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Ђорђоне Najpopularnije slike

Najtraženijih 25 dela umetnika Ђорђоне, rangiranih prema popularnosti i predstavljenih jedno po jedno, sa specifikacijama i cenom svake ručno oslikane reprodukcije.

Izdanje 2026 · 25 umetvinskih dela Svako umetničko delo se slika po porudžbini
Platno od lana · Certifikat autentičnosti · Dostava širom sveta Ђорђоне · 1478 – 1510

Понор (Ђорђоне)

Погледајте 'Понор' Ђорђонеа, мистериозно ренесансно мајстор дело Венецијанске атмосфере! Откријте његову технику *сфумато* и дубок емоционални резонансу.

Tehnika: Ručno oslikano uljanim bojama na platnu od lana
Izrađeno: Naručite kod obučenog slikara
Popularnost: Br. 1 od 92 dela umetnika Ђорђоне
Dostava: širom sveta, oko 5 nedelja

od$20030 × 33 cm Naručite ovo delo

Spavajuća Venera

1510 · Gemäldegalerie Alte Meister, Dresden · originalna veličina 109 x 175 cm

Ovo mirno renesansko remek-delo Đorđonea prikazuje Veneru u bujnom pejzažu. Unesite ovaj venecijanski san u svoj dom već danas.

Tehnika: Ručno oslikano uljanim bojama na platnu od lana
Izrađeno: Naručite kod obučenog slikara
Popularnost: Br. 2 od 92 dela umetnika Ђорђоне
Dostava: širom sveta, oko 5 nedelja

od$17540 × 25 cm Naručite ovo delo

Isti veličine kao original$703175 × 109 cm Naručite u originalnoj veličini

Sveća Venere

Očaravajuća 'Sveća Venere' Đirđonea – remek-delo Visoke renesanse! Uživajte u harmoniji klasične lepote, prirodnosti i poetskog mira. Istražite detalje ovog enigmatiskog dela.

Tehnika: Ručno oslikano uljanim bojama na platnu od lana
Izrađeno: Naručite kod obučenog slikara
Popularnost: Br. 3 od 92 dela umetnika Ђорђоне
Dostava: širom sveta, oko 5 nedelja

od$17540 × 25 cm Naručite ovo delo

Tri Filozofa

1508 · Kunsthistorisches Museum, Vienna

Уробите свој простор са 'Трима Филозофа' – ренесансном шемовином Giorgiona! Погледајте ову симболску слику, мирну лепоту и маструалну технику. Идеална за љубитеље уметности!

Tehnika: Ručno oslikano uljanim bojama na platnu od lana
Izrađeno: Naručite kod obučenog slikara
Popularnost: Br. 4 od 92 dela umetnika Ђорђоне
Dostava: širom sveta, oko 5 nedelja

od$25035 × 29 cm Naručite ovo delo

Mlada žena ("Laura")

1506 · Kunsthistorisches Museum, Vienna · originalna veličina 336 x 410 cm

Zavirite u Đorđonovo delo „Mlada žena (Laura)“, venecijansko remek-delo prepuno misterije i lepote. Istražite simboliku i umetničko nasleđe ovog zagonetnog portreta u Kunsthistorisches muzeju.

Tehnika: Ručno oslikano uljanim bojama na platnu od lana
Izrađeno: Naručite kod obučenog slikara
Popularnost: Br. 5 od 92 dela umetnika Ђорђоне
Dostava: širom sveta, oko 5 nedelja

od$17529 × 35 cm Naručite ovo delo

Three Philosophers

1509 · Kunsthistorisches Museum, Vienna

Tehnika: Ručno oslikano uljanim bojama na platnu od lana
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Popularnost: Br. 6 od 92 dela umetnika Ђорђоне
Dostava: širom sveta, oko 5 nedelja

od$17534 × 29 cm Naručite ovo delo

Pastoralni koncert (Fête champêtre)

1509 · Louvre, Paris · originalna veličina 110 x 138 cm

Đorđionov 'Pastoralni koncert' (oko 1509) je očaravajuća enigma visoke renesanse, koja spaja klasične ideale sa venecijanskom umetnošću. Istražite njegov simbolizam i lepotu u Luvru.

Tehnika: Ručno oslikano uljanim bojama na platnu od lana
Izrađeno: Naručite kod obučenog slikara
Popularnost: Br. 7 od 92 dela umetnika Ђорђоне
Dostava: širom sveta, oko 5 nedelja

od$17536 × 28 cm Naručite ovo delo

Isti veličine kao original$590138 × 110 cm Naručite u originalnoj veličini

Klanjanje kraljeva

1506 · Nacionalna galerija, London · originalna veličina 29 x 81 cm

Iskusite spokojnu duhovnu rezonanciju Đorđionovog Klanjanja kraljeva, vrhunskog renesansnog remek-dela svetlosti i senke koje vas poziva da ovu vanvremensku venecijansku viziju unesete u svoju kolekciju.

Tehnika: Ručno oslikano uljanim bojama na platnu od lana
Izrađeno: Naručite kod obučenog slikara
Popularnost: Br. 8 od 92 dela umetnika Ђорђоне
Dostava: širom sveta, oko 5 nedelja

od$17553 × 19 cm Naručite ovo delo

Isti veličine kao original$21581 × 29 cm Naručite u originalnoj veličini

Self-portrait

1510 · Herzog Anton Ulrich Museum, Brunsvik · originalna veličina 52 x 43 cm

Tehnika: Ručno oslikano uljanim bojama na platnu od lana
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Popularnost: Br. 9 od 92 dela umetnika Ђорђоне
Dostava: širom sveta, oko 5 nedelja

od$17529 × 35 cm Naručite ovo delo

Isti veličine kao original$21243 × 52 cm Naručite u originalnoj veličini

Portrait of a Gentleman in Armor

Admire Giorgione’s masterpiece – ‘Portrait of a Gentleman in Armor’ – showcasing Venetian Renaissance brilliance with masterful sfumato and serene color palettes. Explore its enigmatic subject & influence on Mannerism.

Tehnika: Ručno oslikano uljanim bojama na platnu od lana
Izrađeno: Naručite kod obučenog slikara
Popularnost: Br. 10 od 92 dela umetnika Ђорђоне
Dostava: širom sveta, oko 5 nedelja

od$17528 × 35 cm Naručite ovo delo

Self-Portrait

Giorgio Barbarelli da Castelfranco (c. 1477/8 – 1510), known as Giorgione, was a Venetian painter who defied convention with his poetic approach and masterful use of light and shade.

Tehnika: Ručno oslikano uljanim bojama na platnu od lana
Izrađeno: Naručite kod obučenog slikara
Popularnost: Br. 11 od 92 dela umetnika Ђорђоне
Dostava: širom sveta, oko 5 nedelja

od$17529 × 35 cm Naručite ovo delo

Стара жена

Otkrijte Giorgioninu La Vecchiu, portret starice koji istražuje vreme i mudrost kroz chiaroscuro. Renesansno remek-delo.

Tehnika: Ručno oslikano uljanim bojama na platnu od lana
Izrađeno: Naručite kod obučenog slikara
Popularnost: Br. 12 od 92 dela umetnika Ђорђоне
Dostava: širom sveta, oko 5 nedelja

od$17529 × 34 cm Naručite ovo delo

Tri doba

Istražite Đorđonovo remek-delo! Upoznajte čuveno renesansko platno puno realizma i simbolike.

Tehnika: Ručno oslikano uljanim bojama na platnu od lana
Izrađeno: Naručite kod obučenog slikara
Popularnost: Br. 13 od 92 dela umetnika Ђорђоне
Dostava: širom sveta, oko 5 nedelja

od$22535 × 28 cm Naručite ovo delo

Madona iz Kastelfranka

Otkrijte Đorđionovu 'Madonu iz Kastelfranka', venecijansko remek-delo poznato po svojoj eteričnoj lepoti i inovativnoj kompoziciji, koje dočarava duh renesansne Venecije.

Tehnika: Ručno oslikano uljanim bojama na platnu od lana
Izrađeno: Naručite kod obučenog slikara
Popularnost: Br. 14 od 92 dela umetnika Ђорђоне
Dostava: širom sveta, oko 5 nedelja

od$17527 × 37 cm Naručite ovo delo

Portret mladog čoveka1

Otkrijte Giorgionovo enigmatično Portret mladog čoveka, remek-delo visoke renesanse. Istražite misteriju i uticaj u Alte Pinakothek muzeju.

Tehnika: Ručno oslikano uljanim bojama na platnu od lana
Izrađeno: Naručite kod obučenog slikara
Popularnost: Br. 15 od 92 dela umetnika Ђорђоне
Dostava: širom sveta, oko 5 nedelja

od$17527 × 37 cm Naručite ovo delo

Solomonovo suđenje

Istražite Giorgionovo remek-delo Solomonovo suđenje i venecijanski renesans. Otkrijte umetnost na ArtsDot.com.

Tehnika: Ručno oslikano uljanim bojama na platnu od lana
Izrađeno: Naručite kod obučenog slikara
Popularnost: Br. 16 od 92 dela umetnika Ђорђоне
Dostava: širom sveta, oko 5 nedelja

od$17529 × 35 cm Naručite ovo delo

Ratnik sa mladoženjom

1510 · Галерија Уфици, Firenca

Enigmatični portret Đorđonija sa ratnikom i mladoženjom. Otkrijte misteriju ovog venecijanskog remek-dela kroz svetlost i tonove.

Tehnika: Ručno oslikano uljanim bojama na platnu od lana
Izrađeno: Naručite kod obučenog slikara
Popularnost: Br. 17 od 92 dela umetnika Ђорђоне
Dostava: širom sveta, oko 5 nedelja

od$17528 × 35 cm Naručite ovo delo

A Young Man

Tehnika: Ručno oslikano uljanim bojama na platnu od lana
Izrađeno: Naručite kod obučenog slikara
Popularnost: Br. 18 od 92 dela umetnika Ђорђоне
Dostava: širom sveta, oko 5 nedelja

od$17528 × 36 cm Naručite ovo delo

Ceres

1510 · originalna veličina 745 x 545 cm

Džordžone ovim delom prikazuje venecijansku kontemplaciju. Otkrijte umetničko majstorstvo kroz ovaj portret.

Tehnika: Ručno oslikano uljanim bojama na platnu od lana
Izrađeno: Naručite kod obučenog slikara
Popularnost: Br. 19 od 92 dela umetnika Ђорђоне
Dostava: širom sveta, oko 5 nedelja

od$17527 × 37 cm Naručite ovo delo

Virgin and Child in a Landscape

Experience the ethereal sfumato and serene pastoral beauty of Giorgione's High Renaissance masterpiece Virgin and Child in a Landscape, a soulful depiction of divine grace inviting you to bring this Venetian treasure home.

Tehnika: Ručno oslikano uljanim bojama na platnu od lana
Izrađeno: Naručite kod obučenog slikara
Popularnost: Br. 20 od 92 dela umetnika Ђорђоне
Dostava: širom sveta, oko 5 nedelja

od$17529 × 35 cm Naručite ovo delo

Portrait of Francesco Maria della Rovere

1502 · Kunsthistorisches Museum, Vienna · originalna veličina 73 x 64 cm

Admire Giorgione’s 'Portrait of Francesco Maria della Rovere' (1502). A serene Renaissance portrait showcasing subtle beauty & masterful oil technique. Discover Venetian art.

Tehnika: Ručno oslikano uljanim bojama na platnu od lana
Izrađeno: Naručite kod obučenog slikara
Popularnost: Br. 21 od 92 dela umetnika Ђорђоне
Dostava: širom sveta, oko 5 nedelja

od$17530 × 34 cm Naručite ovo delo

Isti veličine kao original$28364 × 73 cm Naručite u originalnoj veličini

Virgin and Child (The Tallard Madonna)

1510 · Ešmolijan muzej umetnosti i arheologije, Oksford · originalna veličina 76 x 60 cm

Tehnika: Ručno oslikano uljanim bojama na platnu od lana
Izrađeno: Naručite kod obučenog slikara
Popularnost: Br. 22 od 92 dela umetnika Ђорђоне
Dostava: širom sveta, oko 5 nedelja

od$17528 × 36 cm Naručite ovo delo

Isti veličine kao original$28060 × 76 cm Naručite u originalnoj veličini

Залог (Il Tramonto)

Ispredite Giorgiona ‘Zalog’, vrhunski venecijski majstor renesanse. Istaknite njegov poetski pejzaž, misteriozne figure i istorijski kontekst – vječna istraživanja svetlosti, boje i ljudskog dela.

Tehnika: Ručno oslikano uljanim bojama na platnu od lana
Izrađeno: Naručite kod obučenog slikara
Popularnost: Br. 23 od 92 dela umetnika Ђорђоне
Dostava: širom sveta, oko 5 nedelja

od$17536 × 28 cm Naručite ovo delo

Homage to a poet

Nacionalna galerija, London · originalna veličina 597 x 489 cm

Admire Giorgione's 'Homage to a Poet,' a Venetian masterpiece exploring themes of contemplation and artistic inspiration. Discover its symbolism, influences & legacy through this detailed reproduction.

Tehnika: Ručno oslikano uljanim bojama na platnu od lana
Izrađeno: Naručite kod obučenog slikara
Popularnost: Br. 24 od 92 dela umetnika Ђорђоне
Dostava: širom sveta, oko 5 nedelja

od$17529 × 35 cm Naručite ovo delo

Adoration of the Shepherds

Discover Giorgione's 'Adoration of the Shepherds,' a High Renaissance masterpiece blending landscape & religious themes. Explore its symbolism, Venetian influence, and unique artistic legacy with ArtsDot’s stunning reproductions.

Tehnika: Ručno oslikano uljanim bojama na platnu od lana
Izrađeno: Naručite kod obučenog slikara
Popularnost: Br. 25 od 92 dela umetnika Ђорђоне
Dostava: širom sveta, oko 5 nedelja

od$17535 × 28 cm Naručite ovo delo

Umetnik

Ђорђоне

1478 – 1510

Osnovne informacije

Art periodRenesansa
Best occasionsakcentni element
Born1478, Кастелфранко Венето, Италија
Topics exploredvenetian painting, renaissance, landscape, venetian art, portraiture
Corpus themesbellini influence, venetian tradition, bellini’s venetian tradition, bellini’s venetian style, venetian culture
Color intensitymonohromatski, uravnoteženo
Emotional tonemelanholičan
Top-ranked workПонор (Ђорђоне)

Biografija

The Life and Identity of Giorgione

To understand the trajectory of the Venetian school, one must confront the shadow cast by Giorgione. He was an Italian painter of the Venetian school during the High Renaissance, yet his biography remains a collection of fragments. Born in the small town of Castelfranco Veneto, Italy, around 1477 or 1478, he operated within a culture that valued both technical precision and atmospheric depth. His identity was as layered as his oil glazes. While history knows him by the name Giorgione, this was a nickname earned through his tall stature. His actual name was likely Zorzi.

His career was a brief, intense flash in the history of the Republic of Venice. He died around 1510 at the age of thirty-two or thirty-three, a death that cut short a period of intense stylistic transition. This early passing left a void that his contemporaries had to fill, turning his limited output into a subject of intense scrutiny. He did not rely on a long, documented life to establish his presence; instead, his impact is measured by the suddenness of his departure and the specific, moody qualities he introduced to the Venetian landscape.

Early Life and Artistic Training

Giorgione’s origins lie in Castelfranco Veneto, Italy. While the exact year of his birth remains a subject of debate, his presence in the Venetian art scene was established early. He did not work in a vacuum; his development was shaped by the rigorous traditions of the Venetian school. He likely apprenticed under Giovanni Bellini, the dominant figure of the era. This connection provided him with a foundation in the established techniques of the time before he began to deviate from them. His training was not merely about imitation but about absorbing the technical language of a leading master.

By the time he was established in Venice, he was recognized as a professional peer to other significant painters. Records identify him as a colleague of the master Vincenzo Catena. This status indicates that he had moved beyond the stage of a mere student and was actively participating in the competitive professional landscape of the Republic. His early career was defined by this transition from a student of Bellini to a recognized practitioner working alongside his contemporaries.

Patrons and Early Commissions

Giorgione’s early career was defined by high-level access to the Venetian power structure. He secured commissions from the most influential figures of the Republic, proving his utility to the state long before his death. The Council of Ten, the supreme governing body of Venice, commissioned him to produce a work for the Hall of the Audience in the Doge's Palace. This was no minor task. It placed his output directly within the political heart of the city. His ability to navigate these circles is further evidenced by his portraits of prominent figures, including Doge Agostino Barbarigo. These early assignments demonstrate that he was already a recognized professional with the technical skill required for state-level portraiture.

His work also addressed the private, often somber, needs of the Venetian nobility. Tuzio Costanzo commissioned a painting from the artist in memory of his son, Matteo. This type of personal, commemorative work highlights the artist's role in the social and religious rituals of the time. Even his native region provided significant work; in 1504, he was tasked with painting an altarpiece for the cathedral in Castelfranco Veneto. These diverse commissions—ranging from state halls to private memorials and religious altarpieces—show a painter who was deeply integrated into the functional fabric of Venetian life.

Technique and Artistic Style

Giorgione’s approach fundamentally shifted the focus of Venetian painting from the rigid, linear precision of the Florentine tradition toward a sensory experience defined by color and atmosphere. He moved away from the heavy reliance on disegno, instead utilizing oil paint to construct the illusion of texture, light, and air. This technical mastery allowed him to build depth through the sophisticated layering of pigments rather than through sharp, structural outlines. By employing sfumato—the use of subtle gradations of tone—he softened the edges of his subjects, allowing them to merge into their surroundings. This method prioritized an overall harmony over the pursuit of meticulous, isolated detail.

His innovation extended beyond technical execution into the very nature of subject matter. Giorgione introduced a range of themes that functioned through mood rather than through explicit narrative. He moved away from the requirement that a painting must tell a clear story, often presenting scenes that exist to embody a specific feeling or a lyrical quality. This shift allowed for a sense of ambiguity, where the landscape and the figures exist in a state of quiet tension. In works like The Tempest, the atmosphere itself becomes a primary subject, as much as the figures depicted within it.

The Tempest (c. 1506-1508)
Pastoral Concert (c. 1509)
Sleeping Venus (c. 1510)
Judith (1504)

Key Masterpieces and Notable Works

Giorgione’s output remains defined by a refusal to provide easy answers. The Tempest, dated between 1506 and 1508, remains a primary example of this ambiguity, presenting a scene that resists a single, definitive reading. Similarly, Pastoral Concert (c. 1509) prioritizes mood over a clear narrative, a technique that shifted the focus of Venetian painting toward atmosphere. His 1508 work, The Three Philosophers, further demonstrates this ability to use landscape and light to create a sense of mystery rather than a simple historical or religious record.

The artist also redefined the depiction of the human form and its relationship to the natural world. The Sleeping Venus is a significant departure from previous traditions, establishing a specific genre of reclining nudes. In Judith, executed around 1504, he explored intense subject matter through a lens of subtle tonal shifts. His 1506 oil on canvas, Laura, is particularly notable as it is the only work he signed and dated, providing a rare, concrete anchor in his otherwise elusive career. This work shows a clear transition toward a style defined by muted colors and sfumato.

Other significant works highlight his range in both religious and secular themes. The Castelfranco Madonna (c. 1503/04) uses a high throne and landscape to bridge the gap between the divine and the earthly. His 1506 painting, The Old Woman, functions as an allegory of time, while his portraiture continues to emphasize psychological depth through careful composition. These works collectively prove that his impact was rooted in a specific, technical mastery of light and color.

The Tempest (c. 1506-1508)
Pastoral Concert (c. 1509)
The Three Philosophers (1508)
Judith (c. 1504)
The Castelfranco Madonna (c. 1503/04)
Laura (1506)

Circle and Artistic Influence

Giorgione’s impact is measured by the lineage of painters who absorbed his approach to atmosphere and color. His most significant connection was his mentorship of Titian, who would eventually dominate the High Renaissance. This transition from Giorgione’s moody, poetic sensibility to Titian’s more robust style defined the trajectory of Venetian art. Beyond Titian, his direct teaching shaped the hands of several notable figures, including Dosso Dossi, Giovanni da Udine, Andrea Schiavone, and Francesco Torbido. These artists carried his specific methods into the next generation of Venetian production.

The reach of his style extended into the works of many others who did not necessarily study under him directly but operated within the stylistic wake he created. Palma Vecchio and Giovanni Cariani both utilized the tonal depth and light-driven compositions that Giorgione pioneered. Similarly, Sebastiano del Piombo integrated these Venetian qualities into his own practice. His influence was not a single, rigid school but a widespread shift in how painters handled the relationship between landscape and subject. This shift moved the focus away from strict line toward a more sensory, atmospheric execution.

Legacy and Historical Significance

Giorgione’s impact is measured by the fundamental shift he forced upon Venetian painting. He acted as the essential bridge between the established traditions of the early Venetian masters and the radical innovations later perfected by Titian. By moving away from the rigid, linear constraints of the Florentine school, he helped establish the foundations of the Venetian School of Italian Renaissance painting. His work prioritized the sensory experience of light and atmosphere over the mathematical precision of drawing. This shift changed how color was used to define form, moving the focus from the outline to the essence of the subject itself.

His influence stems from a refusal to adhere to strict narrative clarity. By emphasizing poetic mood and atmospheric effects, he opened doors for subsequent generations to explore art as a medium for emotion rather than just storytelling. This approach allowed for a new kind of visual language where the landscape and the subject exist in a state of shared, often ambiguous, tension. He remains a primary symbol of artistic freedom and innovation, proving that a painter could prioritize feeling and suggestion over literal accuracy.

The Tempest (c. 1506-1508)
Pastoral Concert (c. 1509)
Sleeping Venus (c. 1510)
Judith (1504)

Where to See His Works Today

To encounter the physical reality of Giorgione's impact, one must travel across Europe's major museum collections. His presence is felt most strongly in Vienna, where the Kunsthistorisches Museum houses several significant pieces, including the Portrait of Francesco Maria della Rovere. This collection provides a clear look at his ability to handle individual likenesses. In London, the National Gallery preserves The Adoration of the Kings, a work that demonstrates his early command of religious subject matter.

The landscape and mythological shifts he introduced are anchored in Paris and Dresden. The Louvre holds Pastoral Concert (Fête champêtre), a work central to understanding his departure from strict narrative. Meanwhile, the Gemäldegalerie Alte Meister in Dresden contains The Sleeping Venus, a painting that fundamentally altered the depiction of the female nude in Western art. These works are not mere relics; they are the primary evidence of his technical shifts.

Venice and St. Petersburg offer the most direct connections to his most debated and intense compositions. The Gallerie dell'Accademia in Venice holds The Tempest, a painting that remains a central point of study for its ambiguous atmosphere. In Russia, the Hermitage Museum preserves Judith, providing a rare look at his handling of dramatic, high-stakes subject matter. These specific locations hold the actual surfaces where his innovations in color and light were first realized.

Pitanja i odgovori

Mogu li da pregledam dela umetnika Ђорђоне prema medijumu?

Stranica Svi mediji grupiše dela umetnika Ђорђоне prema tehnici.

Koja raspoloženja izražavaju dela umetnika Ђорђоне?

Na stranici Soba po raspoloženju umetnik Ђорђоне prikazuje svoja dela poređana prema njihovoj atmosferi.

Koje je boje Ђорђоне najčešće koristio/la?

Kolorit dela umetnika Ђорђоне možete videti na njegovoj stranici Genom palete.

Autor: Uredništvo ArtsDot.com Ažurirano dana 13. октобар 2026.

Kviz za kolekcionare

U kom gradu je Ђорђоне рођен?
Ko je bio vodeći venecijanski slikar kod kojeg je Ђорђоне verovatno radio kao šegrt?
Koji umetnik je bio mentor Тичиjanu, Ђорђоневом наследнику?
Koliko je примерно година Ђорђоне имао када је умро?
Koje od ovih dela se smatra jednom od najpoznatijih Ђорђоневих slika?

jedan Vi birate veličinu

Standardni formati ili bilo koja proizvoljna dimenzija, prilagođena proporcijama originala.

dva Naslikamo i šaljemo pregled

Fotografija gotovog platna na odobrenje pre slanja.

tri Isporučeno, sertifikovano

Urolano, na platnu ili u ramu, osigurano, sa sertifikatom autentičnosti.

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