Format papira

Vodič za studentske radove

September Evening

Ime Razred Datum

george h. bogert, September Evening (1898). Domen javnog dobra.

Osnovne informacije

Umetnik
george h. bogert artsdot.com/sr/artists/george-h-bogert/
Podaci o umetniku
1864 – 1944
Slikano
1898
Originalne dimenzije
49 x 78 cm

U kontekstu

September Evening — george h. bogert

Koliko je veliko?

Originalne dimenzije su 49 × 78 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.

Godina nastanka

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930
  9. 1940

Osenčeno: životni vek umetnika george h. bogert (1864–1944) ▲ ovo delo, 1898

Slična dela

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Paleta boja

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    Glavna boja

    Phthalo Green #272727

    Katalogizovana paleta

    • #272727
    • #A3A3A3
    • #7B7B7B
    • #545454
    Naziv glavne boje
    Phthalo Green
    Intenzitet
    Monochromatic Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Bold Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Unified Palette Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Shadow Koliko je slika u celini svetla ili tamna, od duboke senke do najsvetlijih tonova.
    Zasićenost
    Muted Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Umetnik i muzej

    Umetnik

    george h. bogert

    Rođen/a u New York, United States of America

    George H. Bogert: A Life in Landscape

    George Henry Bogert (February 6, 1864 – December 13, 1944) was an American landscape painter known for his serene and atmospheric depictions of nature. His work reflects the influences of French Impressionism and Tonalism, capturing the essence of light and mood in landscapes across Europe and America.

    Early Life and Education

    Born in New York City, Bogert was the son of Henry Bogert and Helen Anderson Evans. He demonstrated artistic talent early on, receiving his initial training at the National Academy of Design. He further honed his skills under the tutelage of Thomas Eakins in New York City, laying a strong foundation for his future career.

    European Studies & Influences

    In 1884, Bogert embarked on an extended period of study and painting in France. He initially worked at Grez, near the Forest of Fontainebleau, before moving to Paris. In Paris, he studied under several influential artists including Colin, Aimé Morot, and Pierre Puvis de Chavannes. These experiences profoundly shaped his artistic style, introducing him to new techniques and perspectives.

    Artistic Development & Style

    Upon returning to New York in 1888, Bogert became a regular exhibitor at prestigious art institutions such as the Society of American Artists and the National Academy of Design. His paintings gradually matured, attracting attention for their subtle harmonies and evocative atmosphere. He was elected into the National Academy of Design as an associate member in 1899.

    Bogert’s style is characterized by a delicate balance between observation and interpretation. He wasn't driven by dramatic narratives but rather sought to capture the quiet beauty of nature, focusing on light, color, and atmospheric effects. He became known as a profound synthesist, striving for unity within his compositions.

    Travels & Subject Matter

    Bogert’s artistic journey extended beyond France. He painted at Étaples on the French coast alongside Eugène Boudin, and also found inspiration in the Netherlands and on the Isle of Wight. His subjects included coastal scenes, rural landscapes, and atmospheric studies of light and weather. A notable work is ‘Sea and Rain’, which exemplifies his ability to convey mood and atmosphere.

    Major Achievements & Recognition

    Bogert was a prolific painter with a consistent market for his work. While he didn’t develop a highly distinctive or “pronounced” style, his versatility allowed him to appeal to a wide audience. His success lay in his ability to create harmonious and aesthetically pleasing landscapes that resonated with collectors.

    Historical Significance

    George H. Bogert represents a significant figure within the late 19th and early 20th-century American landscape tradition. His work bridges the gap between traditional academic painting and the emerging Impressionistic and Tonalist movements. He contributed to the growing appreciation for atmospheric effects and subtle nuances in nature, influencing subsequent generations of landscape painters.

    Key Characteristics of his Work

    Serene and peaceful depictions of nature

    Emphasis on light and atmosphere

    Influenced by French Impressionism and Tonalism

    Subtle harmonies of color and tone

    Focus on capturing mood and emotion

    Bogert’s legacy lies in his ability to create paintings that evoke a sense of tranquility and beauty, inviting viewers to connect with the natural world.

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    QR kod koji vodi na stranicu za preuzimanje September Evening

    artsdot.com/sr/art/download/george-h-bogert-september-evening-D2Y45Q-en/

    Citiranje ovog umetničkog dela

    MLA
    bogert, george h.. September Evening. 1898, https://artsdot.com/sr/art/george-h-bogert-september-evening-D2Y45Q-en/
    APA
    bogert, george h. (1898). September Evening [Painting]. https://artsdot.com/sr/art/george-h-bogert-september-evening-D2Y45Q-en/
    Chicago
    george h. bogert. September Evening. 1898. https://artsdot.com/sr/art/george-h-bogert-september-evening-D2Y45Q-en/
    Harvard
    bogert, george h. (1898) September Evening. Available at: https://artsdot.com/sr/art/george-h-bogert-september-evening-D2Y45Q-en/

    Pogledajte pažljivije

    September Evening — george h. bogert

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    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Pogledajte ponovo Chale, Isle of Wight, Looking Towards the Needles (1900), ranije u ovom vodiču. Navedite dve stvari koje to delo deli sa ovim radom, i jednu koja je drugačija.
    4. george h. bogert je imao oko 34 godina kada je ovo nastalo. Šta u ovom delu podseća na rad umetnika u toj životnoj fazi?
    5. Šta je umetnik možda želeo da osetite?

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