Posodobljeno oktober 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 4 del v našem katalogu avtorja Peter Parler
Kratek opis
Sliko, ki jo najbolj pozna Peter Parler, predstavlja Self-portrait (1379), ki jo lahko vidite v muzeju Katedrala Sv. Vida v mestu Praga. Takoj za tem sledita Head of Charles IV (1375) in Samoportret (1379). Od 4 del umetnika Peter Parler v našem katalogu so teh 4 najbolj znanih. Vsako od njih vključuje leto nastanka, muzej in kratek opis tistega, kar ga izpostavlja.
To look upon this relief is to encounter a man caught in a moment of quiet contemplation. Carved from stone around 1379, this bust offers a rare, intimate glimpse into the identity of Peter Parler. He presents himself not as a distant figure of authority, but as a man of flesh and bone, rendered with a startling degree of naturalism. The head is slightly tilted, a subtle movement that breaks…
A heavy silence resides in the gray stone of this bust. The face of Charles IV emerges from the material, a study in rigid dignity and the weight of a crown. Light falls across the brow, catching the deep-set eyes and the sharp, carved lines of a beard that seems to hold the dust of centuries. It is a portrait of a man who shaped a kingdom, rendered in the…
Peter Parlerjeva Samoportretja: Eleganca Železa in Človeške Duše Peter Parlerjev samoportret je izjemno umetniško delo, ki nam ponuja fascinanten pogled v življenje arhitekta in mojstra zgodnje renesanse. Izdelan leta 1379, je samoportret simbolično predstavljen kot monumentalna escultura postavljena v središče Starih bazilike Svete Vite v Pragi – struktura, ki je sama po sebi dokaz umetniške inovacije in pozornosti podrobnosti. Časovnica je izjemno pomembna, saj nam govori o prelisu med gotično…
Četiri teme, ki se v teh delih najpogosteje pojavljajo, vsaka z svojim najbolj znanim primerom.
2 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Peter Parler | Slike iz tega seznama |
|---|---|---|---|
 Katedrala Sv. Vida |
Praga | 3 | Self-portrait, Head of Charles IV, Samoportret |
 Katedrala sv. Vida |
Praga | 1 | Tomb of Ottokar II |
Od 1375 do 1379 obdobja, ki ga zastopljajo dela umetnika Peter Parler, obsegajo le 5 let. Podajte se na letni pregled njegovih najbolj znanih del.
Izberite leto in oglej njegova dela.
A heavy silence resides in the gray stone of this bust. The face of Charles IV emerges from the material, a study in rigid dignity and the weight of a crown. Light falls across the brow, catching the deep-set eyes and the sharp, carved lines of a beard that seems to hold the dust of centuries. It is a portrait of a man who shaped a kingdom, rendered in the…
To look upon this relief is to encounter a man caught in a moment of quiet contemplation. Carved from stone around 1379, this bust offers a rare, intimate glimpse into the identity of Peter Parler. He presents himself not as a distant figure of authority, but as a man of flesh and bone, rendered with a startling degree of naturalism. The head is slightly tilted, a subtle movement that breaks…
Več od 1379
Na vrhu liste je Self-portrait (1379), Katedrala Sv. Vida, Praga. Takoj za njim sta Head of Charles IV (1375) in Samoportret (1379).
Starosti 49 let. Peter Parler se je rodil(a) leta 1330, njegovo/njino delo Self-portrait pa izvira iz leta 1379.
V našem katalogu je 4 del umetnika Peter Parler, datiranih od 1375 do 1379.
Večino njih boste našli v Katedrala Sv. Vida (Praga) in Katedrala sv. Vida (Praga). Na seznamu muzejev zgoraj je naveden celoten pregled.
V obdobju 1379, bolj kot koli drugič: 2 od 4 del na tej strani izvira iz tega obdobja, med katerimi je Self-portrait.
Najstarejše delo tukaj je Head of Charles IV (1375); najsodobnejše je Self-portrait (1379).
Stone, uporano v 2 od 4 del na tej strani.
Na tej strani lahko v muzeju Katedrala Sv. Vida, Praga vidite 3 dela, vključno s作品ami Self-portrait, Head of Charles IV in Samoportret.
Da. Vsaka slika na tej strani je na voljo kot ročno slikano oljno reprodukcijo ali tiskano kopijo v velikosti, ki vam ustreza. Za naročilo le odprite stran slike.
In the heart of the Late Middle Ages, a period defined by soaring spires and profound devotion, Peter Parler emerged as one of the most influential architects and sculptors of his era. Born into a distinguished dynasty of master builders, he carried the weight of tradition while simultaneously forging a new, expressive language for European architecture. Known variously as Peter von Gemünd or Petr Parléř, his identity was inextricably linked to the Parler family, a lineage of craftsmen whose influence stretched across much of Central Europe. His journey began in the town of Schwäbisch Gmünd, Germany, where he received his early training, eventually leading him to work at significant medieval building sites including Strasbourg, Cologne, and Nuremberg.
The trajectory of Parler’s career reached its zenith when he moved to Prague, the capital of the Kingdom of Bohemia. Here, under the patronage of the Holy Roman Empire, he was able to realize a vision of architectural grandeur that would define the skyline of the city for centuries. His work at St. Vitus Cathedral stands as his most enduring legacy, a monumental achievement where he utilized complex networks of ribbed vaults to create an interior that seems to defy gravity. Through his engineering brilliance, the heavy stone walls appear light and ethereal, allowing for expansive windows that transform the cathedral into a vessel for celestial light.
Parler was not merely a builder of structures but a sculptor of profound emotional depth. His ability to breathe life into cold stone allowed him to bridge the gap between the rigid forms of earlier Gothic traditions and a more naturalistic, human-centric approach. This mastery is perhaps most intimately captured in his Self-Portrait, an evocative piece that offers a rare glimpse into the artist's own contemplative soul. In this work, one can observe the meticulous craftsmanship required to render the subtle textures of hair and the serene expression of a man deeply engaged with both his faith and his craft.
His sculptural contributions often complemented his architectural feats, creating a unified aesthetic experience within the sacred spaces he designed. Notable works such as the Head of Charles IV demonstrate his ability to capture individual character and royal dignity through the Late Gothic style. His achievements were not isolated incidents but part of a broader movement of artistic innovation that saw:
Through his hands, the stone became a chronicle of history, an enduring testament to the skill of the Parler family. His life's work remains etched in the very fabric of Europe, serving as a bridge between the medieval world and the burgeoning complexities of the later centuries.
