Portret Godfrey Kneller

Najbolj znana slika umetnika Godfrey Kneller: vseh 100, razvrščeno

Posodobljeno oktober 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 372 del v našem katalogu avtorja Godfrey Kneller

Kratek opis

Sliko, ki jo Godfrey Kneller najbolj pozna, predstavlja Isaac Newton (1702). Takoj za tem sledita Portrait of Pyotr Potyomkin (1682) in William Russell, 1st Duke of Bedford (1690). Od 372 del umetnika Godfrey Kneller v našem katalogu so teh 100 najbolj znanih. Vsako od njih vključuje leto nastanka, muzej in kratek opis tistega, kar ga izpostavlja.

1646 – 1723, Lübeck Baroque style Največ del: National Portrait Gallery

Top 10 dela umetnika Godfrey Kneller: dela, ki jih vsi poznajo

1
Isaac Newton (1702) avtorja Godfrey Kneller

Isaac Newton

1702 · Oil On Canvas

This portrait of Isaac Newton was executed by Sir Godfrey Kneller, Bt. in 1702. The sitter, recognized as one of the greatest of all scientists and thinkers, is presented through the meticulous technique of a painter who served the courts of Charles II, James II, William and Mary, and George I. Kneller’s position as a prominent portraitist is reflected in this depiction of a man whose intellectual contributions fundamentally altered…

2
Portrait of Pyotr Potyomkin (1682) avtorja Godfrey Kneller

Portrait of Pyotr Potyomkin

1682 · Oil On Canvas · Ermitaž, Sankt Peterburg

Sir Godfrey Kneller’s “Portrait of Pyotr Potyomkin” (1682) is more than just a likeness; it's a meticulously crafted tableau of power, ambition, and the carefully constructed image of a formidable Russian statesman. Painted during the reign of Charles II in England, this remarkable work offers a rare glimpse into the intricate world of European diplomacy and the burgeoning influence of Russia on the continent. The portrait depicts Potyomkin, a high-ranking…

3
William Russell, 1st Duke of Bedford (1690) avtorja Godfrey Kneller

William Russell, 1st Duke of Bedford

1690 · Oil On Canvas · National Portrait Gallery, London

A single figure occupies the center of the frame, anchored by the gravity of his own station. William Russell, 1st Duke of Bedford, is rendered in a moment of stillness, his presence defined by the heavy architecture of his ceremonial robes. The light catches the sharp, white edges of a lace cravat and the powdered texture of a voluminous periwig. He is a pillar of fabric and bone against a…

4
Thomas Wharton, 1st Marquess of Wharton (1710) avtorja Godfrey Kneller

Thomas Wharton, 1st Marquess of Wharton

1710 · Oil On Canvas · National Portrait Gallery, London

A single light source strikes from the upper left, carving the face of Thomas Wharton out of a deep, somber shadow. He sits in a three-quarter pose, his gaze fixed directly upon the viewer with a steady, unblinking authority. The darkness behind him is a warm, muted brown, pushing his figure forward into the room. His hair, a voluminous mass of light brown curls, frames a face of smooth skin…

5
Richard Lumley, 2nd Earl of Scarbrough (1717) avtorja Godfrey Kneller

Richard Lumley, 2nd Earl of Scarbrough

1717 · Oil On Canvas · National Portrait Gallery, London

A single, heavy shadow anchors the room. Within this darkness, Richard Lumley, 2nd Earl of Scarbrough, emerges through a sudden collision of light and texture. He is positioned in a three-quarter view, his body turned slightly away while his eyes lock onto the viewer with a steady, direct gaze. A voluminous, light brown periwig frames a face rendered with smooth, pale precision. The light catches the crest of his white…

6
Queen Anne (1690) avtorja Godfrey Kneller

Queen Anne

1690 · Oil · National Portrait Gallery, London

In this 1690 portrait, Queen Anne is presented with a quiet, commanding dignity that defines the Baroque era. She is captured in a three-quarter length pose, standing with a poised elegance that suggests both her royal status and a certain personal composure. The composition draws the eye through the sweeping curves of her heavy drapery and the fluid folds of her gown, creating a sense of movement within a formal…

7
Robert Harley, 1st Earl of Oxford (1714) avtorja Godfrey Kneller

Robert Harley, 1st Earl of Oxford

1714 · Oil On Canvas · National Portrait Gallery, London

The portrait presents Robert Harley, 1st Earl of Oxford, in a vertical three-quarter length composition. He is positioned slightly off-center against a muted, dark ochre background. The subject wears a large powdered wig and an elaborate lace cravat. A heavy blue mantle, lined with white ermine fur, drapes over his shoulders and falls in voluminous, flowing curves. Beneath this, his period clothing features structured silhouettes and textures of silk and…

8
Sir Samuel Garth (1707) avtorja Godfrey Kneller

Sir Samuel Garth

1707 · Oil · National Portrait Gallery, London

The room falls away into a deep, impenetrable darkness, leaving only the man to emerge from the gloom. He sits in a three-quarter view, his body angled toward the right while his gaze meets the viewer from the left, creating an immediate sense of encounter. A strong, singular light source strikes his face and the voluminous, snowy curls of his powdered wig, casting the rest of his form into a…

9
Charles Townshend, 2nd Viscount Townshend (1704) avtorja Godfrey Kneller

Charles Townshend, 2nd Viscount Townshend

1704 · Oil On Canvas · National Portrait Gallery, London

This oil on canvas portrait by Sir Godfrey Kneller, Bt. depicts Charles Townshend, 2nd Viscount Townshend. The subject is presented in a full-length, vertical composition, positioned slightly off-center against a dark, atmospheric background. He is shown wearing voluminous red velvet robes accented by white ermine fur and a lace cravat. A large, white wig frames his face, which is illuminated by a light source from the side, creating a chiaroscuro…

10
Charles Fitzroy, 2nd Duke of Grafton (1703) avtorja Godfrey Kneller

Charles Fitzroy, 2nd Duke of Grafton

1703 · Oil On Canvas · National Portrait Gallery, London

The subject is a young man positioned in a three-quarter length view against a dark, indistinct background. He wears a deep reddish-orange velvet jacket that catches the light, creating highlights on the folds of the fabric. A white, ruffled shirt is visible at the neck, providing a sharp tonal contrast to the darker tones of his attire. On his head, he wears a turban-like cap with voluminous folds. The lighting…

Nadaljujte z raziskovanjem umetnika Godfrey Kneller: 11 do 100

11Anthony Leigh (1689) avtorja Godfrey KnellerAnthony Leigh1689 · National Portrait Gallery 12Sir John Vanbrugh (1707) avtorja Godfrey KnellerSir John Vanbrugh1707 · National Portrait Gallery 13Unknown man, formerly known as Henry Sidney, Earl of Romney (1700) avtorja Godfrey KnellerUnknown man, formerly known as Henry Sidney, Earl of Romney1700 · National Portrait Gallery 14Edward Southwell (1702) avtorja Godfrey KnellerEdward Southwell1702 15Sidney Godolphin, 1st Earl of Godolphin (1707) avtorja Godfrey KnellerSidney Godolphin, 1st Earl of Godolphin1707 · National Portrait Gallery 16Aubrey de Vere, 20th Earl of Oxford (1690) avtorja Godfrey KnellerAubrey de Vere, 20th Earl of Oxford1690 · National Portrait Gallery 17Charles Seymour, 6th Duke of Somerset (1703) avtorja Godfrey KnellerCharles Seymour, 6th Duke of Somerset1703 · National Portrait Gallery 18Portrait of Johann Philipp Schönborn, elector of Mainz (1666) avtorja Godfrey KnellerPortrait of Johann Philipp Schönborn, elector of Mainz1666 · Kunsthistorisches Museum 19Arthur Maynwaring (1707) avtorja Godfrey KnellerArthur Maynwaring1707 · National Portrait Gallery 20William Pulteney, 1st Earl of Bath (1717) avtorja Godfrey KnellerWilliam Pulteney, 1st Earl of Bath1717 · National Portrait Gallery 21Edward Russell, Earl of Orford, Captain John Benbow and Admiral Ralph Delavall (1692) avtorja Godfrey KnellerEdward Russell, Earl of Orford, Captain John Benbow and Admiral Ralph Delavall1692 · Government Art Collection 22King George I (1716) avtorja Godfrey KnellerKing George I1716 · National Portrait Gallery 23Self-portrait (1670) avtorja Godfrey KnellerSelf-portrait1670 24Sir Henry Booth, 1st Earl of Warrington (1651-1694) (1674) avtorja Godfrey KnellerSir Henry Booth, 1st Earl of Warrington (1651-1694)1674 · Dunham Massey Hall 25Abraham banishes Hagar and Ishmael (1670) avtorja Godfrey KnellerAbraham banishes Hagar and Ishmael1670 · Bavarske državne slikopisne zbirke 26Georg Schweigger (1674) avtorja Godfrey KnellerGeorg Schweigger1674 · Herzog Anton Ulrich Museum 27A scholar in his study (1668) avtorja Godfrey KnellerA scholar in his study1668 · Agnes Etherington Art Center 28Scholar in His Study (1668) avtorja Godfrey KnellerScholar in His Study1668 29Portrait of Johann Adam Reincken (1674) avtorja Godfrey KnellerPortrait of Johann Adam Reincken1674 · Museum für Hamburgische Geschichte 30The Philosopher (1668) avtorja Godfrey KnellerThe Philosopher1668 · St. Anne's Museum 31Walter Charleton MD (1619-1707) (1670) avtorja Godfrey KnellerWalter Charleton MD (1619-1707)1670 · The Hunterian Museum and Art Gallery 32Elijah and the Angel (1672) avtorja Godfrey KnellerElijah and the Angel1672 · Tate Britain 33Margrave Johann Friedrich von Brandenburg-Ansbach (1681) avtorja Godfrey KnellerMargrave Johann Friedrich von Brandenburg-Ansbach1681 · Bavarske državne slikopisne zbirke 34Barbara Talbot, Viscountess Longueville (c.1670-1763) as a girl (1677) avtorja Godfrey KnellerBarbara Talbot, Viscountess Longueville (c.1670-1763) as a girl1677 · Lacock Abbey 35Catherine Sedley, Countess of Dorchester (1657-1717) (1685) avtorja Godfrey KnellerCatherine Sedley, Countess of Dorchester (1657-1717)1685 · Kedleston Hall 36Charles Boyle, 3rd Earl of Cork and 2nd Earl of Burlington (c.1662-1704) (1680) avtorja Godfrey KnellerCharles Boyle, 3rd Earl of Cork and 2nd Earl of Burlington (c.1662-1704)1680 · Hardwick Hall 37Possibly Colonel William Windham I, MP (1647-1689) (1684) avtorja Godfrey KnellerPossibly Colonel William Windham I, MP (1647-1689)1684 · Felbrigg Hall 38Sir Richard Onslow, 1st Baron Onslow (1654-1717), Speaker of the House of Commons, 1708 - 1710 (1680) avtorja Godfrey KnellerSir Richard Onslow, 1st Baron Onslow (1654-1717), Speaker of the House of Commons, 1708 - 17101680 · Clandon Park 39Princess Anne, later Queen Anne (1665-1714) (1683) avtorja Godfrey KnellerPrincess Anne, later Queen Anne (1665-1714)1683 40Catherine Wheatley, Mrs Thomas Lucy, later Duchess of Northumberland (d.1714) (1680) avtorja Godfrey KnellerCatherine Wheatley, Mrs Thomas Lucy, later Duchess of Northumberland (d.1714)1680 · Charlecote Park 41Captain Thomas Lucy (c.1655 – 1684) (1680) avtorja Godfrey KnellerCaptain Thomas Lucy (c.1655 – 1684)1680 · Charlecote Park 42Alice Sherard, Lady Brownlow (1659-1721) (1680) avtorja Godfrey KnellerAlice Sherard, Lady Brownlow (1659-1721)1680 · Belton House 43Sarah Churchill, Duchess of Marlborough (1660–1744) (1680) avtorja Godfrey KnellerSarah Churchill, Duchess of Marlborough (1660–1744)1680 · Antony House 44Admiral Sir Thomas Allin, 1612-85 (1680) avtorja Godfrey KnellerAdmiral Sir Thomas Allin, 1612-851680 · National Maritime Museum 45Portrait of John Banckes (1676) avtorja Godfrey KnellerPortrait of John Banckes1676 46Philip, 4th Lord of Wharton (1685) avtorja Godfrey KnellerPhilip, 4th Lord of Wharton1685 47Portrait of Laurence Hyde, 1st Earl of Rochester (1685) avtorja Godfrey KnellerPortrait of Laurence Hyde, 1st Earl of Rochester1685 · National Portrait Gallery 48James II (1633-1701) when Duke of York (1684) avtorja Godfrey KnellerJames II (1633-1701) when Duke of York1684 · Kraljeva zbirka 49Sir George Mackenzie, 1636 - 1691. Founder of the Advocates Library (1680) avtorja Godfrey KnellerSir George Mackenzie, 1636 - 1691. Founder of the Advocates Library1680 · Scottish National Portrait Gallery 50Sir George Mackenzie, 1636 - 1691. Founder of the Advocates Library (1680) avtorja Godfrey KnellerSir George Mackenzie, 1636 - 1691. Founder of the Advocates Library1680 · Scottish National Portrait Gallery 51Self-Portrait (1680) avtorja Godfrey KnellerSelf-Portrait1680 · Yale Center for British Art 52The Moroccan Ambassador (1684) avtorja Godfrey KnellerThe Moroccan Ambassador1684 53Edward Loveden (1680) avtorja Godfrey KnellerEdward Loveden1680 · Llyfrgell Genedlaethol Cymru 54Portrait of Sir Robert Howard (1698) avtorja Godfrey KnellerPortrait of Sir Robert Howard1698 55Sarah Jennings, Duchess of Marlborough (1660-1744) (1694) avtorja Godfrey KnellerSarah Jennings, Duchess of Marlborough (1660-1744)1694 · Petworth House 56Sir Thomas Osborne, 1st Earl of Danby, later 1st Duke of Leeds (1631 - 1712) in Garter Robes (1691) avtorja Godfrey KnellerSir Thomas Osborne, 1st Earl of Danby, later 1st Duke of Leeds (1631 - 1712) in Garter Robes1691 57King Charles II (1630–1685) (1694) avtorja Godfrey KnellerKing Charles II (1630–1685)1694 · Mompesson House 58Charles Sackville, 6th Earl of Dorset and 1st Earl of Middlesex (1638-1706) (1694) avtorja Godfrey KnellerCharles Sackville, 6th Earl of Dorset and 1st Earl of Middlesex (1638-1706)1694 · Knole House 59Sir Thomas Felton (1649-1708/9) (1699) avtorja Godfrey KnellerSir Thomas Felton (1649-1708/9)1699 · Ickworth 60An Unknown Lady with her Son (1696) avtorja Godfrey KnellerAn Unknown Lady with her Son1696 · Hartwell House 61Rachel Russell, Duchess of Devonshire (1674 – 1725) (1692) avtorja Godfrey KnellerRachel Russell, Duchess of Devonshire (1674 – 1725)1692 · Hardwick Hall 62Charles Boyle, 3rd Earl of Cork and 2nd Earl of Burlington (c.1662-1704) (1695) avtorja Godfrey KnellerCharles Boyle, 3rd Earl of Cork and 2nd Earl of Burlington (c.1662-1704)1695 · Hardwick Hall 63Catherine Bower, Lady Ashe or Mrs Packer (c.1671 - 1717) (1690) avtorja Godfrey KnellerCatherine Bower, Lady Ashe or Mrs Packer (c.1671 - 1717)1690 · Felbrigg Hall 64Ashe Windham, MP (1673-1749) (1689) avtorja Godfrey KnellerAshe Windham, MP (1673-1749)1689 · Felbrigg Hall 65Colonel William Windham I, MP (1647-1689) (1696) avtorja Godfrey KnellerColonel William Windham I, MP (1647-1689)1696 · Felbrigg Hall 66Samuel Pepys, 1633-1703 (1689) avtorja Godfrey KnellerSamuel Pepys, 1633-17031689 · National Maritime Museum 67Admiral Edward Russell, 1652-1727, 1st Earl of Orford (1693) avtorja Godfrey KnellerAdmiral Edward Russell, 1652-1727, 1st Earl of Orford1693 · National Maritime Museum 68William Hewer, 1642-1715 (1689) avtorja Godfrey KnellerWilliam Hewer, 1642-17151689 · National Maritime Museum 69William III (1650-1702), Prince of Orange, King of England (1690) avtorja Godfrey KnellerWilliam III (1650-1702), Prince of Orange, King of England1690 70Portrait of William III of Orange 1650-1702) (1690) avtorja Godfrey KnellerPortrait of William III of Orange 1650-1702)1690 71Thomas Papillon (1698) avtorja Godfrey KnellerThomas Papillon1698 · National Portrait Gallery 72Charles Sackville, 6th Earl of Dorset (1697) avtorja Godfrey KnellerCharles Sackville, 6th Earl of Dorset1697 · National Portrait Gallery 73Charles Townshend, 2nd Viscount Townshend (1690) avtorja Godfrey KnellerCharles Townshend, 2nd Viscount Townshend1690 · National Portrait Gallery 74Charles Montagu, 1st Earl of Halifax (1690) avtorja Godfrey KnellerCharles Montagu, 1st Earl of Halifax1690 · National Portrait Gallery 75Sir Anthony Deane (1690) avtorja Godfrey KnellerSir Anthony Deane1690 · National Portrait Gallery 76William, Duke of Gloucester (1689-1700), when a Child (1691) avtorja Godfrey KnellerWilliam, Duke of Gloucester (1689-1700), when a Child1691 · Kraljeva zbirka 77Diana De Vere, Duchess of St. Albans (d.1742) (1691) avtorja Godfrey KnellerDiana De Vere, Duchess of St. Albans (d.1742)1691 · Hampton Court Palace 78Mary Scrope, later Mrs Pitt (b.1676) (1691) avtorja Godfrey KnellerMary Scrope, later Mrs Pitt (b.1676)1691 · Hampton Court Palace 79Carey Fraser, Countess of Peterborough (d.1709) (1690) avtorja Godfrey KnellerCarey Fraser, Countess of Peterborough (d.1709)1690 · Hampton Court Palace 80Mary Bentinck, Countess of Essex (d.1726) (1690) avtorja Godfrey KnellerMary Bentinck, Countess of Essex (d.1726)1690 · Hampton Court Palace 81Mary Compton, Countess of Dorset (1669-91) (1690) avtorja Godfrey KnellerMary Compton, Countess of Dorset (1669-91)1690 · Hampton Court Palace 82Isabella Bennett, Duchess of Grafton (1667-1723) (1690) avtorja Godfrey KnellerIsabella Bennett, Duchess of Grafton (1667-1723)1690 · Hampton Court Palace 83Mary II (1662-1694) (1690) avtorja Godfrey KnellerMary II (1662-1694)1690 · Kraljeva zbirka 84Frances Whitmore, Lady Middleton (c. 1666-94) (1690) avtorja Godfrey KnellerFrances Whitmore, Lady Middleton (c. 1666-94)1690 · Hampton Court Palace 85William III (1650-1702) in Garter Robes (1697) avtorja Godfrey KnellerWilliam III (1650-1702) in Garter Robes1697 · Kraljeva zbirka 86William, Duke of Gloucester (1689-1700) (1699) avtorja Godfrey KnellerWilliam, Duke of Gloucester (1689-1700)1699 · Kraljeva zbirka 87Portrait of a Woman as St. Agnes, Traditionally Identified as Catherine Voss (1697) avtorja Godfrey KnellerPortrait of a Woman as St. Agnes, Traditionally Identified as Catherine Voss1697 · Yale Center for British Art 88Portrait of canon Frans de Cock, cantor of the cathedral of Antwerp (1697) avtorja Godfrey KnellerPortrait of canon Frans de Cock, cantor of the cathedral of Antwerp1697 · Kraljevski muzej lepih umetnosti v Antwerpu 89Portrait of Johan Hulft (1697) avtorja Godfrey KnellerPortrait of Johan Hulft1697 · Museum Het Valkhof 90John Drummond, 1st Earl of Melfort, Secretary of State for Scotland and Jacobite (1688) avtorja Godfrey KnellerJohn Drummond, 1st Earl of Melfort, Secretary of State for Scotland and Jacobite1688 · Scottish National Portrait Gallery 91John Dryden (1693) avtorja Godfrey KnellerJohn Dryden1693 · National Portrait Gallery 92A Warrior (1700) avtorja Godfrey KnellerA Warrior1700 · Birmingham Museum and Art Gallery 93A Warrior (1700) avtorja Godfrey KnellerA Warrior1700 · Birmingham Museum and Art Gallery 94King William III of England Returning from the Peace of Ryswick, Margate, 1697 (1701) avtorja Godfrey KnellerKing William III of England Returning from the Peace of Ryswick, Margate, 16971701 · National Gallery of Ireland 95Sir Richard Onslow, 1st Baron Onslow (1654-1717), Speaker of the House of Commons (1708 - 1710) (1710) avtorja Godfrey KnellerSir Richard Onslow, 1st Baron Onslow (1654-1717), Speaker of the House of Commons (1708 - 1710)1710 · Clandon Park 96Charles Sackville, 6th Earl of Dorset (1638-1706) (1700) avtorja Godfrey KnellerCharles Sackville, 6th Earl of Dorset (1638-1706)1700 · Sissinghurst Castle 97Admiral George Delaval, MP (1668 -1723) (1710) avtorja Godfrey KnellerAdmiral George Delaval, MP (1668 -1723)1710 98Queen Anne (1665-1714) (1705) avtorja Godfrey KnellerQueen Anne (1665-1714)1705 · Petworth House 99Arnold Joost Van Keppel, 1st Earl of Albemarle (1669-1718) (1701) avtorja Godfrey KnellerArnold Joost Van Keppel, 1st Earl of Albemarle (1669-1718)1701 · Mount Stewart 100Peter Legh XII (1669-1744) (1702) avtorja Godfrey KnellerPeter Legh XII (1669-1744)1702 · Lyme Park

Kaj je Godfrey Kneller naslikal največ

Četiri teme, ki se v teh delih najpogosteje pojavljajo, vsaka z svojim najbolj znanim primerom.

Kje si lahko ogledate slike avtorja Godfrey Kneller

8 muzejev, ki vsebujo največ slik na tej strani.

Muzej Mesto Sloga Godfrey Kneller Slike iz tega seznama
National Portrait Gallery, LondonNational Portrait Gallery London 73 William Russell, 1st Duke of Bedford, Thomas Wharton, 1st Marquess of Wharton, Richard Lumley, 2nd Earl of Scarbrough
Hampton Court Palace, LondonHampton Court Palace London 10 Diana De Vere, Duchess of St. Albans (d.1742), Mary Scrope, later Mrs Pitt (b.1676), Carey Fraser, Countess of Peterborough (d.1709)
Kraljeva zbirka, LondonKraljeva zbirka London 12 James II (1633-1701) when Duke of York, William, Duke of Gloucester (1689-1700), when a Child, Mary II (1662-1694)
National Maritime Museum, LondonNational Maritime Museum London 23 Admiral Sir Thomas Allin, 1612-85, Samuel Pepys, 1633-1703, Admiral Edward Russell, 1652-1727, 1st Earl of Orford
Felbrigg Hall, NorwichFelbrigg Hall Norwich 4 Possibly Colonel William Windham I, MP (1647-1689), Catherine Bower, Lady Ashe or Mrs Packer (c.1671 - 1717), Ashe Windham, MP (1673-1749)
Hardwick HallHardwick Hall 9 Charles Boyle, 3rd Earl of Cork and 2nd Earl of Burlington (c.1662-1704), Rachel Russell, Duchess of Devonshire (1674 – 1725), Charles Boyle, 3rd Earl of Cork and 2nd Earl of Burlington (c.1662-1704)
Scottish National Portrait Gallery, EdinburghScottish National Portrait Gallery Edinburgh 6 Sir George Mackenzie, 1636 - 1691. Founder of the Advocates Library, Sir George Mackenzie, 1636 - 1691. Founder of the Advocates Library, John Drummond, 1st Earl of Melfort, Secretary of State for Scotland and Jacobite
Yale Center for British Art, New HavenYale Center for British Art New Haven 6 Self-Portrait, Portrait of a Woman as St. Agnes, Traditionally Identified as Catherine Voss

Eno znano delo umetnika Godfrey Kneller za vsako desetletje

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Izberite desetletje, da si ogledate njegovo najboljše delo.

Slike avtorja Godfrey Kneller: kaj si ljudje želijo izvedeti

Za katero sliko je Godfrey Kneller najbolj znan/a?Poglejte odgovor

Na vrhu liste je Isaac Newton (1702). Takoj za njim sta Portrait of Pyotr Potyomkin (1682) in William Russell, 1st Duke of Bedford (1690).

Koliko je bil Godfrey Kneller star ob nastanku dela Isaac Newton?Poglejte odgovor

Starosti 56 let. Godfrey Kneller se je rodil(a) leta 1646, njegovo/njino delo Isaac Newton pa izvira iz leta 1702.

Katera 10 slik umetnika Godfrey Kneller je najbolj znanih?Poglejte odgovor

Isaac Newton, Portrait of Pyotr Potyomkin, William Russell, 1st Duke of Bedford, Thomas Wharton, 1st Marquess of Wharton, Richard Lumley, 2nd Earl of Scarbrough, Queen Anne, Robert Harley, 1st Earl of Oxford, Sir Samuel Garth, Charles Townshend, 2nd Viscount Townshend in Charles Fitzroy, 2nd Duke of Grafton. Leto in muzej vsakega dela boste našli v zgornjem seznamu.

Koliko dela umetnika Godfrey Kneller je na voljo?Poglejte odgovor

V našem katalogu je 372 del umetnika Godfrey Kneller, datiranih od 1666 do 1717.

V katerih muzejih so najbolj znana dela umetnika Godfrey Kneller?Poglejte odgovor

Večino njih boste našli v National Portrait Gallery (London), Hampton Court Palace (London) in Kraljeva zbirka (London). Na seznamu muzejev zgoraj je naveden celoten pregled.

Kdaj so bila naslikana najslavnejša dela umetnika Godfrey Kneller?Poglejte odgovor

V obdobju 1690s, bolj kot koli drugič: 38 od 100 del na tej strani izvira iz tega obdobja, med katerimi je William Russell, 1st Duke of Bedford.

Kateri so najstarejši in najnovejši slavni naslovi umetnika Godfrey Kneller?Poglejte odgovor

Najstarejše delo tukaj je Portrait of Johann Philipp Schönborn, elector of Mainz (1666); najsodobnejše je Richard Lumley, 2nd Earl of Scarbrough (1717).

Kaj je Godfrey Kneller najpogosteje slikočil?Poglejte odgovor

Man (19), Wig (9) in Dark background (8) od 100 del na tej strani.

S čim je Godfrey Kneller običajno slikoval?Poglejte odgovor

Oil On Canvas, uporano v 19 od 100 del na tej strani.

S katerim umetnostnim slogom je povezan Godfrey Kneller?Poglejte odgovor

Baroque style, kot lahko vidite v delih na tej strani.

Kaj lahko vidite od Godfrey Kneller v muzeju National Portrait Gallery?Poglejte odgovor

Na tej strani lahko v muzeju National Portrait Gallery, London vidite 24 dela, vključno s作品ami William Russell, 1st Duke of Bedford, Thomas Wharton, 1st Marquess of Wharton in Richard Lumley, 2nd Earl of Scarbrough.

Ali lahko za svoj dom naročim reprodukcijo Godfrey Kneller?Poglejte odgovor

Da. Vsaka slika na tej strani je na voljo kot ročno slikano oljno reprodukcijo ali tiskano kopijo v velikosti, ki vam ustreza. Za naročilo le odprite stran slike.

Spoznajte Godfrey Kneller

Sir Godfrey Kneller: Mistar manira

Godfrey Kneller (1646–1723) predstavlja monumentalno osebstvo v angleškem baroknem umetništvu, ki je bil prepoznan po neprekrivljivi spretnosti ujetja likosti izvirnih osebnosti – zlasti tisto, kar je postalo znano kot „portreti s mačkami“. Ti izjemno podrobni prikazovanje mačk, ki okrašujejo aristokratske interiore, kaže na njegovo pedantno tehniko in globoko razumevanje vizualne kulture. Rojen je bil Gottfried Kniller v Lübecku v NemčtoFixedini, se je namigril v Anglijo okoli leta 1675, kjer je zgradil svojo osebino kot plodovni portretar in pridobil prestižne naročila od kraljevitetve in nobene skozi vladavstvo Čarlesa II. in Georgea I. Njegovo dediščina presega samo umetnično dosežje; igral je ključno vlogo pri oblikovanju vizualnega pejzaža georgijske Britanije in vzgojanju dolgotrajne fascinacije za kraljevsko patronato.
  • Rano življenje in usposabljanje: Knellerove formativne letnice so preživela v učenju pri Johannu Zachariasu Knellerju, svojem bratu, ki mu je vgradil strogo pristop k risanju in slikarstvu – temelj njegove umetniške filozofije. To disciplinirano usposabljanje je zaostrilo njegovo sposobnost opažanja in ga pripravilo na zahtevnosti ustvarjanja portretov, ki so prenosili ne le fizični videznik, ampak tudi psihološki karakter.
  • Fenomen portreta s mačkami: Knellerova fama je eksplodirala zahvaljujoč inovativnim „portretom s mačkami“. Ti platna so prikazovala mačke z pedantno podrobnostjo ob svojih aristokratskih lastnikah, kar je odražalo razhajajočo se trend v dekorativnih umetnostih in signaliziralo premik k prikazovanju subjektov v njihovih domačih okoljih. Simbolika, vpeta v te portrete – ki predstavlja bogastvo, status in intelektualne ambicije – kaže na Knellerje skočen nadzor nad sodobnimi družbenimi konvencijami.
  • Kraljevsko patronato in umetniški razvoj: Knellerova kariera je razbliskala pod patronatom Čarlesa II. in Georgea I., pridobil naročila, ki so mu omogočili izboljšanje svojega stila in raziskovanje ambicioznih projektov. Postal je dvornik slikar za oba monarha, ustvarjal portrete kraljev, kraljic, princiv in diplomatov – dela, ki so potrdila njegovo reputacijo kot eno najboljših umetnikov Anglije. Njegova pedantna pozornost na podrobnosti in majstersko uporaba chiaroscuro (dramatično igranje svetlobe in senci) kažejo na veličastnost stila Grand Manner, ki je bil prevladujoč v njegovem času.
  • Značilni dela in dediščina: Med najbolj slavnimi dosežji Knellerja so portreti Čarlesa II., Henryja Purcella, Christopherja Wrena, Isaac Newtona in Benjaminja Franklina – vsak ujetje subjektov z izjemno natančnostjo in prenosil njihovih osebnosti z občutljivostjo. Njegov vpliv je presegel samo portretiranje; deloval je kot direktor Kraljevsko vojarsko glasbeno šolo v Twickenhamu desetletja, kjer je vzgojajo talent in prispeval k kulturni živahnosti georgijskega Londona.
  • Trajanji vtis: Knellerjeva pedantna tehnika in stilistične inovacije edvi dnevno navdihujejo umetnike. Ostaja simbol umetniške odličnosti in predstavlja trajno moč portretiranja kot medija za dokumentiranje zgodovine in ujetje same essence človeškega karaktera. Njegova dela so v velikih muzejih po svetu, kar zagotavlja, da bo njegov prispevek angleškim baroknem umetnosti spominjan generacijam naprej.

Vplivi in umetniški stil

Umetniško vizijo Knellerja so močno oblikovali tradicije flamiškega in italijanskega baroknega slikarstva – zlasti Rembrandta van Rijna in Caravaggia – čigova dramatična uporaba svetlobe in senci je postavila predhodnik za prikazovanje čustev in psihološke kompleksnosti. Zahalipil se na stil Grand Manner, ki ga značilijo monumentalnost, idealizirani likovi in skrbno urejene kompozicije namenjene prenosu dostojanstva in avtoritete. Ta stilski pristop je odražal ambicije angleške monarhije v njegovem času in potrdil Knellerje položaj kot zagovornika umetniških inovacij.

Knellerjeva palača in njena pomembnost

Hiša, ki jo je Kneller zgradil v Whittonu, blizu Twickenhama, je v sredini 19. stoletja postala Knellerjeva palača – svedočanstvo o njegovem trajném vplivu na britansko družbo in kulturo. Ta veličastna palača je služila kot dom za Kraljevsko vojarsko glasbeno šolo, simbolizirajoč Knellerje namenek za umetnično izobraževanje in vzgoj tradicije glasbene odličnosti. Sama palača stoji kot arhitekturna znamenitost, ki odraža veličast georgijske Britanije in obsebuje vrednote, ki so jih zagovarjal Kneller – disciplino, rafiniranost in intelektualno radovednost.

Nadaljnje raziskovanje

Za globinsko vpogled v življenje in delo Godfreyja Knellera se posvetite viri kot so:

Vsa dela avtorja Godfrey Kneller: 372 →