Vodič za studentske radove
Autorska prava Ovo delo je u javnom vlasništvu. John Smart je preminuo/la 1811. godine; autorska prava traju 70 godina nakon smrti umetnika, pa su prestala 1881.
U kontekstu
Arthur Freeman — John Smart
Originalne dimenzije su 3 × 4 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.
Red iznad: godine. Red ispod: koliko je umetnik imao godina na početku i na kraju svakog perioda — 0 u rođenju, 71 u smrti.
Naslikano kada je umetnik imao 31 godina. Umetnik je doživeo 71. 0 od 1 datiranih dela ovog umetnika u našem katalogu nastalo je ranije.
Osenčeno: životni vek umetnika John Smart (1740–1811) ▲ ovo delo, 1771 svaka datirana slika, deceniju po deceniju
Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.
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Izmereno na osnovu slike
Glavna boja
Putty #dfdfdf
Katalogizovana paleta
Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji
Deset vodećih zemalja
Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.
Zajedno, ova dela privlače 100,0% pažnje koju su slike ovog umetnika dobile tokom poslednjih dvanaest meseci. Katalog sadrži 17 dela ovog umetnika, od kojih je 6 pregledano barem jednom. Ova slika zauzima 2 mesto među njima, sa 14,3% te pažnje. Isto važi i za mesec po mesec
Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.
Umetnik i muzej
Mesto rođenja Norfolk, United Kingdom
In the delicate, luminous world of eighteenth-century British portraiture, few names evoke the same sense of intimate precision as John Smart. A master of the miniature, Smart possessed the rare ability to compress the grandeur of the Georgian era into tiny, ivory canvases that felt as vast and profound as the souls they depicted. While his physical works were small enough to be held in the palm of a hand, the impact of his artistry was monumental, bridging the gap between the formal rigidity of classical portraiture and the burgeoning emotional depth of the Romantic movement.
Born in Norfolk, United Kingdom, Smart’s early life remains somewhat shrouded in the soft mists of history, yet the traces of his development reveal an artist deeply connected to the pulse of English art. His talent was evident from a young age; in 1755, he was recorded as a runner-up in a drawing competition for under-fourteens held by the Society for the Encouragement of Arts, Manufactures and Commerce. This early recognition led him to London, where he attended the drawing school of William Shipley alongside other notable contemporaries like Richard Cosway.
To gaze upon a true John Smart miniature is to witness a masterclass in light and texture. His technique was nothing short of alchemy, often employing the grisaille method—a sophisticated process where a monochrome underpainting establishes the foundational shadows and structural tones. Upon this skeletal framework, he applied incredibly thin, translucent glazes of color. This layering allowed light to pass through the pigment and reflect off the white ivory base, creating an ethereal, inner glow that seemed to emanate from within the subject itself.
Unlike some of his contemporaries, such as Cosway, whose work often leaned toward a more flamboyant style, Smart’s approach was characterized by a quiet, grey-toned palette and subtle flesh tints. He possessed a profound knowledge of anatomy, ensuring that his portraits were drawn with greater anatomical accuracy than almost any other miniature painter of his era. His ability to use fine white lines over loose brushstrokes to suggest individual hairs or the delicate stippling of a face provided a degree of warmth and depth that was truly unique.
Smart’s career was marked by both professional leadership and geographical exploration. He exhibited at the Society of Artists in London from 1762 onwards, eventually ascending to the position of president in 1778. His reach extended far beyond the borders of England; in 1788, he traveled to India, where he was based in Madras. During this period, he obtained numerous commissions, creating works that captured the essence of his subjects even while far from his London roots.
The historical significance of his work is preserved through remarkable collections, such as the Starr collection at the Nelson-Atkins Museum of Art, which includes a signed and dated miniature for nearly every year of his career. This chronological record allows scholars to witness the full progression of his style and the changing fashions of the period. Through his meticulous dedication to the art of the miniature, John Smart left behind a window into human truth, capturing the quiet, psychological nuances of the Georgian age.
artsdot.com/sr/art/download/john-smart-arthur-freeman-D3UVDP-en/
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Arthur Freeman — John Smart
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