Portret John Dee

Spoznajte 4 najbolj znanih slik avtorja John Dee

Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 4 del v našem katalogu avtorja John Dee

Kratek opis

Če poznate eno sliko avtorja John Dee, je to verjetno Obsidian Mirror (1400). Four Castles Gold Disk (1560) in Sigillum Dei, Wax Disks (1582) dopolnjujeta tri dela, ki jih ljudje takoj prepoznajo. Naš katalog vsebuje 4 del avtorja John Dee. Spodaj je 4 najbolj znanih del, vsako z letom nastanja, informacijo o tem, kje je zasnovano in kaj ga dela posebnega.

1527 – 1608

Začnite tukaj: 10 najboljjših slik umetnika John Dee

John Dee leta za letom: izpostavljena dela

Delo umetnika John Dee tukaj obdaja obdobje 23 let, od 1560 do 1582. Pregledajte jih letnik po letniku, z najbolj znanimi dzieji vsakega obdobja.

Delo po letih

Izberite leto in oglej njegova dela.

Vaša vprašanja o slikah umetnika John Dee

Katero sliko avtorja John Dee je najbolj znana?Poglejte odgovor

Na vrhu liste je Obsidian Mirror (1400). Takoj za njim sta Four Castles Gold Disk (1560) in Sigillum Dei, Wax Disks (1582).

Koliko slik je ustvaril John Dee?Poglejte odgovor

V našem katalogu je 4 del umetnika John Dee, datiranih od 1560 do 1582.

Kdaj je John Dee naslikal svoja najbolj znana dela?Poglejte odgovor

V obdobju 1582, bolj kot koli drugič: 2 od 4 del na tej strani izvira iz tega obdobja, med katerimi je Sigillum Dei, Wax Disks.

Katera slika znatega umetnika John Dee je bila naslikana prva in katera zadnja?Poglejte odgovor

Najstarejše delo tukaj je Four Castles Gold Disk (1560); najsodobnejše je Sigillum Dei, Wax Disks (1582).

Ali lahko dobim reprodukcijo slike avtorja John Dee?Poglejte odgovor

Da. Vsaka slika na tej strani je na voljo kot ročno slikano oljno reprodukcijo ali tiskano kopijo v velikosti, ki vam ustreza. Za naročilo le odprite stran slike.

Spoznajte umetnika John Dee

The Life and Family of John Dee

John Dee was an English polymath and occultist, a man whose intellectual reach extended far beyond the boundaries of traditional scholarship. Born on 13 July 1527, he occupied a space between rigorous science and the esoteric. His lineage began with his father, Rowland Dee, providing the foundation for a life defined by the pursuit of hidden knowledge. He was not a painter or a visual creator, but a thinker whose influence was felt through his vast intellectual inquiries and his involvement in the occult sciences of the sixteenth century.

Family life for Dee was marked by specific, documented connections that anchored his complex existence. His son, Arthur Dee, was born on 13 July 1579. This lineage continued through a life spent largely in Mortlake, London, where he maintained his residence and his extensive collections. The weight of his intellectual pursuits often intersected with his personal associations, creating a life that was as much about human relationships as it was about the study of the unknown.

The end of his life remains a matter of slight historical debate, with records suggesting he died in 1608 or 1609. Regardless of the exact year, the impact of his work remains a concrete part of the history of English intellectualism. He left behind a legacy of manuscripts and tracts, including the Cotton Vitellius C. VII, which serves as a primary record of his own life and thoughts. His existence was defined by this tension between the documented word and the unseen forces he sought to understand.

Travels and Connections in Europe

John Dee was an English polymath and occultist whose influence relied heavily on his ability to navigate the complex social and intellectual circles of the European continent. His movements were not mere sightseeing; they were strategic engagements with the power structures of the era. He was a visitor to the court of Rudolf II, a connection that placed him at the center of significant intellectual exchange. This relationship was solidified during his time in Prague, where he visited the court of Rudolf II between 1584 and 1585. These interactions demonstrate a man deeply embedded in the high-stakes political and esoteric currents of the late sixteenth century.

His social network was as diverse as it was specialized. He maintained a close friendship with Edward Kelley, a relationship that likely defined much of his later intellectual pursuits. Beyond these personal ties, Dee moved through a web of associates and acquaintances that spanned various social strata. He was connected to William of Rosenberg and Nicholas Starkie, figures who represent the breadth of his professional and social reach. These were not casual acquaintances but part of a structured existence defined by proximity to power and the exchange of specialized knowledge. His presence in Prague and his ties to the court of Rudolf II confirm that his work was never isolated to a single locale, but was instead part of a broader, continental dialogue.