Format papira

Vodič za studentske radove

Saco - Jacket

Ime Razred Datum

Carlos Arias Navarro, Saco - Jacket (1999), Fundación Universidad de las Américas Puebla. Reprodukovano u informativne svrhe; sva prava zadržava vlasnik autorskih prava.

Osnovne informacije

Umetnik
Carlos Arias Navarro artsdot.com/sr/artists/carlos-arias-navarro/
Podaci o umetniku
1908 – 1989
Slikano
1999
Originalne dimenzije
115 x 175 cm
Pokret
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Mesto održavanja
Fundación Universidad de las Américas Puebla artsdot.com/sr/museums/fundacion-universidad-de-las-americas-puebla-cholula/

U kontekstu

Saco - Jacket — Carlos Arias Navarro

Koliko je veliko?

Originalne dimenzije su 115 × 175 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.

Godina nastanka

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980
  10. 1990

Osenčeno: životni vek umetnika Carlos Arias Navarro (1908–1989) ▲ ovo delo, 1999

Slična dela

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Paleta boja

Izmereno na osnovu slike

    Glavna boja

    Phthalo Green #212733

    Katalogizovana paleta

    • #212733
    • #F5F5EF
    • #3C3E49
    • #D8D8D2
    Paleta
    Neutrals Dominantna grupa boja na slici.
    Naziv glavne boje
    Phthalo Green
    Intenzitet
    Monochromatic Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Statement Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Softly Mixed Palette Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Bright Koliko je slika u celini svetla ili tamna, od duboke senke do najsvetlijih tonova.
    Zasićenost
    Muted Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    O ovom umetničkom delu

    Saco - Jacket — Carlos Arias Navarro

    Two navy coats with black vertical lines in front and rearview with a white background.Arias works painting and embroidery, lives in Mexico since 1988. He stops painting from 1994 to 2015 to dedicated himself to embroidery. In 1998 Arias became professor at UDLAPThis piece was part of the exposition

    Umetnik i muzej

    Umetnik

    Carlos Arias Navarro

    Rođen/a u Madrid, Spain

    Carlos Arias Navarro: A Life in Art

    Carlos Arias Navarro (1908-1989) was a Spanish artist whose work spanned photography and textile art. While initially overshadowed by his namesake – a prominent Spanish politician – Navarro carved out a unique artistic path, particularly recognized for his meticulous studies of form and texture.

    Early Life and Artistic Beginnings

    Born in Madrid, Spain, in 1908, details regarding Carlos Arias Navarro’s early life and formal art education remain somewhat scarce. However, it is clear that he developed a keen eye for detail and an interest in exploring the visual world through unconventional mediums.

    Artistic Development & Style

    Navarro's artistic style can be characterized by its precision and focus on everyday objects. He wasn’t interested in grand narratives or sweeping landscapes; instead, he found beauty and intrigue in the mundane. His photographic work often features symmetrical compositions and a deliberate use of light and shadow to highlight texture. This is particularly evident in pieces like ‘Saco - Jacket’, where the folds and lines of fabric become the central subject.

    Major Works & Themes

    Hay una tendencia: A striking example of Navarro’s photographic style, showcasing his ability to find artistic merit in everyday scenes.

    Casi naranja: Demonstrates a playful exploration of color and form within a simple subject matter.

    Saco - Jacket: Perhaps his most recognized work, ‘Saco - Jacket’ (1999) is a compelling photographic study of navy suits, emphasizing the texture and structure of the garment.

    Recurring themes in Navarro's work include:

    Textile Studies: A fascination with fabrics, their patterns, and how they interact with light.

    Minimalism: A preference for simple compositions and a reduction of elements to their essential forms.

    Everyday Objects: Finding artistic inspiration in the ordinary items that surround us.

    Influences

    While specific influences are difficult to pinpoint, Navarro’s work suggests an appreciation for modernist principles – particularly those emphasizing form and abstraction. The influence of still life traditions in painting can also be observed in his photographic compositions.

    Historical Significance & Legacy

    Although not a widely celebrated artist during his lifetime, Carlos Arias Navarro's work is gaining recognition for its unique perspective and technical skill. His meticulous approach to photography and textile art offers a fresh look at everyday objects, inviting viewers to appreciate the beauty in simplicity. He represents a quieter corner of 20th-century Spanish art, one focused on intimate observation rather than grand statements.

    Later Life & Death

    Carlos Arias Navarro passed away in 1989, leaving behind a body of work that continues to intrigue and inspire. His legacy is slowly being rediscovered as his pieces find their way into collections and exhibitions worldwide.

    Muzej

    Fundación Universidad de las Américas Puebla

    Izloženo u Cholula, Mexico

    A Sanctuary of Heritage: The Soul of UDLAP

    Nestled within the historic embrace of Cholula, Mexico, the

    Fundación Universidad de las Américas Puebla

    serves as much more than a mere repository for artifacts; it is a living, breathing dialogue between Mexico’s storied past and its vibrant, contemporary spirit. To step onto the grounds of this institution is to enter a realm where academic rigor meets artistic passion. The museum, situated within the magnificent former

    Hacienda Santa Catarina Mártir

    , offers an immersive journey through the heart of Mexican identity. Here, the air seems thick with the echoes of colonial grandeur and the transformative energy of modern intellectual pursuit, creating a sanctuary that invites both the casual observer and the seasoned collector to lose themselves in the beauty of the Americas.

    The architectural narrative of the museum is a masterpiece of metamorphosis. The transition from a sprawling, colonial-era hacienda estate into the prestigious campus of UDLAP is etched into every stone and archway. Visitors find themselves wandering through a landscape where

    baroque elegance

    meets modern innovation. Sunlight filters through ornate windows to illuminate expansive halls that reflect the dual mission of the university: to preserve the sanctity of history while fostering the seeds of future discovery. This architectural harmony provides a breathtaking backdrop for the art it houses, as the very walls seem to pulse with the same creative vitality found within the canvases and sculptures on display.

    A Tapestry of Color and Clay

    The collection at UDLAP is a curated odyssey through the evolution of Mexican Fine Art, boasting over 600 works that capture the shifting tides of a nation's soul. While the museum honors various eras, its true heartbeat lies in the

    20th-century masterpieces

    . These works, characterized by their bold experimentation and defiance of convention, offer a panoramic view of an era where artists redefined the boundaries of form and meaning. One might encounter powerful sculptures that grapple with themes of social justice and personal identity, standing in silent, profound conversation with paintings that explode with textural richness and a uniquely Mexican palette. For the interior designer or art enthusiast, these pieces represent more than decoration; they are windows into the emotional landscape of a transformative century.

    Beyond the canvas and the chisel, the museum celebrates the tactile traditions that define Mexican craftsmanship through its exquisite

    Talavera Ceramic Collection

    . This assembly of pottery is a testament to an enduring legacy, where ancient techniques meet sophisticated artistry. Each ceramic piece, with its intricate patterns and symbolic motifs, provides a tangible connection to the ancestral roots of the region. It is this seamless blend of high fine art and traditional folk craft that makes UDLAP truly unique—it does not merely present art; it presents a culture. Whether through a rotating exhibition of contemporary installations or a deep dive into colonial ceramics, the museum remains a dynamic center for cultural engagement, ensuring that the artistic spirit of Mexico continues to inspire, provoke, and enchant generations to come.

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    QR kod koji vodi na stranicu za preuzimanje Saco - Jacket

    artsdot.com/sr/art/download/carlos-arias-navarro-saco-jacket-D7BBBM-en/

    Citiranje ovog umetničkog dela

    MLA
    Navarro, Carlos Arias. Saco - Jacket. 1999, Fundación Universidad de las Américas Puebla. https://artsdot.com/sr/art/carlos-arias-navarro-saco-jacket-D7BBBM-en/
    APA
    Navarro, Carlos Arias (1999). Saco - Jacket [Painting]. Fundación Universidad de las Américas Puebla. https://artsdot.com/sr/art/carlos-arias-navarro-saco-jacket-D7BBBM-en/
    Chicago
    Carlos Arias Navarro. Saco - Jacket. 1999. Fundación Universidad de las Américas Puebla. https://artsdot.com/sr/art/carlos-arias-navarro-saco-jacket-D7BBBM-en/
    Harvard
    Navarro, Carlos Arias (1999) Saco - Jacket. Fundación Universidad de las Américas Puebla. Available at: https://artsdot.com/sr/art/carlos-arias-navarro-saco-jacket-D7BBBM-en/

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    Saco - Jacket — Carlos Arias Navarro

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    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Naš katalog klasifikuje ovo delo pod: suit jacket, textile detail, stripes. Da li se slažete? Šta biste dodali ili uklonili?
    4. Pogledajte ponovo Hay una tendencia (2015), ranije u ovom vodiču. Navedite dve stvari koje to delo deli sa ovim radom, i jednu koja je drugačija.
    5. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Gde se to može uočiti u ovom delu?

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