Posodobljeno oktober 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 18 del v našem katalogu avtorja Robert Tournières
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Če poznate eno sliko avtorja Robert Tournières, je to verjetno Pomona (1739), ki je razpostavljena v muzeju Nationalmuseum, Stockholm. Portrait of an Old Man (Guillaume de Lisle?) (1700) in Michel Corneille l'Aîné (1642-1708) (1702) dopolnjujeta tri dela, ki jih ljudje takoj prepoznajo. Naš katalog vsebuje 18 del avtorja Robert Tournières. Spodaj je 16 najbolj znanih del, vsako z letom nastanja, informacijo o tem, kje je zasnovano in kaj ga dela posebnega.
The artwork titled Pomona is a painting by the French artist Robert Tournières. This specific composition is a copy after the work of Aert de Gelder. The piece is dated to 1739.
A Glimpse of Aristocratic Life: Robert Le Vrac de Tournières’ “Count Ferdinand Adolf von Plettenberg and His Family” Robert Le Vrac de Tournières' 1727 painting, "Count Ferdinand Adolf von Plettenberg and His Family," is more than just a portrait; it’s a meticulously crafted window into the refined world of 18th-century European aristocracy. The scene unfolds within a richly appointed interior – likely a salon or drawing room – dominated by…
Robert Le Vrac de Tournières: Bridging Dutch Intimacy and Rococo Elegance Robert Le Vrac de Tournières (1667–1752) stands as an intriguing figure in the annals of French Baroque painting, embodying a pivotal transitional period where influences from the Netherlands intertwined with the burgeoning stylistic sensibilities of the Rococo era. Unlike many contemporaries who adhered rigidly to established conventions, Tournières skillfully blended elements of Dutch genre scenes—characterized by their candid portrayal…
Četiri teme, ki se v teh delih najpogosteje pojavljajo, vsaka z svojim najbolj znanim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Robert Tournières | Slike iz tega seznama |
|---|---|---|---|
 Nationalmuseum |
Stockholm | 1 | Pomona |
 Opera House |
Versailles | 1 | Michel Corneille l'Aîné (1642-1708) |
 Birmingham Museum and Art Gallery |
Birmingham | 1 | Portrait of Richard (Dicky) Bateman |
 Musée des Beaux-Arts de Dijon |
Dijon | 1 | Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain (1643-1727) |
 Muzej lepih umetnosti |
Budimpešta | 1 | Count Ferdinand Adolf von Plettenberg and his Family |
 Louvre |
Pariz | 1 | Concert |
 Ermitaž |
Sankt Peterburg | 1 | Portrait of Unknown Woman as Hebe |
 Musée d'Arts de Nantes |
Nantes | 1 | Portrait of the Maupertuis family |
Izberite desetletje, da si ogledate njegovo najboljše delo.
Robert Le Vrac de Tournières: Bridging Dutch Intimacy and Rococo Elegance Robert Le Vrac de Tournières (1667–1752) stands as an intriguing figure in the annals of French Baroque painting, embodying a pivotal transitional period where influences from the Netherlands intertwined with the burgeoning stylistic sensibilities of the Rococo era. Unlike many contemporaries who adhered rigidly to established conventions, Tournières skillfully blended elements of Dutch genre scenes—characterized by their candid portrayal…
The artwork titled Pomona is a painting by the French artist Robert Tournières. This specific composition is a copy after the work of Aert de Gelder. The piece is dated to 1739.
Na vrhu liste je Pomona (1739), Nationalmuseum, Stockholm. Takoj za njim sta Portrait of an Old Man (Guillaume de Lisle?) (1700) in Michel Corneille l'Aîné (1642-1708) (1702).
Starosti 72 let. Robert Tournières se je rodil(a) leta 1667, njegovo/njino delo Pomona pa izvira iz leta 1739.
Pomona, Portrait of an Old Man (Guillaume de Lisle?), Michel Corneille l'Aîné (1642-1708), Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain, Portrait of Richard (Dicky) Bateman, Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain (1643-1727), Dibutade Drawing, by the Light of a Lamp, the Portrait of His Lover, Count Ferdinand Adolf von Plettenberg and his Family, Concert in Pierre Louis Moreau de Maupertuis. Leto in muzej vsakega dela boste našli v zgornjem seznamu.
V našem katalogu je 18 del umetnika Robert Tournières, datiranih od 1690 do 1750.
Večino njih boste našli v Nationalmuseum (Stockholm), Opera House (Versailles) in Birmingham Museum and Art Gallery (Birmingham). Na seznamu muzejev zgoraj je naveden celoten pregled.
V obdobju 1700s, bolj kot koli drugič: 2 od 16 del na tej strani izvira iz tega obdobja, med katerimi je Portrait of an Old Man (Guillaume de Lisle?).
Najstarejše delo tukaj je Concert (1690); najsodobnejše je Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain (1643-1727) (1750).
Portraits (3) in Portraiture (2) od 16 del na tej strani.
Oil On Canvas, uporano v 3 od 16 del na tej strani.
Rococo, kot lahko vidite v delih na tej strani.
Da. Vsaka slika na tej strani je na voljo kot ročno slikano oljno reprodukcijo ali tiskano kopijo v velikosti, ki vam ustreza. Za naročilo le odprite stran slike.
Robert Le Vrac de Tournières was born in Caen, France, in 1667. His artistic journey began with studies under Lucas Delahaye, a respected painter of the time. He further honed his skills under the tutelage of Bon Boullogne and Rigaud, both prominent figures in French painting, setting the stage for a successful career.
Tournières’ artistic style reflects a fascinating transitional period within French art. He skillfully blended elements of Dutch intimacy – particularly evident in his genre scenes – with the emerging lightness and elegance that would come to define the Rococo style. His palette was noted for its delicate coloring, and he demonstrated a keen talent for capturing both pose and drapery. While not considered among the most powerful painters of his era, critics acknowledged his careful technique and refined execution.
Tournières achieved significant recognition during his lifetime, being received into the Académie royale de peinture twice. The first acceptance in 1702 was based on his portraiture skills, specifically portraits of fellow artists Pierre Mosnier and Michel Corneille. His second reception in 1716, as a history painter, came with his work Invention of Drawing (1716), depicting a romantic scene illuminated by candlelight. Although many of his large-scale paintings have been lost to time, numerous smaller works survive, showcasing his mastery of detail and character portrayal.
Tournières was deeply influenced by Dutch masters such as Godfried Schalken and Gerard Dou, dedicating considerable study to their techniques. This influence is visible in his attention to light, shadow, and the intimate portrayal of everyday life. He also drew inspiration from his teachers, incorporating elements of their styles into his own unique approach.
In 1737, Tournières was promoted to professeur auxiliaire, further solidifying his position within the artistic community. He continued to exhibit successfully at the Salon of 1742. However, he returned to Caen in 1749 and ceased painting. His father, an engraver, had familial connections through marriage to François Lemoyne. Despite fading from active practice, Tournières left behind a considerable body of portraits that remain highly regarded and are found in notable collections today.
Robert Le Vrac de Tournières occupies an important place as a transitional figure in French art. He embodies the shift from the more formal Baroque style towards the lighter, more decorative Rococo aesthetic. His ability to synthesize Dutch realism with emerging French sensibilities makes his work particularly valuable for understanding the evolution of 18th-century painting.
