Portret Robert Burrows

Vaš vodnik po 18 najbolj znanih slikah avtorja Robert Burrows

Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 21 del v našem katalogu avtorja Robert Burrows

Kratek opis

Najbolj znano delo umetnika Robert Burrows je Evening. Najdete ga v muzeju Darlington Library v mestu Darlington. Na seznamu sta še Bridge, West of Stoke Bridge, Suffolk (1847) in Gainsborough's Lane (1868). V našem katalogu imamo 21 del avtorja Robert Burrows; ta vodnik izpostavlja 18 najbolj znanih del, vključno z letom nastanka, muzejem in zgodbojo vsake slike.

1810 – 1883 Največ del: Darlington Library

10 slik umetnika Robert Burrows, ki jih morate najprej poznati

Štila od 11 do 18: več slik avtorja Robert Burrows

Kaj je Robert Burrows naslikal največ

Četiri teme, ki se v teh delih najpogosteje pojavljajo, vsaka z svojim najbolj znanim primerom.

Kje si lahko ogledate slike avtorja Robert Burrows

4 muzejev, ki vsebujo največ slik na tej strani.

Muzej Mesto Sloga Robert Burrows Slike iz tega seznama
Darlington Library, DarlingtonDarlington Library Darlington 4 Evening, Gainsborough's Lane, Cattle on Road
Christchurch Mansion, IpswichChristchurch Mansion Ipswich 2 Gipping near Oil Mills, Suffolk, Landscape in Christchurch Park, Suffolk
Sunderland Museum - Winter Gardens, SunderlandSunderland Museum - Winter Gardens Sunderland 1 Gainsborough's Lane
Sudbury Town Hall, SudburySudbury Town Hall Sudbury 1 Cattle Watering

Dekada za dekado: najbolj znano delo umetnika Robert Burrows iz vsakega obdobja

Delo po desetletjih

Izberite desetletje, da si ogledate njegovo najboljše delo.

Robert Burrows: hitri odgovori o slikah

Katero je najbolj znano sliko umetnika Robert Burrows?Poglejte odgovor

Na vrhu liste je Evening, Darlington Library, Darlington. Takoj za njim sta Bridge, West of Stoke Bridge, Suffolk (1847) in Gainsborough's Lane (1868).

Kakih 10 najboljjših slik ima Robert Burrows?Poglejte odgovor

Evening, Bridge, West of Stoke Bridge, Suffolk, Gainsborough's Lane, Foxhall Road, Ipswich, Cattle Watering, River Scene, River Orwell from Gainsborough Lane, Suffolk, Orwell from Bridleway, Ipswich, Old Gippeswyck Hall, Suffolk in Back of Cauldwell Hall, Suffolk. Leto in muzej vsakega dela boste našli v zgornjem seznamu.

Koliko del umetnika Robert Burrows je v vašem katalogu?Poglejte odgovor

V našem katalogu je 21 del umetnika Robert Burrows, datiranih od 1847 do 1883.

V katerih muzejih lahko vidite znana dela umetnika Robert Burrows?Poglejte odgovor

Večino njih boste našli v Darlington Library (Darlington), Christchurch Mansion (Ipswich) in Sunderland Museum - Winter Gardens (Sunderland). Na seznamu muzejev zgoraj je naveden celoten pregled.

Kdaj je Robert Burrows ustvaril svoja najbolj znana dela?Poglejte odgovor

V obdobju 1880s, bolj kot koli drugič: 8 od 18 del na tej strani izvira iz tega obdobja, med katerimi je River Scene.

Kateri sta prva in zadnja znana dela umetnika Robert Burrows?Poglejte odgovor

Najstarejše delo tukaj je Bridge, West of Stoke Bridge, Suffolk (1847); najsodobnejše je River Scene (1883).

Katere teme je Robert Burrows najpogosteje slika?Poglejte odgovor

Rural landscape (2) in Pastoral scene (2) od 18 del na tej strani.

Katera slavna slika umetnika Robert Burrows se nahaja v muzeju Darlington Library?Poglejte odgovor

Na tej strani lahko v muzeju Darlington Library, Darlington vidite 4 dela, vključno s作品ami Evening, Gainsborough's Lane in Cattle on Road.

Kje lahko naročim reprodukcijo Robert Burrows?Poglejte odgovor

Da. Vsaka slika na tej strani je na voljo kot ročno slikano oljno reprodukcijo ali tiskano kopijo v velikosti, ki vam ustreza. Za naročilo le odprite stran slike.

Zgodba umetnika Robert Burrows

Early Life, Family and Artistic Training

Robert Burrows was born in Ipswich, Suffolk, in 1810. He was the eldest son of a silversmith, Robert Burrows, and Elizabeth Cordy. Growing up in a household shaped by the precise work of a silversmith, he eventually moved toward the study of fine art. He traveled to London to receive his training at the Royal Academy, where he learned the formal foundations of his craft.

His connection to the local art community in Ipswich remained strong throughout his life. Shortly after Henry Davy established the Ipswich Society of Professional & Amateur Artists in 1832, Robert Burrows joined the group. He became deeply involved in the organization's inner workings, eventually taking on the role of secretary. This involvement placed him at the center of the local creative circle during a period of significant change in how people captured the world around them.

The Landscapes of Ipswich and Suffolk

Burrows found his subject matter in the quiet corners of the Suffolk countryside. Much of his work focuses on the immediate surroundings of Ipswich, capturing the specific light and textures of the local terrain. He spent much of his time observing the way the landscape settled around the river valleys and the small lanes that connected the rural settlements.

In 1866, he painted Gainsborough’s Lane, a scene that looks closely at a typical Victorian village street. The work focuses on the cottages and the cobblestones under the afternoon light. His interest in the water is evident in his 1883 depictions, such as the Orwell River from Gainsborough Lane, Suffolk, and his views of Old Cauldwell. These paintings look at the Orwell River valley, focusing on the stillness of the water and the way the light sits upon the landscape. He also turned his attention to the architecture of the region, as seen in his 1883 painting of Old Gippeswyck Hall, Suffolk.

Technique and Artistic Style

Burrows worked primarily with oil paints on canvas, applying pigment in thin layers to build a sense of light. His approach relied on meticulous observation and a steady hand. He favored controlled, deliberate brushstrokes that allowed him to capture the specific textures of the natural world. In his depictions of the Suffolk countryside, he focused on the way light interacts with different surfaces, particularly the movement of water and the density of foliage.

There is a quiet precision in how he handled tonal harmony. He did not rely on sudden shifts in color but instead worked through subtle gradations to create depth. This method is evident in his treatment of landscape elements, where he sought to replicate the actual appearance of the terrain through careful layering. His work often centers on the interplay between light and shadow in rural settings, such as the following pieces:

His method required a patient, close-up study of his subjects. By prioritizing the physical reality of textures, he achieved a sense of atmospheric depth without losing the specific details of the landscape. This focus on the tangible qualities of nature—the roughness of a path or the stillness of a river—defines his visual language.

Legacy and Where to See the Works

Burrows represents a specific chapter in the history of Suffolk art and photography. His landscapes offer a way to see how Victorian life was perceived in the rural countryside. By using early photographic techniques, he showed an interest in capturing reality through these new mediums. His work remains a record of the changing landscape and the way light fell across the fields and river valleys of his home.

Several collections hold his paintings. The Darlington Library contains five of his works. In Ipswich, Christchurch Mansion holds two pieces. Other works can be found in the Sudbury Town Hall and the Sunderland Museum - Winter Gardens.