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Landscape

Ime Razred Datum

Albert Reuss, Landscape (1946). Reprodukovano u informativne svrhe; sva prava zadržava vlasnik autorskih prava. Pogledajte ovo platno pod promenljivim svetlom: crtež, pravu boju ispod vernica, čisti pigment

Činjenice

Umetnik
Albert Reuss artsdot.com/sr/artists/albert-reuss/
Datumi umetnika
1889 – 1975
Slikano
1946
Prvobitne dimenzije
53 x 51 cm

U kontekstu

Landscape — Albert Reuss

Koje su dimenzije?

Originalne dimenzije su 53 × 51 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.

Kada je ovo naslikano?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960
  10. 1970

Gornji red: godine. Donji red: starost umetnika na početku i na kraju svakog perioda — 0 u rođenju, 86 u smrti.

Naslikano kada je umetnik imao 57 godina. Umetnik je doživeo 86. 7 od ukupno 16 datiranih dela ovog umetnika u našem katalogu nastalo je ranije.

Osenčeno: životni vek umetnika Albert Reuss (1889–1975) ▲ ovo delo, 1946 svaka datirana slika, deceniju po deceniju

Prva dela: do 1935 Glavne radne godine: 1935–1948 Kasna dela: od 1948

Ova tri segmenta dele dela koja u ovom katalogu imaju navedenu datum na prvi kvartal, srednju polovinu i poslednji kvartal. Ona ne predstavljaju kompletan umetnikov opus: tanji niz može biti praznina u arhivu pre nego period mirovanja. Iste godine kroz koje se proteže život umetnika

Uporedi sa

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: artsdot.com/sr/art/similar/albert-reuss-landscape-AQTVEA-en/

Boje

Izmereno na osnovu slike

    Glavna boja

    Walnut #735d35

    Katalogizovana paleta

    • #735D35
    • #BFB7A1
    • #A69B81
    • #927D53

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Paleta
    Neutrals Dominantna grupa boja na slici.
    Naziv primarne boje
    Walnut
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Serene Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Unified Palette Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Brilliant Koliko je slika u celini svetla ili tamna, od dubokih senki do najsvetlijih tonova.
    Zasićenost
    Subtle Color Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • manje od 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao Albert Reuss tokom poslednjih dvanaest meseci — ukupno u 2 zemalja. Izvor ovih podataka

    Deset vodećih zemalja

    1. 1 Канада 75,0%300 visits
    2. 2 Кина 25,0%100 visits

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    7 najposećenijih dela umetnika Albert Reuss

    1. 1 Woman Reading with Mother in Law's Tongue, 1935 25,0%200 visits
    2. 2 Lady Reading a Book, 1945 25,0%200 visits
    3. 3 Woman Reading, 1943 12,5%100 visits
    4. 4 Woman Reading a Newspaper, 1930 12,5%100 visits
    5. 5 Woman in an Empty Room 12,5%100 visits
    6. 6 Pole and Two Sand Piles, 1950 12,5%100 visits
    7. — Landscape, 1946 ova slika 0,0%0 visits

    Zajedno, ova dela zauzimaju 100,0% ukupne pažnje koju su slike ovog umetnika privukle tokom poslednjih dvanaest meseci. Katalog sadrži 27 dela ovog umetnika, od kojih je 6 pregledano barem jednom. Ova slika još uvek nije pregledana u tom periodu — ona zatvara listu bez rangiranja. Isto važi i za pojedinačne mesece

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    Umetnik i muzej

    Umetnik

    Albert Reuss

    A Life Forged in the Shadows of Displacement

    The story of Albert Reuss is one of profound resilience, a narrative etched into the very textures of his canvases and the precision of his lines. Born in Vienna in 1889 to a Hungarian-Jewish family, Reuss’s early years were marked by a sense of profound vulnerability. A frail and sickly child, he often felt like an outsider within his own kin, a feeling that would later find a haunting resonance in his art. While his path toward formal academic training at the Akademie der bildenden Künste Wien was thwarted by persistent ill-health, his artistic spirit remained unyielding. Guided by the patronage of his wealthy uncle, Baron Andreas Ritter von Reisinger, Reuss nurtured a talent that would eventually transcend the borders of his homeland.

    The trajectory of his life—and indeed, the soul of his work—was irrevocably altered in 1938. The Anschluss and the subsequent rise of Nazi persecution forced Reuss to flee Austria, seeking refuge in Britain. This period of exile was not merely a geographical shift but a psychological rupture. In the process of fleeing, he lost much of his family and the established reputation he had painstakingly built in Vienna. This trauma became the silent protagonist in his later works, transforming his aesthetic from one of burgeoning talent into a deeply emotive language capable of articulating the weight of loss and the disorientation of the displaced.

    The Evolution of an Expressive Vision

    Reuss’s artistic development is a fascinating study of stylistic metamorphosis. During the First World War, he began to cultivate a signature approach characterized by precise, linear renderings. His early explorations were deeply influenced by the Expressionist movement, drawing inspiration from the psychological intensity of Edvard Munch and Oskar Kokoschka. He sought to move beyond mere representation, utilizing simplified forms and muted palettes to capture the internal emotional landscapes of his subjects. This rejection of academic rigidity allowed him to explore the nuances of human suffering and dignity through subtle tonal variations.

    As he settled into life in England, his style underwent further dramatic shifts. His work began to embrace elements of Cubism and Geometric Abstraction, often reflecting a minimalist aesthetic that evoked profound loneliness and contemplation. In pieces such as Woman and Table, one can observe a stark, de Chirico-esque stillness, where the geometry of the composition serves to amplify the sense of isolation. Whether through the earthy tones of his oil paintings or the meticulous detail of his drawings, Reuss’s oeuvre remains a testament to his ability to translate personal upheaval into universal symbols of human endurance.

    Legacy and Artistic Significance

    The historical significance of Albert Reuss lies in his ability to bridge the gap between the vibrant, pre-war Viennese art scene and the evolving landscape of British modernism. He stands as a vital figure in the history of refugee artists, whose work serves as a visual archive of the twentieth century's greatest tragedies. His mastery of both painting and sculpture allowed him to explore volume and space with a unique sensitivity, making him a versatile contributor to the era's artistic discourse.

    Today, Reuss’s legacy is preserved in some of the world's most prestigious institutions, ensuring that his voice—once silenced by exile—continues to resonate with contemporary audiences. His work can be found in:

    The British Museum, London

    The Victoria and Albert Museum, London

    Newlyn Art Gallery, Cornwall

    The Österreichische Galerie Belvedere, Vienna

    The Albertina, Vienna

    The Tel Aviv Museum of Art, Israel

    Through his evocative portraits and hauntingly beautiful landscapes, Reuss invites us to confront the complexities of memory and the enduring strength of the human spirit in the face of unimaginable change.

    Gde možete pročitati više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje Landscape

    artsdot.com/sr/art/download/albert-reuss-landscape-AQTVEA-en/

    Citiranje ovog umetničkog dela

    MLA
    Reuss, Albert. Landscape. 1946, https://artsdot.com/sr/art/albert-reuss-landscape-AQTVEA-en/
    APA
    Reuss, Albert (1946). Landscape [Painting]. https://artsdot.com/sr/art/albert-reuss-landscape-AQTVEA-en/
    Chicago
    Albert Reuss. Landscape. 1946. https://artsdot.com/sr/art/albert-reuss-landscape-AQTVEA-en/
    Harvard
    Reuss, Albert (1946) Landscape. Available at: https://artsdot.com/sr/art/albert-reuss-landscape-AQTVEA-en/

    Pogledajte pažljivije

    Landscape — Albert Reuss

    Pogledajte pažljivije

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Vratite se na Walls and Tree (1947), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.
    4. Albert Reuss je imao oko 57 godina kada je ovo delo nastalo. Šta u njemu podseća na rad umetnika u toj životnoj fazi?
    5. Šta je umetnik možda želeo da osetite?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.

    Pitanja i odgovori

    Mogu li da gledam "Landscape" kao prezentaciju preko celog ekrana?

    Dijaporama dela "Landscape" dostupna je na stranici Galerija slika tog umetničkog dela.

    Koja osnovna nijansa prožima „Landscape”, autor Albert Reuss?

    „Landscape“ teži Ochre to Sepia tonu.

    Koji je koloristički identitet dela „Landscape”, autor Albert Reuss?

    „Landscape”, autor Albert Reuss koristi Neutrals paletu, pri čemu je Walnut (#735d35) dominantna boja.