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From the Balcony

Ime Razred Datum

manuel gonzález serrano, From the Balcony (1948), colección-blaisten. Reprodukovano u informativne svrhe; sva prava zadržava vlasnik autorskih prava.

Osnovne informacije

Umetnik
manuel gonzález serrano artsdot.com/sr/artists/manuel-gonzalez-serrano/
Podaci o umetniku
1917 – 1966
Slikano
1948
Originalne dimenzije
205 x 91 cm
Mesto održavanja
colección-blaisten artsdot.com/sr/museums/coleccion-blaisten-mexico-city/

U kontekstu

From the Balcony — manuel gonzález serrano

Dimenzije

Originalne dimenzije su 205 × 91 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine. Preveliko je da bi se prikazalo u odgovarajućoj razmeri na ovoj stranici.

Godina nastanka

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960

Osenčeno: životni vek umetnika manuel gonzález serrano (1917–1966) ▲ ovo delo, 1948

Slična dela

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: artsdot.com/sr/art/similar/manuel-gonzalez-serrano-from-the-balcony-D47W3P-en/

Paleta boja

Izmereno na osnovu slike

    Glavna boja

    Phthalo Green #312a23

    Katalogizovana paleta

    • #312A23
    • #52473B
    • #819698
    • #646F72
    Naziv glavne boje
    Phthalo Green
    Intenzitet
    Monochromatic Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Balanced Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Discordant Palette Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Shadow Koliko je slika u celini svetla ili tamna, od duboke senke do najsvetlijih tonova.
    Zasićenost
    Muted Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    O ovom umetničkom delu

    From the Balcony — manuel gonzález serrano

    In González Serrano the subject of a landscape is freed from the confines of his imitative desire and rather is prolific in creating imaginary universes, whose elements are always intimately correlates. Starting in the forties his work acquired greater consistency in his discursive elements, avoiding the narrow description which critics so easily claim to be dreamlike. The pictorial world of González Serrano is, like that of Frida Kahlo, unique and real, it does not belong mainly to the world of dreams, perhaps to that of autobiographical passages which, because they are unknown, are cryptic for us. I find in the piece Desde el balcón a certain similarity with the technical treatment that Max Ernst gave the landscapes in his work from the forties, that detailed effect of the organic which he achieved with frotagge and a fine harmonious brush. We know that González Serrano traveled to and exhibited in the United States, especially California, which is why where much of his works located is unknown, which to date has made it more difficult for him to be known to both specialists and the general public.

    Umetnik i muzej

    Umetnik

    manuel gonzález serrano

    Mesto rođenja Mexico City, Mexico

    Manuel González Serrano: A Mexican Painter of Vibrant Forms

    Born: Mexico City, Mexico (1917)

    Died: 1966

    Manuel González Serrano was a significant figure in the landscape of mid-20th century Mexican art. Born in Mexico City in 1917, his artistic journey unfolded against a backdrop of cultural and political change within Mexico. Though biographical details about his early life remain scarce, it is evident that he emerged as part of a generation deeply influenced by Mexico’s rich heritage and the burgeoning modernist movements.

    Early Life and Artistic Development

    While information regarding González Serrano's formal training is limited, he appears to have been largely self-taught. He began painting at an early age, demonstrating a natural inclination towards artistic expression. His initial works showcased a fascination with the fantastical and surreal, reflecting international trends of the time. He briefly attended classes at La Esmeralda National School of Painting and Sculpture but did not pursue formal studies extensively.

    Key Works and Artistic Style

    González Serrano is perhaps best known for his painting “From the Balcony” (1948), a work that exemplifies his distinctive style. His artistic approach is characterized by:

    Bold Colors: González Serrano employed a vibrant palette, utilizing strong and contrasting colors to create visually striking compositions.

    Geometric Shapes: A defining feature of his work is the incorporation of geometric forms – squares, rectangles, circles – which he integrated into both figurative and abstract elements.

    Influence of Mexican Muralism: While not directly a muralist himself, González Serrano’s art was influenced by the broader movement's emphasis on national identity and social commentary, albeit expressed through a more personal and less overtly political lens.

    Other notable works demonstrate his exploration of portraiture, landscapes, and still lifes, often imbued with symbolic meaning.

    Exhibitions and Recognition

    Early Exhibitions: González Serrano first exhibited his work in 1943 at the Primer Salón de Arte Libre held at the Palacio de Bellas Artes. He continued to exhibit there the following year and had his first individual exhibition at the Galería Decoración.

    Collective Shows: Between 1947 and 1949, he participated in collective exhibitions alongside prominent artists such as Juan Soriano, Jesús Guerrero Galván, and Francisco González Camarena.

    International Exposure: Through his marriage to a wealthy North American woman, González Serrano gained opportunities to exhibit his work in California and connect with the Hollywood art scene.

    Colección Andrés Blaisten: A significant portion of his works can be found within the Colección Andrés Blaisten in Mexico, a renowned collection of Latin American art.

    Later Years and Legacy

    In his later years, González Serrano experienced periods of isolation and mental health challenges, which impacted his artistic output. Despite this, his work continues to be recognized for its unique blend of vibrant color, geometric abstraction, and symbolic imagery. His contribution to Mexican art lies in his ability to synthesize modernist influences with a distinctly Mexican sensibility, creating a body of work that is both visually compelling and culturally resonant.

    For more information about Manuel González Serrano and his artwork, visit AllPaintingsStore.

    Muzej

    colección-blaisten

    Prikazano u Mexico City, Mexico

    A Sanctuary of Mexican Modernity: Exploring the Colección Blaisten

    Mexico City pulses with a creative energy born from centuries of cultural confluence—a vibrant tapestry woven with indigenous traditions, colonial legacies, and a relentless spirit of an enduring innovation. Within this dynamic metropolis lies the

    Colección Blaisten

    , not merely a museum but a carefully curated journey through the very heart of 20th and 21st-century Mexican art. Founded by the passionate collector Andrés Blaisten, the collection began as a deeply personal pursuit, an intimate engagement with the artists shaping a nation’s identity in the wake of revolution and modernization. It has since blossomed into one of Mexico's most significant cultural institutions, offering an unparalleled panorama of artistic expression that extends far beyond familiar narratives of muralism to embrace the diverse voices of a generation grappling with profound change.

    The collection distinguishes itself through its comprehensive representation of the

    Generación de la Ruptura

    —the “Breakaway Generation.” Emerging in the 1950s, these artists deliberately rejected the dominant nationalist style of Mexican muralism, seeking new avenues for expression rooted in abstraction, experimentation, and a dialogue with international art movements. Figures like Gustavo Arias Murueta stand as central to this shift, his work embodying a sophisticated interplay between form, color, and texture that moved beyond overt political messaging towards a more introspective exploration of the human condition. But the museum’s scope is vast; it thoughtfully traces the evolution of Mexican art from early Modernism through contemporary practices, showcasing the enduring influence of masters like Juan O'Gorman—whose unique fusion of modernist principles with pre-Hispanic motifs continues to resonate today—and Manuel González Serrano, whose contributions helped define a new visual language for Mexico.

    Architecture as Atmosphere and Intellectual Dialogue

    The museum itself provides an ideal setting for contemplation and discovery. Housed within the

    Centro Cultural Universitario Tlatelolco

    , the architecture complements rather than competes with the artworks on display. The space is designed to foster a sense of serenity, allowing visitors to fully immerse themselves in the visual experience. Thoughtful lighting and carefully considered layouts guide the eye through the collection, revealing subtle connections and thematic resonances between different works. It is an environment that encourages slow viewing, inviting viewers to linger with each piece and engage in a personal dialogue with the art. The building's history as part of the UNAM campus adds another layer of significance, connecting the museum to Mexico’s broader intellectual and cultural landscape—a testament to the enduring legacy of humanist scholarship.

    Throughout its history, the Colección Blaisten has hosted groundbreaking exhibitions that have challenged conventional interpretations of Mexican art history. Recurring themes explored include indigenous symbolism revisited through modern lenses, explorations of identity and diaspora within Latin American contexts, and investigations into the intersection of art and social activism. Collaborations with prominent curators and artists alike have ensured that the museum remains at the forefront of artistic discourse, fostering critical engagement and inspiring new perspectives on Mexican cultural heritage. These exhibitions underscore the institution’s commitment to promoting intellectual curiosity and stimulating conversations about the role of art in shaping our understanding of the world.

    A Unique Cultural Compass for the Discerning Eye

    What truly sets the Colección Blaisten apart is its unwavering focus on the nuances of Mexican artistic identity. While acknowledging the influence of international trends, it consistently emphasizes the unique cultural context in which these artworks were created—the interplay between indigenous traditions and European influences, the legacy of colonialism, and the ongoing search for national expression. It is a museum that does not simply present art

    from

    Mexico; it presents art

    of

    Mexico, imbued with its history, its struggles, and its enduring spirit.

    For interior designers seeking pieces that tell a profound story, collectors looking to diversify their portfolios with unparalleled historical depth, or art lovers eager to delve deeper into the richness of Mexican culture, the Colección Blaisten offers an experience that is both intellectually stimulating and profoundly moving. It remains a definitive destination for anyone seeking to understand the soul of a nation through its most masterful visual achievements.

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    artsdot.com/sr/art/download/manuel-gonzalez-serrano-from-the-balcony-D47W3P-en/

    Citiranje ovog umetničkog dela

    MLA
    serrano, manuel gonzález. From the Balcony. 1948, colección-blaisten. https://artsdot.com/sr/art/manuel-gonzalez-serrano-from-the-balcony-D47W3P-en/
    APA
    serrano, manuel gonzález (1948). From the Balcony [Painting]. colección-blaisten. https://artsdot.com/sr/art/manuel-gonzalez-serrano-from-the-balcony-D47W3P-en/
    Chicago
    manuel gonzález serrano. From the Balcony. 1948. colección-blaisten. https://artsdot.com/sr/art/manuel-gonzalez-serrano-from-the-balcony-D47W3P-en/
    Harvard
    serrano, manuel gonzález (1948) From the Balcony. colección-blaisten. Available at: https://artsdot.com/sr/art/manuel-gonzalez-serrano-from-the-balcony-D47W3P-en/

    Pogledajte pažljivije

    From the Balcony — manuel gonzález serrano

    Pažljiviji pogled

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Vratite se na Self-portrait (1943), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.
    4. manuel gonzález serrano je imao oko 31 godina kada je ovo nastalo. Šta u ovom delu podseća na rad umetnika u toj životnoj fazi?
    5. Šta je umetnik možda želeo da osetite?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.