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Vodič za studentska umetnička dela

Field

Ime Razred Datum

Jacques Hnizdovsky, Field (1962). Reprodukovano u informativne svrhe; sva prava zadržava vlasnik autorskih prava. Pogledajte ovo platno pod promenljivim svetlom: crtež, pravu boju ispod vernica, čisti pigment

Činjenice

Umetnik
Jacques Hnizdovsky artsdot.com/sr/artists/jacques-hnizdovsky/
Datumi umetnika
1915 – 1985
Slikano
1962
Prvobitne dimenzije
64 x 100 cm

U kontekstu

Field — Jacques Hnizdovsky

Koje su dimenzije?

Originalne dimenzije su 64 × 100 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.

Kada je ovo naslikano?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980

Gornji red: godine. Donji red: starost umetnika na početku i na kraju svakog perioda — 0 u rođenju, 70 u smrti.

Naslikano kada je umetnik imao 47 godina. Umetnik je doživeo 70. 1 od ukupno 9 datiranih dela ovog umetnika u našem katalogu nastalo je ranije.

Osenčeno: životni vek umetnika Jacques Hnizdovsky (1915–1985) ▲ ovo delo, 1962 svaka datirana slika, deceniju po deceniju

Uporedi sa

  • Turkey, 1962 artsdot.com/sr/art/jacques-hnizdovsky-turkey-AQR9KB-en/
  • The Cat, 1968 artsdot.com/sr/art/jacques-hnizdovsky-the-cat-AQR9K3-en/
  • Turtle, 1962 artsdot.com/sr/art/jacques-hnizdovsky-turtle-AQR9JV-en/

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: artsdot.com/sr/art/similar/jacques-hnizdovsky-field-AQR9K9-en/

Boje

Izmereno na osnovu slike

    Glavna boja

    Putty #f9e7cf

    Katalogizovana paleta

    • #F9E7CF
    • #706358
    • #8B7D71
    • #A5968A

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Paleta
    Neutrals Dominantna grupa boja na slici.
    Naziv primarne boje
    Putty
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Balanced Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Unified Palette Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Brilliant Koliko je slika u celini svetla ili tamna, od dubokih senki do najsvetlijih tonova.
    Zasićenost
    Muted Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • manje od 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao Jacques Hnizdovsky tokom poslednjih dvanaest meseci — ukupno u 6 zemalja. Izvor ovih podataka

    Deset vodećih zemalja

    1. 1 Сједињене Америчке Државе 30,0%300 poseta
    2. 2 Кина 20,0%200 poseta
    3. 3 Шведска 20,0%200 poseta
    4. 4 Канада 10,0%100 poseta
    5. 5 Ujedinjeno Kraljevstvo 10,0%100 poseta
    6. 6 Мексико 10,0%100 poseta

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    6 najposećenijih dela umetnika Jacques Hnizdovsky

    1. 1 Marguerites, 1964 28,6%400 poseta
    2. 2 The Sheep, 1961 28,6%400 poseta
    3. 3 The Cat, 1968 14,3%200 poseta
    4. 4 Winter Landscape, 1965 14,3%200 poseta
    5. 5 Turkey, 1962 7,1%100 poseta
    6. 6 Field, 1962 ova slika 7,1%100 poseta

    Zajedno, ova dela zauzimaju 100,0% ukupne pažnje koju su slike ovog umetnika privukle tokom poslednjih dvanaest meseci. Katalog sadrži 9 dela ovog umetnika, od kojih je 6 pregledano barem jednom. Ova slika zauzima 6 mesto na listi, sa 7,1% te pažnje (100 poseta). Isto važi i za pojedinačne mesece

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    Umetnik i muzej

    Umetnik

    Jacques Hnizdovsky

    Rođen/a u Pylypche, Ukraine

    Jacques Hnizdovsky: A Life in Art

    Early Life and Education

    Jacques Hnizdovsky (born 1915 in Pylypche, Ukraine – died 1985) was a Ukrainian-American graphic artist and designer. He descended from a Polish-Ukrainian noble family belonging to the Korab coat of arms community. His early education took place at the gymnasium in Chortkiv. In 1933, he began studies at the Lviv Greek Catholic Theological Seminary, but soon demonstrated significant artistic talent.

    With the support of Archbishop Andrey Sheptytsky of the Ukrainian Greek Catholic Church, Hnizdovsky commenced studies in painting at the Academy of Fine Arts in Warsaw in 1938. The outbreak of World War II interrupted his education, leading him to continue his studies at the Art Academy in Zagreb.

    Displaced Person and Early Work

    In 1944, Hnizdovsky found himself in a displaced persons camp near Munich, where he remained until 1949. It was during this period that he created his first woodcuts. He also served as editor of the Ukrainian monthly publication, “Arka”. This experience fostered his artistic voice and provided an outlet for cultural expression amidst displacement.

    American Period and Artistic Development

    In 1949, Hnizdovsky immigrated to Saint Paul, Minnesota, where he initially worked as a designer for Brown & Bigelow. He later moved to New York City in 1950, establishing himself as an artist. His woodcuts from this period were notably influenced by Japanese art and often printed on Japanese rice paper.

    His subjects frequently featured animals and plants observed at the Bronx Zoo, demonstrating a keen eye for detail and a fascination with the natural world. From 1956 to 1958, he resided in Paris, exhibiting his oil paintings, graphic works, and small sculptures across three exhibitions.

    Artistic Output and Diverse Media

    Jacques Hnizdovsky was a prolific artist who worked across various media. He created numerous book illustrations, ex libris (bookplates), wooden reliefs, ceramics, and small sculptures. His work is characterized by stylized realism and meticulous craftsmanship.

    Community Involvement and Legacy

    Hnizdovsky was actively involved in Ukrainian communities within the United States, maintaining strong ties to his heritage. He passed away in New York City in 1985 and was reinterred at the Lychakiv Cemetery in Lviv on November 5, 2005.

    Influences and Significance

    Japanese Art: A profound influence on his woodcut technique and aesthetic sensibility.

    Ukrainian Heritage: His background shaped his cultural identity and artistic perspective.

    Hnizdovsky’s work represents a unique blend of European tradition, Japanese aesthetics, and American experience. He is remembered for his dedication to craftsmanship, his evocative depictions of nature, and his contributions to Ukrainian-American art.

    Gde možete pročitati više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje Field

    artsdot.com/sr/art/download/jacques-hnizdovsky-field-AQR9K9-en/

    Citiranje ovog umetničkog dela

    MLA
    Hnizdovsky, Jacques. Field. 1962, https://artsdot.com/sr/art/jacques-hnizdovsky-field-AQR9K9-en/
    APA
    Hnizdovsky, Jacques (1962). Field [Painting]. https://artsdot.com/sr/art/jacques-hnizdovsky-field-AQR9K9-en/
    Chicago
    Jacques Hnizdovsky. Field. 1962. https://artsdot.com/sr/art/jacques-hnizdovsky-field-AQR9K9-en/
    Harvard
    Hnizdovsky, Jacques (1962) Field. Available at: https://artsdot.com/sr/art/jacques-hnizdovsky-field-AQR9K9-en/

    Pogledajte pažljivije

    Field — Jacques Hnizdovsky

    Pogledajte pažljivije

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Vratite se na Turkey (1962), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.
    4. Jacques Hnizdovsky je imao oko 47 godina kada je ovo delo nastalo. Šta u njemu podseća na rad umetnika u toj životnoj fazi?
    5. Šta je umetnik možda želeo da osetite?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.

    Pitanja i odgovori

    Koje boje dominiraju u delu „Field”, autor Jacques Hnizdovsky?

    Koloristički identitet dela „Field”, autor Jacques Hnizdovsky: paleta u nijansama Neutrals, sa dominacijom boje Putty (#f9e7cf).

    Kolika je bojno ujednačena kompozicija dela „Field”, autor Jacques Hnizdovsky?

    Boje dela „Field”, autor Jacques Hnizdovsky odražavaju Unified Palette harmoniju. Harmonija opisuje međusobni odnos boja.

    Kako "Field" balansira svetlo i tamno?

    Za delo „Field”, autor Jacques Hnizdovsky zabeležena je osvetljenost od brilliant, uz luminancu od Luminous.