Posodobljeno oktober 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 5 del v našem katalogu avtorja László Pataky
Kratek opis
Sliko, ki jo najbolj pozna László Pataky, predstavlja Roosters on Horses (1880), ki jo lahko vidite v muzeju Slovak National Gallery v mestu Bratislava. Takoj za tem sledita Cavalry Battle (1890) in Kuruci (1903). Od 5 del umetnika László Pataky v našem katalogu so teh 3 najbolj znanih. Vsako od njih vključuje leto nastanka, muzej in kratek opis tistega, kar ga izpostavlja.
2 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga László Pataky | Slike iz tega seznama |
|---|---|---|---|
 Slovak National Gallery |
Bratislava | 2 | Roosters on Horses, Cavalry Battle |
| Ernest Zmeták Art Gallery | Nové Zámky | 1 | Kuruci |
Izberite desetletje, da si ogledate njegovo najboljše delo.
Na vrhu liste je Roosters on Horses (1880), Slovak National Gallery, Bratislava. Takoj za njim sta Cavalry Battle (1890) in Kuruci (1903).
Starosti 23 let. László Pataky se je rodil(a) leta 1857, njegovo/njino delo Roosters on Horses pa izvira iz leta 1880.
V našem katalogu je 5 del umetnika László Pataky, datiranih od 1880 do 1903.
Večino njih boste našli v Slovak National Gallery (Bratislava) in Ernest Zmeták Art Gallery (Nové Zámky). Na seznamu muzejev zgoraj je naveden celoten pregled.
Najstarejše delo tukaj je Roosters on Horses (1880); najsodobnejše je Kuruci (1903).
Na tej strani lahko v muzeju Slovak National Gallery, Bratislava vidite 2 dela, vključno s作品ami Roosters on Horses in Cavalry Battle.
Da. Vsaka slika na tej strani je na voljo kot ročno slikano oljno reprodukcijo ali tiskano kopijo v velikosti, ki vam ustreza. Za naročilo le odprite stran slike.
László Pataky began his training within the walls of the arts and crafts school in Budapest. His hands learned the fundamentals before he moved toward the Academy of Fine Arts in Munich after 1880, working under Karl von Piloty. This period of study was followed by years spent moving between Paris, Budapest, and Munich from 1883 to 1889. These travels brought different light and different ways of seeing into his practice.
In 1888, a scholarship for his painting The Messenger opened a door to the studio of Mihály Munkácsy. He worked alongside Munkácsy on the large-scale Hungarian Conquest intended for the Hungarian Parliament Building. After this heavy task was finished, he settled in Alvinc, returning to the landscapes of his home province.
His brush often rested on the quiet rhythms of country life. He focused on rural genre scenes, capturing the movement of horses and the weight of a harvest. Some of his canvases hold specific moments of labor or rest:
Beyond the canvas, he spent much of his time translating words into images. He provided illustrations for several novels, including works by Carmen Sylva, Gabriele D'Annunzio, and Géza Gárdonyi. His gouache drawings appeared regularly in magazines such as Vasárnapi Ujság, Új Idők, and Magyar Salon.
The work of Pataky remains held in places like the Hungarian National Gallery. His career was marked by retrospective exhibitions, such as those organized by the Guild of St. George in 1913 and the Hall of Art in 1918. These gatherings allowed for a final look at his contributions to the depiction of Hungarian life before he passed away in Alvinc in 1912.
