Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 1 del v našem katalogu avtorja Robert Polack
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Najbolj znano delo umetnika Robert Polack je Robert Polack for Batschari Cigarettes (1925). Najdete ga v muzeju The Fan Museum v mestu Greenwich. V našem katalogu imamo 1 del avtorja Robert Polack; ta vodnik izpostavlja 1 najbolj znanih del, vključno z letom nastanka, muzejem in zgodbojo vsake slike.
Fontange or balloon shaped fan with stained wooden sticks.The double paper leaf is printed on the recto with a pochoir (stencil print) of an elegant looking couple against a starlit sky. The male figure, adopting a fashionably effete pose, holds a box of matches in one hand while clasping his female companion in a gentle embrace. She tilts her head to take a light from his cigarette and smoke rises…
1 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Robert Polack | Slike iz tega seznama |
|---|---|---|---|
 The Fan Museum |
Greenwich | 1 | Robert Polack for Batschari Cigarettes |
Vsi datirani dela umetnika Robert Polack na tej strani so iz leta 1925. Tukaj so, razvrščena po slavi.
Izberite leto in oglej njegova dela.
Fontange or balloon shaped fan with stained wooden sticks.The double paper leaf is printed on the recto with a pochoir (stencil print) of an elegant looking couple against a starlit sky. The male figure, adopting a fashionably effete pose, holds a box of matches in one hand while clasping his female companion in a gentle embrace. She tilts her head to take a light from his cigarette and smoke rises…
Na vrhu seevlja Robert Polack for Batschari Cigarettes (1925).
Starosti 45 let. Robert Polack se je rodil(a) leta 1880, njegovo/njino delo Robert Polack for Batschari Cigarettes pa izvira iz leta 1925.
V našem katalogu imamo 1 del avtorja Robert Polack.
Večino njih boste našli v The Fan Museum (Greenwich). Na seznamu muzejev zgoraj je naveden celoten pregled.
Born in Paris, France, in 1880, Robert Polack lived through a period where the edges of illustration began to soften into something more decorative. His hands worked with the delicate textures of paper and stencil, leaving behind traces of a specific French aesthetic. The work often appeared on small, intimate objects or within the quiet pages of books, far from the scale of large canvases.
In 1925, his touch was seen on a fan held in the collection of The Fan Museum in Greenwich. This piece featured a double paper leaf, shaped like a balloon, with wooden sticks stained to hold their form. Using a pochoir technique, he rendered an elegant couple beneath a starlit sky. The smoke from a cigarette rises to form words, a small, clever detail tucked into the design.
Polack’s method relied on the precision of the stencil and the softness of watercolor. He moved between different mediums to suit the surface at hand, whether it was the thin tissue of a book or the paper of a handheld fan. His illustrations often captured figures in specific, poised moments.
Some of his known works include:
The traces of his career are found in the small details of the Art Deco era. He focused on the way light and shadow could be captured through stenciling, creating images that felt part of a larger, fashionable atmosphere. His death in 1958 marked the end of a life spent working within these fine, controlled boundaries of print and illustration.
