Portrait of Antonio Canova

Antonio Canova's Most Famous Paintings: All 86, Ranked

Updated oktober 2026 · ranked by our popularity score (searches, visits and orders for each work) · 86 works by Antonio Canova in our catalogue

In short

The Antonio Canova painting most people know is Persej z glavo Meduze (1804), and you can see it at the Metropolitanski muzej umetnosti, New York. Right after it come Cupid and Psyche (1793) and Hercules and Lichas (1795). Out of 86 works by Antonio Canova in our catalogue, these 86 are the best known. Each one comes with its year, its museum and a short note on what makes it stand out.

1757 – 1822, Possagno Neo-classicism Most works: Muzej Correr

Antonio Canova's top 10: the pieces everyone knows

1
Persej z glavo Meduze (1804) by Antonio Canova

Persej z glavo Meduze

1804 · Marmor · Metropolitanski muzej umetnosti, New York

Stati pred delom Antonio Canove "Persej z glavo Meduze" pomeni srečati ne le skulpturo, temveč zamrznjen trenutek mitične apostofeze. Izrezzano iz sijajnega marmorja, to delo zajema samo esenco klasičnega heroizma—tisto nevarebno stičišče, kjer se božanska usoda sreča z smrtno pogumom. Narativna moč, ki izvira iz tega dela, je oprijemljiva; človek si lahko skoraj sliši odmeve bitke in zapirajoče vtisov napetosti, ki ji predhodijo končna zmaga. Canova, nedenegovni mojster neoklasicizma, ni…

2
Cupid and Psyche (1793) by Antonio Canova

Cupid and Psyche

1793 · Marble · Louvre, Pariz

The Divine Union of Love and Soul In the quiet stillness of white marble, Antonio Canova captures a moment that transcends time itself. Cupid and Psyche is not merely a sculpture; it is a breathtaking manifestation of the eternal struggle and ultimate triumph of love over adversity. As the viewer approaches this Neoclassical masterpiece, they are immediately drawn into the intimate orbit of the two figures. The god of desire,…

3
Hercules and Lichas (1795) by Antonio Canova

Hercules and Lichas

1795 · Marble · Gipsoteca, Possagno

To stand before Antonio Canova's "Hercules and Lichas" is to confront a moment ripped from the very fabric of myth—a tableau vivant rendered in cool, eternal marble. This sculpture does not merely depict a scene; it captures the explosive apex of conflict. The composition itself pulses with kinetic energy, freezing Hercules mid-struggle against the formidable figure of Lichas. One can almost hear the strain in the air, feel the tension…

4
Theseus and the Minotaur (1781) by Antonio Canova

Theseus and the Minotaur

1781 · Acrylic On Canvas · Victoria and Albert Museum, London

Antonio Canova’s “Theseus and the Minotaur,” completed in 1782, stands as one of Neoclassical sculpture's most enduring achievements. More than just a depiction of mythic heroism, it embodies the movement’s core principles—classical idealism tempered with palpable emotion—captivating viewers centuries later.

5
Tomb of Duchess Maria Christina of Saxony-Teschen (1798) by Antonio Canova

Tomb of Duchess Maria Christina of Saxony-Teschen

1798 · Marble · Avgustinska cerkev, Dunaj

Within the hallowed, quiet air of the Augustinian Church in Vienna, the Tomb of Duchess Maria Christina of Saxony-Teschen waits in silent repose. This marble monument, sculpted by Antonio Canova, honors the memory of Maria Christina of Austria, who lived from 1742 to 1798. As the daughter of Empress Maria Theresia, her presence lingers through the stone, a tribute commissioned by her husband, Albert of Saxe-Teschen, to ensure her legacy…

6
Tomb of Pope Clement XIII (1792) by Antonio Canova

Tomb of Pope Clement XIII

1792 · Marble · Sveto Peterovo bazilika, Vatikan

Within the hallowed, echoing expanse of St. Peter’s Basilica, there exists a profound dialogue between the mortal and the divine, captured most exquisitely in Antonio Canova’s Tomb of Pope Clement XIII. Completed in 1792, this monumental masterpiece serves as much more than a mere funerary marker; it is a breathtaking testament to the Neoclassical ideal, where the weight of history meets the lightness of spiritual transcendence. As one approaches this…

7
Napoleon as Mars the Peacemaker (1803) by Antonio Canova

Napoleon as Mars the Peacemaker

1803 · Marble · Pinacoteca di Brera, Milano

Antonio Canova's “Napoleon as Mars the Peacemaker” isn’t merely a sculpture; it’s a carefully constructed declaration, a potent blend of Roman grandeur and Napoleonic ambition. Completed in 1806, this colossal marble figure transcends its physical form to embody an ideal of power – not through brute force or military conquest, but through a reimagining of leadership as a symbol of enduring peace. The sheer scale of the work—standing over three…

8
Orpheus and Eurydice (1775) by Antonio Canova

Orpheus and Eurydice

1775 · Marble · Muzej Correr, Benetke

To stand before Antonio Canova's "Orpheus and Eurydice" is to encounter not merely a sculpture, but a profound meditation on the fragile boundaries between life and oblivion. This masterpiece, rendered in exquisite white marble, captures the very essence of human longing—the desperate reach for what we love, even when that love resides just beyond our grasp. The composition itself seems suspended in an eternal moment: Orpheus, the legendary musician whose…

9
Monument to Archduchess Maria Christina (detail) (1798) by Antonio Canova

Monument to Archduchess Maria Christina (detail)

1798 · Marble · Avgustinska cerkev, Dunaj

In the quiet, hallowed halls of Neoclassical mastery, few works resonate with as much profound tenderness as Antonio Canova’s Monument to Archduchess Maria Christina. This exquisite detail captures a moment suspended in eternal grief, where the cold rigidity of marble is transformed into a breathing, weeping testament to lost love. As we gaze upon the reclining figure, we are not merely looking at stone, but witnessing the delicate intersection of…

10
Daedalus and Icarus (1777) by Antonio Canova

Daedalus and Icarus

1777 · Marble · Muzej Correr, Benetke

To stand before this magnificent depiction of Daedalus and Icarus is to confront not merely a sculpture, but the very breath of human ambition. Antonio Canova’s masterful rendering captures that exquisite, terrifying moment suspended between genius and hubris. The marble itself seems imbued with the memory of sunlight and wind; it possesses a polished luminescence that speaks volumes about both the artist's skill and the enduring power of the myth…

Keep exploring Antonio Canova: 11 to 86

11Cupid and Psyche (1796) by Antonio CanovaCupid and Psyche1796 · Louvre 12Tomb of Pope Clement XIII (1792) by Antonio CanovaTomb of Pope Clement XIII1792 · Sveto Peterovo bazilika 13Orpheus (1776) by Antonio CanovaOrpheus1776 · Muzej Correr 14Bust of Hebe by Antonio CanovaBust of HebeArt Museum RIGA BOURSE 15The Penitent Magdalene (1796) by Antonio CanovaThe Penitent Magdalene1796 · Palazzo Bianco 16Feed the Hungry (1795) by Antonio CanovaFeed the Hungry1795 · Muzej Correr 17Venus and Mars (1816) by Antonio CanovaVenus and Mars1816 · Courtauld Gallery 18Paris (1816) by Antonio CanovaParis1816 · Neue Pinakothek 19Paolina Borghese as Venus Victrix (1804) by Antonio CanovaPaolina Borghese as Venus Victrix1804 · Galerija Borghese 20Monumento funerario a Clemente XIII 1783-1792 by Antonio CanovaMonumento funerario a Clemente XIII 1783-1792 21Ercole e Lica 1795-1815 by Antonio CanovaErcole e Lica 1795-1815 22Paolina Borghese 1804-1808 by Antonio CanovaPaolina Borghese 1804-1808 23Apollo 1782-1783 by Antonio CanovaApollo 1782-1783 24Psyche Revived by Cupid's Kiss (1793) by Antonio CanovaPsyche Revived by Cupid's Kiss1793 25Tomb of Pope Clement XIII (detail) (1792) by Antonio CanovaTomb of Pope Clement XIII (detail)1792 · Sveto Peterovo bazilika 26Tomb of Duchess Maria Christina of Saxony-Teschen (1799) by Antonio CanovaTomb of Duchess Maria Christina of Saxony-Teschen1799 27Hebe (1799) by Antonio CanovaHebe1799 28Eurydice (1799) by Antonio CanovaEurydice1799 29Napoleon I (1800) by Antonio CanovaNapoleon I1800 30Orpheus (1799) by Antonio CanovaOrpheus1799 31Theseus and the Centaur (1800) by Antonio CanovaTheseus and the Centaur1800 32Head of a Vestal Virgin (1822) by Antonio CanovaHead of a Vestal Virgin1822 33Venus Italica (1819) by Antonio CanovaVenus Italica1819 34Venus Italica (1823) by Antonio CanovaVenus Italica1823 · Metropolitanski muzej umetnosti 35Reclining Naiad (1824) by Antonio CanovaReclining Naiad1824 · Metropolitanski muzej umetnosti 36Theseus and the Minotaur (1781) by Antonio CanovaTheseus and the Minotaur1781 · Victoria and Albert Museum 37Teseo sul Minotauro (bozzetto) 1781-1783 by Antonio CanovaTeseo sul Minotauro (bozzetto) 1781-1783 38Self-Portrait (1790) by Antonio CanovaSelf-Portrait1790 · Galleria degli Uffizi 39Venus and Mars (1800) by Antonio CanovaVenus and Mars1800 40Napoleon as Mars the Peacemaker (1800) by Antonio CanovaNapoleon as Mars the Peacemaker1800 41The Three Graces Dancing (1799) by Antonio CanovaThe Three Graces Dancing1799 42Paolina Borghese as Venus Victrix (detail) (1800) by Antonio CanovaPaolina Borghese as Venus Victrix (detail)1800 43Daedalus and Icarus (1799) by Antonio CanovaDaedalus and Icarus1799 44Portrait of Amadeo Svajer (1800) by Antonio CanovaPortrait of Amadeo Svajer1800 45Amor and Psyche (detail) (1799) by Antonio CanovaAmor and Psyche (detail)1799 46Theseus and the Centaur (detail) (1800) by Antonio CanovaTheseus and the Centaur (detail)1800 47Teach the Ignorant (1799) by Antonio CanovaTeach the Ignorant1799 48Amor and Psyche (1799) by Antonio CanovaAmor and Psyche1799 49Letizia Ramolino Bonaparte (1800) by Antonio CanovaLetizia Ramolino Bonaparte1800 50Theseus and the Minotaur (1799) by Antonio CanovaTheseus and the Minotaur1799 51Danzatrice con dito al mento 1809-1814 by Antonio CanovaDanzatrice con dito al mento 1809-1814 52Monumento funerario a Clemente XIV 1783-1787 by Antonio CanovaMonumento funerario a Clemente XIV 1783-1787 53Danzatrice con mani sui fianchi 1811-1812 by Antonio CanovaDanzatrice con mani sui fianchi 1811-1812 54Untitled (DAQNX9) by Antonio CanovaUntitled (DAQNX9) 55Venere vincitrice dettaglio 1801-1807 by Antonio CanovaVenere vincitrice dettaglio 1801-1807 56Amore e Pische (particolare) by Antonio CanovaAmore e Pische (particolare) 57Caino 1846 by Antonio CanovaCaino 1846 58Ninfa dormiente 1820-1824 by Antonio CanovaNinfa dormiente 1820-1824 59Athena 1821 by Antonio CanovaAthena 1821 60Napoleone Bonaparte come Marte pacificatore 1803-1806 by Antonio CanovaNapoleone Bonaparte come Marte pacificatore 1803-1806 61Amore e Psiche 1809 by Antonio CanovaAmore e Psiche 1809 62Bust of Napoleon by Antonio CanovaBust of NapoleonMuseo Glauco Lombardi 63Amore e Psiche (particolare) by Antonio CanovaAmore e Psiche (particolare) 64La morte del mito by Antonio CanovaLa morte del mito 65Danzatrice 1812 by Antonio CanovaDanzatrice 1812 66Busto del Cardinale Joseph Fesh by Antonio CanovaBusto del Cardinale Joseph Fesh 67Amore e Psiche 1798 by Antonio CanovaAmore e Psiche 1798 68Amore e Psiche 1787-1793 by Antonio CanovaAmore e Psiche 1787-1793 69La musa Polyhymnia 1812-1816 by Antonio CanovaLa musa Polyhymnia 1812-1816 70Teseo e il Centauro 1805-1819 by Antonio CanovaTeseo e il Centauro 1805-1819 71Le Tre Grazie 1812-1816 by Antonio CanovaLe Tre Grazie 1812-1816 72Ebe 1816-1817 by Antonio CanovaEbe 1816-1817 73La morte di Priamo 1757-1822 by Antonio CanovaLa morte di Priamo 1757-1822 74Elena 1757-1822 by Antonio CanovaElena 1757-1822 75Monumento a Clemente XIII dettaglio - l'angelo della morte 1792 by Antonio CanovaMonumento a Clemente XIII dettaglio - l'angelo della morte 1792 76Amore e Psiche (bozzetto) by Antonio CanovaAmore e Psiche (bozzetto) 77Maddalena penitente 1809 by Antonio CanovaMaddalena penitente 1809 78Monumento a Maria Cristina d'Austria 1798-1805 by Antonio CanovaMonumento a Maria Cristina d'Austria 1798-1805 79Cupido by Antonio CanovaCupido 80Venere Italica 1804-1811 by Antonio CanovaVenere Italica 1804-1811 81Bozetto di due figure femminili 1806 by Antonio CanovaBozetto di due figure femminili 1806 82Monumento a Maria Cristina d'Austria (particolare) genio alato by Antonio CanovaMonumento a Maria Cristina d'Austria (particolare) genio alato 83Venere Italica 1804-1811 (dettaglio) by Antonio CanovaVenere Italica 1804-1811 (dettaglio) 84Endimione 1757-1822 by Antonio CanovaEndimione 1757-1822 85Perseo con testa di medusa 1804-1806 by Antonio CanovaPerseo con testa di medusa 1804-1806 86Portrait of Amadeo Svajer by Antonio CanovaPortrait of Amadeo SvajerMuzej Correr

Antonio Canova's paintings, period by period

What Antonio Canova painted most

The four subjects that come up most often in these pieces, each with its best-known example.

Where you can see Antonio Canova's paintings

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Antonio Canova Paintings from this list
Muzej Correr, BenetkeMuzej Correr Benetke 5 Orpheus and Eurydice, Daedalus and Icarus, Orpheus
Metropolitanski muzej umetnosti, New YorkMetropolitanski muzej umetnosti New York 3 Persej z glavo Meduze, Venus Italica, Reclining Naiad
Sveto Peterovo bazilika, VatikanSveto Peterovo bazilika Vatikan 3 Tomb of Pope Clement XIII, Tomb of Pope Clement XIII, Tomb of Pope Clement XIII (detail)
Louvre, ParizLouvre Pariz 2 Cupid and Psyche, Cupid and Psyche
Victoria and Albert Museum, LondonVictoria and Albert Museum London 2 Theseus and the Minotaur, Theseus and the Minotaur
Avgustinska cerkev, DunajAvgustinska cerkev Dunaj 2 Tomb of Duchess Maria Christina of Saxony-Teschen, Monument to Archduchess Maria Christina (detail)
Gipsoteca, PossagnoGipsoteca Possagno 1 Hercules and Lichas
Pinacoteca di Brera, MilanoPinacoteca di Brera Milano 1 Napoleon as Mars the Peacemaker

One famous Antonio Canova piece for every decade

Works per decade

Pick a decade to see its standout piece.

Antonio Canova paintings: what people want to know

What painting is Antonio Canova best known for?See the answer

Top of the list is Persej z glavo Meduze (1804), Metropolitanski muzej umetnosti, New York. Right behind it: Cupid and Psyche (1793) and Hercules and Lichas (1795).

How old was Antonio Canova at the time of Persej z glavo Meduze?See the answer

47 years old. Antonio Canova was born in 1757, and Persej z glavo Meduze dates from 1804.

Which 10 Antonio Canova paintings are the most famous?See the answer

Persej z glavo Meduze, Cupid and Psyche, Hercules and Lichas, Theseus and the Minotaur, Tomb of Duchess Maria Christina of Saxony-Teschen, Tomb of Pope Clement XIII, Napoleon as Mars the Peacemaker, Orpheus and Eurydice, Monument to Archduchess Maria Christina (detail) and Daedalus and Icarus. You'll find the year and the museum of each in the list above.

How many Antonio Canova works are there?See the answer

We have 86 works by Antonio Canova in our catalogue, dated 1775 to 1822.

Which museums have Antonio Canova's best-known paintings?See the answer

You'll find most of them in Muzej Correr (Benetke), Metropolitanski muzej umetnosti (New York) and Sveto Peterovo bazilika (Vatikan). The museum list above has the full breakdown.

When were Antonio Canova's most famous pieces painted?See the answer

In 1790s, more than any other time: 22 of the 86 pieces on this page date from then, Cupid and Psyche among them.

What are the oldest and newest famous paintings by Antonio Canova?See the answer

The earliest piece here is Orpheus and Eurydice (1775); the most recent is Head of a Vestal Virgin (1822).

What did Antonio Canova paint most?See the answer

Sculpture (19), Mythology (12) and Marble (11), out of the 86 pieces on this page.

What did Antonio Canova usually paint with?See the answer

Marble, used in 13 of the 86 pieces on this page.

Which art movement is Antonio Canova linked to?See the answer

Neo-classicism, as you can see in the pieces on this page.

What can you see by Antonio Canova at the Muzej Correr?See the answer

You can see 5 of the pieces on this page at the Muzej Correr, Benetke, including Orpheus and Eurydice, Daedalus and Icarus and Orpheus.

Can I order a Antonio Canova reproduction for my home?See the answer

Yes. Every painting on this page is available as a hand-painted oil reproduction or a print, in the size that suits you. Just open the painting's page to order.

Meet Antonio Canova

Antonio Canova: Življenje v marmorju

  • Rod: Possagno, Italija (1757)
  • Umrl: 1822

Antonio Canova stoji kot monumentalna figura v zgodovini zahodne umetnosti, široko priznan kot vrhunski neoklasicistični kipar. Njegovo mojstvo oblikovanja marmorja in sposobnost, da klasičnim oblikam vlije quite globoko čustvo, so mu zagotovila mesto med največjimi umetniki vseh časov. Rodjen v italijanskem Possagnu, kot sin kamnoseca Pietra Canove, je bilo njegovo zgodnje življenje oblikovalo umetniško okolje, ki ga je obdajalo.

Zgodnje življenje in izobraževanje

  • Družinsko ozadje: Delo njegovega očeta mu je omogočilo prvi stik z obdelavo kamna, njegov ded, Pasino Canova, kipar, specializiran za oltarje in nizke reliefe, pa je igral ključno vlogo pri negovanju njegovega talenta.
  • Zgodnji umetniški razvoj: Še pred desetimi leti je Canova pokazal izjemne veščine z ustvarjanjem malih marmornih svetišč, ki so prikazovala njegovo vroden talent. Pod vodstvom Giuseppega Bernardija ('Torretto') in Giovannija Ferrarija je še dodatno izpiloval svoje znanje.
  • Akademski študiji: Njegovi študiji na Accademia di Belle Arti v Benetkah so prinesli številne nagrade, s čimer je utrdil svoj ugled obetavnega mladega umetnika. Delovna miz v samotiškem samostanu mu je nudila prostor za razvoj njegovega okusa.
  • Zgodnje naročila: Prva naročila, kot so statue Orfeja in Euridike za senatorja Giovannija Faliera (1775–17pred 1777), so prikazala prihajajoč rokokov štilo, ki je napovedoval njegovo kasnejšo neoklasicistično prefinjenost.

Vzpon do vrhunca in neoklasicistični slog

  • Definicija neoklasicizma: Canovino delo zaznamujejo elegantne oblike, idealizirane postave in vrnitev k estetičnim načelom stare Grčije in Rima. Sestavnost je spretno izognil melodramam barokne umetnosti, hkrati pa se je upiral hladnosti, ki jo pogosto povezujemo z zgodnejšimi poskusi klasične obnove.
  • Ključna dela in priznanje: Kipovi, kot so Kupid in Psihika (okolo 1787–1793), Pokornica Magdalena in Herkul in Lih, so mu prinesli slavo po vse Evropi. Njegovo delo je z visoko željo iskalo med kralji in plemiči.
  • Promoviranje ugleda: Canova je strateško promoviral svojo kariero z objavljanjem gravir, ki prikazujejo njegova dela, ter s tvorbo marmornih različic gipsastih modelov, kar je zagotovilo široko širjenje njegove umetnosti.
  • Mednarodni prestiž: Naročila iz vse Evrope, vključno s statuo Theseja in Minotavra za Girolamo Zuliana (venetski ambasador v Rim), so utrdila njegov status enega najslavnejšav umetnikov v Evropi.

Pomembna dela in dediščina

  • Izstopajoče skulpture: Poleg že omenjenih njegova pomembna dela vključujejo Italijsko Venuso, Muzo Polihimno, Ples treh Charit in njegovo ganljivo prikazovanje Euridike.
  • Monumentalna naročila: Prejel je prestižna naročila za grobnice, najbolj opazno pa Grobnico papeža Klementa XIII. v bazilici sv. Peter v Rimu – kar je dokaz njegove izjemne veščine tako v kiparstvu kot arhitekturni zasnovi.
  • Gipsoteca Antonio Canova: Muzej Gipsoteca Antonio Canova alberga najpomembnejšo zbirko njegovih del, ki nudi neprecenljiv vpogled v njegov ustvarjalni proces in umetniško evolucijo.
  • Vpliv na prihodnje generacije: Canovino vplivanje je presegalo njegovo življenje, oblikovalo pot neoklasicistične skulpture in navdihovalo generacije umetnikov s svojo tehnično dovršenostjo in izrazno močjo.

Zgodovinski pomen

  • Otvoritev neoklasicizma: Antonio Canova je postal sinonim za neoklasicistično gibanje, saj je utelesil njegove ideale reda, jasnosti in vrnitve k klasični antiki.
  • Dvorski kipar in diplomat: Njegov položaj dvorskega kiparja številnim evropskim vladarjem mu je podelil znatno politični vpliv in mu omogočil oblikovanje umetničnega okusa po vse Evropi.
  • Tehnična inovacija: Njegova nepremagljiva veščina pri obdelavi marmorja je premaknila meje tistega, kar se je veljalo za mogoče, in postavila nov standard za kiparstvo vrhunske kakovosti.
  • Trajna umetniška dediščina: Njegove skulpture še vedno očarajo občredlavce po vsem svetu in utrjujejo njegovo mesto med najpomembnejšimi in najbolj vplivnimi umetniki v zgodovini.

All 86 works by Antonio Canova →