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St Roch

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Karlo Kriveli, St Roch (1493), Wallace Collection. Domen javnog dobra.

Osnovne informacije

Umetnik
Karlo Kriveli artsdot.com/sr/artists/karlo-kriveli_sr/
Podaci o umetniku
1435 – 1495
Slikano
1493
Medijum
Oil On Panel
Originalne dimenzije
40 x 12 cm
Pokret
Renaissance The brief peak when balance, depth and anatomy came together — Leonardo, Raphael, Michelangelo.
Epoha
Renaissance
Mesto održavanja
Wallace Collection artsdot.com/sr/museums/wallace-collection-london_sr/
Artistic style
Late Gothic decorative
Notable elements or techniques
Trompe l'oeil, vibrant colors
Subject or theme
St Roch, plague protector

U kontekstu

St Roch — Karlo Kriveli

Koliko je veliko?

Originalne dimenzije su 40 × 12 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.

Godina nastanka

  1. 1430
  2. 1440
  3. 1450
  4. 1460
  5. 1470
  6. 1480
  7. 1490

Osenčeno: životni vek umetnika Karlo Kriveli (1435–1495) ▲ ovo delo, 1493

Slična dela

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: artsdot.com/sr/art/similar/carlo-crivelli-st-roch-8DP4FM-en/

Paleta boja

Izmereno na osnovu slike

    Glavna boja

    Black #27120f

    Katalogizovana paleta

    • #27120F
    • #A5805B
    • #D8C6A2
    • #673122
    Paleta
    Earthy Dominantna grupa boja na slici.
    Naziv glavne boje
    Black
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Statement Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Strong Color Unity Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Deep_shadow Koliko je slika u celini svetla ili tamna, od duboke senke do najsvetlijih tonova.
    Zasićenost
    Balanced Soft Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    O ovom umetničkom delu

    St Roch — Karlo Kriveli

    A Glimpse into Renaissance Devotion: Carlo Crivelli's St Roch

    To stand before Carlo Crivelli’s St Roch is to step directly into the richly colored, deeply symbolic world of the late Italian Quattrocento. This exquisite panel painting, dating from 1493, captures not merely a portrait, but a moment suspended between piety and survival. The central figure, clad in striking red medieval attire, commands attention as he stands with his hands resting upon his hips, adopting a posture that is both resolute and contemplative. Though the face remains obscured, suggesting an inward focus or perhaps a downward gaze toward earthly concerns, the entire composition pulses with the quiet dignity of faith confronting hardship.

    Mastery in Detail: Technique and Composition

    Crivelli’s technical brilliance shines through every visible thread of this work. His characteristic attention to minute detail elevates the piece beyond simple representation; it becomes an artifact of devotion. The execution on panel, combined with the vibrant application of oil paint, allows for a luminosity that seems almost alive. Observe the background: two partially visible figures flank the main subject, hinting at a larger narrative tapestry woven around St Roch’s story. Furthermore, the subtle inclusion of what appears to be a bird near the upper left corner adds an element of natural symbolism, drawing the eye and inviting deeper scholarly contemplation from the viewer.

    The Weight of History: Symbolism and Context

    The subject matter itself anchors the painting within profound historical currents. St Roch was revered during the Middle Ages as a protector and caregiver to those afflicted by the plague. This depiction is thus more than an artistic study; it is a visual testament to compassion in times of epidemic dread. The rich symbolism inherent in his attire, the staff he carries, and the very act of his presence speak volumes about resilience. For the modern admirer, this piece offers a powerful conduit to understanding the deep spiritual anxieties and profound acts of charity that defined life during the Renaissance.

    Bringing Sacred Art Home: An Aesthetic Experience

    For those who seek to infuse their interiors with the gravitas and artistry of history, a reproduction of St Roch by Carlo Crivelli offers unparalleled depth. The combination of its intense color palette—dominated by that arresting red—and its intricate narrative quality makes it a breathtaking focal point for any curated space. Owning this piece is not simply acquiring art; it is curating a dialogue with Renaissance masters, allowing the quiet power and enduring message of faith to resonate within your walls. It remains a captivating confluence of historical documentation and sublime artistic achievement.

    Umetnik i muzej

    Umetnik

    Karlo Kriveli

    Rođen/a u Venecija, Italija

    Rano detinjstvo i umetničko obrazovanje

    Carlo Crivelli, istinski majstor italijanske renesanse, rođen je u Veneciji oko 1430-35. godine. Potekavši iz porodice slikara, svoje umetničko obrazovanje sticao je u Veneciji i Padovi. Veruje se da su njegove prve lekcije bile pod vođstvom Jakobela del Fjore, koji je bio aktivan još 1436. godine, a svoje znanje je dodatno usavršavao i u venecijanskoj školi porodice Vivarini.

    Karijera i stil

    Svoje rane godine Crivelli je proveo u regiji Veneto, upijajući neprevaziđene uticaje Vivarinija, Skvarnosionea i Mantegneje. Do 1458. godine napustio je Veneto i veći deo svoje karijere posvetio oblasti Marche u Anconi, gde je razvio prepoznatljiv, lični stil koji se suprotstavlja radovima njegovog venecijanskog savremenika, Giovannija Bellinija. Crivellijevo delo odlikuje konzervativna dekorativna senzibilnost kasnog gotik perioda, prepoznatljiva po linearnoj preciznosti, neverovatnoj pažnji posvećenoj detaljima i majstorstvu u primeni "trompe l'oeil" tehnike koja prevare oko.

    Značajna dela i saradnje

    * Crivellijevo remek-delo "Madonna i dete na prestolu" (106 x 55 cm, Muzej lepih umetnosti, Budimpešta, Mađarska) predstavlja vrhunac njegovog stila. Na brojnim projektima sarađivao je sa svojim mlađim bratom, Vittoriom Crivellijem. Njegov učenik i saradnik bio je i Pietro Alemanno, slikar koji je iz Nemačke i Austrije emigrovao u regiju Marche.

    Muzeji i kolekcije

    * Pinacoteca di Brera u Milanu, Italija, čuva nekoliko Crivellijevih dela, uključujući i "Pietà" (128 x 241 cm). * Muzej San Giovanni in Bragora u Veneciji, Italija, poseduje kolekciju umetničkih dela iz različitih perioda i stilova, među kojima se nalaze i radovi pripisani Crivelliju.

    Pogledajte umetnička dela Carla Crivellija na AllPaintingsStore.com

    Istražite radove Jacopa Robustija na AllPaintingsStore.com

    Pročitajte više o Carlu Crivelliju na Wikipediji

    Crivellijevo nasleđe nastavlja da inspiriše ljubitelje umetnosti i naučnike, a njegovo delo ostaje svedočanstvo trajnog snažnog uticaja konzervativne dekorativne senzibilnosti kasnog gotik perioda.

    Muzej

    Wallace Collection

    Izloženo u London, United Kingdom

    A Glimpse into Refined Worlds: Unveiling The Wallace Collection

    Nestled within the elegant confines of Hertford House in Manchester Square, London’s Wallace Collection isn't merely a museum; it’s a meticulously preserved portal to an era of aristocratic refinement. Stepping through its unassuming entrance is akin to entering a hidden salon, a world where powdered wigs and whispered conversations still linger in the air. Unlike institutions that often isolate their art from context, The Wallace Collection invites you to inhabit the lives and passions of Sir Richard Wallace and his predecessors – a lineage dedicated to assembling a collection that embodied the pinnacle of 18th and 19th-century European taste. It’s a place where history breathes alongside beauty, offering an intimate encounter with masterpieces rarely seen in isolation.

    The Heart of Elegance: French Art of Rococo & Neoclassical Periods

    At the core of this extraordinary collection lies its breathtaking assemblage of French 18th-century art, predominantly dominated by the Rococo and Neoclassical movements. Immediately transporting visitors to a realm of delicate fantasies – François Boucher’s canvases burst with cherubic figures dancing amidst pastel hues and mythological scenes unfolding with playful abandon. The spirit of Fragonard and Watteau permeates the galleries, capturing the subtle nuances of aristocratic courtship with masterful skill; imagine a leisurely stroll through the gardens of Versailles, or a clandestine meeting in a grand salon – these are the atmospheres evoked by their works. However, beyond the immediate charm of Rococo lies remarkable depth. The Enlightenment’s influence is palpable, evident in Jean-Baptiste Greuze's poignant sentimental scenes and Jacques-Louis David’s early portraits, demonstrating the evolution of artistic sensibilities during this transformative period.

    Hertford House: A Living Testimony to Georgian Grandeur

    What truly distinguishes The Wallace Collection is its architectural heritage – Hertford House itself. Originally constructed in 1776 for the Earl of Hertford, it later became home to Sir Richard Wallace and his family, meticulously preserving the atmosphere of a lived-in private townhouse. The building’s design reflects the evolving tastes and sensibilities of its occupants, transitioning from the flamboyant grandeur of the late 18th century to the more restrained elegance of the early 19th. Every detail—from the ornate plasterwork ceilings to the carefully arranged furniture—has been painstakingly restored, creating an immersive experience that transcends conventional museum visits.

    Beyond Paintbrushes: Armor & Decorative Arts – A Narrative of Craftsmanship

    While French paintings undeniably captivate visitors’ attention, The Wallace Collection's collection extends far beyond this realm. Don’t overlook its exceptional array of arms and armor—gleaming suits reflecting soft light stand as silent sentinels of bygone eras, alongside intricately decorated swords hinting at tales of chivalry and conflict. This juxtaposition reveals a deeper layer to the collection, showcasing the extraordinary craftsmanship involved in creating these objects for both practical and decorative purposes – a testament to the artistry of Georgian society.

    Engagement & Future Horizons: Free Admission & Ongoing Exploration

    The Wallace Collection continues to champion accessibility and engagement. Recent exhibitions have explored themes such as “Fashion & Function” and “The Art of the Portrait,” demonstrating a commitment to showcasing diverse facets of its holdings. Guided tours, lectures delving into specific artworks and historical contexts, workshops exploring decorative arts techniques, and family activities designed to ignite young imaginations are available—all free of charge—reflecting Sir Richard Wallace’s vision for his collection as an inspiration for generations to come. Ongoing research and conservation efforts guarantee that these magnificent works of art will endure, enriched by innovative lighting and interactive displays planned to further elevate the visitor experience.

    Saznajte više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje St Roch

    artsdot.com/sr/art/download/carlo-crivelli-st-roch-8DP4FM-en/

    Citiranje ovog umetničkog dela

    MLA
    Kriveli, Karlo. St Roch. 1493, Wallace Collection. https://artsdot.com/sr/art/carlo-crivelli-st-roch-8DP4FM-en/
    APA
    Kriveli, Karlo (1493). St Roch [Painting]. Wallace Collection. https://artsdot.com/sr/art/carlo-crivelli-st-roch-8DP4FM-en/
    Chicago
    Karlo Kriveli. St Roch. 1493. Wallace Collection. https://artsdot.com/sr/art/carlo-crivelli-st-roch-8DP4FM-en/
    Harvard
    Kriveli, Karlo (1493) St Roch. Wallace Collection. Available at: https://artsdot.com/sr/art/carlo-crivelli-st-roch-8DP4FM-en/

    Pogledajte pažljivije

    St Roch — Karlo Kriveli

    Pogledajte pažljivije

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Naš katalog klasifikuje ovo delo pod: st roch, medieval attire, renaissance art. Da li se slažete? Šta biste dodali ili uklonili?
    4. Pogledajte ponovo Virgin and Child (1482), ranije u ovom vodiču. Navedite dve stvari koje to delo deli sa ovim radom, i jednu koja je drugačija.
    5. Renaissance: The brief peak when balance, depth and anatomy came together — Leonardo, Raphael, Michelangelo. Gde se to može uočiti u ovom delu?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i vaše odgovore iznad.

    Kviz o umetnosti

    St Roch — Karlo Kriveli

    Koliko dobro poznajete ovo umetničko delo?

    Označi jedan tačan odgovor za svako od poniženih 5 pitanja. Svako pitanje ima samo jedan tačan odgovor.

    1. 1. Who is the artist credited with painting 'St Roch'?

      • A Giovanni Bellini
      • B Carlo Crivelli
      • C Mantegna
    2. 2. What year is the painting 'St Roch' dated to?

      • A 1435
      • B 1493
      • C 1495
    3. 3. What is the primary subject matter or historical figure depicted in the painting?

      • A St Jerome
      • B A plague victim
      • C St Roch
    4. 4. Which artistic characteristic is noted as being part of Carlo Crivelli's style?

      • A Impressionistic brushwork
      • B Conservative late Gothic decorative sensibility
      • C Baroque dramatic realism
    5. 5. What material was the painting 'St Roch' executed on?

      • A Canvas
      • B Marble
      • C Panel

    Moj rezultat: ____ od ukupno 5

    Rešenja — za nastavnike

    Ovo započinje novu štampanu stranicu, pa se prilikom kopiranja može jednostavno izostaviti.

    1A · 2A · 3B · 4A · 5B