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          • Početna
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          • Kamil Pisar
          • Najpopularnije slike
          kolekcionarski folio

          Kamil Pisar Najpopularnije slike

          The 25 artworks by Kamil Pisar our visitors ask for most, ranked by popularity and presented one by one, with the specification and the price of each hand-painted reproduction.

          Edition 2026 · 25 artworks Each artwork painted to order
          Platno od lana · Certifikat autentičnosti · Dostava širom sveta Kamil Pisar · 1830 – 1903

          Булвар Монмартр ноћу

          Булвар Монмартр ноћу (1897) — Kamil Pisar
          1897 · original 64 x 53 cm

          Očaravajuće delo Kamila Pisaroa prikazuje parisku noć u svetlu gasnih lampi! 'Bulevar Montmartr noću' – klasični impresionizam, živopisna atmosfera i večni šarm Pariza. Pogledajte reprodukciju!

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          Јесен, Бање

          Јесен, Бање (1893) — Kamil Pisar
          1893

          Уживајте у тишини и лепоти јесење природе у овом предивном делију Камилла Писарроа, представљеном као висококвалитетна репродукција стила импресионизма. Идеално за вашу колекцију или дом!

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          Крње Роофс, Конер Оф А Виљеџ

          Крње Роофс, Конер Оф А Виљеџ (1877) — Kamil Pisar
          1877 · Muzej d'Orsej, Paris · original 26 x 21 cm

          Задивљујући ландсцепски слику Камиља Писара у стилу импресионизма, који карактерише ветарне масти и изразно техничко решење, представља мирну руску панораму и прецизна детаљна прилика.

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          Прибирање јабљиња код Ерагњи-сур-Епте

          Прибирање јабљиња код Ерагњи-сур-Епте (1888) — Kamil Pisar
          1888 · Dallas Museum of Art, Dallas · original 73 x 60 cm

          Уживајте у живописном делу Камилла Писара "Прибирање јабљиња код Ерагњи-сур-Епте", репродукција класичне радости у селу и прецизним бојама. Идеална за вашу колекцију и дом!

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          No. 4 of 1.554 artworks by Kamil Pisar
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          Кућа господина Музија, Рута де Марли, Лувесијен

          Кућа господина Музија, Рута де Марли, Лувесијен (1872) — Kamil Pisar
          1872

          Упоредите импресионистичко дело Камија Писара - 'Кућа господина Музија'. Ово мирно представља руско село у Француској, са детаљним описом светла и технике. Истражите лепоту природе!

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          Закатанје роуенског запада

          Закатанје роуенског запада (1898) — Kamil Pisar
          1898 · original 54 x 65 cm

          Закатанје роуенског запада од Камиља Писара - Импресионистичка лепота румунског запада у мајским бојама и сини светлине реке Сејн. Велика радост за колекционаре и љубитеље сличности!

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          No. 6 of 1.554 artworks by Kamil Pisar
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          Self Portrait

          Self Portrait (1903) — Kamil Pisar
          1903 · Tate Galerija, London · original 41 x 33 cm
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          No. 7 of 1.554 artworks by Kamil Pisar
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          Mardi Gras na bulevardima

          Mardi Gras na bulevardima (1897) — Kamil Pisar
          1897 · Fogg Art Museum, Кембриџ · original 78 x 62 cm

          Uronite u 'Mardi Gras na bulevardima' Kamije Pisarra! Ovo impresivno remek-delo hvata pariški život u bojama i dinamičnom pokretu. Istražite urbanu energiju i pogled u Pariz 19. veka.

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          No. 8 of 1.554 artworks by Kamil Pisar
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          The Cote des Boeurs at l'Hermitage, near Pontoise

          The Cote des Boeurs at l'Hermitage, near Pontoise (1877) — Kamil Pisar
          1877 · Nacionalna galerija, London

          Discover 'The Cote des Boeurs at l'Hermitage,' a serene landscape by Camille Pissarro (1877). Explore Impressionism’s structured beauty, village life, and the artist’s evolving style – a captivating work of art.

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          No. 9 of 1.554 artworks by Kamil Pisar
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          The Garden of the Tuileries on a Winter Afternoon

          The Garden of the Tuileries on a Winter Afternoon (1899) — Kamil Pisar
          1899 · Metropolitan Museum of Art, New York · original 73 x 92 cm

          Pissarro's 'The Garden of the Tuileries on a Winter Afternoon' captures a tranquil Parisian scene with loose brushstrokes & atmospheric light. A stunning Impressionist landscape.

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          No. 10 of 1.554 artworks by Kamil Pisar
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          Goose Girl

          Goose Girl (1890) — Kamil Pisar
          1890

          Experience rural tranquility with Camille Pissarro's 'Goose Girl.' This Impressionist masterpiece captures a serene scene of a girl and geese, showcasing vibrant colors & masterful brushwork.

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          No. 11 of 1.554 artworks by Kamil Pisar
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          The Pork Butcher

          The Pork Butcher (1883) — Kamil Pisar
          1883 · Tate Galerija, London · original 66 x 54 cm
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          Place du Carrousel, the Tuileries Gardens

          Place du Carrousel, the Tuileries Gardens (1900) — Kamil Pisar
          1900 · National Gallery of Art, Washington · original 54 x 65 cm

          Experience the vibrant energy of Parisian life with Camille Pissarro's 'Place du Carrousel.' This 1900 Impressionist masterpiece captures the Tuileries Gardens’ lively atmosphere, showcasing bold brushstrokes and a harmonious blend of urban and natural beauty. Own a stunning reproduction today!

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          No. 13 of 1.554 artworks by Kamil Pisar
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          Понтоис Ландшафт, Через Поля

          Понтоис Ландшафт, Через Поля (1879) — Kamil Pisar
          1879 · original 46 x 55 cm

          Уникальная репродукция картины Камиля Писсарро «Понтоис Ландшафт, Через Поля» (1879) в стиле импрессионизма от ArtsDot.com – классика французского искусства и вдохновение для великих художников.

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          No. 14 of 1.554 artworks by Kamil Pisar
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          Côte des Grouettes, near Pontoise

          Côte des Grouettes, near Pontoise (1878) — Kamil Pisar
          1878 · Metropolitan Museum of Art, New York · original 74 x 60 cm

          Experience Camille Pissarro's 'Côte des Grouettes,' a serene Impressionist landscape capturing rural French life in 1878. View at The Met & explore its beauty.

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          No. 15 of 1.554 artworks by Kamil Pisar
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          Entering the Village of Voisins

          Entering the Village of Voisins (1872) — Kamil Pisar
          1872 · Muzej d'Orsej, Paris · original 46 x 55 cm
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          No. 16 of 1.554 artworks by Kamil Pisar
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          Фестивал при Ермитажу

          Фестивал при Ермитажу (1876) — Kamil Pisar
          1876

          Фестивал при Ермитажу је диван маслени портрет Камилла Писара од 1876. године који представља импресионизам и захваћено карактеристично свеска слике уочи пролећа. Погледајте више на ArtsDot!

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          No. 17 of 1.554 artworks by Kamil Pisar
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          Портрет Павла Цезаня

          Портрет Павла Цезаня (1874) — Kamil Pisar
          1874

          Уживајте у репродукцији слике Павла Цезањеа од Камилла Писара, икона импресионистичке живописине која преноси духу прилику и вечити лепоту. Надам се да вам се свиђа!

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          No. 18 of 1.554 artworks by Kamil Pisar
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          Пон Неу, Поподне, Сунце

          Пон Неу, Поподне, Сунце (1901) — Kamil Pisar
          1901 · Philadelphia Art Museum, Филаделфија · original 73 x 92 cm

          Analiza remek-dela Kamije Pisarova „Pont Neuf, Поподне, Сунце“ (1901). Istražite impresivizam i urbanu scenu u ovom detaljnom pregledu umetničke istorije za ArtsDot.com.

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          No. 19 of 1.554 artworks by Kamil Pisar
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          Вртови и дрвјећа у цвету, прољеће, Понтоизе

          Вртови и дрвјећа у цвету, прољеће, Понтоизе (1877) — Kamil Pisar
          1877 · Muzej d'Orsej, Paris · original 81 x 66 cm

          Уживајте у тишини прољећа уз остварење Камилла Писароа "Вртови и дрвјећа у цвету, прољеће, Понтоизе". Идеална репродукција за љубитеље сличности и импресионистичке естетике!

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          No. 20 of 1.554 artworks by Kamil Pisar
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          Пролетна китња, Плава Време, Ерагњи

          Пролетна китња, Плава Време, Ерагњи (1895) — Kamil Pisar
          1895 · original 152 x 185 cm

          Уживајте у прецизној репродукцији слике Камилла Писароа „Пролетна китња, Плава Време, Ерагњи“ из 1895. године – симбола импресионистичке лепоте и човечности у природи. Купите своју копију данас!

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          No. 21 of 1.554 artworks by Kamil Pisar
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          Voćnjak u cvetu, Лувесиен

          Voćnjak u cvetu, Лувесиен (1872) — Kamil Pisar
          1872 · National Gallery of Art, Washington

          Otkrijte Pissarro-ov „Voćnjak u cvetu“ – zadivljujuću impresivnu pejzažnu sliku sa voćnjacima u prolećju. Istražite njegove slobodne poteze i mirnu lepotu.

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          No. 22 of 1.554 artworks by Kamil Pisar
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          The Jallais Hills, Pontoise

          The Jallais Hills, Pontoise (1867) — Kamil Pisar
          1867 · Metropolitan Museum of Art, New York

          A serene Impressionist landscape capturing the sun-drenched hills of Pontoise by Camille Pissarro invites you to experience the tranquil beauty of 1867 through this exquisite masterpiece for your private collection.

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          No. 23 of 1.554 artworks by Kamil Pisar
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          Тржниште пилета код Понтоа

          Тржниште пилета код Понтоа (1882) — Kamil Pisar
          1882

          Уживајте у прецизној репродукцији слике Камилла Писароа „Тржниште пилета код Понтоа“, шема из 1882. године, у Нортон Симон музеју и откријте суштину импресионистичке технике и живописне сцене руског тржишта.

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          No. 24 of 1.554 artworks by Kamil Pisar
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          Cowherds, Bazincourt

          Cowherds, Bazincourt (1890) — Kamil Pisar
          1890

          Experience the serene beauty of Camille Pissarro's 'Cowherds, Bazincourt.' This iconic 1890 oil painting captures rural life with vibrant colors & masterful brushstrokes. Own a stunning reproduction today!

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          The artist

          Kamil Pisar

          1830 – 1903

          Portret Kamil Pisar
          Osnovne informacije
          • Top-ranked workБулвар Монмартр ноћу
          • Best occasionsakcentni element
          • Museums on APSMuzej d'Orsej, Art Gallery of New South Wales, Fine Arts Museums of San Francisco, Nacionalna galerija Viktorije, Art Institute of Chicago
          • Typical colorszemljasti tonovi, neutralne boje
          • Movementsimpressionism
          • Gift suitabilitygodišnjica
          • Topics exploredimpressionism, landscape, camille pissarro, rural scene, trees
          • Died1903
          Biography

          Early Life, Family and Training

          Camille Pissarro enters the world on July 10, 1830, in Charlotte Amalie, Saint Thomas. His origins are a convergence of identities. His father, Frederick Abraham Gabriel Pissarro, is a man of Portuguese Jewish descent holding French nationality. His mother, Rachel Manzano-Pomié, brings a French-Jewish lineage with Provençal roots to the household. This diverse background shapes a childhood far from the French mainland, set against the backdrop of the Danish West Indies.

          The pull toward Paris eventually dictates his path. After early training at the Savary Academy in Passy, near Paris, the focus shifts toward formal academic rigor. He moves through the halls of the École des Beaux-Arts and the Académie Suisse. The training is not merely theoretical; it is a direct encounter with the giants of the era. He studies under Gustave Courbet and Jean-Baptiste-Camille Corot, absorbing the foundations of realism and the burgeoning interest in the natural world. By 1861, he is a registered copyist in the Musée du Louvre, working among the shadows of the masters he seeks to emulate.

          Artistic Development and Style

          The transition from academic tradition to the open air marks a fundamental shift in his approach. He moves away from the stifling constraints of formal training to embrace plein air painting, working directly from nature to capture the immediate sensations of the landscape. This commitment to the outdoors necessitates a new technical language. He begins applying oil on canvas with visible, textured strokes, abandoning the smooth finish of the academies. His palette brightens, utilizing separate patches of unmixed pigments to build up color. By the first half of the 1870s, his compositions appear firmly controlled, maintaining a structural integrity even as his brushwork becomes more expressive.

          The search for new ways to render light leads to radical experimentation. He moves beyond the traditional application of paint to explore the delicate possibilities of pastel, layering thin washes of pigment onto paper to achieve subtle gradations of tone. This curiosity extends into his later years when he engages with Neo-Impressionism. Influenced by the methods of Georges Seurat and Paul Signac, he adopts pointillist techniques, utilizing regulated, comma-like brushstrokes to build his surfaces. This period demonstrates a willingness to abandon his established methods in favor of scientific precision and new optical effects.

          The Impressionist Circle and Mentorship

          The Impressionist movement is often viewed as a collection of fractured, competing egos, but Pissarro provides the glue. Between 1874 and 1886, he exhibits at all eight Paris Impressionist exhibitions, maintaining a steady presence while others drifted or clashed. He is the stabilizing force in a circle defined by internal disagreements. While the group navigates the friction of radical new ideas, Pissarro remains a constant, providing a sense of camaraderie that keeps the movement from splintering entirely.

          His influence extends into the studios of the next generation. He acts as a mentor to Paul Cézanne, Vincent van Gogh, and Paul Gauguin, offering the technical and philosophical guidance they require to find their own paths. The connection with Cézanne is particularly intense; the two artists often work side by side, sometimes painting the exact same subjects to test the limits of space and color. They experiment together, regulating their brushstrokes and restricting their palettes in a shared search for a new visual language.

          Personal stability also anchors his life away from the Parisian ferment. In 1871, he marries Julie Vellay, a vine-grower's daughter from Burgundy, in London. This connection to the land and the working class informs the quiet, rhythmic pulse of his social outlook. He does not merely observe the landscape; he builds a community of artists around the act of seeing.

          Key Works and Subjects

          Pissarro moves between the quietude of the countryside and the shifting energy of the city. He captures the rhythm of everyday life, often focusing on the labor of peasants working in open fields. In 1867, he produced The Jallais Hills, Pontoise, a work that looks toward the landscapes of his frequent subjects. By 1872, his gaze turned to the architecture of the outskirts in The House of Monsieur Musy, Route de Marly, Louveciennes.

          The artist also turns his attention to the intimate and the individual. In 1874, he painted a Portrait of Paul Cezanne. His experimentation with medium is evident in the 1876 Portrait of Eugenie Estruc, a pastel on paper measuring 31 x 21 cm. This work utilizes thin washes of pigment to achieve a soft, diffused light across the subject's features. Later, in 1882, he documented the social pulse of a local market in The Poultry Market at Pontoise.

          Legacy and Influence

          The revolution of modern art finds its structural core in Pissarro’s insistence on the plein air method. By moving the easel from the controlled studio to the unpredictable outdoors, he fundamentally altered how landscape art is perceived. This commitment to capturing the immediate, fleeting effects of light and atmosphere changed the trajectory of painting. He did not merely observe the landscape; he sought to record the very sensations of the natural world through a textured, rhythmic application of pigment.

          His influence operates through a direct lineage of mentorship. He provided the philosophical and technical framework that allowed younger, more volatile talents to find their footing. Without his stabilizing presence and willingness to experiment—even venturing into the pointillist techniques of Neo-Impressionism—the development of Post-Impressionism might have taken a different shape. He bridged the gap between the structured realism of the past and the radical, subjective expressions of the future.

          Today, his presence is felt in the permanent collections of major museums across the globe. His canvases remain essential for understanding the shift toward modernism. His works are held in:

          • Musée d'Orsay, Paris
          • Metropolitan Museum of Art, New York
          • National Gallery of Art, Washington
          • Ashmolean Museum, Oxford
          • Art Institute of Chicago

          Where to See the Works Today

          The weight of Pissarro's influence is felt most heavily in Paris. The Musée d'Orsay holds the largest concentration of his output, with 23 works preserved within its walls. Here, the evolution of his brushwork remains visible, from the structured compositions of his early years to the more liberated, textured surfaces of his later period. Visitors can find his depictions of the French countryside and the shifting light of the Seine, including works like Red Roofs, Corner of a Village, Winter from about 1877.

          Across the Atlantic, the Metropolitan Museum of Art in New York maintains a significant presence of his vision, housing 14 works. This collection allows for a direct comparison of his stylistic shifts, such as the transition from his more traditional landscapes to the experimental textures of his Neo-Impressionist phase. In the United States, the National Gallery of Art in Washington holds 6 works, while the Art Institute of Chicago preserves 5. These pieces often focus on the quiet dignity of rural labor and the atmospheric qualities of the French landscape.

          The reach of his canvases extends into the United Kingdom and beyond. The Ashmolean Museum in Oxford contains 6 of his paintings, offering a window into the specific light and color he sought to capture through plein air observation. His presence in these global institutions ensures that his commitment to the ephemeral qualities of nature remains accessible to those studying the development of modern painting.

          • The Jallais Hills, Pontoise (about 1867)
          • Portrait of Paul Cezanne (1874)
          • Apple Picking at Eragny-sur-Epte (1888)
          • The Poultry Market at Pontoise (1882)
          • Self Portrait (1903)

          Pitanja i odgovori

          Koliko je umetničkih dela autora Kamil Pisar dostupno u katalogu?

          Možete pregledati 1554 umetnička dela dela umetnika Kamil Pisar na stranici Sva umetnička dela.

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          Dostupna je Statistika stranica za Kamil Pisar, koja prikazuje statistiku o umetnikovim delima na ovaj sajt.

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          Sva dela umetnika Kamil Pisar na ovaj sajt možete pregledati na njegovoj/njenoj stranici sa Sva umetnička dela.

          Autor: Uredništvo ArtsDot.com Ažurirano dana 14. октобар 2026.
          Kamil Pisar
          Kviz za kolekcionare
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          4. Koji je bio nadimak Kamila Pisara unutar impresionističke grupe?

          5. U kom gradu se Kamil Pisar registrovao kao kopista u Luvru 1861. godine?

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