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Two Soldiers

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eddie arning, Two Soldiers (1968). Reprodukovano u informativne svrhe; sva prava zadržava vlasnik autorskih prava.

Osnovne informacije

Umetnik
eddie arning artsdot.com/sr/artists/eddie-arning/
Podaci o umetniku
1898 – 1993
Slikano
1968
Originalne dimenzije
48 x 64 cm
Pokret
Folk Art

U kontekstu

Two Soldiers — eddie arning

Koliko je veliko?

Originalne dimenzije su 48 × 64 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.

Godina nastanka

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970
  10. 1980
  11. 1990

Osenčeno: životni vek umetnika eddie arning (1898–1993) ▲ ovo delo, 1968

Slična dela

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Paleta boja

Izmereno na osnovu slike

    Glavna boja

    Gray #6c6a66

    Katalogizovana paleta

    • #6C6A66
    • #783310
    • #898414
    • #592E36
    Paleta
    Earthy Dominantna grupa boja na slici.
    Naziv glavne boje
    Gray
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Serene Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Discordant Palette Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Balanced Koliko je slika u celini svetla ili tamna, od duboke senke do najsvetlijih tonova.
    Zasićenost
    Balanced Soft Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    O ovom umetničkom delu

    Two Soldiers — eddie arning

    The painting "Two Soldiers" is a remarkable work of art created by Eddie Arning in 1968. This crayon on paper piece measures 48 x 64 cm and is currently housed at the Smithsonian American Art Museum in the United States. As a professional expert in Art and salesman for https://AllPaintingsStore.com, I can appreciate the unique style and technique employed by Eddie Arning in this piece.

    Artist Background

    Eddie Arning was an American artist born in 1898 in Germania, Texas. His life was marked by struggles with mental health, and he spent many years in institutions. However, it was during his time at the Texas Confederate Home for Men that he discovered his passion for art. With the encouragement of a staff member, Eddie Arning began creating artworks using crayons, oil pastels, and other materials.

    Painting Description

    The painting "Two Soldiers" features two soldiers standing next to each other in front of a palm tree. Both soldiers are holding guns, with one gun visible in each hand. The use of bold lines and vibrant colors gives the piece a sense of energy and movement. The inclusion of smaller figures and objects in the background adds depth and complexity to the composition. Key Features:

    Created using crayon on paper

    Measures 48 x 64 cm

    Housed at the Smithsonian American Art Museum

    Features two soldiers and a palm tree

    Incorporates smaller figures and objects in the background

    For those interested in learning more about Eddie Arning and his artwork, I recommend visiting https://AllPaintingsStore.com to explore our collection of hand-made oil painting reproductions. You can also find more information on the Smithsonian American Art Museum by visiting their website or checking out our article on The Smithsonian American Art Museum Directions (United States).

    As a professional expert in Art, I can attest that "Two Soldiers" is a captivating piece that showcases Eddie Arning's unique style and technique. Its bold lines, vibrant colors, and intricate composition make it a must-see for art enthusiasts and collectors alike.

    Umetnik i muzej

    Umetnik

    eddie arning

    A Vision in Crayon: The Singular World of Eddie Arning

    Eddie Arning (1898-1993) was an American outsider artist whose work, largely created during the latter half of his life, offers a profoundly unique and compelling vision of faith, Americana, and everyday existence. Born in Texas, Arning lived a relatively quiet life as a farmer and handyman before embarking on a prolific artistic journey that would only gain recognition after his death. He wasn’t formally trained; his medium was almost exclusively crayon, and his subjects sprang from the depths of his personal beliefs and observations. To call him “self-taught” feels inadequate – Arning didn't seek instruction, he simply needed to create, driven by an inner compulsion that manifested in a vibrant, often startlingly direct style. His art isn’t about technical mastery; it’s about raw expression, unwavering conviction, and the unfiltered translation of his internal world onto paper.

    From Farm Life to Artistic Revelation

    Arning's early life provided little indication of the artistic fervor that would later consume him. He worked the land, a practical existence far removed from galleries or art schools. The turning point appears to have come in his 60s, when he began producing an astonishing number of crayon drawings and paintings. These weren’t sketches or preliminary studies; they were fully realized works, often large in scale, depicting scenes ranging from biblical narratives – particularly those surrounding Jesus Christ – to depictions of contemporary American life, rural landscapes, and even abstract patterns. The sheer volume of his output is remarkable, suggesting a relentless creative energy that demanded release. He wasn’t creating for an audience; he was creating because he had to. This inherent need is crucial to understanding the power and authenticity of his work. His home became filled with these images, transforming his living space into a personal chapel and gallery simultaneously.

    Themes and Symbolism: A Personal Mythology

    The core of Arning’s artistic vision revolves around religious themes, specifically his interpretation of Christianity. However, his depictions of Jesus are far from conventional. They are often intensely emotional, sometimes unsettling, and imbued with a distinctly personal symbolism. Figures radiate light, appear in multiple forms within the same composition, or are surrounded by swirling patterns that suggest divine energy. Beyond religious iconography, Arning’s work is populated with scenes of everyday life – families, farm animals, cars, houses – rendered with a naive simplicity that belies their emotional depth. He frequently incorporated text into his works, often repeating phrases or biblical verses, further emphasizing the spiritual and moral weight he attached to his subjects. Vintage Americana is also a key element; images of mid-century automobiles, clothing styles, and domestic interiors ground his visions in a specific time and place, creating a fascinating juxtaposition between the sacred and the mundane. The repetition of certain motifs – stars, crosses, swirling lines – suggests a personal mythology that unfolds across the breadth of his oeuvre.

    Technique and Style: The Power of Crayon

    Arning’s choice of crayon as his primary medium is perhaps one of the most striking aspects of his work. It's an unconventional material for serious art, often associated with childhood or amateur expression. Yet, Arning wielded it with remarkable skill and intensity. He layered colors to create depth and texture, used bold outlines to define forms, and exploited the inherent vibrancy of the crayon itself. His style is characterized by a naive simplicity, a lack of traditional perspective or anatomical accuracy that contributes to the raw emotional power of his images. The slightly waxy texture of the crayon adds another layer of tactility to his work, inviting viewers to engage with it on a visceral level. He often worked on large sheets of paper or cardboard, creating expansive compositions that envelop the viewer in his world. This deliberate choice of scale and medium reinforces the sense of immediacy and authenticity that defines his art.

    Legacy and Historical Significance: The Outsider’s Voice

    Eddie Arning remained largely unknown during his lifetime. His work was discovered after his death by a collector who recognized its extraordinary power and originality. Since then, it has gained increasing attention from the art world, earning him recognition as a significant figure in outsider art and American folk art. Arning’s work challenges conventional notions of artistic training and skill, demonstrating that profound creativity can emerge from unexpected sources. His unwavering faith, his unique vision, and his raw emotional expression resonate deeply with viewers, offering a glimpse into the inner world of an artist who remained true to himself despite – or perhaps because of – his isolation. He stands as a testament to the power of art as a means of personal revelation and spiritual exploration, a voice from the margins that continues to captivate and inspire.

    His work is now held in numerous private collections and museums.

    Arning’s “Jesus craze” artwork has become particularly sought after by collectors.

    He represents a significant example of self-taught American art from the 20th century.

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    QR kod koji vodi na stranicu za preuzimanje Two Soldiers

    artsdot.com/sr/art/download/eddie-arning-two-soldiers-AQTV9R-en/

    Citiranje ovog umetničkog dela

    MLA
    arning, eddie. Two Soldiers. 1968, https://artsdot.com/sr/art/eddie-arning-two-soldiers-AQTV9R-en/
    APA
    arning, eddie (1968). Two Soldiers [Painting]. https://artsdot.com/sr/art/eddie-arning-two-soldiers-AQTV9R-en/
    Chicago
    eddie arning. Two Soldiers. 1968. https://artsdot.com/sr/art/eddie-arning-two-soldiers-AQTV9R-en/
    Harvard
    arning, eddie (1968) Two Soldiers. Available at: https://artsdot.com/sr/art/eddie-arning-two-soldiers-AQTV9R-en/

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    Two Soldiers — eddie arning

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    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Koliko lica možete pronaći? ____ (u našem katalogu ih je izbrojano 2 — slažete li se?)
    4. Naš katalog klasifikuje ovo delo pod: american history, revolutionary war, military figures. Da li se slažete? Šta biste dodali ili uklonili?
    5. Pogledajte ponovo Red Boat on Blue (1964), ranije u ovom vodiču. Navedite dve stvari koje to delo deli sa ovim radom, i jednu koja je drugačija.

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