Format papira

Vodič za studentske radove

Still-life

Ime Razred Datum

jefto perić, Still-life (1939), The Pavle Beljanski Memorial Collection. Reprodukovano u informativne svrhe; sva prava zadržava vlasnik autorskih prava.

Osnovne informacije

Umetnik
jefto perić artsdot.com/sr/artists/jefto-peric/
Podaci o umetniku
1895 – 1967
Slikano
1939
Medijum
Oil
Originalne dimenzije
58 x 47 cm
Epoha
Modern
Mesto održavanja
The Pavle Beljanski Memorial Collection artsdot.com/sr/museums/the-pavle-beljanski-memorial-collection-novi-sad/

U kontekstu

Still-life — jefto perić

Dimenzije

Originalne dimenzije su 58 × 47 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.

Godina nastanka

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960

Osenčeno: životni vek umetnika jefto perić (1895–1967) ▲ ovo delo, 1939

Paleta boja

Izmereno na osnovu slike

    Glavna boja

    Rosy Brown #b0a893

    Katalogizovana paleta

    • #B0A893
    • #5D6769
    • #583F2C
    • #987752
    Paleta
    Earthy Dominantna grupa boja na slici.
    Naziv glavne boje
    Rosy Brown
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Gentle Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Strong Color Unity Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Balanced Koliko je slika u celini svetla ili tamna, od duboke senke do najsvetlijih tonova.
    Zasićenost
    Balanced Soft Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    O ovom umetničkom delu

    Still-life — jefto perić

    The painting Still-life with eggs, painted a year after Tabaković’s Still-life with Beans (1940), carries the same message – it symbolizes the social status of the artist in pre-war Belgrade. In addition, this depiction of a modest lunch in the studio once more reveals Perić’s inclination to paint ordinary things from everyday life, which was in accord with his recluse but dignified nature, and his realistic expression. The firm organization of the painting, enlivened by the contrast between the warm brown and yellow tones and the fresh, cool blue tone, is characterized by the simple Cézannean form of the objects in it: a frying pan with two eggs, “sunny side up”, half a bread and a bottle of beer. These objects arranged on the table have somewhat darker colours but were painted in clear colours and broader brushstrokes which lend the surface of the painting a restless shimmering quality, under the influence of the “Paris school.” This cultural idiom implied, above all, the cultivation of the plastic and pictorial practice in the painter’s style, which was clearly not devoid of numerous relations with the material world. And yet, it did not place content in the foreground, but the formal characteristics and qualities of the painting. Among the most expressive representatives of Serbian colouristic realism, this piece was chosen in 1971 for the exhibition entitled The Painting of the Fourth Decade in the Museum of Contemporary Art in Belgrade. One of the most striking paintings with this motif from Beljanski’s collection, Perić’s Still-life is the most frequently rendered subject matter in the children’s visual workshop in the Memorial Collection – no child has ever left the museum without this interesting work of art from 1939 etched deeply into his or her memory.

    Umetnik i muzej

    Umetnik

    jefto perić

    Mesto rođenja Gacko, Bosnia and Herzegovina

    early life and education

    jefto perić, a renowned serbian painter, was born on december 26, 1895, in gacko, bosnia and hercegovina, then part of the ottoman empire. he later became a professor at the academy of arts (later to become university of arts in belgrade). perić's artistic journey began with his work as a photographer's assistant in the studio of mihailo merćep in zagreb.

    artistic development and style

    perić's inclination towards painting led him to attend various private art academies in zagreb, where he honed his craft. he later studied under notable artists like carl johann becker-gundahl and hans hoffmann in munich, and paul signac at the école nationale supérieure des beaux-arts in paris. perić's artistic style is characterized by colored realism, making him a significant representative of this genre in serbian art.

    notable works and exhibitions

    some of perić's notable works include:

    still-life (1939), a painting that symbolizes the social status of the artist in pre-war belgrade, featuring a modest lunch in the studio.

    this piece is part of the pavle beljanski memorial collection, which can be found on AllPaintingsStore.com (view the painting here).

    perić's work has been exhibited in various locations, including zagreb (1927), belgrade (1936, 1939, and 1951), and as part of the pavle beljanski memorial collection.

    legacy and impact

    jefto perić's legacy extends beyond his artistic contributions. he was a campaigner for artists' rights and an esteemed pedagogist. his influence on serbian art is undeniable, making him one of the most expressive representatives of colored realism.

    view more of jefto perić's works on AllPaintingsStore.com (artist profile).

    explore the pavle beljanski memorial collection on AllPaintingsStore.com (view the collection here).

    conclusion

    jefto perić's remarkable journey, from his humble beginnings to becoming a celebrated artist and professor, is a testament to his dedication to the world of art. his colored realism style continues to inspire artists and art enthusiasts alike, making him an integral part of serbian art history. wikipedia: jefto perić

    Muzej

    The Pavle Beljanski Memorial Collection

    Prikazano u Novi Sad, Serbia

    A Sanctuary of Serbian Modernity

    Nestled in the heart of Novi Sad, Serbia, stands a testament to one man’s profound passion for art and his enduring gift to the nation – the Pavle Beljanski Memorial Collection. More than just a museum, it is a carefully preserved echo of a discerning eye, a space where the vibrant spirit of 20th-century Serbian and Yugoslav art continues to resonate. The collection itself blossomed from the personal pursuit of Pavle Beljanski, a diplomat whose keen understanding of artistic merit led him to champion emerging talents during a period of immense cultural transformation. He didn’t simply acquire paintings; he fostered relationships with artists, recognizing their potential before it was widely celebrated, and ultimately assembling a body of work that now forms a cornerstone of Serbian art history.

    The architecture of the museum is an integral part of this immersive experience. Designed by the visionary architect Ivo Kurtović and completed in 1961, the building serves as a bold departure from prevailing styles of its era, reflecting a belief that architecture should complement and elevate the treasures it houses. The structure is not merely a container but a harmonious environment where functional elegance meets thoughtful design. Inside, the spaces are bathed in natural light, creating an atmosphere conducive to quiet contemplation and fostering a deep, visceral connection between the viewer and the canvas. For the interior designer or the lover of fine aesthetics, the building itself stands as a masterpiece of mid-century modernism.

    Masterpieces of the Interwar Spirit

    At the core of this sanctuary lies a remarkable assemblage of 185 paintings by 37 artists, representing the zenith of Serbian artistic expression during the interwar period. These works offer a window into an era defined by intellectual currents and shifting societal identities. Among these masterpieces are the landscapes of Sava Šumanović, whose brushstrokes capture the sublime beauty of the Serbian countryside with evocative color palettes that seem to breathe on the canvas. In contrast, the portraits of Milan Konjović delve into profound psychological depth, portraying subjects with a sensitivity and nuance that transcend the mere likeness of the sitter.

    The collection also celebrates the courage of artists like Nadežda Petrović, Milan Milovanović, and Kosta Miličević, who navigated a landscape shaped by political upheaval. These creators masterfully blended influences from European movements such as Cubism and Surrealism with their own unique perspectives, forging a distinctly Serbian artistic identity. To walk through these galleries is to witness the birth of a modern visual language, where every stroke and shade tells a story of a nation finding its voice amidst the complexities of the 20th century.

    A Living Legacy and Personal Intimacy

    What truly distinguishes the Pavle Beljanski Memorial Collection is its profound intimacy. Adding to the museum's character is the Memorial Hall, inaugurated in 1966 as a poignant recreation of Beljanski’s personal living and working space. Stepping inside feels like entering a time capsule; visitors are surrounded by his original furniture, books, photographs, and cherished possessions. This meticulously curated hall allows one to understand the man behind the art, offering insight into the refined sensibility and intellectual curiosity that guided his collecting activities. It is an invitation to step into the life of a diplomat who lived among the very beauty he sought to preserve.

    The museum’s mission extends far beyond the preservation of the past, as it actively nurtures the future of Serbian culture. Through educational programs for young students and the prestigious

    Pavle Beljanski Award

    —which recognizes outstanding scholarly work in art history—the institution ensures that the dialogue between generations remains unbroken. For the connoisseur seeking an authentic cultural journey, the collection offers a compelling encounter with history, culture, and the transformative power of artistic expression, making it an essential destination for anyone captivated by the enduring legacy of Serbian modernism.

    Saznajte više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje Still-life

    artsdot.com/sr/art/download/jefto-peric-still-life-D5GNWD-en/

    Citiranje ovog umetničkog dela

    MLA
    perić, jefto. Still-life. 1939, The Pavle Beljanski Memorial Collection. https://artsdot.com/sr/art/jefto-peric-still-life-D5GNWD-en/
    APA
    perić, jefto (1939). Still-life [Painting]. The Pavle Beljanski Memorial Collection. https://artsdot.com/sr/art/jefto-peric-still-life-D5GNWD-en/
    Chicago
    jefto perić. Still-life. 1939. The Pavle Beljanski Memorial Collection. https://artsdot.com/sr/art/jefto-peric-still-life-D5GNWD-en/
    Harvard
    perić, jefto (1939) Still-life. The Pavle Beljanski Memorial Collection. Available at: https://artsdot.com/sr/art/jefto-peric-still-life-D5GNWD-en/

    Pogledajte pažljivije

    Still-life — jefto perić

    Pažljiviji pogled

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. jefto perić je imao oko 44 godina kada je ovo nastalo. Šta u ovom delu podseća na rad umetnika u toj životnoj fazi?
    4. Šta je umetnik možda želeo da osetite?
    5. Da možete da postavite umetniku samo jedno pitanje o ovom delu, šta biste pitali?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.