Portret Taras Ševčenko

Vaš vodnik po 58 najbolj znanih slikah avtorja Taras Ševčenko

Posodobljeno oktober 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 58 del v našem katalogu avtorja Taras Ševčenko

Kratek opis

Najbolj znano delo umetnika Taras Ševčenko je The death of Bohdan Khmelnytsky (1837). Na seznamu sta še Vydubychi Monastery in Kyiv (1844) in Self-Portrait (1852). V našem katalogu imamo 58 del avtorja Taras Ševčenko; ta vodnik izpostavlja 58 najbolj znanih del, vključno z letom nastanka, muzejem in zgodbojo vsake slike.

1814 – 1861, Moryntsi Romanticism Največ del: Taras Shevchenko National Museum

10 slik umetnika Taras Ševčenko, ki jih morate najprej poznati

Štila od 11 do 58: več slik avtorja Taras Ševčenko

11Self-portrait (1860) avtorja Taras ŠevčenkoSelf-portrait1860 · National Art Museum of Ukraine 12Architectural project of private house. Side facade. (1860) avtorja Taras ŠevčenkoArchitectural project of private house. Side facade.1860 13Architectural project of private house. Main facade. (1860) avtorja Taras ŠevčenkoArchitectural project of private house. Main facade.1860 14Self-portrait of Shevchenko (winter 1840/1841) (1841) avtorja Taras ŠevčenkoSelf-portrait of Shevchenko (winter 1840/1841)1841 · Taras Shevchenko National Museum 15Life Model (1838) avtorja Taras ŠevčenkoLife Model1838 · Taras Shevchenko National Museum 16Self-Portrait (1861) avtorja Taras ŠevčenkoSelf-Portrait1861 · Taras Shevchenko National Museum 17Portrait of Anna Zakrevska (1843) avtorja Taras ŠevčenkoPortrait of Anna Zakrevska1843 18Portrait of Victor Zakrevsky (1843) avtorja Taras ŠevčenkoPortrait of Victor Zakrevsky1843 · Taras Shevchenko National Museum 19The Moonlit Night at Kos-Arali (1850) avtorja Taras ŠevčenkoThe Moonlit Night at Kos-Arali1850 · Taras Shevchenko National Museum 20Chigirin viewed  from Subotovsky (1845) avtorja Taras ŠevčenkoChigirin viewed from Subotovsky1845 21Church of the Intercession in Pereslavl (1838) avtorja Taras ŠevčenkoChurch of the Intercession in Pereslavl1838 22In Vasilivka (1838) avtorja Taras ŠevčenkoIn Vasilivka1838 23In V'unisch (1838) avtorja Taras ŠevčenkoIn V'unisch1838 24Rural cemetery (1838) avtorja Taras ŠevčenkoRural cemetery1838 25Pochaiv Cathedral (interior view) (1846) avtorja Taras ŠevčenkoPochaiv Cathedral (interior view)1846 · Taras Shevchenko National Museum 26Pochayiv Lavra from south (1846) avtorja Taras ŠevčenkoPochayiv Lavra from south1846 · Taras Shevchenko National Museum 27Pochayiv Lavra from west (1846) avtorja Taras ŠevčenkoPochayiv Lavra from west1846 · Taras Shevchenko National Museum 28unknown portraits (1838) avtorja Taras Ševčenkounknown portraits1838 29Portrait of an unknown with necklace (1838) avtorja Taras ŠevčenkoPortrait of an unknown with necklace1838 · Taras Shevchenko National Museum 30Portrait of an unknown (1838) avtorja Taras ŠevčenkoPortrait of an unknown1838 · Taras Shevchenko National Museum 31Portrait of a girl with a dog (1838) avtorja Taras ŠevčenkoPortrait of a girl with a dog1838 32Portrait of P.V. Engelhardt (1833) avtorja Taras ŠevčenkoPortrait of P.V. Engelhardt1833 · Taras Shevchenko National Museum 33Portrait of Nikolai Alexandrovich Lunin (1838) avtorja Taras ŠevčenkoPortrait of Nikolai Alexandrovich Lunin1838 · Taras Shevchenko National Museum 34Portrait of Catherine Abaza Shevchenko (1837) avtorja Taras ŠevčenkoPortrait of Catherine Abaza Shevchenko1837 · Taras Shevchenko National Museum 35Portrait of Gorlenko avtorja Taras ŠevčenkoPortrait of GorlenkoNarodni umetniški muzej Ukrajine 36Portrait of Anton Ivanovich (1838) avtorja Taras ŠevčenkoPortrait of Anton Ivanovich1838 · Taras Shevchenko National Museum 37Report (1838) avtorja Taras ŠevčenkoReport1838 38On the bank (1838) avtorja Taras ŠevčenkoOn the bank1838 39Motryn Monastery (1845) avtorja Taras ŠevčenkoMotryn Monastery1845 40Kateryna (1842) avtorja Taras ŠevčenkoKateryna1842 · Taras Shevchenko National Museum 41St. Michael's Church in Pereslavl (1838) avtorja Taras ŠevčenkoSt. Michael's Church in Pereslavl1838 42Maria (1838) avtorja Taras ŠevčenkoMaria1838 · Taras Shevchenko National Museum 43Corner of Smolensk cemetery in St. Petersburg (1838) avtorja Taras ŠevčenkoCorner of Smolensk cemetery in St. Petersburg1838 · Taras Shevchenko National Museum 44Barn and stream (1838) avtorja Taras ŠevčenkoBarn and stream1838 45Oratory (1838) avtorja Taras ŠevčenkoOratory1838 46The Healer (1838) avtorja Taras ŠevčenkoThe Healer1838 · Taras Shevchenko National Museum 47Mother's Head (1838) avtorja Taras ŠevčenkoMother's Head1838 · Taras Shevchenko National Museum 48Bust of woman (1838) avtorja Taras ŠevčenkoBust of woman1838 · Taras Shevchenko National Museum 49Ascension Cathedral in Pereslavl (1838) avtorja Taras ŠevčenkoAscension Cathedral in Pereslavl1838 50View from the terrace around Pochayiv Lavra (1846) avtorja Taras ŠevčenkoView from the terrace around Pochayiv Lavra1846 · Taras Shevchenko National Museum 51The Willows in Andrusha (1845) avtorja Taras ŠevčenkoThe Willows in Andrusha1845 52In Hustyn: Church of Peter and Paul (1845) avtorja Taras ŠevčenkoIn Hustyn: Church of Peter and Paul1845 53In Dustin Traditional church (1845) avtorja Taras ŠevčenkoIn Dustin Traditional church1845 54Gate house, monastery, Nikolai (1838) avtorja Taras ŠevčenkoGate house, monastery, Nikolai1838 55Bohdan Khmelnytsky's Church in Subotiv (1845) avtorja Taras ŠevčenkoBohdan Khmelnytsky's Church in Subotiv1845 56Andrush (1845) avtorja Taras ŠevčenkoAndrush1845 57Self-portrait (1838) avtorja Taras ŠevčenkoSelf-portrait1838 · Taras Shevchenko National Museum 58At apiary (1843) avtorja Taras ŠevčenkoAt apiary1843 · Taras Shevchenko National Museum

Kje si lahko ogledate slike avtorja Taras Ševčenko

3 muzejev, ki vsebujo največ slik na tej strani.

Muzej Mesto Sloga Taras Ševčenko Slike iz tega seznama
Taras Shevchenko National Museum, KievTaras Shevchenko National Museum Kiev 26 Self-Portrait, Cathedral of the Annunciation in Nizhny Novgorod, Archangel Cathedral in Nizhny Novgorod
National Art Museum of Ukraine, KievNational Art Museum of Ukraine Kiev 1 Self-portrait
Narodni umetniški muzej Ukrajine, KyivNarodni umetniški muzej Ukrajine Kyiv 1 Portrait of Gorlenko

Dekada za dekado: najbolj znano delo umetnika Taras Ševčenko iz vsakega obdobja

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Taras Ševčenko: hitri odgovori o slikah

Katero je najbolj znano sliko umetnika Taras Ševčenko?Poglejte odgovor

Na vrhu liste je The death of Bohdan Khmelnytsky (1837). Takoj za njim sta Vydubychi Monastery in Kyiv (1844) in Self-Portrait (1852).

Koliko je bil Taras Ševčenko let, ko je ustvaril The death of Bohdan Khmelnytsky?Poglejte odgovor

Starosti 23 let. Taras Ševčenko se je rodil(a) leta 1814, njegovo/njino delo The death of Bohdan Khmelnytsky pa izvira iz leta 1837.

Kakih 10 najboljjših slik ima Taras Ševčenko?Poglejte odgovor

The death of Bohdan Khmelnytsky, Vydubychi Monastery in Kyiv, Self-Portrait, Aulia-Tau, Valley on the Khiva road, Cathedral of the Annunciation in Nizhny Novgorod, Mezhyhirya Monastery, Catholic Church of St. Alexander, Archangel Cathedral in Nizhny Novgorod in Architectural project of private house. Plan.. Leto in muzej vsakega dela boste našli v zgornjem seznamu.

Koliko del umetnika Taras Ševčenko je v vašem katalogu?Poglejte odgovor

V našem katalogu je 58 del umetnika Taras Ševčenko, datiranih od 1833 do 1861.

V katerih muzejih lahko vidite znana dela umetnika Taras Ševčenko?Poglejte odgovor

Večino njih boste našli v Taras Shevchenko National Museum (Kiev), National Art Museum of Ukraine (Kiev) in Narodni umetniški muzej Ukrajine (Kyiv). Na seznamu muzejev zgoraj je naveden celoten pregled.

Kdaj je Taras Ševčenko ustvaril svoja najbolj znana dela?Poglejte odgovor

V obdobju 1830s, bolj kot koli drugič: 27 od 58 del na tej strani izvira iz tega obdobja, med katerimi je The death of Bohdan Khmelnytsky.

Kateri sta prva in zadnja znana dela umetnika Taras Ševčenko?Poglejte odgovor

Najstarejše delo tukaj je Portrait of P.V. Engelhardt (1833); najsodobnejše je Self-Portrait (1861).

Za kateri slog ali umetniški pravec je znan(a) Taras Ševčenko?Poglejte odgovor

Romanticism, kot lahko vidite v delih na tej strani.

Katera slavna slika umetnika Taras Ševčenko se nahaja v muzeju Taras Shevchenko National Museum?Poglejte odgovor

Na tej strani lahko v muzeju Taras Shevchenko National Museum, Kiev vidite 26 dela, vključno s作品ami Self-Portrait, Cathedral of the Annunciation in Nizhny Novgorod in Archangel Cathedral in Nizhny Novgorod.

Kje lahko naročim reprodukcijo Taras Ševčenko?Poglejte odgovor

Da. Vsaka slika na tej strani je na voljo kot ročno slikano oljno reprodukcijo ali tiskano kopijo v velikosti, ki vam ustreza. Za naročilo le odprite stran slike.

Zgodba umetnika Taras Ševčenko

A Life Etched in Poetry and Paint: The World of Taras Shevchenko

Taras Hryhorovych Shevchenko, a name synonymous with Ukrainian identity and resilience, was more than just an artist or a poet—he was the embodiment of a nation’s yearning for freedom. Born into serfdom in 1814 in the humble village of Moryntsi, Ukraine, his early life was steeped in hardship, yet illuminated by an innate artistic talent that would ultimately transcend his circumstances and ignite a cultural awakening. The weight of oppression bore down on young Taras; he lost his mother at seven and his father eight years later, experiences that indelibly marked his sensibility and fueled the poignant social commentary woven throughout his life’s work. His initial exposure to art came through apprenticeships with local icon painters, laying the foundation for a technical skill that would blossom under formal training. This early period wasn't merely about mastering technique; it was an immersion into Ukrainian folklore, religious imagery, and the visual language of his people—elements that would become cornerstones of his artistic expression.

From Serfdom to St. Petersburg: The Flowering of a Genius

Shevchenko’s path took a pivotal turn when he was sent to Kyiv for education, first at the Grammar School and then the Theological Seminary. However, these institutions proved ill-suited to his artistic spirit. Fate intervened through the patronage of several individuals who recognized his exceptional talent. This led to his liberation from serfdom in 1838—a watershed moment achieved through a lottery where the prize was a portrait by Karl Bryullov. This freedom unlocked access to the prestigious Imperial Academy of Arts in St. Petersburg, where he studied under Karl Brück. Here, Shevchenko wasn’t simply absorbing artistic techniques; he was engaging with the broader European art scene, encountering Romanticism and Realism, styles that would subtly influence his own developing aesthetic. His work began to blend traditional Ukrainian themes with a modern sensibility, foreshadowing the unique voice he would soon project through both brushstrokes and verse. During this period, he honed his skills in painting, etching, and drawing, demonstrating a remarkable versatility that set him apart.

The Poet of Ukraine: *Kobzar* and the Voice of a Nation

While Shevchenko excelled as an artist, it was through poetry that he truly captured the soul of Ukraine. The publication of *Kobzar* in 1840 marked a turning point not only in his career but also in Ukrainian literature itself. This collection wasn’t merely a compilation of poems; it was a declaration of national identity, a lament for past injustices, and a call for future liberation. The verses resonated deeply with the Ukrainian peasantry, articulating their struggles under serfdom and igniting a sense of collective consciousness. *Kobzar* became a symbol of resistance and hope, circulating widely despite censorship attempts by the Tsarist regime. Beyond *Kobzar*, Shevchenko’s artistic output continued to reflect his deep connection to Ukraine—paintings depicting rural life, historical events, and portraits that captured the spirit of his people. Works like “Architectural project of private house. Main facade” and "Cathedral of the Annunciation in Nizhny Novgorod" demonstrate a range beyond purely nationalistic themes, showcasing his architectural interests and technical skill. His monochrome illustration, “The Death of Bohdan Khmelnytsky,” stands as a powerful example of his mastery of realism and etching, depicting a pivotal moment in Ukrainian history with profound emotional depth.

Exile, Resilience, and Enduring Legacy

Shevchenko’s outspoken criticism of the Tsarist regime and involvement with the Petrashevsky Circle—a group advocating for political reform—led to his arrest in 1847 and a decade-long exile to Central Asia. This period was marked by immense hardship; he was forbidden from writing or painting, subjected to harsh conditions, and constantly monitored. Yet, even in the face of such oppression, Shevchenko’s spirit remained unbroken. He continued to sketch secretly, documenting his surroundings and preserving his artistic vision. His exile became a symbol of Ukrainian suffering under Russian rule, further solidifying his status as a national hero. Upon his premature release due to failing health, he returned to St. Petersburg only to succumb to illness in 1861 at the age of 47. His death was mourned throughout Ukraine and beyond. Today, Taras Shevchenko is revered as a foundational figure in Ukrainian literature and art. Numerous museums and memorials—including the Taras Shevchenko National Museum in Kyiv and the Tereshchenko Museum—are dedicated to preserving his legacy. His works continue to inspire generations of artists, writers, and activists, ensuring that his voice—a voice forged in hardship and fueled by a deep love for Ukraine—will resonate for centuries to come. The recent creation of a Taras Shevchenko AI chatbot is a testament to the enduring power of his ideas and the ongoing commitment to sharing his work with new audiences.

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