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View from the Studio Window

4 parts 1 The artwork2 In context3 Artist and museum4 Look closely

Ime Razred Datum
Ловис Корнит, View from the Studio Window (1891). Domen javnog dobra.

Osnovne informacije

Umetnik
Ловис Корнит artsdot.com/sr/artists/lovis-kornit_sr/
Podaci o umetniku
1858 – 1925
Slikano
1891
Medijum
Oil
Epoha
19th Century

In context

View from the Studio Window — Ловис Корнит

Godina nastanka

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920

Osenčeno: životni vek umetnika Ловис Корнит (1858–1925) ▲ ovo delo, 1891

Slična dela

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: artsdot.com/sr/art/similar/lovis-corinth-view-from-the-studio-window-8LJABY-en/

Paleta boja

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    Glavna boja

    Phthalo Green #2a2b1b

    Katalogizovana paleta

    • #2A2B1B
    • #CCCFC4
    • #AFA061
    • #625830
    Naziv glavne boje
    Phthalo Green
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Statement Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Strong Color Unity Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Balanced Koliko je slika u celini svetla ili tamna, od duboke senke do najsvetlijih tonova.
    Zasićenost
    Subtle Color Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Umetnik i muzej

    View from the Studio Window — Ловис Корнит

    Umetnik

    Ловис Корнит

    Born in Тапиау, Немачка

    A Life Forged in Paint: The World of Lovis Corinth

    Lovis Corinth, born Franz Heinrich Louis on July 21, 1858, in the Prussian province of East Prussia, was a figure who embodied the tumultuous transition from the 19th to the early 20th-century art world. His journey wasn’t one of immediate acclaim but rather a gradual evolution fueled by relentless study, diverse influences, and ultimately, personal tragedy. Corinth's beginnings were rooted in the rural landscapes of his birthplace, Tapiau, where his father worked as a tanner. This early exposure to the physicality of labor and the raw beauty of nature would subtly permeate his later work, even amidst more sophisticated stylistic explorations. He initially pursued studies at the Academy of Königsberg in 1876, but quickly realized that academic tradition alone wouldn’t satisfy his artistic ambitions. A period of travel followed, taking him to Munich, Antwerp, and finally Paris – each city serving as a crucial stepping stone in his development. In Munich, he absorbed the meticulous realism championed by Ludwig von Löfftz, honing his observational skills and mastering technique. Antwerp introduced him to the dramatic Baroque intensity of Rubens, while Paris exposed him to the burgeoning Impressionist movement, though his initial response was one of cautious observation rather than immediate embrace.

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    QR kod koji vodi na stranicu za preuzimanje View from the Studio Window

    artsdot.com/sr/art/download/lovis-corinth-view-from-the-studio-window-8LJABY-en/

    Citiranje ovog umetničkog dela

    MLA
    Корнит, Ловис. View from the Studio Window. 1891, https://artsdot.com/sr/art/lovis-corinth-view-from-the-studio-window-8LJABY-en/
    APA
    Корнит, Ловис (1891). View from the Studio Window [Painting]. https://artsdot.com/sr/art/lovis-corinth-view-from-the-studio-window-8LJABY-en/
    Chicago
    Ловис Корнит. View from the Studio Window. 1891. https://artsdot.com/sr/art/lovis-corinth-view-from-the-studio-window-8LJABY-en/
    Harvard
    Корнит, Ловис (1891) View from the Studio Window. Available at: https://artsdot.com/sr/art/lovis-corinth-view-from-the-studio-window-8LJABY-en/

    Look closely

    View from the Studio Window — Ловис Корнит

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: scenes, buildings. Do you agree? What would you add, or take away?
    4. Look back at У кланицу (1893), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Ловис Корнит was about 33 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.