Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 1 del v našem katalogu avtorja James Macbeth
Kratek opis
Najbolj znano delo umetnika James Macbeth je Sir Daniel Macnee, 1806 - 1882. Artist (1870). Najdete ga v muzeju Scottish National Portrait Gallery v mestu Edinburgh. V našem katalogu imamo 1 del avtorja James Macbeth; ta vodnik izpostavlja 1 najbolj znanih del, vključno z letom nastanka, muzejem in zgodbojo vsake slike.
1 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga James Macbeth | Slike iz tega seznama |
|---|---|---|---|
 Scottish National Portrait Gallery |
Edinburgh | 1 | Sir Daniel Macnee, 1806 - 1882. Artist |
Vsi datirani dela umetnika James Macbeth na tej strani so iz leta 1870. Tukaj so, razvrščena po slavi.
Izberite leto in oglej njegova dela.
Na vrhu seevlja Sir Daniel Macnee, 1806 - 1882. Artist (1870).
Starosti 23 let. James Macbeth se je rodil(a) leta 1847, njegovo/njino delo Sir Daniel Macnee, 1806 - 1882. Artist pa izvira iz leta 1870.
V našem katalogu imamo 1 del avtorja James Macbeth.
Večino njih boste našli v Scottish National Portrait Gallery (Edinburgh). Na seznamu muzejev zgoraj je naveden celoten pregled.
Da. Vsaka slika na tej strani je na voljo kot ročno slikano oljno reprodukcijo ali tiskano kopijo v velikosti, ki vam ustreza. Za naročilo le odprite stran slike.
The year is 1847 in Glasgow. James Macbeth enters a world where the lines of Scottish identity are being drawn through brushstrokes and ink. He is born into a family of creators; his father, Norman Macbeth, is a portrait painter, and his brothers, Robert Walker and Henry, will also find their way into the arts. This lineage is not merely a coincidence of birth but a shared language of form and color. James moves between the creative hubs of London and Scotland, establishing a presence in both the metropolitan galleries and the local scenes of his homeland.
His work often turns toward the human figure and the quietude of domestic life. In his portrait of Sir Daniel Macnee, he captures the likeness of a contemporary artist, a choice that places him directly within the professional circles of his era. He does not merely record a face; he engages with the social fabric of the mid-nineteenth century.
As the 1880s approach, a shift occurs in the atmosphere of his compositions. His painting A quiet afternoon signals a departure from strict realism toward something more atmospheric. This work anticipates the mood of Aestheticism, a movement that prioritizes sensory experience and a specific kind of contemplative stillness. The scene is not one of action, but of a lingering, suspended moment.
His output is defined by two primary modes of expression:
The trajectory of James Macbeth is cut short in 1891. He leaves behind a body of work that bridges the gap between traditional Scottish portraiture and the emerging sensibilities of the late Victorian period. His presence in the National Galleries of Scotland ensures that his contribution to the visual history of his country remains documented, even as the movements he helped anticipate continue to evolve.
