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Vodič za studentske radove

Lilies

Ime Razred Datum

Ellen Day Hale, Lilies (1890). Domen javnog dobra.

Osnovne informacije

Umetnik
Ellen Day Hale artsdot.com/sr/artists/ellen-day-hale/
Podaci o umetniku
1880 – 1940
Slikano
1890

U kontekstu

Lilies — Ellen Day Hale

Godina nastanka

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940

Osenčeno: životni vek umetnika Ellen Day Hale (1880–1940) ▲ ovo delo, 1890

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Paleta boja

Izmereno na osnovu slike

    Glavna boja

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    Katalogizovana paleta

    • #A99C8F
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    Paleta
    Earthy Dominantna grupa boja na slici.
    Naziv glavne boje
    Rosy Brown
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Balanced Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Balanced Harmony Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Balanced Koliko je slika u celini svetla ili tamna, od duboke senke do najsvetlijih tonova.
    Zasićenost
    Balanced Soft Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Umetnik i muzej

    Umetnik

    Ellen Day Hale

    Rođen/a u Worcester, United States of America

    Ellen Day Hale: A Pioneer of American Impressionism

    Early Life and Education

    Born in Worcester, Massachusetts, in 1855, Ellen Day Hale (also known as Helen M. Knowlton) demonstrated an early aptitude for art.

    She received formal training at the Pennsylvania Academy of the Fine Arts (1878-1879), followed by studies at the Académie Julian and the Colarossi Academy in Paris (1882-1885).

    Hale first exhibited her work at the Boston Art Club as early as 1876, establishing herself within the American art scene.

    European Influences and Artistic Development

    Hale spent considerable time in Europe, residing in London and Paris, and traveling extensively throughout Italy and Spain. This exposure profoundly shaped her artistic vision.

    She exhibited at the prestigious Paris Salon in 1885 and the Royal Academy of Arts in London, gaining international recognition.

    Her style evolved towards Impressionism, characterized by a focus on capturing fleeting moments, light effects, and scenes from everyday life. She was particularly drawn to depicting women in domestic settings and landscapes.

    Partnership with Gabrielle Clements and Color Etching

    In 1883, Hale met Gabrielle de Veaux Clements, who became her lifelong companion and artistic collaborator.

    Together, they pioneered color etching in the United States during the late 1880s, experimenting with innovative techniques to create vibrant and expressive prints. This was a significant contribution to American printmaking.

    Their collaborative spirit fostered a creative environment that pushed the boundaries of traditional artistic practices.

    Teaching Career and Mentorship

    Upon returning to the United States, Hale settled in Boston and worked as an instructor at the Boston School.

    She became a mentor to numerous female artists, encouraging their artistic development and advocating for greater opportunities for women in the art world.

    Hale’s dedication to education helped shape a new generation of American painters and printmakers.

    Major Achievements and Artistic Themes

    Hale's paintings often depict scenes of daily life, particularly those involving women – reading, socializing, or engaged in domestic activities.

    Her landscapes reflect her travels in Europe, capturing the beauty and atmosphere of various locations.

    Notable works include “Street, Mont St. Michel,” “Reading on a Boat,” “June”, “Lilies” and “The Green Calash”.

    She exhibited extensively throughout North, Central, and South America, as well as at international exhibitions.

    Historical Significance and Legacy

    Ellen Day Hale was a significant figure in the American Impressionist movement, contributing to its development and popularization.

    As a “New Woman”, she challenged societal norms by pursuing a successful artistic career without marriage.

    Her pioneering work in color etching expanded the possibilities of printmaking as an art form.

    Hale’s commitment to mentorship and education left a lasting impact on the American art community, paving the way for future generations of female artists. She died on her birthday, February 11, 1940, in Brookline, Massachusetts, and is buried at Forest Hills Cemetery.

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    QR kod koji vodi na stranicu za preuzimanje Lilies

    artsdot.com/sr/art/download/ellen-day-hale-lilies-AQRTP3-en/

    Citiranje ovog umetničkog dela

    MLA
    Hale, Ellen Day. Lilies. 1890, https://artsdot.com/sr/art/ellen-day-hale-lilies-AQRTP3-en/
    APA
    Hale, Ellen Day (1890). Lilies [Painting]. https://artsdot.com/sr/art/ellen-day-hale-lilies-AQRTP3-en/
    Chicago
    Ellen Day Hale. Lilies. 1890. https://artsdot.com/sr/art/ellen-day-hale-lilies-AQRTP3-en/
    Harvard
    Hale, Ellen Day (1890) Lilies. Available at: https://artsdot.com/sr/art/ellen-day-hale-lilies-AQRTP3-en/

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    Lilies — Ellen Day Hale

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    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Pogledajte ponovo na Reading on a Boat, ranije u ovom vodiču. Navedite dve stvari koje to delo deli sa ovim radom, i jednu koja je drugačija.
    4. Ellen Day Hale je imao oko 10 godina kada je ovo nastalo. Šta u ovom delu podseća na rad umetnika u toj životnoj fazi?
    5. Šta je umetnik možda želeo da osetite?

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