal, srednju polovinu i poslednji kvartal. Ona ne predstavljaju kompletan umetnikov opus: tanji niz može biti praznina u arhivu pre nego period mirovanja. Iste godine kroz koje se proteže život umetnika
Za ovaj zapis nema tačno navedene godine — na osnovu životnog veka umetnika i stila dela, na koju deceniju biste pretpostavili?
Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.
Još dela koja se mogu postaviti pored ovog: artsdot.com/sr/art/similar/mariotto-albertinelli-triptych-A2A9HV-en/
Izmereno na osnovu slike
Glavna boja
Phthalo Green #1e1816
Katalogizovana paleta
Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji
Deset vodećih zemalja
Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.
Zajedno, ova dela privlače 99,9% pažnje koju su slike ovog umetnika dobile tokom poslednjih dvanaest meseci. Katalog sadrži 16 dela ovog umetnika, od kojih je 7 pregledano barem jednom. Ova slika još uvek nije pregledana u tom periodu — ona zatvara listu bez rangiranja. Isto važi i za mesec po mesec
Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.
Umetnik i muzej
Mesto rođenja Florence, Italy
Born: Florence, Italy (1474)
Died: 1515
Mariotto di Bigio di Bindo Albertinelli was born in Florence as the son of a gold beater. He was an only child, and his mother died when he was just five years old. Initially trained as a gold beater until the age of 12, he then became a pupil of Cosimo Rosselli, sharing studies with Fra Bartolomeo. The close friendship between Albertinelli and Fra Bartolomeo led them to establish a joint studio in Florence by 1494.
Albertinelli’s style demonstrates the influence of several prominent artists including Perugino, Piero di Cosimo, Lorenzo di Credi, and Flemish painters. His early works, produced independently of Fra Bartolomeo, are stylistically distinct and reveal a sophisticated taste for detail. Piero di Cosimo introduced him to Flemish techniques, enriching his artistic palette. A period of independence followed Fra Bartolomeo’s entry into the Dominican order in 1500, allowing Albertinelli to develop his own voice while still maintaining a connection to his former mentor's style.
The Visitation (1503): Housed in the Uffizi Gallery, this is considered Albertinelli’s masterpiece. It depicts the biblical story of Elizabeth visiting Mary, showcasing his skill in composition, narrative depiction, and blending influences from Fra Bartolomeo and Perugino.
Altarpiece for the Chapel of Congregazione di San Martino: This altarpiece includes panels depicting the Visitation, Annunciation, Nativity, and Circumcision. It demonstrates Albertinelli's ability to create a cohesive narrative across multiple panels.
Kress Tondo: Initially attributed solely to Fra Bartolomeo, it is now believed that Albertinelli used his partner’s cartoon in its creation, highlighting their collaborative relationship.
Annunciation (1511): A joint work with Fra Bartolomeo, showcasing a period of stylistic convergence and collaboration.
Albertinelli's artistic career reflects the dynamic shifts within Florentine painting during the High Renaissance. His ability to synthesize diverse influences—Perugino’s grace, Flemish detail, and Leonardo’s sfumato technique—created a unique style that contributed to the richness of Florentine art. He trained notable artists such as Jacopo da Pontormo, Innocenzo di Pietro Francucci da Imola, and Giuliano Bugiardini, ensuring his influence extended beyond his own works. Despite facing financial difficulties later in life, Albertinelli left behind a body of work that demonstrates his skill and artistic versatility, solidifying his place within the Florentine Renaissance.
artsdot.com/sr/art/download/mariotto-albertinelli-triptych-A2A9HV-en/
Pogledajte pažljivije
Triptych — Mariotto Albertinelli
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„Triptych”, Mariotto Albertinelli je u u javnom vlasništvu – autorska prava su istekla. Ovaj status određuje način na koji se slika dela može reprodukovati.
„Triptych”, Mariotto Albertinelli je u u javnom vlasništvu – autorska prava su istekla. Autorska prava traju od smrti umetnika, koja se dogodila 1515.
Motivi dela "Triptych" su arts.