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Vodič za studentske radove

Monkeys

Ime Razred Datum

hashimoto kansetsu, Monkeys (1933). Domen javnog dobra.

Osnovne informacije

Umetnik
hashimoto kansetsu artsdot.com/sr/artists/hashimoto-kansetsu/
Podaci o umetniku
1883 – 1945
Slikano
1933
Originalne dimenzije
139 x 158 cm

U kontekstu

Monkeys — hashimoto kansetsu

Dimenzije

Originalne dimenzije su 139 × 158 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.

Godina nastanka

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940

Osenčeno: životni vek umetnika hashimoto kansetsu (1883–1945) ▲ ovo delo, 1933

Slična dela

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Paleta boja

Izmereno na osnovu slike

    Glavna boja

    Rosy Brown #bab193

    Katalogizovana paleta

    • #BAB193
    • #7A7666
    • #A19A81
    • #D0C4A2
    Paleta
    Monochrome Dominantna grupa boja na slici.
    Naziv glavne boje
    Rosy Brown
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Serene Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Unified Palette Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Brilliant Koliko je slika u celini svetla ili tamna, od duboke senke do najsvetlijih tonova.
    Zasićenost
    Subtle Color Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    O ovom umetničkom delu

    Monkeys — hashimoto kansetsu

    Two black monkeys, depicted in a realistic style, sit in a tree painted in light colors. The composition is a simple one, and the poses of the monkeys and the twisting branches of the tree generate a sense of space. The theme of monkeys in trees, as in this painting of two black monkeys, has a tradition that can be traced back to Chinese painting. Hashimoto Kansetsu was well versed in both classical Chinese literature and Asian painting, for he had been taught the Chinese classics by his father, a Confucian scholar of the Akashi fief, from his childhood and had studied painting under Takeuchi Seiho in Kyoto. He particularly excelled in painting animals, establishing a unique style by depicting Southern themes based on the Shijo school’s manner of sketching from life. Monkeys is a late masterpiece, which shows well the artist’s individuality. The face of the monkey in the foreground is positioned at the center of the picture, and the line from its left foot to its right hand forms a diagonal. The tree, meanwhile, is confined almost entirely to the bottom right of the picture. The monkey’s hand reaches into the air toward the upper left, as if trying to grasp something, and we realize how Hashimoto needed the full size of this picture to give meaning to this space. Through his skillful handling of a composition defined only by monkeys and tree, Hashimoto Kansetsu has achieved a spatial expression of great spiritual depth, which differs in dimension from that achieved by the Western system of perspective that was strongly influencing Japanese style painting at the time. (Writer : Masato Satsuma Source : Selected Masterpieces from The University Art Museum, Tokyo National University of Fine Arts and Music: Grand Opening Exhibition, The University Art Museum, Tokyo National University of Fine Arts and Music, 1999)

    Umetnik i muzej

    Umetnik

    hashimoto kansetsu

    Mesto rođenja Kobe, Japan

    Hashimoto Kansetsu: A Life Dedicated to Nihonga

    Born: November 10, 1883, Kobe, Japan

    Died: February 26, 1945

    Nationality: Japanese

    Artistic Movement: Nihonga

    Early Life and Training

    Hashimoto Kansetsu was born into a family of artists; his father, Hashimoto Kaikan, was also a painter. This upbringing instilled in him a deep appreciation for art and Chinese culture.

    He initially studied at Chikujokai, a private school founded by the renowned nihonga painter Takeuchi Seihō. However, he left due to differing artistic viewpoints.

    His early training focused on mastering traditional Japanese painting techniques and absorbing influences from both Japanese and Chinese art traditions.

    Artistic Style and Influences

    Nihonga Specialization: Kansetsu dedicated his career to Nihonga, a style of Japanese painting that emerged during the Meiji period, emphasizing traditional Japanese aesthetics and techniques while incorporating elements of Western art.

    Chinese Inspiration: A significant influence on Kansetsu's work was Chinese scenery and classical literature. He frequently visited China, drawing inspiration from its landscapes and literary heritage.

    Themes & Subjects: His paintings often depicted scenes inspired by Chinese poetry and historical narratives, showcasing his erudition and artistic skill. Common subjects included figures, animals (particularly monkeys and dogs), and landscapes imbued with a sense of tranquility and elegance.

    Style Characteristics: Kansetsu's style is characterized by meticulous detail, refined brushwork, and a harmonious use of color. He skillfully blended traditional Japanese techniques with subtle Western influences, creating a unique and recognizable aesthetic.

    Major Works and Recognition

    Notable Paintings: Some of his most celebrated works include "Tang Dogs" (唐犬), depictions of monkeys, and paintings inspired by historical figures like Emperor Godaigo.

    Museum Collections: His artworks are featured in prominent museums such as the Osaka City Museum of Fine Arts and the Honolulu Museum of Art.

    Awards & Honors: Kansetsu received numerous awards throughout his career, including first prize at the Bunten exhibitions in 1916 and 1917. He was also appointed an Imperial Household Artist, a prestigious honor recognizing his contributions to Japanese art.

    Legacy and Historical Significance

    Contribution to Nihonga: Hashimoto Kansetsu played a crucial role in the development and popularization of Nihonga painting. His work helped define the style's aesthetic principles and established him as one of its leading figures.

    Hakusasonso Museum: His former residence, now known as the Hakusasonso (Hashimoto Kansetsu Memorial House), serves as a museum showcasing his extensive body of work and preserving his artistic legacy.

    Influence on Subsequent Artists: Kansetsu's influence can be seen in the works of later Japanese artists who continued to explore the possibilities of Nihonga, solidifying his place as an important figure in modern Japanese art history.

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    QR kod koji vodi na stranicu za preuzimanje Monkeys

    artsdot.com/sr/art/download/hashimoto-kansetsu-monkeys-D78U84-en/

    Citiranje ovog umetničkog dela

    MLA
    kansetsu, hashimoto. Monkeys. 1933, https://artsdot.com/sr/art/hashimoto-kansetsu-monkeys-D78U84-en/
    APA
    kansetsu, hashimoto (1933). Monkeys [Painting]. https://artsdot.com/sr/art/hashimoto-kansetsu-monkeys-D78U84-en/
    Chicago
    hashimoto kansetsu. Monkeys. 1933. https://artsdot.com/sr/art/hashimoto-kansetsu-monkeys-D78U84-en/
    Harvard
    kansetsu, hashimoto (1933) Monkeys. Available at: https://artsdot.com/sr/art/hashimoto-kansetsu-monkeys-D78U84-en/

    Pogledajte pažljivije

    Monkeys — hashimoto kansetsu

    Pažljiviji pogled

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Vratite se na Title(Japanese): 唐犬 (1936), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.
    4. hashimoto kansetsu je imao oko 50 godina kada je ovo nastalo. Šta u ovom delu podseća na rad umetnika u toj životnoj fazi?
    5. Šta je umetnik možda želeo da osetite?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.