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Ukratko
Najpoznatije delo umetnika Alessandro Milesi je Silent Hours (1893). Možete ga pronaći u muzeju Bavarske državne slikopisne kolekcije u gradu Minhen. U našem katalogu se nalazi 2 dela umetnika Alessandro Milesi; ovaj vodič izdvaja 2 najpoznatijih, uz godinu nastanka, muzej i priču o svakom delu.
2 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Alessandro Milesi | Slike iz ovog spiska |
|---|---|---|---|
 Bavarske državne slikopisne kolekcije |
Minhen | 1 | Silent Hours |
 Brooklyn Museum |
Brooklyn | 1 | Market Scene in Venice |
1893–1894: svako datirano delo umetnika Alessandro Milesi ovde obuhvata samo 2 godina. Pregledajte ih godinu po godinu.
Izaberite godinu da biste videli njena dela.
Na vrhu liste je Silent Hours (1893).
37 godina. Alessandro Milesi je rođen/a 1856, a delo Silent Hours datira iz 1893.
U našem katalogu imamo 2 dela umetnika Alessandro Milesi, datiranih od 1893 do 1894.
Većinu njih možete pronaći u Bavarske državne slikopisne kolekcije (Minhen) i Brooklyn Museum (Brooklyn). Na spisku muzeja iznad nalazi se detaljan pregled.
Najstarije delo ovde je Silent Hours (1893); najnovije je Market Scene in Venice (1894).
Da. Svaka slika na ovoj stranici dostupna je kao ručno slikano ulje na platnu ili kao štampa, u veličini koja vam odgovara. Samo otvorite stranicu slike da biste izvršili porudžbinu.
Venice, 1856. A child is born into the heart of a city defined by water and light. Alessandro Milesi begins his formal training at the Venice Academy of Fine Arts, entering the studio of Napoleone Nani in 1869. The years between 1869 and 1874 are marked by rigorous study under Nani, a period that eventually leads him away from his birthplace to follow his master to Verona. This movement through the Italian landscape shapes his early vision.
In 1876, the path leads back to Venice. The city becomes more than a setting; it becomes the primary subject of his brush. He does not seek the grand historical narratives of the past but focuses instead on the pulse of everyday Venetian life. His work carries the weight of the tradition established by Giacomo Favretto, yet he integrates the fresh perspectives offered by Ettore Tito and Cesare Laurenti.
The late nineteenth century brings recognition through the national stages of Milan and Venice. In 1881, his presence is felt at the Milan exhibitions, followed by a significant showing in Venice in 1887. The reach of his talent extends far beyond the Adriatic coast. At the Boston International Exhibition of 1890, he receives a gold medal, an achievement that signals his arrival on the international stage.
His career is defined by a long-standing relationship with the Venice Biennale. From 1895 to 1935, Milesi participates in every single edition of this prestigious event. The milestones of his later years include:
As the new century unfolds, Milesi shifts his focus toward the faces of a changing society. He captures the Venetian middle classes with a precision that documents the era. His subjects are not mere figures in a landscape but individuals with specific roles in the city's social fabric. He turns his attention to:
These portraits provide a window into the cultural life of Venice during his lifetime. Through these depictions, he maintains a connection to the human element of the city, even as the decades pass toward 1945.
