Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 5 del v našem katalogu avtorja Robert Atkinson
Kratek opis
Če poznate eno sliko avtorja Robert Atkinson, je to verjetno A Spanish Soldier of the 16th Century (1885), ki je razpostavljena v muzeju Auckland Art Gallery Toi o Tāmaki, Auckland. Portrait of Albin Martin (1886) in A Settler’s Kitchen, Opua Whanga, New Zealand 1886 (1886) dopolnjujeta tri dela, ki jih ljudje takoj prepoznajo. Naš katalog vsebuje 5 del avtorja Robert Atkinson. Spodaj je 5 najbolj znanih del, vsako z letom nastanja, informacijo o tem, kje je zasnovano in kaj ga dela posebnega.
1 muzejev, ki vsebujo največ slik na tej strani.
| Muzeji | Mesto | Sloga Robert Atkinson | Slike iz tega seznama |
|---|---|---|---|
 Auckland Art Gallery Toi o Tāmaki |
Auckland | 5 | A Spanish Soldier of the 16th Century, Portrait of Albin Martin, A Settler’s Kitchen, Opua Whanga, New Zealand 1886 |
Delo umetnika Robert Atkinson tukaj obdaja le 2 let, od 1885 do 1886. Tukaj je pregled vsakega leta.
Izberite leto in oglej njegova dela.
Na vrhu liste je A Spanish Soldier of the 16th Century (1885), Auckland Art Gallery Toi o Tāmaki, Auckland. Takoj za njim sta Portrait of Albin Martin (1886) in A Settler’s Kitchen, Opua Whanga, New Zealand 1886 (1886).
Starosti 22 let. Robert Atkinson se je rodil(a) leta 1863, njegovo/njino delo A Spanish Soldier of the 16th Century pa izvira iz leta 1885.
V našem katalogu je 5 del umetnika Robert Atkinson, datiranih od 1885 do 1886.
Večino njih boste našli v Auckland Art Gallery Toi o Tāmaki (Auckland). Na seznamu muzejev zgoraj je naveden celoten pregled.
V obdobju 1886, bolj kot koli drugič: 2 od 5 del na tej strani izvira iz tega obdobja, med katerimi je Portrait of Albin Martin.
Najstarejše delo tukaj je A Spanish Soldier of the 16th Century (1885); najsodobnejše je Portrait of Albin Martin (1886).
Na tej strani lahko v muzeju Auckland Art Gallery Toi o Tāmaki, Auckland vidite 5 dela, vključno s A Spanish Soldier of the 16th Century, Portrait of Albin Martin in A Settler’s Kitchen, Opua Whanga, New Zealand 1886.
Da. Vsaka slika na tej strani je na voljo kot ročno slikano oljno reprodukcijo ali tiskano kopijo v velikosti, ki vam ustreza. Za naročilo le odprite stran slike.
Born in the industrial heart of Leeds, Robert Atkinson sought a different air, eventually finding himself in the studios of Antwerp. It was under the guidance of Verlat that his hand first learned the discipline of form and light. By 1885, driven by a need for better health, he turned his gaze toward the southern reaches of the globe, arriving in New Zealand. He established a studio in the Victoria Arcade in Auckland, a space where the quiet intensity of his studies began to take shape. His presence in the colonies was marked by a steady hand and a desire to capture the essence of his surroundings, from the intimate details of a settler's kitchen in Opua Whanga to the formal dignity of a portrait of Albin Martin.
His time in the colonies was a period of constant movement and connection. He moved between the art circles of Melbourne, Sydney, and Auckland, building friendships with fellow painters like Kate McCosh Clark. These years were defined by a search for subject matter that could bridge the gap between his European training and the raw reality of his new environment. Even when he returned to England in 1889 to work as an illustrator, the pull of the southern lands remained, drawing him back to New Zealand in 1895.
The works he left behind reveal a man deeply interested in the structure of life, whether through the study of the human form or the depiction of social scenes. His paintings often focused on the immediate and the tangible:
His death in Dunedin in 1896 cut short a career that was still finding its footing in the colonial landscape. Though his life was brief, the rarity of his New Zealand genre subjects ensures that his vision remains a distinct part of the historical record. He was a painter of specific moments, capturing the light of a new world through the lens of an old-world education.
