Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 5 del v našem katalogu avtorja Frank Wright
Kratek opis
Sliko, ki jo najbolj pozna Frank Wright, predstavlja The Mill Valley, Karekare Bay (1899), ki jo lahko vidite v muzeju Auckland Art Gallery Toi o Tāmaki v mestu Auckland. Takoj za tem sledita The Close of day (1909) in Morning after rain (1912). Od 5 del umetnika Frank Wright v našem katalogu so teh 5 najbolj znanih. Vsako od njih vključuje leto nastanka, muzej in kratek opis tistega, kar ga izpostavlja.
2 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Frank Wright | Slike iz tega seznama |
|---|---|---|---|
 Auckland Art Gallery Toi o Tāmaki |
Auckland | 4 | The Mill Valley, Karekare Bay, The Close of day, Morning after rain |
 Te Whare O Rehua Sarjeant Gallery |
1 | Waitakeres |
Izberite desetletje, da si ogledate njegovo najboljše delo.
Na vrhu liste je The Mill Valley, Karekare Bay (1899), Auckland Art Gallery Toi o Tāmaki, Auckland. Takoj za njim sta The Close of day (1909) in Morning after rain (1912).
Starosti 39 let. Frank Wright se je rodil(a) leta 1860, njegovo/njino delo The Mill Valley, Karekare Bay pa izvira iz leta 1899.
V našem katalogu je 5 del umetnika Frank Wright, datiranih od 1899 do 1912.
Večino njih boste našli v Auckland Art Gallery Toi o Tāmaki (Auckland) in Te Whare O Rehua Sarjeant Gallery. Na seznamu muzejev zgoraj je naveden celoten pregled.
V obdobju 1910s, bolj kot koli drugič: 2 od 5 del na tej strani izvira iz tega obdobja, med katerimi je Morning after rain.
Najstarejše delo tukaj je The Mill Valley, Karekare Bay (1899); najsodobnejše je Morning after rain (1912).
Na tej strani lahko v muzeju Auckland Art Gallery Toi o Tāmaki, Auckland vidite 4 dela, vključno s作品ami The Mill Valley, Karekare Bay, The Close of day in Morning after rain.
Da. Vsaka slika na tej strani je na voljo kot ročno slikano oljno reprodukcijo ali tiskano kopijo v velikosti, ki vam ustreza. Za naročilo le odprite stran slike.
Frank Wright remains a figure of significant interest for collectors tracking the turn-of-the-century landscape of New Zealand. While his reputation was long confined to the Auckland region, his technical proficiency distinguishes him from his contemporaries. He was a professional painter who operated with a level of discipline that set him apart from more popular, less structured artists of his era. His work provides a direct visual record of the New Zealand landscape and its inhabitants during a transformative period.
The market has recently begun to recognize the true value of his output. For years, his works lagged behind others in price, but recent auction results have corrected this oversight. His ability to capture specific locales, from the waters of Whangarei Harbour to the estuaries of Tamaki, demonstrates a focused commitment to the geography of his surroundings.
Wright’s practice was defined by a clear, observational approach to his subjects. He worked across various media, showing a particular aptitude for both oil on canvas and watercolour. His compositions often centered on the intersection of land and water, capturing the specific light and atmosphere of the New Zealand coast.
His repertoire includes several notable subjects and formats:
The significance of Wright’s work is cemented by his inclusion in major regional exhibitions. A joint exhibition arranged by the Auckland City Art Gallery in 1953 confirmed his place in the local canon. He was part of a final generation of painters who defined the aesthetic of the turn of the century in New Zealand. His paintings are no longer merely regional curiosities; they are essential components for understanding the development of New Zealand's early art market.
