Papir

Vodič za studentska umetnička dela

White Trebol

Ime Razred Datum

Gabriel Orozco, White Trebol. Reprodukovano u informativne svrhe; sva prava zadržava vlasnik autorskih prava. Pogledajte ovo platno pod promenljivim svetlom: crtež, pravu boju ispod vernica, čisti pigment

Činjenice

Umetnik
Gabriel Orozco artsdot.com/sr/artists/gabriel-orozco/
Datumi umetnika
1962 –
Prvobitne dimenzije
90 x 90 cm
Pokret
Cubism Objects broken apart and shown from several viewpoints at once, all flattened onto one surface.

U kontekstu

White Trebol — Gabriel Orozco

Koje su dimenzije?

Originalne dimenzije su 90 × 90 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.

Kada je ovo možda naslikano?

  1. 1960
  2. 1970
  3. 1980
  4. 1990
  5. 2000
  6. 2010

Gornji red: godine. Donji red: starost umetnika na početku i na kraju svakog perioda, pri čemu se rođenje računa kao nula.

svaka datirana slika, deceniju po deceniju

Za ovaj zapis nema tačno navedene godine — na osnovu životnog veka umetnika i stila dela, na koju deceniju biste pretpostavili?

Uporedi sa

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: artsdot.com/sr/art/similar/gabriel-orozco-white-trebol-ARCART-en/

Boje

Izmereno na osnovu slike

    Glavna boja

    White #fdfdfd

    Katalogizovana paleta

    • #FDFDFD
    • #0F3D81
    • #C1191F
    • #F1D272

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Paleta
    Pastels Dominantna grupa boja na slici.
    Naziv primarne boje
    White
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Statement Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Discordant Palette Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Brilliant Koliko je slika u celini svetla ili tamna, od dubokih senki do najsvetlijih tonova.
    Zasićenost
    Subtle Color Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • manje od 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao Gabriel Orozco tokom poslednjih dvanaest meseci — ukupno u 1 zemalja. Izvor ovih podataka

    Deset vodećih zemalja

    1. 1 Кина 100,0%200 visits

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    3 najposećenijih dela umetnika Gabriel Orozco

    1. 1 White Trebol ova slika 50,0%200 visits
    2. 2 Piñanona 1, 2013 25,0%100 visits
    3. 3 Blue Dandelion 25,0%100 visits

    Zajedno, ova dela zauzimaju 100,0% ukupne pažnje koju su slike ovog umetnika privukle tokom poslednjih dvanaest meseci. Katalog sadrži 6 dela ovog umetnika, od kojih je 3 pregledano barem jednom. This painting ranks 1 of them, with 50,0% of that attention (200 visits). Isto važi i za pojedinačne mesece

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    Umetnik i muzej

    Umetnik

    Gabriel Orozco

    Rođen/a u Jalapa, Mexico

    The Fluidity of Form: The Life and Vision of Gabriel Orozco

    Born in 1962 amidst the vibrant cultural landscape of Jalapa, Mexico, Gabriel Orozco has emerged as one of the most profound voices in contemporary art. His early years were steeped in the rich, politically charged atmosphere of the Mexican muralist tradition; as the son of Mario Orozco Rivera, a distinguished mural painter and professor, young Gabriel was often present in the studios of masters like David Alfaro Siqueiros. These formative experiences, where conversations on art and politics blended seamlessly with the act of creation, planted the seeds for an artistic practice that would eventually transcend borders and mediums. Moving to Mexico City as a child, he grew up surrounded by the weight of history, yet his path would lead him far beyond the confines of traditional muralism toward a more ephemeral and globalized aesthetic.

    Orozco’s formal education provided the technical foundation for his later experimentation. After studying at the Escuela Nacional de Artes Plásticas between 1981 and 1984, he sought new horizons in Madrid, enrolling at the Círculo de Bellas Artes. It was during his time in Spain that a pivotal psychological shift occurred. Confronted with the experience of being an immigrant in a society that felt both avant-garde and deeply conservative, Orozco embraced a sense of vulnerability. This feeling of displacement and the tension between different cultural identities became a cornerstone of his work, allowing him to view the world through a lens of "otherness" that would later inform his explorations of geometry, everyday objects, and the transient nature of existence.

    A Multidisciplinary Mastery

    Gaining international acclaim in the early 1990s, Orozco redefined the boundaries of what an artist could inhabit. He refused to be tethered to a single medium, instead weaving together drawing, photography, sculpture, and installation into a cohesive, albeit fragmented, visual language. His work often finds beauty in the overlooked, utilizing found objects and geometric precision to create pieces that feel both spontaneous and meticulously calculated. This versatility led the critic Francesco Bonami to famously declare him "one of the most influential artists of this decade, and probably the next one too."

    His artistic evolution is marked by several key characteristics:

    The Poetics of the Everyday: A profound ability to transform mundane, found objects into sculptural landmarks that challenge our perception of space.

    Geometric Abstraction: The use of mathematical and geometric structures to explore the relationship between the human body and the physical world.

    Temporal Installations: Creating works that exist in a state of flux, emphasizing the beauty of the temporary and the ephemeral.

    Expansion into Painting: In recent decades, Orozco has integrated painting into his repertoire, bringing a new layer of texture and color to his already complex multidisciplinary practice.

    Legacy and Global Presence

    Today, Gabriel Orozco remains a nomadic figure in the truest sense, dividing his time between Paris, New York, and Mexico City. This global lifestyle mirrors the fluidity of his art, which refuses to be anchored to a single geography or tradition. His significance lies in his ability to navigate the complexities of the modern world—addressing themes of cultural identity, vulnerability, and the intersection of politics and aesthetics without ever falling into didacticism. By finding the extraordinary within the ordinary, Orozco has left an indelible mark on the trajectory of contemporary art, teaching us to look closer at the fleeting moments that define our shared reality.

    Gde možete pročitati više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje White Trebol

    artsdot.com/sr/art/download/gabriel-orozco-white-trebol-ARCART-en/

    Citiranje ovog umetničkog dela

    MLA
    Orozco, Gabriel. White Trebol. n.d., https://artsdot.com/sr/art/gabriel-orozco-white-trebol-ARCART-en/
    APA
    Orozco, Gabriel (n.d.). White Trebol [Painting]. https://artsdot.com/sr/art/gabriel-orozco-white-trebol-ARCART-en/
    Chicago
    Gabriel Orozco. White Trebol. n.d. https://artsdot.com/sr/art/gabriel-orozco-white-trebol-ARCART-en/
    Harvard
    Orozco, Gabriel (n.d.) White Trebol. Available at: https://artsdot.com/sr/art/gabriel-orozco-white-trebol-ARCART-en/

    Pogledajte pažljivije

    White Trebol — Gabriel Orozco

    Pogledajte pažljivije

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. U našem katalogu ovo delo je klasifikovano pod: geometric abstraction, radial symmetry, color composition. Da li se slažete? Šta biste dodali ili uklonili?
    4. Vratite se na Piñanona 1 (2013), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.
    5. Cubism: Objects broken apart and shown from several viewpoints at once, all flattened onto one surface. Gde se to može uočiti u ovom delu?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.

    Pitanja i odgovori

    Da li je "White Trebol" dostupan kao umetnička štampa?

    „White Trebol“ je dostupno kao umetnička štampa na pamučnom platnu ili arhivskom kanvas papiru. Porudžbine možete izvršiti na stranici Umetnički print, u dimenziji po vašem izboru.

    Koji umetnik i koji stil stoje iza "White Trebol"?

    Autor dela "White Trebol" je Gabriel Orozco, koji pripada pokretu Cubism.

    Koji umetnički pravac obuhvata „White Trebol”, autor Gabriel Orozco?

    Umetnički pravac koji se povezuje sa delom „White Trebol”, autor Gabriel Orozco je Cubism. Ova klasifikacija smešta rad među srodne umetnike i umetnička dela.