If you remember one Late Medieval artist, make it Simone Martini (1284–1344), the name behind Razkritje in dva svetniki and Maestà (Madonna with Angels and Saints). After that come Andrej Rubljov, Ambrogio Lorenzetti, Pietro Lorenzetti and Hubert Van Eyck. Our 99 picks go from Yuan Dynasty (born 1271) to Hubert Van Eyck (born 1366), from 20 countries.
APicked by the ArtsDot.com team
How we picked them. We list the artists our catalogue links to Late Medieval, from the most famous down. Artists born after 1955 that we cannot yet check on Wikidata are left out. The Wikipedia number shows in how many of our 32 languages Wikipedia writes about them.
ItalijanFrom SienaMednarodni gotikOn Wikipedia in 28 of 32 languages
Verjetno je bil učenec Duccia di Buoninsegna, vodilnega umetnika Siene, čiji vpliv je pomagal oblikovati zgodnje občutljivosti mladeniča, ki bo kasneje ponovno opredelil sienski slog. Leta 1324 se je porodil Giovanni, hčeri Memmo di Filippuccia.
RuskiFrom Velika moskovska kneževinaRuska ikona slikarstvoOn Wikipedia in 31 of 32 languages
Andrej Rubljev (ok. 1360 – ok. 1430) ostaja ena najbolj enigmatičnih in globoko vplivnih postav v zgodovini ruske umetnosti. Leta 1405 se je združil s Teofanom in Prokhorjem iz Gorodca pri okrasitvi katedrale Marijinega oznanjenja, kar je bil ključni trenutek v ruski slikarstvu ikon. Ikona Trojice: Verjetno njegovo najbolj slavno delo, ikona "Trojica" (ok. 1420–1428), je spomenik njegovemu umetniškemu geniju.
italijanskiFrom SienaSienese SchoolOn Wikipedia in 29 of 32 languages
Njegova zgodnja dela, kot je Madona z otrokom iz leta 1319, razkrivajo jasno dolgovanost bizantni tradiciji – ikonična frontalnost, uporaba zlatih ozadij in stilizirana sliknost postaci govorita o tem vplivu.
ItalijanskiFrom SienaPredrenaško obdobjeOn Wikipedia in 27 of 32 languages
Pietro Lorenzetti (okoli 1280 – 1348) predstavlja ključno osebnost v sienanski umetnosti, saj označuje globok prehod od gotikalskega formalizma do vzrastajočih humanističnih idealov zgodnje renesanse. Njegov rafiniran slog je močno oblikoval Lorenzettijevo estetično čutje, dokazi pa kažejo, da je svoje znanje izpiloval ob Martiniju, pri čemer je absorbiral natančno pozornost do podrobnosti in ekspresivno uporabo barv, ki so postali značilnost njegovega zrelega dela.
NizozemskiFrom MaaseikEarly NetherlandishOn Wikipedia in 20 of 32 languages
Rod v Maasiku okoli leta 1385 ali 1390 je bil del močne umetniške dinastije; njegove družinske vezi, vključno z znamenitim bratom Janom in 이러 sestrin ter bratov Lambertom in Margaret, so ustvarili tlorno kolo kreativnosti, ki bo za vedno spremenilo pot evropske slikarstva.
italijanskiFrom FirenceEarly RenaissanceOn Wikipedia in 23 of 32 languages
V živahnem, cvetočem vzduju Florenci v 14. stoletju, v obdobju, ki ga zaznamuje prehod iz srednjoveka v zgodnjo renesanso, se je Taddeo Gaddi pojavil kot mojster svetlobe, pripovedovanja in arhitekturnega veličastja. Kot eden najbolj izstopajočih učence legendarnega Giotta di Bondone, Gaddi ni le nedolžno prejela sloga; razširil je vizualni vidik svoje dobe.
italijanskiFrom FirenceGotika, early renesancaOn Wikipedia in 20 of 32 languages
Agnolo Gaddi, rojen v Florenci okoli leta 1350, zavzema fascinantno, ključno mesto v zgodovini italijanske slikarstva. Ni bil le eden izmed mnogih umetnikov; bil je naslednik močne umetniške linije, sin Taddea Gaddija, ki je sam bil predan in nadarjen učenec revolucionarnega Giotta di Bondone.
GrškiFrom KonstantinopelBizantinska ikonografijaOn Wikipedia in 22 of 32 languages
Rodjen v Konstantinopolju okoli leta 1340, čeprav je zaradi svojih poznejših dejavnosti pogosto povezan z Grčijo, je Teofanes bil ključna figura, ki je povezala zadnji cvetoboj Bizantije z razvijajočimi se tradicijami Rusije. Okoli leta 1395 je prišel v Novgorod, močno mestno državo znotraj Rusije, skupaj z Andrejem Rubljevom, še eno ikonično osebnostjo ruske pravoslavne umetnosti.
italijanskiFrom VenecijaBizantinski vpliv in gotička umetnostOn Wikipedia in 15 of 32 languages
Paolo Veneziano (ok. 1333 – 1358) stoji kot monumentalna figura v zgodovini benetčanske umetnosti, ki ga vseobčno prepoznavajo kot najpomembnejšega benetčanskega slikarja četrtega stoletja. Rod se je v umetniški liniji samega Venedica — njegov oče je bil priznan umetnik — in njegova kratka, a briljantna kariera se je zazadila z transformativnim obdobjem v evropskem slikarstvu.
ItalijanFrom SienaMednarodna gotikaOn Wikipedia in 17 of 32 languages
Lippo Memmi, rojen okoli leta 1291 v srcu Siene, je ključna osebnost prehoda od bizantinsko zasnovane srednjeveške umetnosti k razcvetni eleganci mednarodne gotike. Čeprav ga pogosto obravnavajo v povezavi s slavnim svakom in mentorjem Simonom Martinijem, sodobne raziskave vse bolj poudarjajo Memmijev izrazit umetniški glas in pomemben prispevek k 14. stoletni sijenski umetnosti.
ItalijanFrom ZevioGotička umetnostOn Wikipedia in 20 of 32 languages
Altichiero Da Zevio, rojen okoli leta 1330 v bližini mirnega mesta Zevio v Veroni, ni bil zgolj kronikar svetih dogodkov, temveč pionir venetanske gotike. Čeprav so biografične senca, ki obdsegajo njegove zgodnje leta, precej goste, so živahne freske, ki jih je pustil za sobą, svetlobni oken v njegov duh ustvarjalnosti.
ItalijanFrom ArezzoPovezava med Giottovo šolo in Siensko šoloOn Wikipedia in 16 of 32 languages
Born v družini florentanskih zlatarjev je imel svoje pravo ime Spinello Di Luca Spinelli, zgodovini pa je postal znan pod priimkom "Aretino", kar je nakazovalo na njegovo povezanost z mestom Arezzo. V svojih zgodnjih letih je delal v vročih delavnicah Florence, kjer je prispeval k monumentalnim delom, kot so freske v cerkvi Carmine in Santa Maria Novella.
ItalianFrom FirenceEarly RenaissanceOn Wikipedia in 17 of 32 languages
Bernardo Daddi, rojen v Florenci okoli leta 1290 in preminil leta 1348, predstavlja ključno figuro v prehodu iz pozne gotike v vzrastajočo italijansko renesanso. Galerija Uffizi v Florenci alberga pomembni triptih iz leta 1328, ki nudi očarljiv vpogled v njegove kompozicijske veščine in pripovedovalno moč. Enako izstopajo tudi "Mučjenje svetega Števana" v Vatikanu – predela, sestavljena iz osmih panelov, naslikanih okoli leta 1345.
Andrea Pisano (ok. 1290 – 1348 v Orvietu) stoji kot monumentalna figura v italijanski renesančni vokalni vtis, vendar je njegovo umetniško dedstvo neločljivo povezano s predhodno gotsko dobo in globoko oblikovano z revolucionarno vplivo Giotta di Bondone.
Niccolò di Tommaso, a name resonating softly within the annals of fourteenth-century Italian painting, emerged in Florence around 1346. A pivotal collaboration with Nardo di Cione around 1370 proved transformative.
KitajecFrom VušiŠtirje mojstri dinastije YuanOn Wikipedia in 15 of 32 languages
Ni Zan, eden najbolj znamenitih kitajskih slikarjev, se je rodil leta 1301 v bogato družino v mestu Wuxi. Kljub temu, da se je rodil že po smrti Kublai Khana, si je družina Ni Zana lahko privoščila zahtevno konfucijsko izobraževanje za njega. Ni Zan velja za enega izmed štirih mojstrov dinastije Yuan, ki stoji na istem ravni kot huang gongwang, wu zhen in wang meng.
Andrea di Cione, known to history by the evocative moniker Orcagna, stands as one of the most influential figures in Florentine art during the mid-14th century—a period marked by a fascinating confluence of Gothic and Late Gothic artistic traditions. Born around 1308 in the heart of Florence, he emerged from a family deeply rooted in the city's prestigious artisan culture.
ItalianFrom FlorenceGothic-Late GothicOn Wikipedia in 20 of 32 languages
The name Orcagna—a moniker bestowed upon him by local artisans—encompasses a remarkable figure in the history of Italian art: Andrea di Cione, a painter, sculptor, architect, and master craftsman who dominated the artistic landscape of Florence during the latter half of the 14th century. Orcagna’s early life remains shrouded in some mystery, though it is believed he apprenticed under the renowned sculptor Andrea Pisano.
Najprejji dokumentirani sled njegove prisotnosti se pojavi v florentanskih zapisih iz 17. oktobra 1346, kjer je naveden kot Johannes Jacobi de Commo med tujimi slikarji, bivalci v Toskani – kar služi kot dokaz magnetne moči, ki jo je Florence izvajala na umetnikih, ki so iskali nove priložnosti in cvetovit umetniški prostor.
ItalianFrom SienaGothic ArtOn Wikipedia in 14 of 32 languages
To traverse the hallowed halls of the Collegiata di San Gimignano is to encounter a ghost of the Trecento, an artist whose name, Barna da Siena, lingers in the air like incense in a medieval chapel. Known also as Berna di Siena, this figure remains one of the most tantalizing enigmas in the history of Italian art.
ChineseFrom HuzhouYuan Dynasty Landscape PaintingOn Wikipedia in 14 of 32 languages
Born in Wuxing, Zhejiang province – now Huzhou – around 1308, Wang Meng stands as a pivotal figure within the artistic landscape of the Yuan Dynasty (1271-1368). His life was marked by both privilege and profound misfortune; he descended from Zhao Mengfu, a prominent Song Dynasty official and artist, inheriting a lineage steeped in cultural significance.
Name: Cresques Abraham (his given name was actually Cresques, Abraham being his father's name). Background: Cresques was born into a Jewish family in Majorca, then part of the Crown of Aragon.
Yet, within this tradition flourished an artist of startling intensity and dramatic vision – Nicolas Bataille (c. 1330-1405). His tapestries, particularly the famed “Seven Seals” cycle now housed in the Saint-Nicolas du Chardonnet church in Paris, offer a window into a world grappling with anxieties about mortality, divine judgment, and the impending end times – a perspective rarely found in contemporary art.
ItalijanskiFrom BenetkeBizantinska umetnostOn Wikipedia in 11 of 32 languages
Letnik 1336 resoni v umetniški krajine Italije in je nedeljčkovito povezan z znamenito misterijo – Mestrom iz leta 1336. Rojen okoli leta 1301 in tragično preoblečen v letu 1379, je Mestrov kratka, vendar močna kariera pustila dediščino emocionalno napolnjenih narativov in izjemno podrobnih likov – delo, ki še danes vedno z očmi osvaja zgodovnike umetnosti.
Born around 1298 in Siena, Italy, and tragically dying sometime before 1331, his life spanned a period of immense artistic ferment – the very dawn of the Renaissance – and he left behind a remarkably small but intensely significant body of work.
ItalianFrom Colle di Val d'ElsaLate GothicOn Wikipedia in 18 of 32 languages
In the twilight of the Middle Ages and the dawn of the Italian Renaissance, few figures bridge the gap between the medieval workshop and the modern era as intimately as Cennino Cennini.
ItalianFrom SienaSienese paintingOn Wikipedia in 13 of 32 languages
Ugolino di Nerio, ime ki je v veliki meri izostalo iz glavnih zgodovinskih zapisov o umetnosti, predstavlja ključno figuro v razvijajoči se umetniški pokrajini Sieny in Florence v 1320ih letih. Njegove naročnine v Florenci, zlasti za bazilike Santa Maria Novella in Santa Croce okoli let 1317–1327, dokazują ta premik – aktivno je si želel vzpostaviti priznano mesto na florentinskem umetniškem trgu.
ItalianFrom SienaEarly RenaissanceOn Wikipedia in 13 of 32 languages
In the golden twilight of the Trecento, as the medieval world began to stir toward the light of the Renaissance, Taddeo di Bartolo emerged as a transformative force within the Sienese School.
Records indicate he apprenticed under Nerio di Binduccio around 1296, suggesting an established presence within Florence's artistic milieu by this pivotal moment – a contemporary of Giotto and deeply immersed in the stylistic currents shaping Sienese painting. The Arte dei Medici e Speziali recognized him as a member from 1312 to 1320, cementing his position as a respected craftsman amidst the city’s vibrant cultural landscape.
Born in Yingcheng (modern-day Yingxian County, Shandong Province) sometime during the late Yuan dynasty (1368-1407), he lived through a period of immense upheaval and transition – the fall of the Mongol-led Yuan and the establishment of the Ming. His most significant debt is undoubtedly to Wang Meng (1308-1383), one of the last great masters of the Yuan dynasty.
ItalianFrom SienaSienese SchoolOn Wikipedia in 12 of 32 languages
In the vibrant heart of the Sienese School, Andrea di Bartolo emerged as a master whose brush captured the profound spiritual intensity of his era. As the son and pupil of the prominent painter Bartolo di Fredi, Andrea’s artistic journey was deeply rooted in the traditions of his father's workshop.
Lorenzo di Bicci, born around 1350 in the heart of Florence, stands as a pivotal figure bridging the late Gothic traditions of his predecessors with the burgeoning naturalism that would define the early Renaissance.
BelgianFrom YpresEarly Netherlandish PaintingOn Wikipedia in 15 of 32 languages
In the twilight of the fourteenth century, a transformative energy began to pulse through the workshops of Flanders, signaling the end of the medieval era and the slow, luminous birth of the Northern Renaissance.
ItalijanskiFrom FlorencaFlorentinska šolaOn Wikipedia in 8 of 32 languages
Rano življenje in usposabljanje: Lorenzo so mu formative leti preživela v delavnici svojega očeta, Jacopa di Biccija—rznačevalca, čigove umetniške dejavnosti so napovedovale Lorenzin edinstven pristop. Članstvo v Gildiji sv. Sodobnosti s Agnolo Gaddijem in Corso di Jacopo so še izboljšali njegove veščine in ga izpostavili vpljivim umetniškim strujam.
ItalianFrom FlorenceVenetian RenaissanceOn Wikipedia in 12 of 32 languages
In the golden twilight of the Middle Ages, as the rigid structures of the Gothic era began to soften under the warmth of burgeoning humanism, there emerged a painter whose brush captured the very essence of spiritual devotion and intricate beauty.
Jean Pucelle remains one of the most captivating enigmas in the annals of medieval art, a figure whose name is whispered with reverence by those who study the delicate transition from the rigid structures of the Middle Ages to the burgeoning humanism of the Renaissance.
italijanskiFrom Firencetoskanska slikarstvoOn Wikipedia in 12 of 32 languages
Sredina štertnadestega stoletja v Firenci je bila obdobje neverjetnega cvetobja umetniškega talenta, in med njegovimi najpomembnejšimi akterji je stal Andrea Orcagna – slikar, kipar, arhitekt in administrator, katerega veselodata kariera je pustila neizbrisno sled v vizualni identiteti mesta.
ItalianFrom Piove di SaccoEarly Renaissance; Venetian painting; Gothic artOn Wikipedia in 12 of 32 languages
Guariento di Arpo (c. 1310–1370) stands as a monumental figure of the Trecento, acting as the essential bridge between the grounded, volumetric realism of Florence and the ethereal, ornamental splendor of the Venetian Gothic tradition. The foundations of Guariento’s genius were laid in the workshops of his contemporaries, where the shadows of masters like Giotto di Bondone and Giovanni Pisano loomed large.
ItalianFrom PratovecchioGothic & Early RenaissanceOn Wikipedia in 10 of 32 languages
The story of Giovanni del Biondo is one woven into the very fabric of 14th-century Florence, a period of profound transition where the rigid elegance of the Gothic tradition began to breathe with the nascent vitality of the Early Renaissance.
Claus Sluter (ok. 1350–1406) stoji kot eden najbolj vplivnih kiparov svojega obdobja, saj je označil ključno stičišče med gotičnimi in renesančnimi umetnostnimi tradicijami v severni Evropi. Vpis njegovega imena v register bruseljskega ceha kamnosežev okoli leta 1av 1379/1380 potrjuje njegovo profesionalno dejavnost in poudarja pomen vrhunskega krokarstva znotraj srednjovečne umetniške kulture.
He spent years immersed in Chinese culture, mastering calligraphy under the esteemed master Huang Shangu, absorbing the nuances of Song dynasty poetry, and engaging with the complex philosophies underpinning Zen Buddhism.
ItalianFrom FlorenceGothicOn Wikipedia in 7 of 32 languages
Born in Florence sometime between 1320 and 1330, he emerged from a family deeply rooted in artistic tradition—his three elder brothers, Andrea di Cione (Orcagna), Nardo di Cione, and Matteo di Cione—were themselves accomplished painters, establishing a lineage of creative excellence.
ItalianFrom SienaSienese SchoolOn Wikipedia in 13 of 32 languages
Rodjen v Sieni okoli leta 1330, ni bil le slikar; bil je most med dvema svetovoma. Do leta 1355 je uradno postal član Arte dei Maestri di Tavola e Dipinto, mejnik, ki mu je omogočil dostop do najpomembnejših sponzorskih mrež v Italiji. Ta profesionalna stabilnost mu je omogočila sodelovanje z drugimi svetlavci tistega obdobja, kot je bil Andrea Varga, pri monumentalnih projektih, kot je dekoracija katedrale v Sieni.
GermanFrom DortmundInternational Gothic soft styleOn Wikipedia in 13 of 32 languages
Born around 1370, von Soest emerged not merely as a local painter but as the preeminent Westphalian master of his era. His presence in Dortmund placed him at the heart of a cosmopolitan social circle, where he moved among the patrician elite, securing the patronage necessary to sustain a thriving workshop that would influence Northern European painting well into the late 15th century.
Tuthmosis, a name synonymous with the golden age of ancient Egypt, was born in Amarna around 1340 BC – a pivotal period marked by radical artistic and religious upheaval. Akhenaten, abandoning the established pantheon of Egyptian gods, moved the capital from Thebes to Amarna – a newly constructed city dedicated solely to Aten. Perhaps Tuthmosis’s most celebrated achievement is undoubtedly the magnificent Bust of Queen Nefertiti, completed around 1340 BC.
ItalianFrom ValmoreaItalian GothicOn Wikipedia in 13 of 32 languages
In the bustling streets of Florence, where the air was thick with the scent of fresh pigment and the echoes of a changing era, a painter named Giovanni di Jacopo di Guido da Caversaccio began to make his mark. Hailing from Lombardy, he arrived in Tuscany as a man seeking his fortune, appearing in the city's records as Johannes Jacobi de Commo.
GermanFrom MindenInternational GothicOn Wikipedia in 13 of 32 languages
Born in Minden, Germany, around 1345 and passing away in Hamburg circa 1415, Master Bertram remains a captivating figure within the history of European art. Often referred to as Meister Bertram or Master of Minden, he stands as a pivotal artist bridging the International Gothic style with the nascent trends of the early Renaissance in Northern Europe.
Agostino di Siena, born around 1285 in the heart of Tuscany, emerged as a pivotal figure in the transition from late Gothic to early Renaissance sculpture.
Ashikaga Yoshimitsu (September 25, 1358 – May 31, 1408) was the third shōgun of the Ashikaga shogunate, ruling Japan during the Muromachi period. Born in Kyoto as Haruō, he was the oldest surviving son of Ashikaga Yoshiakira. In 1379, Yoshimitsu initiated a significant reorganization of the gozan zen (Five Mountain Zen) establishment, solidifying its institutional framework.
In the twilight of the fourteenth century, a period defined by the transition from the rigid structures of the High Middle Ages to the burgeoning naturalism of the Early Netherlandish tradition, the name André Beauneveu emerges as a beacon of artistic innovation.
Often known to history through the mistaken identity of Jacopo Landino —a nomenclature born from the historical errors of Giorgio Vasari—this Florentine master navigated the delicate transition between the late Gothic tradition and the burgeoning sensibilities of the early Renaissance. The origins of his artistry are deeply rooted in the Florentine milieu, likely shaped by the influential circle surrounding the Master of St.
JaponskaFrom Provinca IseZen budizemOn Wikipedia in 12 of 32 languages
Musō Soseki, izstopajoča osebnost v japonski umetnosti in duhovnosti, se je rodil leta 1275, preminil pa je 20. oktobra 1351. Umetniško delovanje Musō Sosekija zaznamuje edinstvena zlitva duhovnosti in estetike.
ItalianFrom PisaGothic ArtOn Wikipedia in 11 of 32 languages
Francesco Traini (c. 1321 – c. 1365) stands as a singular figure in the artistic landscape of Tuscany during the tumultuous fourteenth century, primarily recognized for his monumental frescoes adorning the Camposanto Monumentale in Pisa and Bologna—works that encapsulate the anxieties and spiritual fervor born from the Black Death.
ItalianFrom BolognaInternational GothicOn Wikipedia in 12 of 32 languages
Vitale da Bologna, a name whispered through the corridors of art history as the definitive master of the Bolognese Gothic, emerged from the vibrant cultural landscape of 14th-century Italy to leave an indelible mark on the Early Renaissance.
Sheikh Zain al-Din, also known as al-Iraqi, stands as a fascinating figure in the history of Indian miniature painting—a Kurdish artist born in Erbil, Iraq around 1325 who flourished under the complex patronage system of British Raj.
Pere Serra, also known as Jaume Serra, stands as a compelling figure in the transition from the International Gothic style to the burgeoning Renaissance aesthetic within Catalonia. Born around 1357 and passing away in 1406, his life coincided with a period of significant artistic and cultural change across Europe, yet he maintained a distinctly Catalan sensibility throughout his career.
Rojeni na začetku 14. stoletja v Tenochtitlanu, srcu aztekskega imperija, so bili umetniški tradicije Aztekcev globoko zakoreninjene v dediščini prejšnjih mesoameriških civilizacij. Olmecci s svojimi kolosalnimi glavami in sofisticiranimi kalendarjskimi sistemi, Teotihuacanci, slavni po svojih masivnih piramidah in urbanem načrtovanju, ter Toltekci, majstri kovinjega in skulpture, so vsi prispevali k bogatem umetniškemu gobelju, ki ga so Aztekci preživeli.
Born in Taizhou, within the Zhejiang province of China, he was originally known by the name Zhu and also carried the moniker Nantang. His existence was deeply intertwined with the spiritual lineage of Zen Buddhism, as he sought enlightenment through the guidance of esteemed masters such as Guling Qingmao.
In the shimmering, maritime heart of the fourteenth century, a transformative era was unfolding within the lagoons of Venice, and at its center stood Paolo Veneziano. Often revered as the undisputed founder of the Venetian School, this master artist—also known by names such as Paolo da Venezia or Veneziano Paolo —did more than merely paint; he forged a visual identity for a rising maritime republic.
In the golden twilight of the Middle Ages, as the rigid structures of the Byzantine tradition began to soften under the burgeoning light of the Renaissance, there emerged a figure of profound architectural and decorative significance in the heart of Italy. Matteo di Ser Cambio, an artist whose name echoes through the halls of Perugia and Florence, served as a vital bridge between the medieval past and the humanist future.
Zhu Di was not a visual artist in the traditional sense, but rather the third emperor of China's Ming dynasty, known to history by his era name, the Yongle Emperor. Born in Nanjing, China, he rose from the position of Prince of Yan to become a formidable military leader and statesman.
Ferrer Bassa emerged from the artistic landscape of 14th-century Catalonia as a pivotal figure, bridging the gap between established Gothic traditions and the burgeoning Italianate styles that would reshape European painting. Born around 1285 in the small town of Avinyonet del Penedès, his early life remains shrouded in some mystery, yet the documented evidence reveals a trajectory marked by both diligent craftsmanship and royal favor.
ItalianFrom ModenaLate GothicOn Wikipedia in 15 of 32 languages
Precise details concerning his familial background are elusive, yet evidence suggests he belonged to a noble family engaged in mercantile pursuits—a circumstance that afforded him access to resources crucial for pursuing scholarly endeavors and honing artistic skills.
Jacopo d'Avanzi, a name resonating softly through the annals of the 14th-century Italian Renaissance, remains an artist shrouded in some mystery, often conflated with contemporaries like Jacopo de’ Bavozi. This environment undoubtedly played a crucial role in fostering d'Avanzi’s talent.
italijanskiFrom San Quirico d'OrciaNaturalizem, proto-renesancaOn Wikipedia in 10 of 32 languages
Njegovo življenje, čeprav tragično kratko, je priča za dramatično spremembo umetniških občutkov v Sieni, ki jo je v veliki meri poganjala njegova sodelovanja z mlajšim bratom, Ambrogiem Lorenzettijem, ter njihova vključnost v inovativne tehnike Giotta in Giovannija Pisana. Lorenzettijeva zgodnja kariera je delno zavita v skrivnost, vendar dokazi nakazujejo, da je oblikovalce leta preživel ob delu Simona Martinija v Assisiju.
ItalianFrom FlorenceEarly Italian painterOn Wikipedia in 14 of 32 languages
Born around 1324, Maso di Stefano—better known by his diminutive title—did not simply mimic his predecessors. In works like the Pietà of San Remigio, created around 1365, the artist captures a heavy, physical grief. The frescoes in the chapel of San Silvestro within the Basilica of Santa Croce in Florence provide evidence of his capacity for complex storytelling.
FlorentineFrom FlorenceLater GothicOn Wikipedia in 10 of 32 languages
Florence serves as the backdrop for the career of Jacopo del Casentino. As a pupil of Taddeo Gaddi, Casentino absorbs the technical foundations of the Florentine tradition while looking toward new horizons. Alongside Bernardo Daddi, Casentino helps spread the popularity of these portable altars across Italy, bringing sacred imagery into the quiet corners of domestic life.
ItalianFrom FlorenceEarly RenaissanceOn Wikipedia in 12 of 32 languages
Giusto de’ Menabuoi (c. 1320–1391) was an Italian painter born in Florence, marking the dawn of the Quattrocento – a pivotal era in Renaissance art history. Notably, between 1375 and 1378, he embarked upon the decoration of the Baptistery of Saint Anthony – a project that exemplifies his innovative blending of Byzantine influences with Florentine artistic sensibilities.
FrenchFrom HesdinInternational GothicOn Wikipedia in 13 of 32 languages
He is also known as Jacquemart of Hesdin. Hesdin, his namesake, was a fortified citadel in the Pas-de-Calais region, then part of Flanders and under Burgundian influence.
In the heart of fourteenth-century Italy, amidst the spiritual awakening of the early Renaissance, the name Matteo Giovanetti emerged as a beacon of devotional mastery. His life’s work serves as a vital bridge between the rigid, symbolic traditions of the Gothic period and the burgeoning naturalism that would soon define the Italian Renaissance.
In the quiet corridors of Japan’s Muromachi period, where the spiritual and the aesthetic were inextricably linked, the figure of Reisai Gukyostu emerges as a profound voice of meditative stillness. A Japanese Buddhist monk-painter active during the late 14th and early 15th centuries, Gukyoku did not merely create art; he practiced a form of visual prayer.
In the quiet, meditative corridors of history, few figures loom as large or as transformative as Seisetsu Shōchō (1274–1339). Born in China during the vibrant Yuan Dynasty, his life was a bridge between two worlds, spanning the intellectual rigor of Chinese scholarship and the spiritual revitalization of Japanese Zen.
Bartolommeo Bulgarini, known variously as Bulgarino or Bologhini, emerged from the vibrant artistic ferment of fourteenth-century Siena to become one of the most profound voices of the Trecento. Born around 1300, his life was inextricably linked to the golden age of Sienese painting, a period defined by a unique tension between the celestial and the terrestrial.
Tettō’s early life was immersed in the traditions of Japanese art. Born into a family with a history of artistic endeavors, he received his initial training in various traditional forms – calligraphy, landscape painting, and perhaps even woodblock printing.
ItalianFrom ModenaByzantine-influenced Lombard PaintingOn Wikipedia in 12 of 32 languages
Born around 1328 in Modena (Emilia), he emerged from obscurity to become arguably the first Lombard painter of considerable renown, leaving behind an impressive oeuvre that testifies to his unwavering devotion to this venerable artistic heritage. His activity spanned Lombardy, Piedmont, and Pisa in Tuscany, establishing him as a pivotal artist within the burgeoning cultural dynamism of the era.
In the heart of the Late Middle Ages, a period defined by soaring spires and profound devotion, Peter Parler emerged as one of the most influential architects and sculptors of his era. Known variously as Peter von Gemünd or Petr Parléř, his identity was inextricably linked to the Parler family, a lineage of craftsmen whose influence stretched across much of Central Europe.
Bonanat Descoll I De Santcliment je bil katalonska amiral v regiji Krona Aragonije v 14. stoletju. Rodil se je v Barceloni v Španiji leta 1310, njegova pot pa se je končala leta 1390. Bonanat Descoll I De Santcliment ni bil le veščit vojaški vodja, temveč tudi izjemno nadarjen umetnik.
The Yuan Dynasty (1271–1368), established by Kublai Khan, represents a singular moment in Chinese history – the first time a foreign power successfully ruled over all of China. Understanding Yuan art requires delving into its complex context: the ambition of Kublai Khan to unite Eurasia under Mongol rule, coupled with a burgeoning intellectual elite eager to embrace new ideas and traditions.
Giovanni di Rigino, a name resonating softly through the annals of Trecento sculpture, emerged from the vibrant artistic milieu of Verona in approximately 1315 or 1320.
Domenico di Agostino, born in Siena around 1317, emerged from the vibrant artistic milieu of a city deeply steeped in religious fervor. While not as widely celebrated as some of his contemporaries like Duccio or Simone Martini, Domenico carved out a significant place for himself within the Sienese School, becoming known for his intensely devotional works and refined stylistic approach.
Siena’s artistic climate was characterized by a distinctive emphasis on grace, refined detail, and narrative clarity – qualities that would become hallmarks of Agnolo’s own work.
Giovanni da Campione (c.1320-1375) stands as a pivotal figure in the artistic landscape of Milanese Gothic sculpture, renowned for his dramatic depictions of warfare and the monumental Tomb of Cangrande della Scala – a testament to both technical prowess and humanist ideals.
Born in Arezzo, Italy, in 1304 as Francesco Patriarca – later adopting the name Francesco Petrarca – this artist was more than just a painter; he was a pivotal figure in the burgeoning Italian Renaissance. His family, prominent Florentine notaries, faced exile due to the turbulent power struggles between the White and Black Guelphs.
His origins lie within a Sienese family with a tradition of sculpting and architecture. However, modern scholarship proposes an apprenticeship under Camaino di Crescentino, father to Tino di Camaino, as more likely.
Sesson Yūbai (雪村 友梅; 1290 – 14th day of the 1st month, 1347) stands as one of Japan’s most revered Zen Buddhist poets and monks—a figure inextricably linked to the profound aesthetic principles that define the Five Mountains School of Zen.
The early life of Barquq remains somewhat shrouded in historical detail, typical for figures within the Mamluk elite whose power was often built on military prowess and strategic alliances rather than documented lineage.
Born amidst the rolling landscapes of Certaldo in 1313, Giovanni Boccaccio emerged as a vital force in the cultural landscape of the fourteenth century. As one of the legendary "Three Crowns" of Italian literature—standing alongside the giants Dante Alighieri and Petrarch—his life served as a bridge between the medieval world and the dawning light of the Renaissance.
In the turbulent landscape of fourteenth-century Japan, amidst the political fragmentation of the Northern and Southern Courts, there emerged a figure whose influence transcended the mere boundaries of imperial governance. Emperor Kōgon (1313–1364) was not merely a sovereign navigating a period of profound instability; he was a visionary patron whose devotion to Buddhist iconography helped reshape the aesthetic soul of Northern Japan.
Jakushitsu Genkō (寂室 元光, june 23, 1290 – september 25, 1367) stands as a singular figure in fourteenth-century Japan—a Rinzai Zen master whose artistic output transcended mere craftsmanship to embody the very essence of contemplative practice.
In the heart of a bustling, medieval port city, amidst the shadows of the Black Death and the tremors of the Peasants’ Revolt, lived a woman whose voice would transcend the stone walls of her enclosure. Julian of Norwich, known variously as Lady Julian or Mother Julian, carved out a life of profound stillness within the Holy Cell of Norwich Cathedral.
ItalianFrom FlorenceRenaissance PaintingOn Wikipedia in 10 of 32 languages
Born around 1320, he was part of a formidable artistic dynasty, working alongside his brothers, the renowned Orcagna (Andrea di Cione) and Jacopo di Cione. The zenith of Nardo’s collaborative achievements can be found within the hallowed walls of the Cappella Strozzi in Santa Maria Novella.
Born as Tutankhaten, the Living Image of Aten, his early years were defined by the radical, monotheistic shadows cast by his predecessor, Akhenaten. Yet, the boy who would become Tutankhamun possessed a destiny far greater than mere survival.
In the twilight of the fourteenth century, amidst the architectural grandeur of Northern Italy, the name Serafino Serafini emerged as a vital, if enigmatic, force in the evolution of late medieval painting. Born around 1324 in the industrious city of Modena, Serafini’s origins were deeply rooted in the tactile traditions of his homeland.
Filippo Calendario stands as a pivotal figure in the artistic landscape of fourteenth-century Venice, primarily recognized for his monumental contributions to the construction and decoration of the Doge’s Palace—a testament to Venetian architectural prowess during its golden age. Born around 1315, likely in Florence, Calendario’s early life was shaped by the rigorous traditions of Italian craftsmanship.
In the twilight of the Middle Ages, as the rigid structures of the Gothic era began to soften under the burgeoning light of the Renaissance, there emerged a master whose hands shaped the very identity of Neapolitan grandeur.
The figure known as the Master of 1336 remains one of the most intriguing enigmas in Italian art history. While his name—a label bestowed upon him due to a fresco depicting the miracle of the Virgin Mary in Santa Maria delle Grazie, Pistoia—offers little insight into his personal identity, his paintings speak volumes about the artistic currents shaping Tuscany at the time.
In the turbulent landscape of Japan’s Nanbokuchō period, a time defined by political fragmentation and spiritual searching, there emerged a figure whose brushstrokes offered a glimpse into eternal stillness.