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Vodič za studentska umetnička dela

-104

Ime Razred Datum

Kaloust Guedel, -104 (2012). Reprodukovano u informativne svrhe; sva prava zadržava vlasnik autorskih prava. Pogledajte ovo platno pod promenljivim svetlom: crtež, pravu boju ispod vernica, čisti pigment

Činjenice

Umetnik
Kaloust Guedel artsdot.com/sr/artists/kaloust-guedel/
Datumi umetnika
1956 –
Slikano
2012
Prvobitne dimenzije
213 x 135 cm
Pokret
Conceptual Art Work where the idea matters more than the object — sometimes there is barely an object at all.

U kontekstu

-104 — Kaloust Guedel

Koje su dimenzije?

Originalne dimenzije su 213 × 135 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine. Preveliko je da bi se prikazalo u odgovarajućoj razmeri na ovoj stranici.

Kada je ovo naslikano?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000
  7. 2010
  8. 2020

Gornji red: godine. Donji red: starost umetnika na početku i na kraju svakog perioda, pri čemu se rođenje računa kao nula.

Naslikano kada je umetnik imao 56 godina. 0 od ukupno 21 datiranih dela ovog umetnika u našem katalogu nastalo je ranije.

▲ ovo delo, 2012 svaka datirana slika, deceniju po deceniju

Uporedi sa

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: artsdot.com/sr/art/similar/kaloust-guedel-104-D2DTFF-en/

Boje

Izmereno na osnovu slike

    Glavna boja

    Phthalo Green #282528

    Katalogizovana paleta

    • #282528
    • #B3B1B3
    • #696262
    • #7A1A23

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Naziv primarne boje
    Phthalo Green
    Intenzitet
    Monochromatic Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Statement Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Discordant Palette Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Deep_shadow Koliko je slika u celini svetla ili tamna, od dubokih senki do najsvetlijih tonova.
    Zasićenost
    Muted Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • manje od 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao Kaloust Guedel tokom poslednjih dvanaest meseci — ukupno u 2 zemalja. Izvor ovih podataka

    Deset vodećih zemalja

    1. 1 Швајцарска 50,0%
    2. 2 Кина 50,0%

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    3 najposećenijih dela umetnika Kaloust Guedel

    1. 1 The Altar of Supreme Sacrifice, Retro Reflective Vinyl, Plastic, 80 X 80 X 12, 2022, 2022 50,0%
    2. 2 Excess -278, 2015 50,0%
    3. — -104, 2012 ova slika 0,0%

    Zajedno, ova dela zauzimaju 100,0% ukupne pažnje koju su slike ovog umetnika privukle tokom poslednjih dvanaest meseci. Katalog sadrži 23 dela ovog umetnika, od kojih je 2 pregledano barem jednom. Ova slika još uvek nije pregledana u tom periodu — ona zatvara listu bez rangiranja. Isto važi i za pojedinačne mesece

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    Umetnik i muzej

    Umetnik

    Kaloust Guedel

    Rođen/a u Nicosia, Cyprus

    A Life Forged in Cultural Crossroads

    Kaloust Guedel’s artistic journey is one deeply rooted in displacement and cultural synthesis, a narrative that began on the island of Cyprus in 1956. Born into an Armenian family, his early life was marked by a geographical and emotional shift when his family relocated to Armenia within the Soviet Union in 1962. This formative period instilled in him a profound awareness of identity, belonging, and the weight of history – themes that would become central to his artistic explorations. Further travels through neighboring republics and Lebanon before finally settling in Los Angeles in 1975 only deepened this sense of being an observer, a translator between worlds. Guedel’s self-directed education as an artist was not confined to formal institutions; rather, it blossomed from philosophical inquiry at the Philosophical Research Society in the early 1980s and a relentless engagement with the complexities of contemporary life. He didn't seek instruction so much as he sought understanding—understanding of the human condition, societal structures, and the power of visual language to dissect them.

    The Genesis of Excessivism: A Response to Consumption

    Guedel is perhaps best known as the founder of Excessivism, a movement born from a critical response to the perceived excesses of consumer culture and societal norms. Emerging in the 21st century, Excessivism isn’t merely an aesthetic style but a philosophical stance—a confrontation with the overwhelming abundance and often superficial values that characterize modern existence. Guedel's work consistently challenges viewers to confront uncomfortable truths about materialism, power dynamics, and the darker aspects of human experience. He doesn’t shy away from difficult subjects like genocide, war, and abuse, instead choosing to address them head-on with a minimalist aesthetic that amplifies their emotional impact. This deliberate restraint isn’t an avoidance of complexity but rather a strategic choice—a way to distill potent ideas into their purest form. His artistic path has been characterized by experimentation across painting, sculpture, and conceptual installations, always prioritizing the message over adherence to any single stylistic convention.

    Innovation in Materiality: Vinyl as Canvas

    Guedel’s commitment to pushing boundaries extends beyond thematic concerns into the realm of materials. He is recognized as a pioneer for his groundbreaking use of vinyl as a primary medium in painting, challenging traditional notions of what constitutes art and expanding the possibilities of artistic expression. This wasn't simply about adopting a new material; it was about questioning the very foundations of painting itself—its history, its conventions, and its limitations. The choice of vinyl, often associated with mass production and disposability, is inherently provocative, aligning perfectly with the critical ethos of Excessivism. Works like “Unauthorized Stage of Tension,” “Alternative Cloud,” “Black Magic Romance”, “Coronation Of Vagina” and “Red White Blue Etcetera” demonstrate his mastery of this unconventional medium, transforming it into a vehicle for profound conceptual exploration. He doesn’t merely paint on vinyl; he manipulates it, deconstructs it, and imbues it with new meaning.

    A Legacy of Provocation and Dialogue

    Kaloust Guedel's impact on the contemporary art landscape is undeniable. His work has garnered recognition in publications like Masters of Today, solidifying his position as a significant voice within the artistic community. More than just an artist, he’s a cultural commentator—a provocateur who dares to challenge conventional thinking and spark dialogue about pressing social and political issues. The founding of Excessivism provides a framework for understanding contemporary anxieties, offering a lens through which to examine the complexities of modern life. His innovative use of materials continues to inspire artists today, encouraging them to question established norms and explore new avenues of creative expression. Guedel’s legacy lies not only in his individual artworks but also in his unwavering commitment to intellectual rigor, emotional honesty, and the power of art to effect change. He represents a generation of artists unafraid to confront difficult truths and leave an indelible mark on the world through their vision.

    Gde možete pročitati više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje -104

    artsdot.com/sr/art/download/kaloust-guedel-104-D2DTFF-en/

    Citiranje ovog umetničkog dela

    MLA
    Guedel, Kaloust. -104. 2012, https://artsdot.com/sr/art/kaloust-guedel-104-D2DTFF-en/
    APA
    Guedel, Kaloust (2012). -104 [Painting]. https://artsdot.com/sr/art/kaloust-guedel-104-D2DTFF-en/
    Chicago
    Kaloust Guedel. -104. 2012. https://artsdot.com/sr/art/kaloust-guedel-104-D2DTFF-en/
    Harvard
    Guedel, Kaloust (2012) -104. Available at: https://artsdot.com/sr/art/kaloust-guedel-104-D2DTFF-en/

    Pogledajte pažljivije

    -104 — Kaloust Guedel

    Pogledajte pažljivije

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Vratite se na Stage 3 (2012), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.
    4. Conceptual Art: Work where the idea matters more than the object — sometimes there is barely an object at all. Gde se to može uočiti u ovom delu?
    5. Kaloust Guedel je imao oko 56 godina kada je ovo delo nastalo. Šta u njemu podseća na rad umetnika u toj životnoj fazi?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.

    Pitanja i odgovori

    Da li su boje dela „-104”, autor Kaloust Guedel zasićene ili prigušene?

    Paleta dela "-104" ima Muted zasićenost.

    U kojoj godini je nastalo delo „-104”, autor Kaloust Guedel?

    Delo „-104”, autor Kaloust Guedel nastalo je 2012.

    Koji umetnički pravac obuhvata „-104”, autor Kaloust Guedel?

    Umetnički pravac koji se povezuje sa delom „-104”, autor Kaloust Guedel je Conceptual Art. Ova klasifikacija smešta rad među srodne umetnike i umetnička dela.