Kaj je ta stran?
Ta stran prikazuje število obiskov strani umetnika Jan Antonisz Van Ravesteyn na tej spletni strani. Obisk pomeni, da je ena oseba odprla stran. Vsak spodnji diagram vsebuje svoje krajše pojasnilo.
The short version for Jan Antonisz Van Ravesteyn
People open Portrait of Olivier van den Tempel (1540-1603), Lord of Corbeecke, Jan Antonisz van Ravesteyn (workshop of), c. 1609 - c. 1633 more than any other piece by Jan Antonisz Van Ravesteyn: 300 visits in twelve months, or 30% of everything viewed. Portrait Jan the Elder (1535-1606), Count of Nassau, Jan Antonisz van Ravesteyn (workshop of), c. 1610 - c. 1620 in Portrait of Philip Ernst (1585-1629), Count of Hohenlohe zu Langenburg, Jan Antonisz van Ravesteyn (workshop of), c. 1609 - c. 1633 complete the podium. Jan Antonisz Van Ravesteyn drew 1.800 visits in all, 900 on the artist page and 900 across the pieces. The trend is slightly down: 100% fewer visits in Sep 2026 than in Avg 2026. Jul 2026 was the peak, at 1.500 visits. One taste stands out: Močna barvna enotnost (Barvna harmonija) gets 80% of the visits while it is only 59% of the catalog.
Top 5: the pieces of Jan Antonisz Van Ravesteyn people open most
A ranking by real visits, not by catalog score: the 5 pieces of Jan Antonisz Van Ravesteyn opened most often on ArtsDot.com in twelve months.
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1
Portrait of Olivier van den Tempel (1540-1603), Lord of Corbeecke, Jan Antonisz van Ravesteyn (workshop of), c. 1609 - c. 1633, 1633
300 visits · 30,0%
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2
Portrait Jan the Elder (1535-1606), Count of Nassau, Jan Antonisz van Ravesteyn (workshop of), c. 1610 - c. 1620, 1620
300 visits · 30,0%
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3
Portrait of Philip Ernst (1585-1629), Count of Hohenlohe zu Langenburg, Jan Antonisz van Ravesteyn (workshop of), c. 1609 - c. 1633, 1633
200 visits · 20,0%
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4
Portrait of Justinus of Nassau (1559-1631), Jan Antonisz van Ravesteyn (workshop of), c. 1609 - c. 1633, 1633
100 visits · 10,0%
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5
Portrait of an Officer, Jan Antonisz van Ravesteyn, c. 1610 - c. 1620, 1620
100 visits · 10,0%
How popular is the Jan Antonisz Van Ravesteyn page, month after month?
Vsak stavec predstavlja en mesec in prikazuje število ogledov strani tega umetnika v posameznem mesecu v zadnjih dvanajstih mesecih.
Show the numbers behind this chart
| Month | Artist page | Artwork pages |
|---|---|---|
| Okt 2025 | 0 | 0 |
| Nov 2025 | 0 | 0 |
| Dec 2025 | 0 | 0 |
| Jan 2026 | 0 | 0 |
| Feb 2026 | 0 | 0 |
| Mar 2026 | 0 | 0 |
| Apr 2026 | 0 | 0 |
| Maj 2026 | 0 | 0 |
| Jun 2026 | 0 | 100 |
| Jul 2026 | 800 | 700 |
| Avg 2026 | 100 | 100 |
| Sep 2026 | 0 | 0 |
How much attention do the pieces of Jan Antonisz Van Ravesteyn get overall?
Vsak stavec predstavlja en mesec. Prikazuje skupno število obiskov vseh strani s slikami tega umetnika, mesečno, v obdobju ene leto.
The monthly figures of both charts are in the first table, above.
Which styles of piece draw the visitors of Jan Antonisz Van Ravesteyn?
Each star chart compares two things. The dotted shape is the artist's own work: fifty artworks taken at random, sorted by one feature. The solid shape is where the visits actually went during the last twelve months. Where the solid shape reaches further out than the dotted one, that kind of artwork attracts more attention than its share of the artist's work.
Vibra
Čustveni ton
Luminenca
Zasičenost barv
Barvna paleta
Intenzivnost barv
Kontrast
Barvna harmonija
Show the numbers behind this chart
| Luminenca | Artworks of the artist | Visits |
|---|---|---|
| Temno | 93,8% | 90,0% |
| Mehak senčni del | 6,2% | 10,0% |
| Subtilna svetlobnost | 0,0% | 0,0% |
| Svetla ravnovesja | 0,0% | 0,0% |
| Luminosno | 0,0% | 0,0% |
| Zasičenost barv | Artworks of the artist | Visits |
|---|---|---|
| Zbledelo | 59,4% | 50,0% |
| Subtilne barve | 31,2% | 40,0% |
| Uravnomerno mehka | 6,2% | 10,0% |
| Izrazita prisotnost barv | 3,1% | 0,0% |
| Živahna barva | 0,0% | 0,0% |
| Intenzivnost barv | Artworks of the artist | Visits |
|---|---|---|
| Monokromatski | 78,1% | 80,0% |
| Uravnotežen | 21,9% | 20,0% |
| Živopisno | 0,0% | 0,0% |
| Kontrast | Artworks of the artist | Visits |
|---|---|---|
| Mirno | 3,1% | 0,0% |
| Nežen | 31,2% | 30,0% |
| Ravnovesje | 3,1% | 20,0% |
| Izrazit | 37,5% | 40,0% |
| Izjava | 25,0% | 10,0% |
| Barvna harmonija | Artworks of the artist | Visits |
|---|---|---|
| Dissonantna paleta barv | 0,0% | 0,0% |
| Subtilno zmešana paleta barv | 3,1% | 0,0% |
| Ravnovesna harmonija | 9,4% | 10,0% |
| Močna barvna enotnost | 59,4% | 80,0% |
| Usklajenana paleta barv | 28,1% | 10,0% |
How do the most popular Jan Antonisz Van Ravesteyn pieces compare over the year?
Vsaka vrstica predstavlja eno priljubljeno umetniško delo. Vsak stavec prikazuje število obiskov, ki jih je to umetniško delo doletelo v določenem mesecu. Višji stavci pomenijo več obiskov v tem mesecu.
Show the numbers behind this chart
| Artwork | Okt 2025 | Nov 2025 | Dec 2025 | Jan 2026 | Feb 2026 | Mar 2026 | Apr 2026 | Maj 2026 | Jun 2026 | Jul 2026 | Avg 2026 | Sep 2026 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Portrait of Johann Conrad v… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Portrait of Joost de Zoete… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Portrait Jan the Elder (153… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 300 | 0 | 0 |
| Portrait of Francisco Hurta… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Portrait of Gaspard de Coli… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Portrait of a Gentleman wit… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Hugo grotius | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Portrait of an Unknown Lady | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Sir daniel balfour | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Justinus van Nassau | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
In which languages is Jan Antonisz Van Ravesteyn read?
Vsak delček predstavlja en jezik. Večji ko je delček, več obiskovalcev je v zadnjih tridesetih dneh uporabil spletno mesto v tem jeziku. Prikazano je le prvih deset.
Show the numbers behind this chart
| Language | Visits | Share |
|---|---|---|
| Poljščina | 100 | 100,0% |
What do the daily visits to Jan Antonisz Van Ravesteyn look like, and what is the forecast?
Vsak stavec predstavlja en dan. Prvi staveci prikazujejo število obiskov v zadnjih treh tednih. Staveci druge barve predstavljajo našo napoved za naslednje tri tedne.
Show the numbers behind this chart
| Day | Visits |
|---|---|
| sob 19 Sep | 0 |
| ned 20 Sep | 0 |
| pon 21 Sep | 0 |
| tor 22 Sep | 0 |
| sre 23 Sep | 0 |
| čet 24 Sep | 0 |
| pet 25 Sep | 0 |
| sob 26 Sep | 0 |
| ned 27 Sep | 0 |
| pon 28 Sep | 0 |
| tor 29 Sep | 0 |
| sre 30 Sep | 0 |
| čet 1 Okt | 0 |
| pet 2 Okt | 200 |
| sob 3 Okt | 0 |
| ned 4 Okt | 0 |
| pon 5 Okt | 0 |
| tor 6 Okt | 0 |
| sre 7 Okt | 0 |
| čet 8 Okt | 0 |
| pet 9 Okt | 0 |
| sob 10 Okt (napovedano) | 0 |
| ned 11 Okt (napovedano) | 0 |
| pon 12 Okt (napovedano) | 0 |
| tor 13 Okt (napovedano) | 0 |
| sre 14 Okt (napovedano) | 0 |
| čet 15 Okt (napovedano) | 0 |
| pet 16 Okt (napovedano) | 0 |
| sob 17 Okt (napovedano) | 0 |
| ned 18 Okt (napovedano) | 0 |
| pon 19 Okt (napovedano) | 0 |
| tor 20 Okt (napovedano) | 0 |
| sre 21 Okt (napovedano) | 0 |
| čet 22 Okt (napovedano) | 0 |
| pet 23 Okt (napovedano) | 0 |
| sob 24 Okt (napovedano) | 0 |
| ned 25 Okt (napovedano) | 0 |
| pon 26 Okt (napovedano) | 0 |
| tor 27 Okt (napovedano) | 0 |
| sre 28 Okt (napovedano) | 0 |
| čet 29 Okt (napovedano) | 0 |
| pet 30 Okt (napovedano) | 0 |
Jan Antonisz Van Ravesteyn: quick answers
What is the most viewed piece by Jan Antonisz Van Ravesteyn?
- It is Portrait of Olivier van den Tempel (1540-1603), Lord of Corbeecke, Jan Antonisz van Ravesteyn (workshop of), c. 1609 - c. 1633: 300 visits, 30% of the views of Jan Antonisz Van Ravesteyn. The list above goes down to number 5.
How many visits does Jan Antonisz Van Ravesteyn get?
- 1.800 in the last twelve months, of which 900 on the artist page and 900 on the individual pieces.
Is there a type of piece by Jan Antonisz Van Ravesteyn that people favour?
- Yes, Močna barvna enotnost (Barvna harmonija): 80% of the visits for 59% of the catalog.