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Roses

Ime Razred Datum

Bessie Davidson, Roses. Reprodukovano u informativne svrhe; sva prava zadržava vlasnik autorskih prava.

Osnovne informacije

Umetnik
Bessie Davidson artsdot.com/sr/artists/bessie-davidson/
Podaci o umetniku
1879 – 1965
Originalne dimenzije
37 x 33 cm

U kontekstu

Roses — Bessie Davidson

Koliko je veliko?

Originalne dimenzije su 37 × 33 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.

Kada je ovo možda naslikano?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940
  9. 1950
  10. 1960

Osenčeno: životni vek umetnika Bessie Davidson (1879–1965)

Za ovaj zapis nema tačno navedene godine — na osnovu životnog veka umetnika i stila dela, na koju deceniju biste pretpostavili?

Slična dela

  • Interior artsdot.com/sr/art/bessie-davidson-interior-ARD88D-en/
  • Sweet Peas, 1923 artsdot.com/sr/art/bessie-davidson-sweet-peas-ARD88B-en/
  • Interior artsdot.com/sr/art/bessie-davidson-interior-ARD88H-en/

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: artsdot.com/sr/art/similar/bessie-davidson-roses-ARD88F-en/

Paleta boja

Izmereno na osnovu slike

    Glavna boja

    Gray #788189

    Katalogizovana paleta

    • #788189
    • #1E2729
    • #484942
    • #63676A
    Naziv glavne boje
    Gray
    Intenzitet
    Monochromatic Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Gentle Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Discordant Palette Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Shadow Koliko je slika u celini svetla ili tamna, od duboke senke do najsvetlijih tonova.
    Zasićenost
    Muted Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Umetnik i muzej

    Umetnik

    Bessie Davidson

    Rođen/a u Adelaide, Australia

    Early Life and Education

    Born: Bessie Ellen Davidson, May 22, 1879, in North Adelaide, South Australia

    Family Background: Daughter of David Davidson (mining industry) and Ellen Johnson Davidson. Descendant of sculptor William Gowan and painter Frances Gowan.

    Education: Advanced School for Girls (with a strong drawing strand).

    Early Training: Studied art with Rose McPherson (Margaret Preston) from 1899.

    Early Exhibitions: Began exhibiting with the South Australian Society of Arts in 1901.

    European Studies and Artistic Development

    Travel to Europe: Traveled to Europe with Margaret Preston in 1904 after her mother's death.

    Studies in Munich & Paris: Studied at the Künstlerinner Verein, Munich, then Académie de la Grande Chaumière, Paris (under René-Xavier Prinet). Also studied with Raphael Collin, Richard Miller, and Gustave Courtois.

    Artistic Influences: Admired Vincent van Gogh, Pierre Bonnard, Edouard Vuillard, and Paul Cézanne.

    Salon Exhibitions: Exhibited at the Salon de la Société des Artistes Français (1906) and the Société Nationale des Beaux-Arts (1906).

    Membership & Recognition: First Australian woman elected a member of the Société Nationale des Beaux-Arts (1922); Founding member of the Salon des Tuileries.

    Career and Artistic Style

    Return to Australia & Continued Work: Returned to Adelaide in 1907, rented a studio with Preston, and continued painting and exhibiting.

    Evolution of Style: Early works influenced by Rose McPherson; embraced Impressionism and Post-Impressionism after relocating to Paris.

    Characteristic Themes: Focused on intimate domestic interiors, portraits of women, floral arrangements, and landscapes.

    Color Palette & Technique: Known as a bold colorist with confident and spare paint application.

    Travels & Subjects: Traveled extensively through Europe, Russia, and Morocco, painting en plein air and using sketches for later studio works.

    Major Achievements and Historical Significance

    French Legion of Honor: Appointed Chevalier de la Légion d'honneur in 1931 – the first Australian woman to receive this honor.

    Founding Roles: Founding Vice-President of La Société Femmes Artistes Modernes (1930).

    Exhibitions: Exhibited widely in Paris, Australia, England, Scotland, and the United States.

    Recognition by Critics: Frequently praised in French exhibition reviews for her spontanéité, sensibilité, richesse, harmonie and luminosité.

    Legacy: Bessie Davidson is recognized as a pioneering Australian artist who achieved significant success and recognition within the vibrant Parisian art scene of the early 20th century. Her work demonstrates a skillful blend of Impressionistic techniques with a distinctive personal style.

    Later Life and Death

    World War I Service: Served as a nurse with the French Red Cross during World War I.

    Continued Artistic Activity: Continued to paint and exhibit throughout her life, even during World War II when she lived in Grenoble.

    Return to Paris: Returned to her studio in Montparnasse after WWII.

    Death: Died on February 22, 1965, at Montparnasse, France.

    Saznajte više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje Roses

    artsdot.com/sr/art/download/bessie-davidson-roses-ARD88F-en/

    Citiranje ovog umetničkog dela

    MLA
    Davidson, Bessie. Roses. n.d., https://artsdot.com/sr/art/bessie-davidson-roses-ARD88F-en/
    APA
    Davidson, Bessie (n.d.). Roses [Painting]. https://artsdot.com/sr/art/bessie-davidson-roses-ARD88F-en/
    Chicago
    Bessie Davidson. Roses. n.d. https://artsdot.com/sr/art/bessie-davidson-roses-ARD88F-en/
    Harvard
    Davidson, Bessie (n.d.) Roses. Available at: https://artsdot.com/sr/art/bessie-davidson-roses-ARD88F-en/

    Pogledajte pažljivije

    Roses — Bessie Davidson

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    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Pogledajte ponovo na Interior, ranije u ovom vodiču. Navedite dve stvari koje to delo deli sa ovim radom, i jednu koja je drugačija.
    4. Šta je umetnik možda želeo da osetite?
    5. Da možete da postavite umetniku samo jedno pitanje o ovom delu, šta biste pitali?

    Vaš odgovor

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